This is a solid, traditional biography that well chronicles the life and times of John Paul II. The work is rich in detail and, on the whole, sound in its analysis of the significance of John Paul's Pontificate. The author does an excellent job, moreover, of describing the theological ideas and works of Karol Wojtyla pre-1978. The work has two relatively minor flaws. First, there are places where catalogues of information -- e.g., the topics of each of Karol Wojtyla's addresses on Vatican radio during the early 1960s, a list of the subjects of each of series of seminars given by Fr. Wojtyla during a certain period -- are inartfully inserted into the text. This leaves one with the impression that the author felt compelled to include all information discovered even when it did not contribute to the portrait being painted. The second is a lack of spiritual depth and sensitivity. Decisions and actions that are essentially religious in nature are analyzed primarily for their worldly consequences and/or presentation. The discussions of "Humanae Vitae" and "Ordinatio Sacerdotalis," for example, are the standard secular analyses one would read from the likes of a Michael Novak. This leaves the reader feeling that the portrait of the man fails to reveal his full spiritual dimension. Overall, however, this is an excellent work of historical biography and Mr. Weigel is to be highly commended.

Weigel's biography of Pope John Paul II is a must read for anyone wanting to gain insight about the current "culture wars" that are raging in the Western world. What makes this book so outstanding is the author's lack of embarassment in presenting his subject from a spiritual and Catholic viewpoint. Unlike the secular media, who have already decided that truth is limited to the material world, Weigel examines the life of John Paul II in an integrated way, showing how the exterior life of the pontiff is motivated by his deep, interior spirituality. Prior to this book, the world knew the Pope as either a "conservative" or a "liberal" depending on what issue was being debated. Now the world knows the Pope as a renowed philosopher and theologian with something to say to all of us.

At least one seminary requires those in spiritual formation to read this biography of Pope John Paul II. I rank the book just below the Bible and the Catechism of the Catholic Church in my list of books that are important to read. I can usually summarize a book in a page or two, but not this one. The book offers so much that I filled thirteen pages with terse notes written in paragraph form.

The first 250 pages of the book inspire the reader, who realizes the great hardships the Pope endured from his early life through his priesthood under Nazi and Communist rule. His work with the Church's intellectuals and performing artists developed the cultural base that succeeded in combating these totalitarian regimes. His discussion groups tolerated all ideas, provided that all were striving for truth. His development of a new Christian Humanism was, and still is, effective in combating social and spiritual ills everywhere.

The remaining 600 pages show how the Pope dealt with specific problems in the Church and in the world. He approaches all as a sincerely holy, humble, and reverent pilgrim, full of hope for humanity. He apologizes for the failures of Catholics. He invites those who oppose him to join him in dialog, yet he never compromises Church principles. The book covers each such case, including each encyclical, with sufficient detail that the reader learns from the Pope throughout the book.

Because I have read probably every encyclical and many of the apostolic letters written by the Pope, much was familiar to me -- after the book jarred my memory. The most important new point that I learned from the book pertained to a question I have asked many a philosopher: Can every philosophy describe all of the truths of the Catholic faith? The Pope answered that some philosophies are so poor or so closed as to make any real dialog impossible.

I had planned to read this book for a while, and I was looking forward to it a lot, since the kids' one was way to short and boring even when I was ten years old. So, as you can probably guess my expectations were rather high, too high perhaps, but even so I was not disapointed. George Lucas has proved himself not only an excellent filmmaker, but also a great author as well. This book, while a bit dry at times, illustrates the movie in a spectacular fashion, and breathes new life into it, so that it seems interesting all over again. I read it one day when I was stuck in a hotel room, but this book was so interesting I litterally could not put it down. Every true Star Wars fan should read this, since it completly tells the story with a bunch of added stuff, that truly flesh out the story and that were completly missing from the movie. One thing that surprised me was the occasional small details that were changed. Such as Threepio being described as bronze instead of gold, and Luke being Blue 5 instead of Red 5. Another thing that struck me as odd was the slight differences in characters, Luke and Ben most noticably. Ben is less wise, more mischevious, and at times even funny, a previously unheard of thing! Luke also is slightly different. He seems, well, less innocent, more stupid, and even acts like somewhat of a jerk at times, and is all around more heroic and self centered, and generaly less cute. This was both interesting and annoying, since Luke was always my favorite character and to be honest I liked him better the other way. Leia is also noticably different, she being somewhat less strong, which annoyed me somewhat. Anyway, this was an excellent book, that deserved an honest four stars.

First, let's dispense with the myth that Lucas wrote this himself. It was fully written by noted sci-fi/fantasy author Alan Dean Foster (who also wrote the novelizations for Alien, Aliens, Alien3, Krull, Black Hole, Alien Nation and although credited to Gene Roddenberry, he also wrote Star Trek The Motion Picture) Lucas was busy actually making the movie while ADF was writing this novel based on Lucas's working script. This accounts for some of the differences in the story.

ADF is a great writer, with a good voice and a great use of brevity to convey details. This is a quick read and a real treat for star wars fans. When this was first released it was called "Star Wars: From the adventures of Luke Skywalker" and was released before the movie even came out. ADF was already contracted to write a sequel since no one had any idea how the film would do, thus "Splinter of the Mind's Eye" makes a wonderful companion piece (the similar style between the two should be a dead giveaway that Foster wrote both).

This where it all began. If you want to read the SW books, make sure you start here.

I LOVE this book. I have always been a reader, but it usually takes me a long time. This book was easily finished in 2 days, just about a record. The detail just engulfs the reader. You can see everything. It's about 20 times better than the movie. Even if you are not a Star Wars fan, this book can easily make you one. The only downfall is that the famous "Help Me, Obi-Wan Kenobi" speech by Princess Leia has been altered. Even though, this book is an absolute must for any age. (I know, being only 16.) What else can I say? AMAZING!!!!

This is the third book I've read on Mena and is by far the best. It links the feds and Bush's end with Clinton's Arkansas. It explains much about the mysterious Barry Seal and the uneasy partnership between Clinton's Arkansas, Bush's people, and North's people. I've read about LD Brown and his experience with the contras. I've read about Pritchard's train deaths case(not discussed in the book. Reed didn't personally deal with it.), and his interview with Bill Duncan and Russel Welch. And this book ties Clinton's Arkansas techniques of reputation ruinment, the drugs at Mena, and the assassin squads trained there by Felix Rodriguez. It is a must read, and a good reason why we must vote libertarian.

I read this book twice when it was first published. The deals described in this book anticipate many events, such as the political elevation of George H. Bush's sons (yes, I voted for George W. Bush)and the protection enjoyed by Clinton during his presidency. Terry Reed is an American hero with the guts to reveal the truth.

If you like Tom Clancy, here's the real deal. A former Air Force intelligence officer turned manufacturing engineer, pilot, and independent business man is recruited by the CIA (Oliver North) to assist in the training of Contra pilots in Mena, Arkansas. His name is Terry Reed, and does he have an incredible story to tell! This American patriot reveals everything after the CIA tried to screw him after Iran-contra. Plenty of very interesting information about Clinton, Bush, the Arkansas elite, covert CIA operations, CIA super-agent Barry Seal, money laundering, international narcotics trafficking, and CIA influence in the US political system.

"Begin each day by telling yourself: Today I shall be meeting with interference, ingratitude, insolence, disloyalty, ill will, and selfishness-all of them due to the offenders' ignorance of what is good or evil. But for my part I have long perceived the nature of good and its nobility, the nature of evil and its meanness, and also the nature of the culprit himself, who is my brother; therefore none of those things can injure me, for nobody can implicate me in what is degrading" (To Himself, II.1). This selection from "Meditations" ("To Himself" was the original Greek title)captures so much of the essence of this incredibly powerful book. Marcus Aurelius at times sounds more like the Buddha, Lao Tzu, Hesiod, or James Allen than he does his Stoic forerunners: proof once again that true wisdom resides in every man's heart and mind and transcends the boundaries of time, place, ethnicity,and doctrine. The job of the philosopher is to reintroduce his pupils to THEMSELVES, and once the self is realized, the reality of the universe becomes much clearer ("evil" derives from delusions)and the temptations of excess and the fears of deprivation become less powerful. These are true words to live by, more so now than they have ever been before. Happiness can be found in simplicity; hard work DOES pay off; the cooler head always prevails; immoderate pleasures can kill and fear is often unfounded. Marcus, like Buddha, was born in the lap of luxury, but he was destined to hold a position in society for which he was not well suited by virtue of his sensitive and studious nature: the ruler of an ancient and corrupt civilization that dominated most of the known world. "Meditations" is Marcus's attempt to cope with a life and a job that he never really wanted. Thankfully, we can apply Marcus's self conversation to the trials and tribulations of everyday life (the same can not be said for most other volumes of Greco-Roman philosophy, and this is especially the case with the over dogmatic Plato). I urge you to read this. Once you do, I guarantee you will read it over and over again and it will take its place on your list of personal, life changing favorites. One last thought: keep in mind that Marcus was a pagan and don't let the fact that Bill Clinton enjoyed the book sway you from buying it... For those interested in the life of Marcus Aurelius the man, also read his biography in Volume 1 of the Loeb edition of the Scriptores Historiae Augustae.

This is a truly great book, and I've read it three times now. This is inspite of the fact that the style is a bit dense for the modern reader.
Personally, I have always been attracted to the Stoic emphasis on inner peace and ethical living according to the example of nature and the cosmos.
It is not surprising that Aurelius was also a great influence on Henry David Thoreau. I understand that President Clinton cited this as his favorite book, though for the life of me I cannot concieve of him as a Stoic- Epicurian perhaps, but not Stoic....
I was struck by Aurelius's repeated admonition that it makes no difference whether one lives 40 years or 10,000- you will still have experienced everything, for nothing is new and everything repeats in endless cycles. He is right, once you get past 40, these repeating cycles become more and more apparent....

The Meditations of Marcus Aurelius is the most insightful book I have ever read. I think that young people would especially benefit from Marcus's wisdom. His advice about how to deal with life's trials is invaluable. He teaches that the praise or censure of others is meaningless. This is so important to teenagers trying to discover where they belong in the world. He teaches people to have courage in the face of adversity and to always live their lives by the highest standard.

I finished reading this book recently and I have to say it is an excellent book. When Hunter Davies first interviewed the Beatles for this book from 1967-1968, it was before all the bickering and fighting started and before Yoko came into the picture. Davies takes an inside look in thier home and family life, the songwriting process, and recording sessions. It also gives a pretty good background on their childhoods and how they all met. Not to mention a lot of great pictures, including some I never seen before. The only reason I didn't give it five stars was because it is not a totally definative bio. Lots of things were left out because it upset thier family members. For example, it is not mentioned that Brian Epstein was homosexual because it upset his mother at the time. And some things were left out of John's childhood because it upset his aunt Mimi. Other than that, I reccomend that you read this book. It is smart and thouroughly researched. A must have for all Beatles fans!

Thank heaven for Beatle scholarship that this book was written. Competent journalist Hunter Davies spent a year observing the Beatles and interviewing them in their own homes during the heady, fascinating year of 1967. He emerged with a time piece: the Beatles as they were at that time, reflecting on what came before and unaware of what was yet to come. A chapter describing the writing and recording of "With a Little Help From My Friends," "Getting Better," and "Magical Mystery Tour" offers unique and especially valuable glimpses of the Beatles at work. Chapters depicting the home life and personal outlook of each Beatle are also very interesting. I must also say that for an authorised biography, this is remarkably honest. Perceptive readers will be able to detect the whole truth here, and a fine introduction written by the author years later helps fill in any gaps. Apart from being hugely entertaining, this book is a tremendous boon to historians interested in the Beatles.

As a 14 year old Beatle fan I read this book in its original release in 1968. (I think just about everyone in my Catholic girl's school in Queens was reading it). I loved reading about the birth of the Beatles; their days in Liverpool and Hamburg, their early influences, etc. I have always remained a fan and recently reread the book. I loved it just as much the second time around -- it brought me back to a time I loved and I remembered how great it was the grow up in the 60's and the Beatles were a big part of that great decade. My 14 year old daugher (also a Beatles fan) loves it as well. I never expected this reaction - I was suprised that the Beatles still have a huge amount of young fans. Suprised and happy because we certainly have found some common ground. She loved learning about the Beatles and the decade they came to represent. I do think this is the best book on the Beatles to date I (and the only authorized one as far as I know)- although I hear there will soon be an autobiography by Paul, George and Ringo. It's a must read for any Beatles fan!

The Honourable Schoolboy is the fifth Le Carre novel featuring the enigmatic George Smiley. After unmasking the mole in Tinker, Tailor, Soldier, Spy Smiley is put in charge of the Circus, a position he should have had years ago based on merit. It appears that Smiley is one of many who were put out to pasture by Bill Haydon's nefarious activities over the previous years. Smiley, starting with his closest circle, must work backwards ruthlessly discarding people with questionable loyalty or little competence and finding others like himself who were purged by Haydon. In the process he finds Jerry Westerby living quietly in Italy. Westerby is resurrected and sent to Hong Kong to foil Smiley's arch-nemesis Karla. The result is an epic tour de force with Westerby's journeys throughout South East Asia presenting a fascinating counterpoint to Smiley's group working inside the Circus.

The Honourable Schoolboy contains a cast of fascinating characters. Smiley himself is the classic anti James Bond. He is middle-aged, plump and bespectacled. Unlike Bond he is not a ladies' man. In fact, his wife is serially unfaithful to him. In Tinker, Tailor, Soldier, Spy his wife's infidelities were used by Karla to undermine him. Smiley has sacrificed whatever he had of a marriage to remove his vulnerability. Westerby is a stark contrast to Smiley; tall, athletic and a womanizer. In contrast to Smiley he lets his own torn emotions affect the way he does his work. There are also large assortments of supporting characters who are naive or scheming. It also features two of the most vicious characters ever employed in novels; Fawn and Tiu. Le Carre rarely showing any of their direct handiwork accentuates their viciousness.

The novel has Le Carre's usual themes; betrayal, misdirected love and the use of an opponent's human vulnerability against him. The betrayals in The Honourable Schoolboy towards the end are perhaps the most multi-layered and intense of any Le Carre novel. If the reader wants a James Bond type ending with Bond having killed the enemy and gotten the girl, The Honourable Schoolboy should be skipped. Le Carre's novels are of "the no good deed goes unpunished school". However, he is extremely adept at revealing the story details much like peeling the layers of an onion. His characters whether good or evil, most being somewhere in between, are fascinating and believable. The insider's knowledge of espionage shines through as always. The Honourable Schoolboy also contrasts the East with the West. The fall of Cambodia and Vietnam are especially poignant backdrops to the story.

Perhaps it is difficult to understand in this day what the cold war environment was like. It's instructive to read a novel like The Honourable Schoolboy that was written a quarter of a century ago to understand. The novel contains a lot and probably requires several readings to thoroughly appreciate all the nuances. However, based on the first reading The Honourable Schoolboy is superb.

I've just finished reading SCHOOLBOY for perhaps the fifth time & find myself enjoying it just as much as I did to begin with. Part of the pleasure of a good LeCarre is the remarkable depth of his characters -the feeling that one is dealing with real people with all their faults and strengths. Beyond this however is the feeling of authenticity that leCarre brings to his landscapes and to his times. Here we can feel that we are actually in London, and Hong Kong, and Cambodia during that strange Spring of 1975 when thirty years of war were finally drawing to their chaotic close. In Smiley LeCarre has created a truly remarkable figure -at once remote in his brilliance and yet at the same time so human in his flaws and failures. here is a man who will read Goethe in the original to his cheating wife, smoke out a Russian spy in China, salvage a failing Secret Service, and yet try & fail to keep to his diet. Jerry Westerby, The Honourable Schoolboy of the title is in many ways the Everyman of the piece, we side with him, root for him, fear for him, and at the end, well I won't give it away! This is a Thinking Person's spy novel that will do just fine as "aeroplane reading" or as a serious glance back at those awful 1970's...

John Le Carre's mistakes (e.g., "Naive and Sentimental Lover") are more interesting than most other writers' crowning achievements, but "Schoolboy" is as good an intrigue and adventure novel as one will ever find.

Le Carre is the bravest popular novelist around. He panders to no one's politics; he doesn't care how much work a reader might normally choose to invest in a book; and he adheres to no formulae. You either trust him utterly, and let him take you where he's going, or you read Grisham.

"Schoolboy" features a Le Carre regular character, George Smiley, and centers on a bit character from earlier work, Jerry Westerby. In a sense, the novel is a contrast between, on the one hand, the bluff, hearty, athletic, noble, and, well, superficially superficial Westerby; and on the other, the deepest and most complicated character in the genre, George Smiley. But there's so much more here: the contrast between Eastern and Western cultures; between England in its late-twentieth century posture and the then-seeming decline in influence of the U.S.; between the young Turks at the Circus and its old guard.

What unites it all is Le Carre's remarkable gift at storytelling, dialogue, and character development.

I read many authors in the intrigue, mystery, and crime fields. But they're all just faint echoes of Le Carre. If you want real gold, and not just cheap imitation, he's your man.

Le Carre is the best spy novelist ever and truly a modern master of literature. Tinker Tailor takes the reader on a journey through the murky labyrinths of british intelligence as the antihero Smiley, a plump, confused, betrayed, but deceptively steely and intelligent spy, ferrets out a mole burrowed into the highest levels of British Intelligence by his Soviet nemesis, Karla. The themes of betrayal, downfall, and the inescapable immorality of spying permeate this finely written book, while the challenge of discovering, with Smiley, who the mole is, captures the reader from the start. Le Carre's character developement is superior to almost any writer, living or dead, and the complexity of the mole, Smiley, Connie Sachs, and a host of other characters adds another superior facet. Finally, Le Carre's use of wonderfully quaint terminology, with "moles", "legmen", "burrowers", "the circus", and others making frequent appearances, spices up the book. The best spy book I have ever read, and I have read every book by Forsyth, Higgings, Clancy, and Craig, and almost every Ludlum. This may be a great spy book, but it is also an outstanding work of literature, like its two successors, and is a classic in every respect. Everyone should read it who has a mind and appreciation for a nobly done turn of phrase. However, this book isn't for the James Bond Boom Boom kiss the girl and fly off sort- requires thought!

I?m a longtime Le Carré fan, but I realized recently that it had been nearly two decades since I read what is undoubtedly his best work -- the Smiley trilogy. Based loosely on the Kim Philby debacle, this one is about the realization that a Soviet mole has been busy for many years in the Circus -- the headquarters of the British espionage service -- and the recently sacked George Smiley, a victim himself of the mole?s machinations, is secretly brought in by a reluctant Whitehall to identify the culprit and clean house. It?s the old problem: Who will spy on the spies? Le Carré is a master of the telling detail, even with minor supporting characters, and all the inhabitants of this novel are vividly realized. This isn?t a James Bond yarn, either, as the ?action? is mostly in the form of reading files, interviewing agents, and hard thinking. And Smiley, fat, middle-aged, and in secret agonies over his wife?s habitual infidelity, turns out to possess unexpectedly heroic stature. This novel, and the two that follow, make up the best spy story ever written in English.

I'm a longtime Le Carré fan, but I realized recently that it had been nearly two decades since I read what is undoubtedly his best work -- the Smiley trilogy. Based loosely on the Kim Philby debacle, this one is about the realization that a Soviet mole has been busy for many years in the Circus -- the headquarters of the British espionage service -- and the recently sacked George Smiley, a victim himself of the mole's machinations, is secretly brought in by a reluctant Whitehall to identify the culprit and clean house. It's the old problem: Who will spy on the spies? Le Carré is a master of the telling detail, even with minor supporting characters, and all the inhabitants of this novel are vividly realized. This isn't a James Bond yarn, either, as the "action" is mostly in the form of reading files, interviewing agents, and hard thinking. And Smiley, fat, middleaged, and in secret agonies over his wife's habitual infidelity, turns out to possess unexpectedly heroic stature. This novel, and the two that follow, make up the best spy story ever written in English.

To say the least, this book was great. I didn't think it was as good as the novelization for Return of the Jedi, but still fairly descent. FAR better than the kids' novelization, which I was bored with very quickly. This book fleshed out the story of The Empire Strikes Back, while adding plenty of stuff that wasn't in the movie, and generaly making it a more endearing story. Even so, some of the scenes could have been better written, and it often felt rushed. Now that I've read this though, I wonder why I ever wasted my time with the fifty-three page kids' version. There is nothing in this book I could not have read and comprehended at ten years old, and I probably would have enjoyed it more even then. I wouldn't say that this as essential to all Star Wars fans as the novelizations for A New Hope and Return of the Jedi, but I would recommend it anyway, since it does shed new light on things.

The Empire Srtikes Back is by far a stunning novel developed with awesome character development and an action packed plot.This book has great emotional impact and colorful info for anyone not familiar with the Star Wars universe.I recommend this book for any...well in general,...action adventure fan! :)

Being that the Empire Strikes Back is my favourite of the Star Wars movies, I just had to read this book. It won't disappoint Star Wars fans, with all of the energy of the movie. I liked how it wasn't a complete adaption of the movie, with different things taking place on Dagobah. I would recommend this book to any science-fiction or fantasy fan.

When NPR's audio adaptation of the first Star Wars film hit the airwaves two decades ago, it was as big a landmark in the history of the Star Wars "universe" as any of the subsequent movies. By stripping the story down to the essentials of character, it proved that the appeal of Star Wars is not merely visual flash, but something more enduring, characters you care about, villains you love to hate and (that oldest of rivalries) good against evil. The writing was excellent and the cast equally good, including as it did Mark Hamill and Anthony Daniels as Luke and C3P0 respectively. When NPR produced a radio version of The Empire Strikes Back a few years later, Billy Dee Williams came on board to recreate the role of Lando Calrissian and the producers' winning streak continued.

It would be over a decade before the production team got the chance to complete the trilogy with Return of the Jedi. Sadly, just as Return of the Jedi was the weakest of the original movie trilogy, it is also the weakest of the three radio versions. That is not to say it isn't enjoyable, because it is. Rather it can't quite match the exceptional standards set by the previous two series.

Part of the problem is the casting. Although Anthony Daniels returned to play C3PO, Mark Hamill does not reprise the role of Luke Skywalker. Unfortunately the actor who took the role, Joshua Fardon, does not convey the increased maturity of the character in this part of the story. Fardon's performance has a quality of over-eagerness that seems more suited to the naive farmboy that Luke was when we first encountered him rather than the fully trained Jedi-to-be he is here. Good as the other performances are, especially Brock Peters as Darth Vader and Ann Sachs as Leia, this misguided interpretation of Luke leaves a large hole in the story.

Part of that hole can also be attributed to the writing. Like the previous adapatations, Return of the Jedi was scripted by the late Brian Daley. Daley did a good job of translating what was perhaps the most visual of the three original Star Wars films into the audio medium, but he doesn't open up the story the way the previous two series did. Whereas the radio versions of Star Wars and The Empire Strikes Back took the time to show us more about the characters, Return of the Jedi is, for the most part, just what we saw on the movie screen with a handful of extra scenes thrown into the mix.

Those criticisms aside, anyone who is a fan of radio drama in general or Star Wars specifically will enjoy these programs. In the final analysis the producers understood the ways in which sound alone can fire the imagination. Using that knowledge, they have crafted yet another fine way to enjoy the magical world that George Lucas has given us.

Thanks to the many requests of Star Wars fans and radio enthusiasts alike, the team that brought us the radio adaptations of A New Hope and Empire Strikes Back, reunited to conclude the original saga. Made exclusively by Highbridge, Return Of The Jedi, once again uses the film's score by John Williams and sound effects by Ben Burtt, to make for a top notch production. By using the actual soundtrack from the film, it gives the audio production crediability, as opposed to being made without it.

Once again, directed by John Madden, Jedi reunites most of the actors from the previous adaptions, with a couple of notable exceptions. Mark Hamill, who reprised his role as Luke Skywalker, for the first 2 productions, is replaced by Joshua Fardon. While, Billy Dee Williams, as rogue Lando Calrissian, is replaced by Arye Gross. As hard as these gentlemen try, because of the original actors previous involvment with the other two radio dramas, its difficult to imagine anyone else in those parts. Fardon's portrayal lacks the maturity of Hamill's character in the film version, Gross comes off, not quite as smooth, in playing Lando. The rest of the main radio cast, from the other two adaptations is thankfully intact. Actors Anthony Daniels, once again as C-3PO, (who has appeard in all 3 radio dramas as well as all of the films in the series) Brock Peters as Vader, Perry King, as Han Solo, Anne Sachs as Princess Leia, all complete their character arcs in the seies with style. Actor Edward Asner as the gangster Jabba The Hutt and John Lithgow as Master Yoda, (as he did in the Empire radio drama) use vocal talent, like no others, to bring these 2 unique characters to life.

Sci-fi author, Brian Daley, once again. wrote the radioplay for Jedi. As before, there are a few additional "scenes" presented, not in the film version. The end result is very good, but thanks to its shorter length, and the casting changes, I mentioned, Jedi doesn't seem quite as epic, as the other radio dramas in the series. Sadly, Daley passed away soon after the dialogue was recorded, and the production is dedicated to his memory. His script is very faithful to the film and the added scenes remain true to the characters and story.

If you own the other two radio dramas in the series, Jedi is a must have, minor problems and all. The story has six episodes, presented on three compact discs with a total running time of nearly 3 hours. Recommended

Return of the Jedi has always been my favorite Star Wars movie, both because I like how all the characters matured, (especially Luke) and because it finally delt face to face with the dark side, possibly the best force of evil ever thought of in the realms of fiction. This book exheeded not only my expectations for the book itself (which were very high) but even surpassed the movie in some ways. The author has a deep, highly emotional writing syle which apealed to me greatly, and was so profound that all through the book I truly felt as if was there, a part of the story. Every Star Wars fan should read this at some point, especially those who didn't like Return of the Jedi because they thought it was weaker than the others. I could almost garantee this book would change their minds. Also, the author did a tremendous job on the characters. Just they way they were presented made me truly feel for them, even characters who were previously not my favorites. At times this book had me sitting on the edge of my seat actually wondering if maybe this time it would turn out differently, and the part where Anakin Skywalker dies almost had me in tears. Anyway, I don't think think this book belongs in any particular age range, though probably some of it (in fact a lot of it) would most likely go over the heads of people younger then twelve or so.

If you are looking for a single volume "bible" on cost accounting, this is likely the best book in print today to fit that bill. It is comprehensive in scope yet has many strengths to ease comprehension and aid readability.

The topics are grouped in six main sections each with several chapters on that topic. Since it is unlikely that you will read this reference / text book left to right as you would a novel this organization helps in finding what you are looking for and focusing on the area(s) of interest.

There are many helpful illustrations and a good use of color as well as chapter summaries and all the exercises you could ever hope for.

A very excellent feature is the use of application problems that take you step-by-step through building an Excel spreadsheet. This is tremendously useful.

The web support is also a good help as well as the streaming video vignettes.

I honestly find this topic very interesting and the 11th edition of this book to be a very valuable resource.

An easy to read and understand book characterized with the breadth of material and examples.

I've studied cost accounting for 2 years in Hong Kong. The first year I used a really bad text book named 'Costing', I hated studying Costing. However after using the 'Cost Accounting: A Managerial Emphasis (10 Edition)', I become interested in Costing and Management Accounting. And deceide to have CMA exam in future. THIS BOOK IS REALLY GOOD ONE.