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I have 32 different books concerning the U-boats in WWI and WWII in my collection, and some of the most striking images of U-boats are to be found in this book.
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I bought a copy of this book years ago because I am a native Californian, and knew that there was some material in here about California in the early days (my copy is an old hardcover published by Grosset and Dunlap). As Twain states in his Prefatory: "...There is quite a good deal of information in this book. I regret this very much, but really it could not be helped." I enjoyed reading about the "old West" from an eye-witness, although most of it deals with Nevada, not California. While some of it sounded familiar, like something from any Western-genre movie, other things were like nothing I had ever heard of before, describing the "Wild West" from an original point of view. In that respect, this book is a great resource.
This book falls short of five stars due to some minor flaws. He often digresses with text that is not only marginal to the point, but not even written by him, reprinting someone else's text. I skipped over some of that. He would also spend pages detailing coversations between other people that he could not have possibly remembered verbatim. While I understand that it was a common writing style of his day, it sounds like bad jounalism today. Those complaints aside, this is some great writing by Twain and some valuable American history.
This book is not quite as pessimistic as Twain's other great travel writing, 'The Innocents Abroad,' but it does include some interesting and unorthodox views which often prove hilarious. Twain spends time as a gold and silver seeker, a speculator, a journalist, and a vagabond (as he himself puts it), and puts a unique spin on each of these occupations. As far as travel writing goes, this book is indispensable, and it also proves quite valuable (odd as it may seem) in any thorough study of frontier life in the American West.
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On the other hand, I've been reading a lot of historical fiction lately, including books by Sharon Kaye Penman and Dorothy Dunnett. After reading those wonderfully rendered tales, Margaret George's book feels "flat." It seems to be missing a certain something - an air of authenticity, perhaps. I guess since it's called an "Autobiography," I expected to "hear" the tone of the book differently. As historical fiction, I'd rate the book 2 - 3 stars.
It's worth the read, and it does actually make you think about Henry VIII's character in a different light.
The book, written all through Henry's point of view (with clever inserts from his fool, Will) greatly improved my knowledge of Tudor England. Also, it really helped me to see Henry's life through his own eyes. Through much research, Margaret George has delved into his very personality and managed to write about every event of any significance in his life. She also showed how each wife and divorce/beheading came with a different justification for Henry VIII. As I came to understand his personality more and more, there were many times I felt sympathy and sorrow for the English monarch.
I highly suggest that anyone who has any interest in this subject read the book!
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1 - The sheer weight and bulk of this tome makes it a dedicated desk reference. In fact, you might consider building a special shelf or desk just to hold the book.
2 - The offset printing flaws mentioned by other reviewers is a significant problem. Portions of some entries are not even legible.
The Big Liddell is the kind of book that would be much more valuable in digital format than in print. There's been talk about an electronic version for some time, and it looks like we might finally get one soon ...
The ninth edition of the "big" Liddell & Scott has been offset so many times that the print is faint and verging on the illegible. My copy actually has pieces of print missing. The Clarendon Press ought really to have the whole thing revised and reset. But what a daunting task! (It will probably end up being republished on disk.)
I own the Intermediate sized Liddell as well, and I must say I actually prefer the smaller one. When I took a class where we read "The Apology of Socrates" by Plato, my professor recommended avoiding the Intermediate edition. At first I thought perhaps he was wrong, and I used it to translate some passages. After spending a lot of time sorting through it, I found that I agreed with him. The Intermediate Liddell does have locations of word use in original sources, and has slightly more vocabulary, but for the beginning and intermediate Greek reader, the Abridged Liddell is preferable. Navigating through the abridged edition is far easier and it often assumes a lesser knowledge of Greek, thus it includes some conjugated forms, which then point you to the correct verb. So as you can see, the abridged edition should suit the needs of most classical Greek students. Also, the editors took care to make sure that virtually every New Testament word is included.
Are there drawbacks to the Liddell-Scott? The Victorian English often gets frustrating. We rarely use words like hither and thither anymore. Also, when more morally explicit Greek words are defined, their definition is in Latin. Also, the original printing abnormalities, such as certain parts of letters being cut off from words, remain.
Learning Greek is a rewarding, but daunting task. The task is often made more difficult by grammars and lexicons that assume the reader knows more than he or she does. The abridged Liddell is perfect for the average student. When you want to dive in deeper, learn word origins, search sources, or just want to say you own the most complete Lexicon out there, you should buy the full size Liddell-Scott. Until then, the abridged edition works!
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"Where the conditions to which material progress everywhere tends are most fully realized -- that is to say, where population is densest, wealth greatest, and the machinery of production and exchange most highly developed -- we find the deepest poverty, the sharpest struggle for existence, and the most of enforced idleness" (p. 6).
With the paradox of increasing poverty amid advancing wealth clearly in mind, he then asks a simple yet important question:
"Why, in spite of increase in productive power, do wages tend to a minimum which will give but a bare living?" (p. 17)
George devotes the next 265 pages of his book to discovering the answer to that question. He analyzes various conflicting theories and, through a process of elimination, finally concludes that:
"The reason why, in spite of the increase in productive power, wages constantly tend to a minimum which will give but a bare living, is that, with increase in productive power, [land] rent tends to even greater increase, thus producing a constant tendency to the forcing down of wages" (p. 282).
The core premise on which this conclusion is based is summarized by George as follows:
"Three things unite to production -- labor, capital, and land. Three parties divide the produce -- the laborer, the capitalist, and the landowner. If, with an increase of production the laborer gets no more and the capitalist gets no more, it is a necessary inference that the landowner reaps the whole gain" (p. 222).
Put another way, the root cause of poverty amid progress is private collection of land rent -- land rent being the portion of the "produce" that goes to landowners for the use of land. Since land (being a free gift of nature) is in fixed supply, the more wealth that the relative many who own little or no land produce, the more wealth the relative few who own most of the land are able to confiscate by raising rents.
Since this increase in the rental value of land is a result, *not* of what the holders of land-titles do, but of the growth and activity of the surrounding community -- and since land itself is that to which all humans have an equal right of access -- George argues that this value rightfully belongs to the community, and should be taxed accordingly. At the same time, he argues that both wages (the return to labor) and interest (the return to capital) are the result of individual effort, and therefore belong exclusively to the individual.
On that basis, George concludes that, to simultaneously end poverty while unleashing the wealth-producing power of free enterprise, we must "abolish all taxation save that upon land values" (p. 406).
This proposal later became known as the "Single Tax." While the implementation of the Single Tax wouldn't solve all our economic problems (we're also in desperate need of a debt-free money system -- see "Rights vs. Privileges" by Robert De Fremery), I'm convinced it would reverse the alarming increase in wealth disparity that has occurred in recent decades; would increase general prosperity to unprecedented heights; and would establish true equality of opportunity *without* enforcing equality of outcome in the process.
"Progress and Poverty" is a timeless classic that is just as relevant today as it was 120 years ago, and is a must-read for anyone who desires to reconcile the seeming conflict between economic liberty and social justice, but isn't sure how to go about satisfying that desire.
When I have mentioned Henry George, the usual answer has been "Who?" Those who had heard of him mostly thought that his ideas only applied to agrarian societies. In fact, he recognized that land was only one (though the most fundamental) form of monopoly, and he makes it clear that he included all monopolies, not just land, into the realm of the rights of the community rather than a private owner. In this day, he would certainly hhave comments about how the airwaves have been distributed, for example.
The main surprise to me about this book is how completely unknown it has become. Anyone who reads this with an open mind will be convinced by Henry George's arguments.
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In general, quote books can be unsatisfying since they present small, out-of-context snippets of ideas. That was expected. The issue here turned out to be the title.
"Great thoughts" generally suggests ideas that have stood the test of time and been found to be true. This book devotes 8.5 pages to quotes from Freud, about as many to Marx, Lenin, Nietzsche .... you get the point. While these people have certainly affected Western civilization, at least recently, they have also been proven to be totally wrong, often at tremendous cost to the civilization they have experimented upon.
Can erroneous thoughts be "great thoughts"? If you think so, this book will be fine for you. Me, it drives up the wall.
The author deliberately excludes quotes from religious figures, assessing there is so much already out there, it's redundant. This seems to undercut the idea of illuminating the underlying ideas of civilization, but I guess Marx and Lenin need more exposure.
In skipping and out, as quote books require, I found little from those who opposed such ideas, repeated in this book of "greats", even long before they enslaved billions and collapsed the societies who adopted them. The author rather grudgingly admits conservatism is part of western tradition, but that's about it. It is significant the book was picked for update/revision after the collapse of the the Soviet Union. Do "great" thoughts need revision? These do.
Basically, if the book had been called "Influential Ideas of Modern Material Humanism", there would be no complaint here.
A much better book of short anecdotes might be "Condemned to Repeat It: The Philosopher Who Flunked Life and Other Great Lessons From History"
I really like the quotes Seldes selected and this is one of the 30 or 40 books (from among the 400+ quote books I own) I use most (in the subject listed format) to dig up quotes for topics I am researching.
It's not one of the top five I'd buy, but if you see one one sale, grab it. It's a nice one to add to a quotation collection or to give as a gift. ALso, the price is better than many others, and it's another book you can often get for just a few dollars at a used book shop or through one of the used book web vendors.
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Fortunately this Naxos abridgement read by Anton Lesser is superb. I haven't yet found an actor better at handling both the male and female voices, old and young, rich and poor. It's so easy to forget that that is not a large-cast dramatisation -- it's just a a one-man reading, brilliantly executed.
As a story, 'David Copperfield' means a lot to me because it means a lot to my Dad. Now 73 years old, he had a troubled childhood in and around London, and a difficult relationship with his stepfather. While Dickens needed to create some out-and-out baddies such as Uriah Heep and the Murdstones, many of his characters are basically decent folk, rigidly sticking to Victorian values, and I think this is how my father still sees the world.
Much of the detail in this story is specific to England, but the basic human themes are universal. As a first pass at getting into 'David Copperfield', I would very strongly recommend this 4CD audiobook.
The story is simple enough to start. David's mother marries a man, Murdstone, who makes life hell for her and young David. David has the courage to rebel against the tyrant and is sent off to boarding school and later to a blacking factory. For readers who want to compare childhood rebellion to authority in the movies, Alexander's defiance of the Bishop in Ingmar Bergman's great movie, Fanny and Alexander, is equally dramatic and sad.
David runs away and finds his Aunt Betsey Trotwood, who takes him in and supports him, with a little help from her wise/fool companion Mr. Dick. This is story enough for many novelists, but it is only the beginning for Dickens. David has yet to meet one of the great villains in literature, that "Heap of infamy" Uriah Heep. Uriah's villainy is terrible because it is hidden under a false pretense of humilty and service to others. The final confrontation between Heap and Micawber is one of the great scenes in literature.
None of what I have said answers the question, Why read this book more than once? The most important answer to this question for the nonacademic reader is "for the fun of it." From cover to cover this novel gives so much pleasure that it begs to be read again. We want to revisit David's childhood and his confrontation with the terrible Mr. Murdstone. Mr. Micawber is one of Dickens's great creations and anytime he is part of the action we can expect to be entertained. When we pair Micawber with Heap we have the explosive combination which results in the confrontation mentioned earlier in this review.
These brief examples only scratch the surface of the early 19th century English world Dickens recreates for the reader. Some other of Dickens' novels like Bleak House may be concerned with more serious subjects, but none lay claim to our interest more than Dickens' personal favorite "of all his children," that is, David Copperfield. Turn off the television, pick a comfortable chair, and be prepared to travel along with David Copperfield as he tells us the story of his life.
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There is not a lot of detailed analysis here, but I don't believe that was the authors' intention. This work is meant to be an outline and introduction Henry, the Trumpet of the Revolution.
The work is actually presented as three separate volumes in one binding. Part 1 takes the reader from birth to death, touching on the momentous occasions, as well as a good bit of reference to the details of life which shaped the life of Henry. Part 2 gives Henry's views of some of life's virtues, such as Christianity, patriotism and duty and gives an insightful look at the character of this great American. Part 3 concludes with how Henry has been remembered by history, and how he should be remembered.
Overall, a delightful read which I highly recommend to students or anyone wishing to gain a basic insight to a great American patriot.
It provides a valuable means of understanding the Christianity of the pre-Schism Irish churches and what was lost in their submission to Roman practices.