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ivan is a performer and each story lends itself to being read aloud . try reading one aloud to yourself and be something new - or remember something lost - in your own imagination.
i recommend this volume to educators looking for appropriate stories for grade and high-school exploration of gender, sexism and homophobia. there is wry gentleness here - an open style that lets the reader choose to do as much work as each is ready to. start with "no bikini."
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The various graphics are seen applied to print (magazine/book/poster), signage, film and sculptural media.
The examples span several decades, from the early 40s to the mid-90s. The great thing about seeing superb design in the years before the 1980s is that design during that period was accomplished without the use of computers; as a result, greater emphasis was placed on composition, shape, typography, color and imagination. The result was design that was simple, bold and highly communicative. It's a far cry from the over-stimulated design that almost everyone with a computer is capable of producing -- and has.
The back of the book contains an index to the graphics with a descriptive label and the year in which each was produced. Each designer's section starts off with a few paragraphs of introductory text, and ends with a brief bio.
The graphics are displayed one per page, and speak for themselves. Designers should pay attention to the message in this body of work.
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At its heart, As I Crossed a Bridge of Dreams is a song sung in retrospect by Lady Sarashina. This is a song of denied dreams that always just barely seem to fail.
The one constant of the narrative is sadness. Whether Sarashina's life was really so melancholy or whether she wrote this looking back through the lens of bitterness is speculation. Yet the sadness is palpable. Sadness hovers over each scene. When happiness breaks in, it is an unexpected and short-lived guest.
The narrative covers most of Sarashina's life. It starts in her childhood and leads up to her later years. She lives a very sheltered life in her father's house. So much so that it, in some ways, could be described in non-religious terms as a cloister. All the young Sarashina has to occupy her time is her love of tales and the hope of a more fulfilling future.
The genesis of Sarashina's great unhappiness is the glimpse she gets of the greater life around her--a life that she is never capable of partaking in. In all her travels she is never able to break free from her own internal solitude. She will not allow herself to live in anything more than a "dream."
For me, the extremely episodic nature of the book made it hard to get deeply involved as a reader. There were long spaces in this book where the author dwelt on seemingly unimportant matters. There are also quite a few brief sections where the author skips ahead a number of years. This made things difficult for me to follow on a number of occasions.
The one part of the book that I enjoyed was the poetry. I greatly enjoyed the poem that the author's father had his daughter compose to send to his ex-wife. The moment was both touching and insightful into their relationship.
The native Japanese worldview was wholly foreign to me. All the pilgrimages, priests, nuns, and what I would term "superstitions" struck me as convoluted and semi-capricious. The mother's taking of vows while still living within the house, yet being separated from the household, was a truly odd moment.
Though sometimes hopeful, Sarashina has no true hope. In its place Sarashina resigns herself to the idea that all the bad things happening to her are the result of Karma.
I have a hard time swallowing this much hopelessness. There is an endless sense of wallowing about As I Crossed a Bridge of Dreams. I wanted to talk to Sarashina--to tell her that no matter how deep the darkness, it only takes one point of light to dispel it.
While this book may have value in being representative of the Japanese Literature of its day, it is not something I would choose to read again. The problem with As I Crossed a Bridge of Dreams is that no one ever crosses the stinking bridge.
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Simply a great primer for a new Design Engineer. Explains clearly the basic prinicipals and equations used in Radar technology. If you get to know the stuff explained in this book, you will not have any difficulty about the terms used by the Radar gurus, such as Radar Cross-Section, Radar equations, radar signal returns, received power, fluctuations in Radar Cross-section, S/N ratio of the received signals etc. Virtually everyone that works in a Radar industry would have read at least some sections in this book.
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(1)divisibility
(2)congruences
(3)quadratic reciprocity and quadratic forms
(4)some funtions of number theory
(5)some diophantine equations
(6)farey fractions and irrational numbers
(7)simple continued fractions
(8)prime estimates and multiplicative number theory
(9)algebraic numbers
(10)partition funtion
(11)density of sequences of integers.
It also contains basic cryptography, basic group theory and basic elliptical curves in some of the chapters. The authors give notes on the end of each chapter about some research results, which I enjoy reading.
However, the author give too much hints spoling the fun of solving the problems. Eg 32-36, 40-3, 59-53, 108-36, 136-17, 312-8, and most of the problems in chapter 8. The author should put these hints at the back of the book. I suggest you look up IMO (imo.math.ca) for problems suitable for chapter 1-7 because IMO is well-knowned for its excellent number theory problems (especially 1990-3).
Overall this is an excellent book. I give it a rating of 4.5/5, I don't give it 5 because of the author give too much hints to problems instead of putting hints at back of the book.
Alas, it is pre-FLT. So you'll have to look elsewhere for that.
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Dr. Victoroff appears to have followed the same strategy that many school and college students follow when writing a paper for which they lack material: state obvious facts, repeat information, present information that is only vaguely relevant, all to ensure that the required "length" requirements are met. This book is far too long. There is too much of information on the physiology of the brain. Many of Dr Victoroff's recommendations appear to be self obvious (eat right, exercise, avoid stress).
Had the book been about a third of its size, it might have been interesting. As it is, it is extremely dry.
In the end, I ended up skimming thru the book to get to the "juicy" part that could actually help me: unfortunately, I found nothing.
Surprisingly, it is also clearly written and fun to read!
A must for anybody with a brain.
Dr. Victoroff gives you current information on a vital subject. This book was published in July of 2002 and it draws upon over 14,000 studies in the last five years - some from early 2002. He even refers to the impact of the September 11, 2001 tragedy.
I especially liked his technique of presenting both point and counterpoint studies for the impact of most of the herbs, hormones, diseases, exercises and general lifestyle factors he describes. He makes it clear when a statement is based on solid facts, when it seems likely based on some but not all studies, and when he is speculating - giving his personal opinion. This type of honesty is sometimes lacking from the medical profession. One of my favorite sections contains a quote from the head of a medical school who tells the incoming students that half of what they are about to learn is false; but that unfortunately, we don't know which half.
I came away from this book with a much clearer understanding of how my brain works, what can happen to keep it from working optimally, and what I can do to help protect it.
Since the research on herbs and drugs is changing so rapidly, much of this book will be out-of-date within a couple of years. It's my hope that Dr. Victoroff will write frequent revisions to keep us informed about these changes.
In 2002, this book is a must-read for anybody with a brain, who wishes to keep it functioning.
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Review written by Miriam van Veen
Other than that, what was it about east Europe of the era? We have Vlad Tsepes, Elizabeth Batory (sister of the Batory mentioned here?), and Ivan to name a few of the more notable monsters. Western Europe seems to lack the unbridled scale and variety of the east.
I found it remarkable to learn Ivan compiled lists of victems and sent them to various monasteries. I wonder how many are still extant? I found his flirtation with England to be pretty amusing. Subtle he was not. I also enjoyed the excerpts from the long-running flame wars Ivan conducted with some of his enemies.
For what it is worth, in my Russian class long ago, they said Ivan Grozny means "awe inspiring" and that he picked it himself
I recommend this to other readers, in addition to his work on Peter and Catherine. After reading this, go find the Sergei Eisenstein film in three parts on Ivan, for a really interesting Stalinist era twist on this bit of history
Author Troyat does a magnificent job of making Ivan a real person. Orphaned at a young age and mistreated by the boyars around him, Ivan spent his adult life as a pious mass murderer. Ordained by God to rule as he pleased, Ivan never questioned his cruelty and went to this death blaming others for the events that he himself caused. I have read several other Troyat biographies of famous Russians, and his is one of his best.
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The story itself is in the framework of a diary of a dying man. More than an actual diary, it is actually an account of a desperate man, hopelessly in love with a young girl. It is the story of his unhappiness and jealousy, which make him a superfluous man without use and objective.
The only downside to this volume is its length: "Superfluous Man" is more of a long story or novella than a book in and of itself. Look instead for a collection.