...Which pave the road to mediocrity, a writer's hell. Though it isn't terrible, "Democracy" is little more than a could-have-been in all respects. It has interesting ideas and competent writing, so the potential was there. The problem, as is so often the case, is in the novel's execution.

The idea that power corrupts is an old one, and it is obviously the main point of Henry Adams' novel. His intention seems to be to portray the lengths to which those in power will go to acquire more power, and how the lust for power is certain to deaden one's sense of morality. Unfortunately, Adams would have done better to write an essay on the subject rather than attempt to weave it into a fictional novel, for the author waxes too moralistic on his theme, rather than stepping back and allowing the characters to make his point for him. This does more harm than simply annoying the reader with value judgments; the story itself becomes so transparent and predictable, that it seems a mere vehicle for what soon becomes a tiresome refrain.

Perhaps this is why the characters are so lamentably flat. The descriptions Adams writes for each character seem to foreshadow complexity and development, but this soon is proven to be a false impression. Interesting as the characters might have been from their descriptions, when push comes to shove and the story continues, they remain utterly devoid of personality. Ironically, the main characters, Madeleine and Ratcliffe, are probably the most thinly developed of the entire bunch; the supporting cast is slightly more interesting, but not by much.

Another annoyance is the implausible thinking and actions of so many of the characters; for Madeleine to contemplate marrying Ratcliffe for her sister's sake is simply ridiculous. The fact that she considers her life at an end at age thirty is equally implausible, as is Sybil's attitude of careless youth at age twenty-five: in the nineteenth century, any woman of that age who was yet unmarried would have been considered an old maid, yet that is never even hinted at.

Perhaps the worst of it all was the pacing: this 300+ page book could have EASILY been half its size. It drags along without character development and without even any plot development. Worse yet, the book is centered entirely around politics, yet Adams seems hazy as to the details of those politics. Perhaps Madeleine learned a lot about American politics from her stay in Washington, but very little of this is shared with the reader. As such, the book does not even have an interesting setting to recommend itself.

In the end, it is obvious what Adams was trying to say, but by making Madeleine so careless with regard to Ratcliffe, the author fails utterly. With no temptation, there can be no sacrifice. It is unclear why the reader is expected to admire Madeleine, yet this expectation is clear enough.

To sum up...for a book about government corruption, look elsewhere. There must be something out there better than this. Anything.

"Democracy" is what "Primary Colors" would have been if the latter had been well-written. Like Joe Klein, Adams published his book anonymously and skewered a number of contemporary politicians (including President Rutherford B. Hayes). But Adams goes two steps further: his novel is a scathing commentary more on the American political system in general than on one administration in particular, and his characters are iconic and recognizable in any era.

In "Democracy," the nation's capital "swarms with simple-minded exhibitions of human nature; men and women curiously out of place, whom it would be cruel to ridicule and ridiculous to weep over." But Adams is not hesitant about being cruel in his portrayal of Washington's residents, and he saves his weeping for the true victims in his novel: the American people. The typical American senator combines "the utmost pragmatical self-assurance and overbearing temper with the narrowest education and meanest personal experience that ever existed in any considerable government." (Plus ca change, plus c'est la meme chose!)

The story concerns Madeleine Lee, an intelligent and well-meaning (if somewhat naive) New York widow, who, bored with her cosmopolitan lifestyle, travels to Washington to learn what makes the nation tick. She and her sister are quickly surrounded by a diverse group of politicians, lobbyists, and foreign diplomats, and she finds herself courted by Silas Ratcliffe, a senator with presidential aspirations whose talent "consisted in the skill with which he evaded questions of principle." During one heated (and humorous) argument about George Washington's merits, Ratcliffe sums up his view of politics: "If virtue won't answer our purpose, then we must use vice, or our opponents will put us out of office."

Adams's prose is almost Jamesian in its measured pacing (and this may simply bore some readers); the initial chapters are unhurried as he weaves the web of the plot and sketches his all-too-believable characters. Along the way he tosses barbed zingers at every target. The climactic passages are among the most comically riveting, emotionally intense, and morally satisfying finales I've read in a satire: as you might expect, nobody gets exactly what they want, but everyone gets what they deserve.

To act with entire honesty and self-respect, one should always live in a pure atmosphere, and the atmosphere of politics is impure. -Senator Silas Ratcliffe, Democracy

In his own lifetime, Henry Adams was famous first for being the grandson of John Quincy Adams, thus the great grandson of John Adams; second for his epic History of the United States During the Jefferson and Madison Administrations. It was only upon his death, in 1918, that his third person autobiography, The Education of Henry Adams, was published and that his publisher revealed that Adams had written the previously anonymous novel Democracy. It is The Education which has sustained his reputation, having been named the number one book on the Modern Library list of the Top 100 Nonfiction Books of the 20th Century, but Democracy is still considered one of the better novels of American politics, though surprisingly it is currently out of print.

The novel is both a fairly typical 19th Century comedy of manners--with the widow Madeleine Lee decamping from New York to Washington DC, where she instantly becomes one of the Capital's most desirable catches--and a more serious meditation on the nature and pursuit of power in the American democracy. The widow Lee is specifically interested in Washington because it is the seat of power :

...she was bent upon getting to the heart of the great American mystery of democracy and government.

. . .

What she wished to see, she thought, was the clash of interests, the interests of forty millions of people and a whole continent, centering at Washington; guided, restrained, controlled, or unrestrained and uncontrollable, by men of ordinary mould; the tremendous forces of government, and the machinery of society at work. What she wanted was POWER.

Mrs. Lee's most likely pursuer is Senator Silas Ratcliffe of Illinois, widely considered a likely future President : he sees her as a perfect First Lady and she sees him as her path to power. Through an elaborate courtship ritual and several set piece scenes (in the Senate, at the White House, at Mount Vernon, at Arlington Cemetery and at a dress ball) Adams puts his characters through their paces and affords the reader an intimate look at the rather tawdry political milieu of the 1870's. The theme that runs throughout the story is that access to power comes only through compromising one's principles, but Adams is sufficiently ambivalent about the point that we're uncertain whether he's more contemptuous of those who make the necessary deals or those who, by staying "pure," sacrifice the opportunity to influence affairs of state. Suffice it to say that the novel ends with Mrs. Lee, assumed by most critics to represent Adams himself, fleeing to Egypt, telling her sister : "Democracy has shaken my nerves to pieces."

Like his presidential forebears, Henry Adams had a realistic and therefore jaundiced view of politics, even as practiced in a democracy. The Adams's did not subscribe to the starry eyed idealism of the Jeffersonians. But they were all drawn to politics, even realizing that it was a moral quagmire. This is the fundamental dilemma of the conservative democrat, we recognize that we have to govern ourselves because we know we can't trust unelected rulers, but we also understand that our elected representatives are unlikely to be any more honest than the tyrants we threw out. This attitude is famously captured in Winston Churchill's (alleged) aphorism : "Democracy: the worst of all possible systems, but there is no other which would be better." And the unfortunate corollary is that unless relatively honorable men like the Adamses and the Churchills pursue careers in politics, the field will be left to the real scoundrels. Henry Adams doesn't offer any solutions to the dilemma, but he offers an amusing take on it.

GRADE : B

This is a good book for people who want to learn more about the great Italian luthier, but it definitely has its flaws. The book was written around the turn of the 20th century and its style is very stilted and convuluted. I often had the feeling the authors could have conveyed the information they give us in two pages in one paragraph. Also, their worship of anything related to Stradivari gets to be a bit much after awhile. Still, this is the book to turn to for information on this great violin maker.

This is perhaps the most important book ever published relating to the topics of violin making and the unchallenged greatest maker of all times. The Hills are the most respected scholars, ever, of the violin, and this was a landmark publication in 1902 and remains so. Under the quaint language is the information that subsequent scholars have used as the basis of their understanding of Stradivari's work (and stolen for the basis of many of their own articles and books), and almost everything written in the book is still considered accurate--an unprecedented event in violin publishing, where there's much more myth than fact in many books, especially those of the past, many of which are essentially fiction posing as non-fiction. There is simply no reason not to own this book if you are interested in violins.

Mapping America's Past is an attempt at using maps to portray American social, economic, military, and political development. The maps that are included are excellent, but what was included is somewhat puzzling. The general analysis of wars, expansion, and elections are useful, but maps of political party development in the Cleveland area or prostitution in New York City are not entirely relevant to the general American history student. Similarly, many of the accompanying texts offer little detailed insight into the topics the maps cover.

This book should be considered a general resource, but for an in-depth historical atlas, the reader must look elsewhere.

A highly satisfying review of historical topics.I'm often able to read only in 20-minute bites; every spread of this book is a self-contained history lesson, accessible in 20 minutes but worth revisiting many times. Most important topics and events of American history are covered well, and the rendering of complex information (e.g. the six gauges of railroad in 1850 and how this incompatablity affected commerce, population and political power) is truly inspired. This is a superb gift for an American history buff.