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Nettleton saved me. I had been about to order a completely new edition of the plays (sample copy graciously sent to me by the publisher), albeit the edition was in many ways, well, let's say "not quite right for the course". Then I went to the library. Despite the recommendation of a friend -- a renowned 18th century expert -- I had been suspicious of Nettleton. The copyright on the edition I looked at was 17 years before I was born (sorry about the ageism, Mr. Nettleton). But the volume has everything. Lovely grandiose heroic drama (but not too much of it); Dryden's adaptation of Shakespeare's *Antony and Cleopatra*; five classic comedies of manners (the backbone of restoration drama), and a pleasant smorgasbord of the best of the 18th century.
I have a text. My students have a text. Life is good.
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print the books in small dimensions (15 cm) ---- kids simply can not hold the regular books as conveniently as adults!
I tried those 8.5" x 11" weight-lifting versions of the same-title classics, my kid never read them for more than five minutes.
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Part one of the book focuses on the period from 1469 to 1516, which Kamen calls "The Catholic Kings." It is a time period that is often looked upon as Spain's golden age. The marriage of Ferdinand and Isabella united the kingdoms of Argon and Castile. Both kingdoms evolved in different ways which created potential sources of conflict. It was to Isabella and Ferdinand's credit that their major focus remained the pacification of Spain. Kamen investigates their pacification efforts through seven venues: hermandades, aristocracy, the municipalities, the Military Orders, the councils of state, justice and the Cortes. One of the contributing factors to conflict cited by Kamen throughout this period and all succeeding reigns was the crown's need to raise money. In spite of the wealth that came in from the America's, the Spanish treasury was always in need of money. Kamen, in effect, built as case for self-perpetuating conflict -conflict needs armies that needed money that created more conflict as the crown tried to raise it.
The kings that followed Isabella/Ferdinand set different agendas. Charles V and his descendants committed themselves to Castile and their center of government. They financed their activities by tapping four major sources: Argon, Castile, the church and the Americas. However, the Americas never became the cash cow that the kings and councilors had hoped because the trade business was dominated by foreigners with Spain functioning only as a conduit. Consequently, the government periodically declared bankruptcy to cancel its debts.
Religion was one of the other strands Kamen uses to develop his society in conflict themes. Phillip II, an extremely religious monarch, instituted the Inquisition. This required a nationalized church and its purpose was to reconvert the general population back to Catholicism. It coincided with the expelling of all the Moriscos which in itself created demographic problems and a lower tax base with its corresponding economic consequences.
Kamen continues with the economic, religious and political conflict themes through the reign of Philip V who finally unifies the country and ends the power of the old aristocracy. The empire also came to an end. The book concludes with Kamen arguing that the debate over the future is as uncertain today as it was in 1714.
The book is an outstanding portrait of Spain during the empire days. Although it had a colonial empire during this period and was recognized as a world power, Kamen's thorough analysis reveals the weakness inherent in all phases of society. It was truly a society in conflict.
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After publication, Newman's Apologia helped raise the esteem of Catholics in the eyes of the English people and helped make him a Cardinal. I whole-heartedly recommend this to anyone looking for a moving spiritual autobiography.
Yet, for all these superb reasons to read this spiritual autobiography, perhaps there is one "secular" reason to read Newman: His command of the English language. Newman has an excellent command of rhetoric, logic, and exposition that makes him a stellar example of Victorian belle letters.
I'd recommend the Norton Critical Edition over the Penguin edition, obviously, not for the "translation," but for the criticism that helps put the issues involved in context for the 20th century reader.
In this book, John Henry Newman, in order to defend himself from (rather unfair) charges of insincerity, outlines the history of his spiritual development, from his beginnings as a liberal thinker, to his conversion to the Evangelical wing of the Church of England, to his ordination as an Anglican priest, to his gradual move toward Catholic thought, practice and worship in the Church of England, to his leadership in the so-called "Oxford Movement" and its call to holiness and Catholicity in the Church of England, and finally to his ultimate submission to Rome.
Whether one agrees or disagrees with Cardinal Newman theologically; whether one can accept his particular conclusions is not important to the enjoyment of this book. It is an honest account of a spiritual journey, written by an articulate man, which should prove inspirational to all persons of faith, and to all on a spiritual pilgrimage.
We also get to see the contrast between these young men in temperament and character. King Henry wishes his son were more like Hotspur. Prince Hal realizes his own weaknesses and seems to try to assure himself (and us) that when the time comes he will change and all his youthful foolishness will be forgotten. Wouldn't that be a luxury we wish we could all have afforded when we were young?
Of course, Prince Hal's guide through the world of the cutpurse and highwayman is the Lord of Misrule, the incomparable Falstaff. His wit and gut are featured in full. When Prince Hal and Poins double-cross Falstaff & company, the follow on scenes are funny, but full of consequence even into the next play.
But, you certainly don't need me to tell you anything about Shakespeare. Like millions of other folks, I am in love with the writing. However, as all of us who read Shakespeare know, it isn't a simple issue. Most of us need help in understanding the text. There are many plays on words, many words no longer current in English and, besides, Shakespeare's vocabulary is richer than almost everyone else's who ever lived. There is also the issue of historical context, and the variations of text since the plays were never published in their author's lifetime.
For those of us who need that help and want to dig a bit deeper, the Arden editions of Shakespeare are just wonderful.
-Before the text of the play we get very readable and helpful essays discussing the sources and themes and other important issues about the play.
-In the text of the play we get as authoritative a text as exists with helpful notes about textual variations in other sources. We also get many many footnotes explaining unusual words or word plays or thematic points that would likely not be known by us reading in the 21st century.
-After the text we get excerpts from likely source materials used by Shakespeare and more background material to help us enrich our understanding and enjoyment of the play.
However, these extras are only available in the individual editions. If you buy the "Complete Plays" you get text and notes, but not the before and after material which add so much! Plus, the individual editions are easier to read from and handier to carry around.
this is one of shakespeare's best plays. the story of the rebellion is intriguing, and the adventures of hal and falstaff are laugh-out-loud hilarious. the culmination of the two stories in the final battle scene is wonderful. this is a fitting sequel to richard ii.
note that there are some historical inaccuracies and even outright inventions in this play. foremost is the character of falstaff who is pure invention (and genius). the story of hal's adventures stems from his reputation, enhanced by legend, as a playboy. falstaff was the perfect foil for a carousing prince. the biggest inaccuracy is hotspur's age. he was actually of the generation of henry iv, and not as young as he's depicted in the play. shakespeare made him younger to enhance, maybe even create, the rivalry with hal. there are other inaccuracies here, but better for the reader to consult 'shakespeare's kings', an excellent book by saccio that explains the history of the period and the discrepancies in the play.
The wonderful Falstaff is also on glorious display. This is also the play with the famous tavern scene (Act II, Scene IV) that can be read endlessly with new enjoyment.
Everyone has his or her own take on Falstaff and his treatment at the hands of Henry V, but I dislike it even though I understand it. Prince Hal and his transformation into Henry V is not someone I admire a lot. Nor is Falstaff's manner of living, but his wit is so sharp and his intelligence so vast that it is easy to still delight in him.
But, you certainly don't need me to tell you anything about Shakespeare. Like millions of other folks, I am in love with the writing. However, as all of us who read Shakespeare know, it isn't a simple issue. Most of us need help in understanding the text. There are many plays on words, many words no longer current in English and, besides, Shakespeare's vocabulary is richer than almost everyone else's who ever lived. There is also the issue of historical context, and the variations of text since the plays were never published in their author's lifetime.
For those of us who need that help and want to dig a bit deeper, the Arden editions of Shakespeare are just wonderful.
-Before the text of the play we get very readable and helpful essays discussing the sources and themes and other important issues about the play.
-In the text of the play we get as authoritative a text as exists with helpful notes about textual variations in other sources. We also get many many footnotes explaining unusual words or word plays or thematic points that would likely not be known by us reading in the 21st century.
-After the text we get excerpts from likely source materials used by Shakespeare and more background material to help us enrich our understanding and enjoyment of the play.
However, these extras are only available in the individual editions. If you buy the "Complete Plays" you get text and notes, but not the before and after material which add so much! Plus, the individual editions are easier to read from and handier to carry around.
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It is true that Bomber Command suffered high casualties (a crewman had only a 30% chance of surviving a 30-operations tour of duty) but their sacrifices helped keep Stalin and the USSR in the war in 1942 and 1943 at the time when they were suffering immense losses and the prospect of a Second Front looked far away (Churchill was always afraid that Stalin might secretly make a deal with Hitler and pull out of the War). Harris worked diligently day and night to get the resources and aircraft Bomber Command needed and to keep the morale of his personnel high. Although he refrained from visiting the air fields, probably due to a reluctance to face men who could possibly be flying to their deaths in a few hours, as well as the knowledge that the station commanders could be putting on a "show" for him that masked real problems, he did maintain continuous contact with low-ranking people from the air and ground crews in order to find out help them do their jobs more effectively and comfortably.
Probert, although very sympathetic with Harris, does not hesitate to point out flaws in his subject's personality. For example, Harris broke up his first marriage by having an affair while he was away from home and after his divorce he had a problematic relationship with his children. After the War, Harris developed a strange admiration for Hermann Goering who was not the "noble knight of the air" that some may have thought but was one of the most powerful and cruel of the Nazi hierarchy and was one of the key figures in the Nazi terror even before Hitler's rise to power and who played in role in the Holocaust. Similarly, Harris opposed the Nuremberg Trials. He also said he only felt "hatred" for the Germans once, during the bombing of London whereas others like Battle of Britain hero Group Captain Douglas Bader was not ashamed to say years after the War that he hated the Germans for the evil they brought to the world. In any event, perhaps these quirks gave him the personality traits that were needed to cooly, night after night, send thousands of young man on very dangerous missions to bring death and destruction to the German enemy. Maybe someone more sentimental and emotional, both to his family and to the enemy, would not be able to stand up to the strain. We could perhaps compare him to other great commanders like Generals Patton, Montgomery and MacArthur who also had personalities that rubbed many people the wrong way:
Probert also demolishes myths that have sprung up after the War such as:
(1) Harris ordered the supposedly unnecessary bombing of Dresden when Germany was already supposedly defeated out of some sense of blood-lust and vengeance. In reality, he opposed the mission since it was located in eastern Germany and would expose his aircrews to extra danger due to the longer trip, but the allied leaders insisted on having the raid carried out since it was not at all clear at that time that Germany was at the point of collapse and they wanted the Soviet Armies to advance into Germany as fast as possible
(2) Harris had a contempt for "colonials" and sent them on the more dangerous missions as cannon fodder in order to spare "real" Britishers. In reality, Harris moved to Rhodesia as a young man and considered himself a Rhodesian. After the War he went to live in South Africa, so he indeed considered himself a "colonial"
(3) Harris was not given a peerage after the War as were many other senior British military commanders because the Labour goverment felt "embarassed" by the strategic bombing campaign and wanted to forget about it. In reality, there is some truth in the fact that people wanted to forget about the bombing campaign, and it is also a fact that no "campaign decoration" was given to the air and ground crews in Bomber Command, but Harris was indeed offered a peerage, but turned it down, partly as a protest against the refusal to grant a campaign medal, but also for personal reasons in that outside Britain (where he intended to live) a peerage was not necessarily viewed as something desirable.
All in all, this book is must reading for someone interested in World War 2, military history, and the characterists of a great military commander.
Not only does the author, Henry Probert, do a great job of presenting Harris's point of view but he presents opposing points of view as well. This book probably does the best job of presenting the most objective view of Harris to date. In some respects it does favour Harris since it is from his private papers. This is an extremely valuable book about Harris and is a must for any student of Bomber Command.
The author does a great job of presenting Harris the man from birth until death and deals with such topics as his leadership style, the public's image of him, his contemporaries views etc. The many misperceptions of Harris and how people once meeting him in person said Harris was not anything like the image that has been painted of him. A very excellent book! We need more like this one.
I liked the grueling portarit of life at sea, reading some first written observations of early California, a fine and admiring description of a very able-bodied seaman that Dana encountered and many other points.
I think to that this challenging adventure for Mr. Dana restulted in restored vision for his failing eyes after he removed himself from life perhaps largely behind a desk. Could the neccessity of challenge and needed to see have contributed?
There are many facets and admirable points in this book. I think you would enjoy it.