Fascinating personal day-by-day account of the journey of Lewis and Clark through the Louisiana Territory. As you read, you feel yourself slowly seeing the American west as it was seen by those who first wrote of its magnificence, the customs of the natives, the wildlife, and climate. You see it for what it was, and for its possibilities. This edition has been edited from the individual journals of both Lewis and Clark and some of the others. It has been made more compact by putting in only passages that tell the story, but with no sentence restructuring or spelling corrections. Sometimes this requires you to figure the meaning out, but is never a big problem. The chapter length was perfect for reading a chapter a day which means 33 days. The only bad chapter was 31, which was a summary of one leg lifted from DeVoto's The Course of Empire, which I felt was harder to understand than the journals. The appendix includes Jefferson's Instructions, list of personnel, and specimens returned.

This is an excellent book. It is hard to imagine the hardship these men had to endure on their trip across the nation, but by reading this book you get some kind of idea. I highly recommend this book to anyone who is even slightly intrested in the history of the Lewis and Clark expedition. This book tells it exactly how it happened, from the men who were there. I strongly believe that books like these should be required reading in schools....who knows what this country would be like today had it not been for those brave men.

There is not much new that I can add which has not already been said of the Journals. Simply put, fantastic! I have read some excellent books regarding the Lewis and Clark Expedition, but reading the actual journals themselves makes one feel as though they are right there alongside them. Names such as John Colter, the Fields brothers, George Drouillard, Peter Cruzatte, Touissant Charbonneau and his wife Sacajawea, John Ordway, George Shannon, and many of the others in the journal become so familiar, it's as if the reader is a "fly on the saddle" (so to speak) during the entire expedition. Every chapter, every leg of the journey, has something relating to the hardships, sacrifices, conjectures, speculations, survival strategies, Indian confrontations and appropriate manners of behavior, along with wonderful descriptions of landforms, Indian culture, animals, plants, climate, etc. A truly gripping, meaningful look at early western U.S. exploration. DeVoto's introduction and editing is extremely well done.

I recently watched both "The Shawshank Redemption" (with Tim Robbins and Morgan Freeman) and "Stand By Me" (with River Phoenix, Jerry O'Connell, Wil Wheaton and Corey Feldman) and this prompted me to dig out my old copy of Different Seasons. Most people are surprised when they learn that those movies were based on novellas by horror master, Stephen King, but he shows that he's not just into scaring the heck out of you.

The story cycle bases one novella per season, and each follows characters on a journey, whether it's one of hope, descent into corruption, coming of age, or life through offspring.

"Rita Hayworth and the Shawshank Redemption" takes place over decades, as a prison inmate retains his spirit and soul, while breathing life into a dark institution, and whose patient nature finally leads him to freedom. The story is told in first person from the point of view of old Red, the guy who can get you things, about Andy Dufresne, a young banker jailed for the murder of his wife and her lover.

One of King's great strengths is creating a believable voice for his characters, and as you read this tale, it is like Red is talking to you. Other King strengths are providing back story and creating a world in which these characters live, one with a past, present and future, and it makes them three dimensional. One of King's flaws is going off on tangents and digressions a bit too often, but he always comes back to the story.

'The Body' (basis for 'Stand By Me') is a coming of age story about four small town boys on the cusp of entering Junior High School. On the Friday before Labor Day, they set off to find the body of a missing boy. One of the four boys, Vern Tessio, overheard his brother talking to a friend about the dead body.

The characters fall into several categories: Gordon LaChance, who narrates the story as an adult, is the dreamer/writer whose older brother died earlier that year. Chris Chambers is athletic, tough but smart. wise beyond his years and the white sheep in a family of black sheep. Teddy Duchamp is the psycho wiseguy who wears thick glasses and hearing aids as the result of his war veteran father putting his head to a stove. Vern Tessio is the least intelligent, but plays a key symbolic part as the one tells the others about the body and also is the first to spot it.

Along their journey, the boys encounter adventures, such as Milo Pressman the junkyard operator and his dog, Chopper. There is a run across a high trestle as a train bears down on them, a swim in a culvert full of leeches, and a night in the dark woods with screaming wild animals. When they eventually reach the boys, they have a run in with a group of teenage hoods from their town. A major difference from the movie, is that this story details the aftermath of the confrontation after the boys return to town.

King does a nice balancing act with his adult narrative and pre-adolescent dialogue, making each voice unique and fleshing out each boy's character to make them multi-dimensional. All four experience growth, but Gordon and Chris take this growth with them as they get older. Don't let people drag you down. There's a lot more to this story than just kids looking for a dead body.
My bumps here are again that King goes off on tangents and digressions, some to fill in background and history for the characters, but sometimes really straying far from the course. At one point he takes nearly a page to say that someone is dead, where 'The kid was dead. The kid wasn't sick, the kid wasn't sleeping.' Would probably have sufficed.

I won't go into a lot of detail about the other two stories. 'Apt Pupil' is about a boy who discovers a Nazi war criminal living in his town, and blackmails the old man into telling him stories about the war in exchange for not blowing the whistle on him. The stories the boy hears slowly lead him into senseless acts of violence. In 'The Breathing Woman' a 'disgraced woman is determined to triumph over death.'

These four stories combine to make an interesting cycle, and demonstrate that Stephen King has writing talents that stretch beyond his horror work.

...as i sat in my buddy's dorm room on a cold, thundering night in late april, i secretly fell in love with the movie, "Shawshank Redemption,". who would have guessed, but this movie was by one of my most favorite authors --- stephen king. up until a few moments ago, that movie was on my hit list of one of the best, all-time movies to see...now it's on my hit list to read the book! cruising into amazon.com, and looking *eagerly* for the latest book --- hopefully the fourth and finale in the gunslinger series --- i "fatefully" stumbled on the book entitled "Shawshank Redemption". thinking it had to be a fluke, i clicked on the bio of the tale. now, pleasantly surprised... ...i'm buying the book --- not only because it's possibly the best movie i have seen of the nineties, but because i know it's got to be good if it's written by stephen king! ---poetchick@hotmail.com

Reta hayworth and the Shawshank Redemption, was a great short story by stephen king. I enjoyed reading this book and even watching the movie. I was suprised how much the book grabed my attention and how I didn't ever put it down.

Most references to World War Two in the Pacific cite the decisive American victory at the Battle of Midway as the turning point in that conflict - the high tide of Japanese aggression. This book carefully refutes that position. The Japanese were still on the offensive after Midway (in part because the Japanese Navy neglected to inform the Japanese Army of the loss of four front line fleet carriers in that battle). The Japanese were still fully capable of seizing and severing American lines of communication with Australia - depriving the U.S. of a required base for future offensive operations. The dual campaigns in New Guinea and Guadalcanal from August 1942 to January 1943 (both resulting in successful Allied counter-offensives) represented the critical shift from the strategic defensive to the offensive for the Allies for the balance of the war. As Frank so ably demonstrates, there was nothing inevitable about the six-month struggle in the southern Solomons that started when the First Marine Division went ashore August 7, 1942. Both sides suffered significant setbacks and suffered from leadership lapses at critical junctures. In the end, it was the U.S. superiority in high command decisions and material that seemed to tilt the balance. The Japanese were surprised and very slow to believe that the U.S. was committing itself to an offensive campaign so early in the war. An objective analysis reveals that the Japanese had every reason to be surprised and U.S. leaders had every reason to be pessimistic as to the final outcome, especially after the early disaster at the Battle of Savo Island revealed relative U.S. weakness in surface ship actions. Guadalcanal came to be known as Starvation Island for the Japanese and the U.S. also came to recognize the conflict as a battle for logistics supremacy - which equated to air and sea supremacy, while soldiers and marines suffered tropical deprivations and hard fighting against a fanatical foe on the ground. Frank's work attempts to tell the complete story - air, sea and land - and he is successful. No mean feat. His research casts new light on an aging but important subject. As the World War Two generation fades into the past, it is all the more important to to reassess the history and importance of these events. Guadalcanal the history by Frank is a landmark study on perhaps the critical campaign of the entire cataclysm that was the War in the Pacific.

The book is the definitive source on the Guadalcanal campaign. It covers all three aspects (air, land, sea) of the 6 month campaign in detail. It is obvious the Mr. Frank has done his homework and it was very refershing to see that Japanese sources were also used extensively. This is something that is sorely lacking in other books that discuss campaigns in the Pacific.

He provides interesting breakdown tables of casualties after each major battle. I especially liked the way the author analyzes mistakes that were made by both sides. His critiques of Adms. Ghormley and Fletcher was especially interesting. The final concluding chapter was als very excellent as it gives a good tactical and strategic summary of the whole campaign.

The only minor quibble I had was with the comparatively short (comapred to the land and sea) coverage on the air aspects. More personal details on the airmen who particpated would be better since the author himself stated that control of Henderson Field was instrumental to the Japanese inability to resupply their land forces, and the eventual win. The daily listing of air casualties over-claimed/suffered by both sides gets a bit numbing after a while.

Thoroughly researched, and utilizing both American and Japanese field reports, Frank has written the definitive account of America's first offensive struggle of WW II. The seven naval engagements are given the same detail attention as are the multiple land clashes. Most vivid among the latter were the days and nights along Edson's ridge and the Battle for Henderson's Field. Of particular interest were the accounts of the taking of Gavutu, Tanambogo and Tulagi, adjacent islands that several works overlook altogether. This invasion should never have succeeded; we lacked both air and naval superiority, two prerequisites for any amphibious assault. In those first few months, when the enemy could have swatted us like an annoying bug, he hesitated and committed resources piecemeal, a mistake the Japanese would make over and over. The monumental strategic importance of the Solomons seems to gradually dawn on each side as the campaign progressed. Unusual for a book of such detail, from the Tenaru to Edson's Ridge to the final escape of the decimated remnants of the Japanese defenders sixth months later, the action never slows. A liberal sprinkling of front line troops' reflections would have made this a truly remarkable read. Admittedly, I've been spoiled by Ambrose.

At first Cancer Ward exposes the dull horror of succombing to the terminal illness -- the x-ray therapy, the injections, the pain. These treatments seems particularly archaic by today's standards, and help to intensify the despair. But long before the middle of the book, the characters - a group of a dozen or so men in the ward - begin to drive the narrative. They argue party affiliations and politics with a false bravado, trying to believe these things matter, that they'll leave the Ward alive. But it is Kostoglotov (who may have been an inspiration for Kesey's Randall McMurphy, from One Flew Over The Cuckoo's Nest) who becomes the life of the novel. A prisoner of the State and a desperately ill man, he nonetheless continues to live fully in the Ward, persuing nurses, ruminating on the nature of illness and exile, and daring to hope. The reader dares to hope, too, as Kostoglotov shows flickering indications of health. A fabulously engaging book - and, inthe bargain, one of the only pieces of fiction that will make you consider a healthier lifestyle

Those were the words that Dorothy used to describe Oz after waking up in the bosom of her family. The same intense feeling came over me while reading this book, a task that spanned several years, as I often put it aside for other things, always returning, drawn by the power of the author's prose in opening his world to us. The realness of Solzhenitsyn's worlds makes him perhaps the most accessible Russian novelist. As he described the village where Kostoglotov, the protagonist, lived, or in recounting how Ruasov, the villian/fellow victim ruined lives while justifying his actions, a vivid portrait fills the reader's imagination.
The human struggle to find hope and beauty in the most tragic of settings is what this novel evokes so well. Soviet medicine, cancer, a Zek fresh from the Gulag, and in a twilight turned dawn, Solzhenitsyn finds for his semi-autobiographical protagonist happiness, not only in winning victories against a malignant tumor, but in thoughts of perhaps one more summer to live, with nights sleeping under the stars, of three beech trees that stand like ancient guardians of an otherwise empty steppe horizon, a dog that shared his life there, and of a young nurse and spinster doctor, both of whom he hoped at times to love.
The picture one often got (accurately) of the Soviet Union was of greyness, gloom, uniform drabnes, and of a totalitarian police state. This book serves to remind the reader that, despite such circumstances, even desparately sick human being might still seek, and find, happiness in his own, private world. Along with that, Solzhenitsyn never lets us forget the utter corruption of the Soviet state, often in the person of Ruasov, an ailing bureaucrat who has managed to turn personnel management into an exquisite art form, as an instrument of psychological torture, slowly administered.
Of all Solzehenitsyn's works, this is my favorite. The people one encounters are vividly real, and the ending isn't what one would think (or hope), but is fitting, nonetheless.
-Lloyd A. Conway

Having just finished reading it for the third time, I believe that Cancer Ward is a very fine novel, rich at many levels: in its depiction of Soviet provincial society in 1955, a poor society just emerging from Stalinism; in its portrayal of many separate characters (doctors, nurses, patients, hospital workers) in that society, many of whose lives have been permanently damaged by the terror and the GULAG, but in different ways; and, as I know from personal experience, in its depiction of the isolated world of the cancer patient, from which the rest of society is seen dimly, as though through dirty glass. In spite of all medical progress, the basics of this world have not changed much in 50 years: the core treatments are still surgery, radiation, and chemotherapy, and the side effects both long and short term can still be brutal.

The ending of the book will disappoint those who want a happy ending, or just an ending with all the loose ends tied up. In real life, though, loose ends usually stay loose. My thought is that Solzhenitshyn intended the reader to understand that for the characters and the society who are so damaged by the past there can be no happy endings; the best they can hope for is to continue from day to day, grasping at whatever happiness briefly comes their way.

Frank Frazetta is by far the greatest fantasy illustrator of the last 50 years. His paintings are fit for the walls of any fine art museum. Icon is a wonderful book containing many of Franks finest and most famous works along with some never before seen art work from the master. This book is a must have for any fan of fantasy art. It contains interviews and information on many of Frazettas paintings with a wonderful insight to Franks life and legendary carear. Well printed and bound Icon will make a great addition to your coffee table. BUY THIS BOOK!

any lover of great fantasy art will be thrilled by this collection of paintings by the grand master, Frank Frazetta. Simply a genius with a brush or pencil, this book includes all his great works, wonderfully reproduced!!!

I am a collector of SiFi-Fantasy art. I will state categorically, Frank Frazetta is the finest Fantasy/SiFi illustrator that has ever lived, bar none! Unlike modern artists, who work with air brush, Frazetta's best work is done in oils. The quality of his oil paintings are on a par with the great masters and deserve to be hung next to the likes Rembrandt van Rijn. His compositions are always emotionally stimulating, intriguing, and beautiful. Frazetta has the unique talent to tell a fantastic story with a paint brush. This wonderful book has reproduced some of Frazetta's finest work with meticulous care. The color plates are crisp and vibrant. They will captivate your imagination with their incredible beauty. This is one of those Frazetta collections that will soar in value once it is out of print. Take my advice. Buy it now!

"Ozma of Oz," by L. Frank Baum, continues the adventures of Dorothy. In this installment in the series, Dorothy is blown off a ship and is washed ashore on the magical Land of Ev. With the help of some magical beings, she attempts to rescue the bewitched royal family of Ev from the Nome King.

You should really read "The Marvelous Land of Oz" before "Ozma," since this book reads very much like a follow-up to "Land." The plot of "Land" is briefly summarized and otherwise referred to. A number of characters from "Land" also reappear in "Ozma": the Saw-Horse, Ozma (of course!), etc.

"Ozma" is full of fun, fantastic characters. Tiktok, the mechanical man, is an interesting complementary character for Baum's Tin Woodman. But my favorite character in "Ozma" is probably Billina, the feisty talking hen. She's funny, smart and heroic. "Ozma" is further proof of Baum's genius as a storyteller of the realm of the fantastic.

Ozma of Oz is the 3rd book in The Wizard of Oz series and follows The Land of Oz. In this book, you will be reunited with many well-loved characters and be introduced to characters you will soon love.

Dorothy, who was not in the last book, again comes into this story. After being shipwrecked, she and Billina, a yellow hen, arrive on land. They wander around to see where they are and discover a new friend, Tik-Tok, a wind-up, mechanical man. They also find a castle. Inside, lives the family of Ev, who have been captured by the evil Nome king. Only a princess who can change her heads lives inside. Dorothy, Billina, and Tik-Tok decide to rescue the Ev family with the help of Ozma. --I won't mention who Ozma is because you may not have read The Land of Oz. You will find out in a later review.--

I would highly suggest this book, along with The Land of Oz because of the adventures and fun.

After Baum's success with the first book, he penned the sequel "The Marvelous Land of Oz". It was a decent book, but it was missing one important element. Dorothy. He corrects that oversight in this one, and the book (and the rest of the series) is all the better for it. Dorothy makes her second trip to Oz, this time with her chicken Billina (don't worry, Toto would also return in later volumes) and the action is non-stop. If you planned on reading the series and had a tough time getting through book 2, don't stop. They keep getting better and better as Baum develops into a first-rate author. Read them in order and don't stop until you've finished book 14 (and then even dip into the books by other authors, none are as inspired as Baum's, but some of them are pretty good).

And if you've read all the Oz books and are looking for other titles that are just as magical and just as inspired, try the Chronicles of Narnia, King Fortis the Brave or Abarat. All will introduce you to other magical worlds that are every bit as fun to visit as Oz.

The casinos are inventing new games all the time with the purpose in mind of getting a bigger share of our money. What I like about Frank Scoblete's book is how he manages to develop strategies that cut the house edge to the lowest they can be AND he shows how to play these strategies in a way that really saves you money and gives you a shot at winning. This book is a very good book to read. It is also fun and Scoblete's insights are worth the price of the cost alone. I recommend it to anyone interested in these three new games. It has helped me a lot!

Then Amazon is offering you the best bargain you can get. I just finished reading both of Scoblete's books, BOLD CARD PLAY and THE ARMADA STRATEGIES and they were incredible. They give the best strategies for these often casino-friendly games. Scoblete shows you how to reduce the house edge and to take advantage of the casino comping system. This is a great tandem of books for gamblers interested in reading about the "other" casino games.

These new games can be murder on your bankroll but Scoblete shows how to use the proper strategies to reduce the house edge to the minimum. He then explains how to slow the pace to get more in comps than your action actually entails. The book is a fast read and you can photocopy his strategies and take them to the casino. This is very helpful if, like me, you have a poor memory. Definitely a worthwhile book to have. Also a fun book to read.

The Waste Land, published in 1922 and considered one of the major works associated with modernism. This poem deals despairingly with the state of post-World War I society, which Eliot saw as sterile and decadent. Numerous references to religious imagery, mythology and literature of the past are used ironically to point out the comparative emptiness of Eliot's time.

The Waste Land is sometimes considered to be the greatest poem of the twentieth century. This collection from Dover (at an amazing price) includes this and several other of Eliot's poems. The Waste Land, however, is considered to be his masterpiece, his 'epic,' in a sense. In fact, it is interesting to compare Eliot's bleak vision of a land of waste to other, earlier epics.

The poem is in some sense a warning, in another sense a cry of despair. The image of the wasted land, of the spiritually degenerate human race, is depressing, yet the poem ends with a glimmer (albeit faint) of hope--salvation is possible, however unlikely. I am no expert on this poem, and like most people understand only fragments of it, but what I have gained from the poem I have found to be very enlightening, and very stirring.

Eliot draws many references from the old legend of the Fisher-King, and an idea of what this legend is about (in all its many forms) is useful in interpreting the poem. This is undoubtedly one of the classics in both English literature and modernist writings, and very worthwhile for anyone who is willing to take the time to study it.

T.S. Eliot wrote "The Waste Land" against the backdrop of a world gone mad-- searching for reason inside chaos, and striving to build an ark of words by which future generations could learn what had gone before, T.S. Eliot explores that greatest of human melancholy-- disillusionment. This is a difficult poem, but one well-worth exploring to its fullest. The inherent rhythms of Eliot's speech, the delightful, though sometimes obscure, allusions, and intricate word-craft, create an atmosphere of civilization on the edge-- in danger of forgetting its past, and therefore repeating it. In the end, only the poet is left, to admonish the world to peace, to preserve the ruins of the old life, and to ensure that future generations benefit from the disillusions of the past.

"Prufrock" is perhaps the best "mid-life crisis" poem ever written. In witty, though self-deprecating and often downright bitter, tones, Eliot goes on a madcap but infinitely somber romp through the human mind. This is a poem of contradictions, of repression, of human fear, and human self-defeat. Technically, "Prufrock" is brilliant, with a varied and intricate style suited to the themes of madness, love, and self-doubt.

Buy this. You won't regret it. If you're an Eliot fan, you probably have it anyway. If you're not, you will be when you put it down.

This was a really neat book. Gives a special view of abortion.There is no way that I would let my children read it until the were much older.( The recommended age group for this book is 9-12 years old.) Truly, I thought that was a misprint. This material takes a certain amount of maturity to understand. I myself am 31 years old and I cried through an awful lot of it. Overall, it was great reading from a great author. I will definitely continue to read and recommend Mr. Peretti's word.

The book will change you - you won't get away with simply reading it and moving on. Peretti's skills are unusual, and I believe will probably be reckoned so for some time to come.

The story is about a woman coming to terms with an incident in her life from the past - doubtlessly repeated in many peoples lives, and one might be tempted to view the book as a somewhat polarised account of such a life. But this isn't true for this novel. The story stops way short of allowing such petty evaluations, and in a remarkable series of episodes shows a glimpse of heaven itself, and the depth of God's love in such a way that the mere issue of abortion is transcended altogether in a illustration of the vastness and glory of God, and of the tremendous significance of his love directed towards men, women, and children.

I should warn any potential readers that the book will almost certainly move you to tears regardless of your circumstances; the depiction of heaven is quite astonishing and will probably stay with you for some time.

Not only is the issue of abortion touched on, but many aress close to the problems of pain and the death of children are addressed. The answers it gives are remarkable and satisfying...

This book is not so much about abortion, as about the compassion and wisdom of God. This definitely deserves reading.

The poignancy of this beautiful book is immeasurable. Though it is fairly pro-life, it has many pro-choice undertones and people from every end of the political spectrum would love it. However, this book was reccommended for ages 9 - 12, something I strongly disagree with. The deep, powerful meaning in each word is difficult to understand if you're nine years old. Perhaps a precocious 12 year old who knows about abortion would enjoy it, but for the most part I strongly reccommend this book for young adults and adults. It is powerful, beautiful, and the work of a genius. It also triggers tears at many points.