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Sasse had a keen grasp of church history and doctrine. Feuerhahn provides a complete and exhaustive catalog of all his works, noting dates of publications and where available, translations in English.
Each of Sasse's works, from the first in 1916 to his last work in 1976 is carefully documented.
All collections of his works are noted, and at the end there is a comprehensive index of his works by short titles.
Feuerhahn explains his method: "Each work by Sasse is presented first under the date of its original appearance, including a list of every subsequent printing, edition and translation. In addition, the work will be entered again at the date of each separate printing, edition or translation."
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"Japonisme" is the term used to describe the Victorian fascination with all things Japanese. Wichmann's book successfully demonstrates the influence of this fascination on the fine art of the era. Lavishly illustrated with over a thousand images, Wichmann's essays are informed both historically and artistically on the detailed ins and outs of the sharing of the two cultures of East and West. Topics include the Asian influence in composition, pictoral space, design, choice of material, and subject matter in the visual art and architechture of turn of the century fin de siecle Europe and America. Visual examples are given from a wealth of artists including Van Gogh, Manet, Cassatt, Whistler, Degas, Mucha, Klimt, the architechs Frank Lloyd Wright and Richard Neutra, and Japanese artists such as Hiroshige and Hokusai, just to name a few.
Being a visual artist from the west trained in the Western tradition and yet fascinated with Japanese fine art and in particular the tradition of ukiyo-e, discovering this book for me was like finding the holy grail, a book filled to the brim with stunning visual compromises between the traditions of East and West from which to take my own influences. Fantastic.