We Were There is a Way of the Cross based upon the Scriptural Stations rather than the traditional stations. Its introduction states that this version tries to invoke participation through imagination, using the characters of the stations as mirrors in which we recognize ourselves.

The format of the stations uses a traditional refrain to introduce the stations, a scriptural readings, a character of the station is portrayed in a monolgue meditation on the station, a short prayer is said, and finally a verse of "Were You There" is sung. Each station is accompanied by a block print illustration.

This version is meant to be used individually or communally - and if communally it may be "traditional" or dramatic.

This is a version that would work especially as a dramatic Way of the Cross for teens. Based on individual and parish needs it would work in a variety of other settings as well.

Twenty-six years after its chartering, the Baltimore and Ohio Railroad had finally reached its original goal - To build a railroad 352 miles all the way from the growing seaport town of Baltimore, MD to its terminus of Wheeling, VA (now WV) on the Ohio River. The intent was to provide a transportation link for grain and manufactured goods coming east from Ohio and the surrounding area to Baltimore.

In accomplishing this goal, the greatest physical obstacle that this railroad faced in its drive to Wheeling was traversing the daunting Seventeen-Mile Grade west of Cumberland, and sixty miles later, to descend the equally-daunting Cranberry and Newburg grades immediately west of Terra Alta, WV to Grafton, and on to Wheeling. We may never learn about the actual numbers of laborers, tons of rock, and dirt either removed, drilled, or used to fill ravines to as level a grade as possible to allow the actual and safe passage of freight and passenger trains. But one thing is certain - the experience gained from this engineering feat formulated important principles for future railroad construction jobs, not just on the B&O, but for other railroads as well. It was from these "lessons learned" that earned the B&O the name of "The Railroad University of America," a sobriquet given by Mr. in his article, "

Charles Roberts' book, "West End", relates the obstacles faced by the B&O in getting up Seventeen-Mile Grade and west down Cranberry and Newburg Grades in the 1840's, plus the years after reaching Wheeling where the B&O continued to grow. Also, the various construction projects to improve on the original route over the mountains as well as the B&O's acquisition and improvement of smaller rail lines in the intervening years is covered. Charley Roberts has an earthy style of writing that seems to fit the subject matter covered, which may not be to every rail historian's liking, but the result is a volume that comprehensively covers this geographic area of the B&O that no one until now has done to such an extent. This book was the first in a trilogy that Charley later wrote, "East End" (in collaboration with Jeffrey Hollis), and "Sand Patch."

Charles Spurgeon is amazingly right on target even in today's world. Apparently, what we are missing today was missing 100 years ago. It is hard for the average Believer to let God rule his life, but from reading Spurgeon's sermons, I see the rewards for allowing the Holy Spirit to be in control. This is a book to live in, not just to read. I enjoy seeing the love Spurgeon has for the Lord and his commitment to letting the Holy Spirit control, teach, mentor, nudge, urge, and reward him. This book has been a great support to my worship of the Trinity.

The Wisdom of Solomon at Work was an easy, enjoyable read that stimulated the mind with ancient Biblical stories and applied those stories to rea-life management issues in business.

One of the most interesting components of this book is that all of the authors come from different religious backgrounds (Protestant, Catholic and Jewish). All three united in telling some of the wonderful Old Testament stories of Ruth, Job, Moses, David and Solomon and gave examples of witnesses that used these teachings to improve a workplace.

I thought the book was insightful for those Christians who search for methods to apply their faith in their workplace. Whether you are a Christian or an atheist, this book provides wonderful illustrations of how to become a better manager.

Give it a try and enjoy learning about our God and principles in management.

"You will be haunted by Three Spirits." So forewarns Jacob Marley's ghost to Mr. Ebenezer Scrooge, a miser of stingy, unfavorable traits. And so begins the enduring Christmas classic distinguished by almost everyone. Come along on an erratic journey with the Ghosts of Christmas Past, Present, and Future, all of whom attempt to point Scrooge onto a virtuous path. Meet the most notable characters ever introduced in literature: Bob Cratchit, angelic Tiny Tim, and good-natured Fred. With vivid descriptions of Victorian England and enlightening dialogue, 'A Christmas Carol' will enrapture both the young and old throughout the year with a vital lesson on hope and benevolence for humanity. This, I find, is treasured most of all in this brief story marvelously crafted by the creative Charles Dickens. No matter how many adaptations of the book one has seen on television or as films, the real source is highly recommended and should not be missed. For if you do pass the book up, you are being just a Scrooge (metamorphically speaking, of course!).

It's hard to think of a literary work that has been filmed and staged in more imaginative variations than Charles Dickens' "A Christmas Carol"--there's the excellent George C. Scott version, the delightful Muppet version, the charming Mr. Magoo version, etc., etc. But ultimately true "Carol" lovers should go back to Dickens' original text, which remains a great read.

"Carol" tells the story of cold-hearted miser Ebenezer Scrooge, who despises the Christmas holiday and scorns all who celebrate it. But a visit from a series of supernatural beings forces him to reevaluate his attitude--and his life.

With this simple plot Dickens has created one of the enduring triumphs of world literature. It's a robust mix of humor, horror, and (most of all) hope, all leavened with a healthy dash of progressive social criticism. One thing I love about this book is that while it has a focus on a Christian holiday, Dickens puts forth a message that is truly universal; I can imagine this story resonating with people of any religious background, and also with more secular-oriented people.

This is a tale of greed, selfishness, regret, redemption, family, and community, and is enlivened by some of the most memorable characters ever created for English literature. Even if Dickens had never written another word, "A Christmas Carol" would still have, I believe, secured his place as one of the great figures of world literature.

Master storyteller and social critic, Charles Dickens, turns this social treatise on shortcomings of Victorian society into an entertaining and heartwarming Christmas ghost story which has charmed generations and become an icon of Christmas traditions. Who, in the Western world has not heard, "Bah, Humbug!" And who can forget the now almost hackneyed line of Tiny Tim, "God bless us, every one!" or his cheerfully poignant observation, that he did not mind the stares of strangers in church, for he might thus serve as a reminder of He who made the lame, walk and the blind, see. Several movie versions: musical, animated, updated, or standard; as well as stage productions (I recall the Cleveland Playhouse and McCarter Theatre`s with fondess.) have brought the wonderful characterizations to the screen, as well as to life. This story of the redemption of the bitter and spiritually poor miser, and the book itself; however, is a timeless treasure whose richness, like Mrs Cratchit`s Christmas pudding, is one that no production can hope to fully capture.

I read A Sand County Almanac by Aldo Leopold. I liked this book because it beautifully describes Leopold's extensive farm, and its plants, animals and seasons, in Sand Country, WI over 60 years ago. This book has no specific plot, rather it is like a diary that tells us about Aldo's life on the farm year-round. It is incredibly detailed, Leopold sometimes writes for several pages about one specific type of flower or tree. The fields of science that this most relates to are observational (field) ecology and biology. This is because Leopold doesn't experiment in a lab setting or set up experiments on his farm, instead he walks around and observes, and therefore draws conclusions from these observations. The characters in Leopold's book are himself, his dog, and all the hundreds and thousands of animals and plants on his farm, which he often anthropomorphizes. This book is factual, as everything he says actually happened, but it also has elements of fiction because Leopold anthropomorphizes the animals and plants he observes and often gives them personalities and tells stories about them. The book's conclusions, I think, are to enjoy nature and preserve it. Leopold loves to be outdoors, and his book recommends the same thing: to get outside, walk around, and enjoy the beauty all around you. This book also emphasizes that we need to protect and preserve nature, because if we don't care for the environment now, there will be nothing left for future generations. This is especially important to remember today, because of the world's vast global and environmental problems. This is a beautifully written, interesting book that I would recommend to anyone who likes to be outdoors.

This is a profoundly insightful and important book that ranks among the most significant American books of the Twentieth Century. It would be a mistake to describe this book as "nature writing" per se, or of that genre. It is a series of essays in wonderful prose in which nature, outdoor settings or situations provide the backdrop. But it is not written as a naturalist droning about the wonders of some aspect of nature. It is an inspired and deeply insightful description, by a man who clearly has a deep understanding of how nature works, about the ethical dimensions of our relationship with the land and our environment generally. Despite the simple elegance of the writing style, it can be seen (and I know from biographical information) the author draws from a vast experience and knowledge far outside the confines of the wildlife management, which was his professon. The ideas expressed, and the many quotable passages are a treasure trove for anyone interested in broad ideas, not to mention readers whose professions involve recreation, wildlife, natural resources management, the environment, and the teaching of these disciplines as well as ethics, philosophy, and english literature. In sum, this is a must read for virtually anyone who wishes to be familar with important American literature, as well as those with a particular interest in the environment, environmental ethics and philosophy.

This is a magnificent book. If you didn't give 2 hoots about nature and the world around you before reading Sand County Almanac, take it from me, you will and you will wonder why you didn't before. Aldo Leopold was a valuable man, one whose like we don't see today in the overwrought world of tree-spiking and "monkey wrenching" by so-called "environmentalists (trouble makers is more like it). Read this book, read every word carefully and lovingly and let it transform you from an organism merely taking up space to a human being alive with the wonders of nature and our place in it. Unforgettable.

Elusive in a good way, of course. Our Mutual Friend, his last novel, shows some decidedly modernist techniques and situations that were very much ahead of their time. This novel would have been at home if written in, say, the early twentieth century. The twin images of the River and of Garbage (not just decay and dust, but also recycling and renewal) permeate the beginning of this book, and carry through with characters that don't fall into easy categories. All of the requisite Dickensian elements are here, but the reader is also presented with an ending that is both an epiphany and a recognition that the story REALLY doesn't end, after all; storytellers just move onto different subjects. In other words, there isn't the neat bow at the end of the novel that is so prevalent in Victorian literature--one more reason this novel remains somewhat apart from Dickens' other works, while at the same time being a fresh, engaging read. Probably not the best work to begin with, if you're new to Dickens, but if you have the rhythm of his prose down from other, shorter works, you'll certainly enjoy the greater complexities of Our Mutual Friend.

I have always loved Dickens since I first entered the world of Pip in a 9th grade English class. I have read many of his works in the twenty years since, and I just finished this novel last week. Although "David Copperfield" remains my favorite, "Our Mutual Friend" amazed me with its intricate plot and how Dickens pulled off such jarring tonal shifts without alienating the reader. I disagree with other readers who still found Bella Wilfer one-dimensional and unsympathetic...I was very caught up in her transformation. I also think that Bradley Headstone is one of the scariest of Dickens' villains, even surpassing Mr. Murdstone. I wish that I had not seen last year's TV production before reading the novel. Although the production was quality, I would have liked to approach the work with a fresher perspective.

Charles Dickens's 1865 novel, his last completed novel, "Our Mutual Friend" is an extraordinarily dark and convoluted work. Featuring such unforgettable figures as Mr. Boffin, Mr. Podsnap, Bradley Headstone, Jenny Wren, and Silas Wegg, Dickens continues, or rather concludes his artistic legacy with a work rich in well written and compelling characters. Exploring, as do many of Dickens's works, the intricacies of inheritance, "Our Mutual Friend" is also deeply concerned with families and the things that hold them together or rip them apart. Interesting and fraught emphases on education, upholding particularly English interests in the face of the still rising British Empire, and concerns about the absolute uncertainties about life and death, this is quite a way to come at a last complete novel.

"Our Mutual Friend" begins with Lizzie and her father Gaffer Hexam patrolling the river in the dark of night. Pulling a body out of the river for the potential reward money, the novel jumps right into the action with a bang. The body is presumed to be that of young John Harmon, just returned from South Africa to claim a huge inheritance from his recently deceased, hateful and miserly father. The only heir dead, the elder Harmon's loyal employees, Mr. and Mrs. Boffin stand next in the will to inherit everything. This causes a stir in Society, where Mortimer Lightwood, the legal executor of the will, and his friend Eugene Wrayburn are called in to view the body and question Gaffer Hexam. This causes two others to be drawn into the plot - Lizzie Hexam, an uneducated, but prescient young woman, who immediately catches Wrayburn's eye, and Miss Bella Wilfer, a sprightly young woman whose marriage to young John Harmon was the sole condition for that gentleman to come into his inheritance prevented by his untimely death. The novel tries over the next 700 pages to work out the personal ramifications of the murder, the will, and the fates of these two young women.

So many of Dickens's novels deal with the lives and educations (scholastically, socially, or both) of young people, and "Our Mutual Friend" is no different. Gaffer Hexam, the boatman, is opposed to book-learning, and refuses to allow either Lizzie or his younger son Charley, to learn even to read. Lizzie arranges, though, for Charley to remove himself from the cycle of riverside drudgery by facilitating his escape to a school, where he excels under the tutelage of one of Dickens's most intense characters, Bradley Headstone. Elsewhere, the Boffins, now in a state of financial ease, seek to improve their cultural understandings, hiring a literary man "with a wooden leg," the well-versed Silas Wegg, and even buy the mansion that Wegg works in front of. Other characters, like the mercenary Bella Wilfer, the absolutely indolent Wrayburn, and the articulator of bones, Mr. Venus, all seem to be in sore need of social and moral educations.

Just to kind of continue this theme, one may be particularly interested in the kinds of literary funds that Dickens draws on in "Our Mutual Friend": His debt to 18th century literature is heavy indeed, with the works of the poet James Thomson and the historian Edward Gibbon coursing through the novel like the very Thames itself, laying the groundwork for literary and historical commentary on the nature of Empire and particularly British Imperial interests, and how those interests reach from the international into the lives of individuals. Another important predecessor in this line is the infamous Mr. Podsnap, a very dark descendant of Laurence Sterne's Corporal Trim from "Tristram Shandy." Trim's famous flourish, in Podsnap's hands acquires the power to annihilate entire nations. Dickens also reveals heavy debts to fairy tales and nursery rhymes that continue and complicate the novel's emphasis on children's educations, how they are managed, and the impact that they can have on the world as it will become.

If you aren't interested in reading "Our Mutual Friend" yet, you should be! Clearly, my interests lay in the national and educational strains of the novel, but there's obviously so much more. Now, my knowledge of Dickens may be limited to the five or six novels I've read so far, but you will be hard pressed anywhere in Dickens, (or anywhere else for that matter), to find a more frenetic villain than Mr. Bradley Headstone - to see him in action alone makes this novel worth reading. He ranks right up there with "David Copperfield"s Uriah Heep in terms of Dickens's most insistently horrifying creations. Ok. Enough from me, go, read "Our Mutual Friend." What are you waiting for! Go, now!