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Noah Sarri lives a private life by choice, wanting to forget that his good intentions of making a difference in the world turned tragic in the blink of an eye. Now he devotes his time to nursing injured wildlife back to health and crafting pieces of furniture that fetch lofty sums and provide his livelyhood. His seclusion fuels wild speculation in the town about him.
Enter Claire Levander, businesswoman on a working vacation sent to scout out the possibilities of buying property for her company, a hotel corporation. She and Noah meet when one of his critters crosses her path.
The story is rich in characterization, setting and believable plot lines. Noah has some big demons to overcome and Claire is there to help him. Claire, on the other hand, has to make some decsions as to make as to what path her life is going to take. Add to this a haunted bed-and-breakfast, a man eaten up with revenge against Noah, and some hot moments between Claire and Noah and you have a story that is never dull.
I'm glad Harlequin is planning on releasing more books about the residents of Alouette, Michigan. They make interesing reading, even if they aren't Trolls. [grin]
The proprietor of Day Brook House puts Claire in the "Valentina bridal suite." Rumored to be cursed, the suite displays a bridal painting that does not convey the joy of a wedding, but suggests a much more foreboding and chilling tone. According to the prophesy, any woman staying in the suite will be married before the year is out in retribution for the jilted, suicidal Valentina. But Claire's social life has been on hold for a long time, and establishing a relationship with an alpha male as reclusive as Noah might hold some especially difficult challenges. Especially since she will be leaving in a week to resume her high powered career.
An orphaned cub and other assorted wildlife lend an intriguing backdrop to Carrie Alexander's NORTH COUNTRY MAN. The closeness of the citizens of the small community of Aloutette, Michigan, both alienates and draws characters together with painful gossip and sparkling loyalty. While Claire and Noah might be the stereotypical case of opposites attract, their path is quite original from steam baths and fallen plaster to a creative legend. Further, Noah lends a powerful presence to the novel with his genuine heart and deeply held secrets. As his past becomes revealed, readers will find him as irresistible as Claire does! In addition, while many elements might seem to superficially follow traditional plotting, Alexander has a flair for giving them subtle twists that keeps her writing refreshing and different. An absolutely delightful read, NORTH COUNTRY MAN comes very highly recommended.
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Dennis has pleased critics and audiences around the world with his faithful treatment of Milne's stories and poems in live theater performances.
Peter Dennis brings to charming life each endearing character in these unabridged tales for the young and young at heart. LYNNE HEFFLEY, LOS ANGELES TIMES, AUGUST 11TH, 1996
A "must read" for those who want to be informed and challenged.
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The results are exactly the kind of works most working modern artists or their patrons would be dismayed over. Get this book. It is a fascinating and entertaining read. One interesting note from the book - the editor of The Nation said that when they published the results of this poll it drew an avalanche of reader mail. It generated the largest reader response of anything they'd published in the history of that magazine to date. Several newspapers interviewed owners of prominant NYC art galleries as well as some prominant artists. All of them were horified by the results of this poll. One commentator sniffed the poll just proves Americans are boors when it comes to art - prefering only the safest, most banal subjects. What is interesting is that the book shows the results of this poll were duplicated in many other countries around the globe. Countries as diverse as Kenya and Iceland showed their own polls duplicated the preferences of the average American - i.e. a liking for landscapes with peaceful blue skies.
The book reproduces in full the entire questionaire used by the polling company along with an interview with Momar and Kelamid. The two Russians also gained notoriety by creating pictures of each countries most-preferred and least-preferred paintings. Each painting had the canvas divied up to match the percentages shown in the poll that respondents wanted (or didn't want in the case of the 'Least Preferred' paintings). Thus if the poll showed 65% preferred landscapes with a blue sky then 65% of the painting surface had a blue sky.
Interviews as well as commentary on the nature of art and what this might mean also fill the book. There is even a chapter by one of my favorite modern-day philosophers - Arthur C. Danto (I have several of his books). He asks the question "Can It Be The 'Most Wanted Painting' Even if Nobody Wants It?"
The results in this book lead to many questions. Not the least of these is 'what is art?' and 'what does this say about human nature?'. One article from the Jan/Feb 2002 issue of American Spectator illustrates this problem very well. It seems a few months ago a very famous photographer was holding a one-man exhibit at a London gallery. He is quite famous for the nauseating and offensive subject matter of his work. That night he gathered together the cigarrette butts, empty paper cups, and other assorted trash from the opening-night party and "artfully" arranged it in a pile in a corner and took a picture of it. The pile was promptly announced by a London art-critic to be worth at least 5K (in pounds). Unfortunately, someone forgot to tell the janitor that night that the pile was art, not trash. So you can guess the ending of this story.
I recount this to make a point. That is, this book will shed some light on why so many people have trouble - even the U.S. Supreme Court - on saying exactly what Art is. Get this book. It is fun and fascinating look into not only the tastes in art around the world but also a window into the science of polls and polling.
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Robert Alexander's work, "The Last Orbit of Billy Mars," was nominated for the Charles Macarthur New Play Award here in Washington, DC.
All of the plays in this collection were highly successful shows for a great nationally-known theater! Definitely worth checking out if you're an off-off Broadway type of theater fan or producer.
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The central tragic figure is Eustacia Vye, a young woman who has come to live on Egdon Heath with her cantankerous grandfather. Despising the dreariness of the heath and generally secluding herself from the local populace, she is somewhat of an outsider and not well liked by some in the community. She was in love with Damon Wildeve, a former engineer who now owns an inn and is not too happy about it; but their affair has since cooled and Wildeve has turned his attention to a girl named Thomasin Yeobright. Wildeve and Thomasin's wedding is aborted when the marriage license turns out to be invalid, and Thomasin, running home to her aunt in shame and anger, is caught on the rebound by Diggory Venn, her long-time admirer. A word about Venn's profession is in order: He is a "reddleman," who, not unlike the ice cream man in the summertime, rides around the heath in a van selling a strange product that shades its vendor most memorably.
Completing the quintet is Thomasin's cousin Clym Yeobright, an Egdon Heath native who is returning permanently after living for some time in Paris as a diamond merchant. Destiny eventually unites Clym and Eustacia in love, but Clym's mother does not approve of the union; she doesn't like Eustacia, and she fears their being married would prevent or discourage Clym from returning to his lucrative career in Paris. They get married anyway, as do Wildeve and Thomasin on a second try, leaving Venn as the fifth wheel but still not out of the running.
The catalyst for the tragedy of the novel involves an attempted reconciliation between Clym's mother and Eustacia, which results in the kind of ugly situation that could be cleared up by simple explanations and apologies but instead is exacerbated by normal circumstances. On top of this, Wildeve realizes he still loves Eustacia and is willing to help her in any course of action, no matter how lacking in judgment, that she thinks is an appropriate response to her plight.
This novel swells with Hardy's typical narrative genius, but no less impressive than the plot, the characters, the dialogue, and the prose, is the barren but hauntingly beautiful setting of Egdon Heath. Like the famous Casterbridge of his later novel, it is a world unto itself, defined by its own peculiar topography and populated by denizens who, with their own special jargon, customs, and folklore, act as a sort of Greek chorus towards the drama of the principal characters, commenting on events with humor and gravity. The heathmen and women don't much mind the hardships of life; they're the kind of people that will joyfully dance around their bonfires on the barrows even without musical accompaniment.
Eustacia Vye is a magnificent heroine, and her power, ardor and ultimate destiny as perhaps in excess of the more common neighbors is intense and pagan and unforgettable. The heath is a pre-christian place, remote not only from civilization but from all that is ordinary. In a small country, with massive social rules, the heath is alive and in posession of a soul. They keep the ancient traditions of festivals and bonfires, the people even speak their own language. The book has enhanced battles with the elements that seem to be offended and punishing ill-fated love. No one who reads this book will forget the red man, seeming to be a favorite of those pagan gods.
This is a romance that is eternal. Read it again, or read it with an inner openness and it will repay your time and soul.
Hardy's characterisation is highly realistic in that the boundaries between 'good' and 'bad' characters are somewhat fluid. He also explores the idea of the 'fatal flaw' and how people inevitably destroy themselves and those they hold most dear. If you're looking for a 'feel-good' novel this is not the one to go for but if you enjoy enjoy novels like Wuthering Heights and Tess of the Durbervilles then place your order now...
Claire Levander is having one heck of a time trying to locate the bed and breakfast in the back of beyond that she's supposed to scope out for the company she works for. On the dark, lonely stretch of road that's supposed to take Claire to Bay House, she nearly runs over a mama bear and her cub. No sooner does she recover from that incident, when a deer pops out of the woods, using the hood of her rental car as a springboard to get to the other side of the road. Result? Car goes off the road into a ditch. Claire exits the car and tries to backtrack to see if the deer is okay. Instead, she stumbles into a huge, most hirsute man, baby bear cub tagging alongside him. Can the night get any more bizarre?
What follows is a most endearing, emotional read with traces of humor, and a twisted quest for revenge. Ms. Alexander's ability to create well-rounded and fully developed characters, both main and secondary, is exceptional. Readers will gather to their hearts Noah and Claire, along with the quirky caretakers and employees of Bay House, Noah's animals, and Bay House's number one boarder, disabled spitfire, Cassia. Even the setting takes on a life of its own, with descriptive narrative that places the reader firmly in Alouette.
NORTH COUNTRY MAN is classic Carrie Alexander. She has definitely found her niche with Harlequin Superromances, starting with THE MAVERICK. Even though TM is a wonderful read, it is not related to NORTH COUNTRY MAN; however, it is my understanding that there will be at least two more stories related to NCM. Personally, I can't wait!!