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Due to the nature of the writing in Anne of Green Gables, an annotated edition is especially welcome to fill in the blanks on Canadian politics (What is a "grit?") and social conventions at the time. Reading the annotations increases the pleasure of entering the Anne's world, and that is incredibly important.
Also, of special note and appreciation, many of Anne's favorite obscure poems and readers are included in the back. Finally, you are able to get the whole version of the many quotes that she drops, and see just where she picked up her big words.
The best gift you could get for a true fan of Anne of Green Gables.
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I would strongly recommend this.
What a marvelous, brilliant weaving together of the family history of the Robert E. Lee family, along with insider Civil War history, social history, food history, family characters and so on, have been put together by Anne Carter Zimmer, who gives us recipes one longs to try. I definitely want to attempt the Charlotte Russe and certainly the Sally Lunn. (Wish I had the courage for the oyster dish where, halfway throughout, you throw out one batch of oysters and add a fresh batch.) When I read the book's first line, "We didn't make much of ancestors when I was growing up," (this from the great-grandaughter of Robert E. Lee), I knew I was in touch with an authentic voice and that I would love this book. And love it I did.
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I loved this book, and read it many times over again after I first picked it up, and it still delighted me. Lucy Maud Montgomery is a stunning writer, and I believe that she must have been like Anne, for no one could create such a realistic character and write everything that poured out of Anne's mouth...her made up stories, the things that she she thought of, her wild yet delightful imagination...all in all, Anne of Green Gables is one of the finest books I've ever read, and were ever written. I strongly recommend it to anyone, old or young. Everyone can relate to Anne and she could make you smile like she did for me.
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I do not know whether you are among the living, or not. I am writing my praise in a public forum because it must be said. Somehow, despite a dearth of letters and surviving diary papers, you have written a masterful biography of the "baby" of the Brontes. The one who struggled to balance a philosophy of Realism and an Evangelical's emotional introspection, sister to two high-strung tempramental Romantics.
It is difficult, if not impossible, to extract Anne's story from the accounts of other people (especially Charlotte's best friend and her biographer). Even in her introspective potery, she is surprisingly complex and circumspect. Yet this is what you have managed to do: to trim away the legends and mistaken impressions to reveal an active imagination, a deep faith, and a life lived to the tempo of a different music.
Thank You.
Sincerely yours,
"Monmoth"
Chitham doesn't sensationalize his material but sifts it for truth and light. He is very aware that original source material on Anne's younger days, her time at, and reason for leaving, school, her two governess positions, her possibly strong feelings for her father's curate, William Weightma! n, and her fluctuating relationship with her sister, Emily, are scant and too reliant on Charlotte's screening. Nevertheless, Chitham tries to piece together what he can from Anne's five surviving letters, her poetry, her two great novels and other circumstantial material surrounding the Robinson family with whom she stayed with as a governess. However, as with most other Bronte scholars, he cannot finally prove that Anne loved Weightman or that Branwell left the above same Robinson family as a result of indiscretions towards the Lady of the House (Lydia Robinson) or towards the 12-year-old pupil in his charge, Edmund Robinson.
Edward Chitham is also cautionary about the use of Anne's novels as biographical material. Far from quoting parts of Agnes Grey verbatim, he shows us more where such sources are unreliable. However, in areas and tone where Agnes Grey and the life of its heroine, squares with Anne's poetry and life, Chitham is happy to show the ways in which the lik! ely facts of Anne's life unfold to the diligent researcher ! of the truth.
All in all, this is a great biography, and until more letters become dusted down from hidden, and as yet unknown, lofts or boxes, it is likely to be fairly definitive in its balance and appreciation of Anne Bronte. Chitham knows where the sources are weak and he also knows what future researchers will want to look at if any more sources unearth themselves. Should we be lucky enough to find more of Anne's letters to or from Emily, Charlotte or the Robinson girls she once taught and kept in touch with, then would be the time to write another and fuller biography of Anne's life. Sadly for both writer and reader, Chitham can only but leave us with an incomplete picture, many broken jigsaw pieces and an overwhelming desire for more.