Most Black History fans think they have DuBois figured out. You either hate him for his haughtiness and elitism or you love his militant stands. This collection of DuBois' writings shows that the truth was somewhere in between. We see DuBois change his mind on Marcus Garvey and the elitist "Talented Tenth" idea. We see DuBois evolve from Integrationism to Black Nationalism to Communism. We basically see a man who is not afraid to change his ideas and admit his errors, a very human and complex man.

Du Bois had many interests and writings from artistic ventures to tackling the political issues of his times: his life was filled with controversy and essays here celebrate his scholarship, examining his influence in the academic world and considering the extent of his social, political and racial insights. Especially recommended for students of DuBois' writings at the advanced high school and college levels.

"The Journey to Freedom" series educates children about the achievements and contributions of African American leaders, inventors, educators, scientists, entrepreneurs, entertainers and sports figures. This volume tells the story of W. E. B. Du Bois, an author and teacher who lived from 1868 to 1963. Du Bois was the first African American to receive a Ph.D. from Harvard, one of the founders of the National Association for the Advancement of Colored People (NAACP), a key member of the Niagara Movement, and an advocate of Pan-Africanism. This volume covers both Du Bois achievements and his controversial positions over his long public career. Du Bois was a radical thinker on racial questions who criticized the position of Booker T. Washington that blacks should "accommodate" the racism of the white majority in exchange for economic opportunities. All of the books in this series confront the racism of the times directly. In this volume there is a grim photograph of a crowd about to lynch an African American man in Texas and another of a "This Door White Only: Colored in Rear" sign above a door in the segregated South. Students will clearly understand Du Bois in the context of his times. Don Troy presents a lot of biographical details about Du Bois, but always within the historical and social contexts of the time. You never forget that no matter how much Du Bois achieved in his distinguished career he was still a second-class citizen in his own land. Ironically, in 1963 Du Bois became a citizen of Ghana, the land from which his great-grandfather had been taken away into slavery and died on August 27th, the day before Dr. Martin Luther King, Jr. gave his "I Have A Dream" speech. This is one of the most impressive volumes in a very impressive series of books.

DuBois' work is a seminal accomplishment. This is a wonderful survey of the important, nay, vital role that Afrika and Afrikan people have played in world history. DuBois gives the reader an intricate and thoroughgoing glimpse at how Afrika and all of her resources - mineral, human, land - have shaped the destiny and laid the foundation for the modern world. A must read for the novice or specialist in Afrikan history and geopolitics. Further, the author shows how European economies have been bolstered at the expense of Afrikan people. In one chapter, "The Rape of Africa," the reader is given a chance to see how the colonial powers partitioned the continent to satisfy their own hegemonic and dastardly needs. This is an important work that should, no doubt, be a cornerstone of any Black Studies, Political Science, or World History class.

The Works of Howard Fast are incendiary,no doubt...Whether he rises into the sunlight of great literature, as does Steinbeck in works of a similar genre, or remains in the depths of vituperation, remains to be seen...The important thing to remember is, all of his characters and situations are strictly FICTIONAL and have nothing whatever to do with history, even those put forward as being historical! In "Spartacus", for example, his Spartacus is a man totally made up according to the Marxist scheme of things. With all the real sorrows to get excited about, why are we spending time on fictional ones? However, if you want the best of Fast, you need to read "The Hessian."

To not feel emotion while reading this book is impossible. The reader falls in love with the main character, Gideon Jackson. His enemies become the reader's enemies. His struggles break the reader's heart, because they've grown so close to Gideon. The reader becomes angry, sad, and just upset at how the people and the America that so many people fought for, can just turn its back on these poor black slaves. The hatred and the evilness portrayed by the Klu Klux Klan is unbearable and the reader realizes how unfortunate these times were for the black American. So if you want a very dramatic, but historically true novel this is the number ONE choice!

THis book was my assignment for US History. At first, I thought it was going to be boring. But I just couldn't put it down after I started.After reading it , I had a better understanding to the difficulties of rebuilding the peaceful society between the blacks and white, especially under the presence if KKK.It is a truly touching and sad book.

And so "education" should be, one of many great, though by no means unique, insights into the mind of mankind in W.E.B. Dubois's "Souls of Black Folk." I read this book after reading both the "Autobiography of Malcolm X" as well as Foner's "The Black Panther's Speak." Both of these books make allusion to Dubois, and in reading "Souls" I better understand the ideas and programs of Malcolm, Huey and Eldridge, their desire to be granted the same rights and privileges as all American citizens, and, where the white man continued to disallow it, their taking them "by any means necessary."

Admittedly, I have very little experience with African-American culture. "The Souls of Black Folk" I think helps bridge this gap by exploring the history - economic, social and political - and pyschology of the African-American. I came away with a much better understanding of organizations like the Freeman's Relief Association, men like Booker T. Washington, African-American Christianity and, to a small extent, the psyche of the black man in America, at least its historical antecedents, up until the early 1900s.

I have read reviews dismissing Dubois's work as outdated, especially after the '60s and the civil rights movement. Perhaps it is, though, again, I don't feel I know enough about African-American culture in our day to be able to say either way. Having said that, I am much better acquainted with other socially and economically constructed "niggers" of our world, both domestically and internationally, and in that regard I think Dubois's "Souls of Black Folk" is still very much applicable, in fact a complementary resource from which to glean insight into contemporary politics and economics. Perhaps, hopefully, there will one day be no more "niggers" on American soil. But, unfortunately, there will always be "niggers" in this world, and Dubois's lectures on removing "the great problem of the 20th century - the color line" are as important today as they were 100 years ago.

From "Of the Sons of Master and Man":
In any land, in any country under modern free competition, to lay any class of weak and despised people, be they white, black or blue, at the political mercy of their stronger, richer and more resourceful fellows, is a temptation which human nature seldom has withstood and seldom will withstand.

Perhaps basic, perhaps something one has heard numerous times, but the fact that this citation and many, many others like it to be found in "The Souls of Black Folk" were written 100 years before guys like Ralph Nader and Howard Zinn were selling hundreds of thousands of books based on a slightly different spin of the same argument is at least relevant, if not impressive.

Dubois was no racist, as any of the rest of the aforementioned group weren't either. If anything (and perhaps in this time this is a politically incorrect term) he was a classist, and merely argued for the assimilation of the black man into the society that did not understand their mutual dependence. Reading the book did not produce "white guilt" or anything the David Horwitzes of the world would like to convince me is happening to me. It provided me with a greater understanding and respect for people I daily ride the metro with, work with, am an American citizen WITH.

The Souls of Black Folks, as other reviewers have pointed out, is a masterpiece of African-American thought. But it is even more than that when we consider the context and time in which the book was written. Most of what DuBois discusses is still relevant today, and this is a tribute to the man, not only as a scholar, but as someone who was continually adapting his views in the best image and interests of black people.

Some reviewers refer to DuBois as "the Black Emerson" and, as a university instructor, I heard similar references made: 'the Black Dewey" or "the Black Park," referring to the Chicago School scholars. Du Bois was brilliant; indeed, these white men should be being called "the white Du Bois"! Du Bois literally created the scientific method of observation and qualitative research. With the junk being put out today in the name of "dissertations," simply re-read Du Bois' work on the Suppression of the African Slave Trade and his work on the Philadelphia Negro and it is clear that he needs not be compared to any white man of his time or any other: he was a renaissance man who cared about his people and, unlike too many of the scholars of day, he didn't just talk the talk or write the trite; he walked the walk and organized the unorganizable.

White racism suffered because Du Bois raised the consciousness of the black masses. But he did more than that; by renouncing his American citizenship and moving to Ghana, he proved that Pan Africanism is not just something to preach or write about (ala Molefi Asante, Tony Martin, Jeffries and other Africanists); it is a way of life, both a means and an end. Du Bois organized the first ever Pan African Congress and, in doing so, set the stage for Afrocentricity, Black Studies and the Bandung Conference which would be held in 1954 in Bandung, Indonesia. Du Bois not only affected people in this country, he was a true internationalist.

Souls of Black Folk is an important narrative that predates critical race theory. It is an important reading, which predates formal Black Studies. The book calls for elevation of black people by empowering black communities -- today's leadership is so starved for acceptance that I believe that Karenga was correct when he says that these kind of people "often doubt their own humanity."

The book should be read by all.

At the end of the century, in a few months there will be much debate about the person of the century, the writer of the century, the actor of the century and so on. This book, this writing should put DuBois at the very least in the top five ranking of the most important writer and thinker of the twentieth century. He is as far as I am concerned the Black Nostradamus. He forsaw what has been happening in recent years with the increase of hate crimes and mass acts of violence and oppression against the colored masses of the United States and the world. DuBois like no other from his time captures the spirit of the America Black and he allows his reader to read and to understand what has caused the Black consciousness to be in the state of disaster that it was in and is in in some aspects. He is a great writer and this book should be required reading in every American Literature and Black Literature class in every high school and college in this country. This is an important work not only for Blacks to read but whites as well. Well written and well received is all that I can say about this book. GREAT!!!!!

It seems odd that Lewis's biography of W. E. B. DuBois should be felt to be entitled to two Pulitzer prizes. The author disapproves at least on the surface of some of DuBois's more outrageous positions, but yet Lewis's biases show thru, and one gets the idea that in general if Lewis had not had the benefit of what has happened in regard to Communism in the past 15 years Lewis would be even more approving of DuBois's opinions than he now indicates. As others have mentioned, it is disconcerting to have a book from a major publisher have so many typographical errors. One would think they could have been easily avoided. And the endnotes are a nightmare. Instead of footnotes there are page notes in the back, with no discernible system: some indicate sources, but I found them very user-unfriendly. There is no bibliography as such, and overall I thought the book poorly edited. But the book tells a story of interest, especially during the period from 1945 to 1963.

I agree with Schmerguls, above, that David Levering Lewis' vol. II of DuBois has too many typographical errors; the endnotes are a nightmare; and that it needs a bibliography. But the book is more than a flawed book about a flawed man. It is readable, in general; Lewis could have skipped some of the big words in favor of words that ordinary readers could understand without a dictionary simultaneously open. Lewis uses colorful, precise verbs in many cases and succeeds in bringing characters to life in one word descriptions. He humanizes DuBois by discussing his friendships and by examples (through verbs and description ) of DuBois's autocratic manner. If this biography does not deserve a Pulitzer, I am curious what biography Schmerguls would consider worthy? The Oakland reviewer, above, is more on the mark in that this is a thoroughly researched and keenly insightful recounting of the life of a towering figure. I, too, sorely miss a bibliography. And the last quarter of the book is indeed full of typographical errors which a careful copy editor should have caught. One hopes that there will be a revision someday with all corrections made. Still, this is a wonderful history of the times and of an amazing (though "flawed," like the rest of us) figure in American history. DuBois certainly provoked solid thought at a time when mainstream America was unsure that Negroes could think. I have heard David Levering Lewis speak on C-Span. He writes better than he speaks because he says "Uh-uh" too much as he searches for those big words. But I'm so grateful that his work on DuBois came to fruition in my lifetime so that I could read it.

With volume two Lewis completes his magisterial work chronicling the life and times of the controversial W. E. B. Du Bois, and this second volume is every bit as fascinating and scholarly as the first one which won the Pulitzer Prize. This volume follows Du Bois' descent from a founder and spokesman for the NAACP to his self-imposed exile in Ghana in 1963. Throughout the journey Lewis thoroughly develops the changing viewpoints Du Bois put forth as solutions to the problems of racial discrimination and the powerlessness of people of color in this country and around the world. From an integrationist (who at the same time criticized the assimilationist attitude of Frederick Douglas), Du Bois moved into the Pan-Africa movement (although he disliked and opposed Marcus Garvey and his movement), and eventually supported Black separatism before settling on socialism and Marxism in the later years of his life. His "petty bourgeois" ideas concerning Black economic separatism were, of course, vehemently criticized by his Marxist friends. Many believed "Du Bois was a romantic, a racialist, and an old man given to dreams of a 'shopkeepers paradise' as a solution to the depression."

Although Lewis soft-pedals Du Bois' deep character flaws which caused him to be constantly at odds with others who were "on his side" in the fight for racial equality, and permitted him to excuse the murder and outrages of Stalinism and the Japanese military aggression and ethnic cleansing in Asia, the author clearly reveals these facts of Du Bois' life. Lewis reveals how Du Bois' mind became so poisoned with a visceral hatred of White power, and its adjunct Western capitalism, that he eventually reached the point where he could look the other way or excuse the outrages committed by peoples or regimes opposed to Western interests (which he never seemed to quite grasp were really his own interests and those of the Negro in America). In the end Du Bois seemed opposed to almost any policy his country adopted and he supported any force in the world (be it Pan-Africanism, Bolshevism, Japanese militarism, or Chinese communism) that opposed the interests of the "White governments." Thus, did a brilliant social critic end up a confused mind destined to play the role of a pawn for regimes opposed to Western interests.

Lewis is very good at highlighting Du Bois' conflict with Marcus Garvey of whom he draws a great character sketch. He points out that Garvey's early followers were often poor, less educated, and often of West Indian origins, while the more "elitist" Du Bois circulated among, and pretended to speak for, the Talented Tenth of the African American people. Du Bois was an elitist and intellectual who could not stomach the irrational pronouncements of Marcus Garvey. Du Bois' viewpoint was that of the Black urban, educated, professional.

Lewis is also very strong with detail concerning Du Bois' widening differences with the NAACP leadership and the association's approach to fighting for equality. Du Bois was not a great fan of Walter White, Roy Wilkins, and Thurgood Marshall who, with their legalistic approach, stressed working within the "White system." As in volume one, Lewis does a good job of discussing Du Bois' many writings and shows how Du Bois himself (as witnessed by his "The Gift of Black Folks") never outgrew his own racial stereotyping. Lewis also soft-pedals Du Bois' many affairs with intellectual women, but he does document these relationships. He shows how Du Bois, a believer in the rights of women, virtually abandoned his wife Nina over a period of many years in almost every sense but financial (many of his friends and intellectual acquanitances never met his wife) and how he was less than a father to his unfortunate daughter Yolande (who was one of the great disappointments of his life.)

Lewis' book is possibly most fascinating when he deals with the Harlem Renaissance and the various figures with whom Du Bois was familiar. He details Du Bois' eventual alienation from the creative people of this era who depicted the seediness of Black urban life and culture. This too realistic depiction of Black life by the Renaissance literary figures embarrassed and angered Du Bois who wanted to believe that the "Negro race" was destined for a special place in history and, as a race, manifest certain elements of racial superiority. Du Bois criticized the Harlem Renaissance writers, poets, and artists for not sharing his belief that art and culture should serve racial politics. As Lewis shows, "Du Bois's own deep anti-modernist taboos surfaced" in his criticism of the Renaissance literati. Lewis also spends a good deal of time on the historiography of the Reconstruction Era to enable his reader to grasp the importance of Du Bois' writings on the subject and how they served as a necessary correction (despite Du Bois' own one-sidedness and exaggerated claims) to the more traditional school of historical writing on the Reconstruction Era. He also reveals the extent to which Du Bois would never give up the ridiculous notion that the freed slaves saved democracy in America. He desperatly needed to find a special role for the African American in the history of the the great country. Despite Du Bois' brilliant intellect, it was his tendency to see "White" hatred of the Negro as the central paradigm of all modern history, that prevented him from being widely accepted as a scholar. For him, all historical understanding began with this simple fact. Often his own worst enemy, Du Bois, Lewis tells us, "managed to give the impression that racial discrimination had been invented soley to make his life miserable."

In the end, Du Bois felt the American Negro had let him down and he lost his faith in the special role the Negro was to play in history. As he himself admitted, "I misinterpreted the age in which I lived." One has to think that this disillusionment played as much a role in his decision to leave the country as any other reason. All in all, Lewis' biography portrays Du Bois as not so much a heroic figure, as a tragic one; a brilliant mind warped by a troubled soul that was the reflection of much of the pain experienced by an educated African American in the first half of the twentieth century.

I wanted to learn about W.E. B. Dubois and I did --the book is thoroughly researched --but at times there is too much detail; as an example, sometimes DuBois the man seemed hidden in digressions which covered his writings in what seemed to me excessive detail. I admired the work and analysis required to reach this level of specificity but regretted that there was relatively little about his day to day life and that there was not tighter editing and crisper prose.

What most impressed me about this very detailed biography was the complete treatment that was given to Du Bois' Communist connections. With the end the the Cold War we have learned conclusively that the Communist Party USA was not the possibly misguided, but good-hearted progressive folks of conventional wisdom. Instead, the CPUSA was a conscious and dedicated tool of Soviet foreign policy.

No one can doubt that Du Bois was a brillant scholar and a careful researcher, at least in his early works. It was a tragedy that the unjust treatment of his race lead him to renounce America just as the Civil Rights movement was about to change it. Ironically, Du Bois exiled himself to newly-independent Ghana - - a country that became a one-party state, then a dictatorship (which Du Bois did not renounce) finally ended by a military coup.

For all Du Bois' claimed affiliation with the masses, reading this biography one cannot but get the feeling that what really bothered Du Bois was not the rejection of his people, but rather of himself.

Prior to reading volume one of David Lewis' "W.E.B. Du Bois:Biography of a Race" I was somewhat puzzled by the subtitle. But the significance of the subtitle becomes clear as one progresses through the book because Lewis does a wonderful job of tying Du Bois' life, thought, personality, and political activity to the evolving fortunes of African Americans as a people. Like all great biographies this one places Du Bois squarely in his social and historical environment. The result is that one gains deep insight into the plight of African America in the Age of Jim Crow as well as the various divisions within that community over strategies for dealing with the greater society.

This magisterial work is not a book for the casual reader who wants little more than a few facts about the life of W.E.B. Du Bois. It is a complex tapestry of a troubled man who saw himself as "the avatar of a race whose troubled fate he was predestined to interpret and direct." Lewis clearly wishes to show how Du Bois was "the incomparable mediator of the wounded souls of black people." This is a very rich and full biography. There are many asides and digressions as Lewis takes the reader into the troubled world of the educated African American at the end of the nineteenth century and the early years of the twentieth. The conflicts and turmoil among Du Bois' "Talented Tenth" are vividly brought to the fore as the struggle between the Tuskegee Machine of Booker Washington and the more "radical" Du Bois faction takes center stage.

Du Bois' development and personal history are thoroughly covered as are all his important writings. He is shown to be a high-energy, brilliant man who was terribly frustrated and somewhat warped by the lack of intellectual and professional respect afforded him by the dominant white society. Du Bois is revealed to be a very human, if rather arrogant, and at times, hypocritical individual. He never outgrew, for instance, the racial stereotyping he learned at the German universities. Throughout his life he retained a deep ambivalence about Western civilization, almost a love-hate relationship that eventually fed his Afro-centrist delusions. Beneath it all one senses a degree of racial self-hatred at work. At times Du Bois waxes between practical political proposals for the United States and a quite utopian or mystical view of the possibilities of the colored people around the world. Along the way the reader is introduced to an amazing number of fascinating people involved in philanthropy and the early civil rights movement. John and Lugenia Hope, the poet Paul Laurence Dunbar, early founders of the N.A.A.C.P. like Oswald Villard, Joel Spingarn, and Mary Ovington, and the irrepressible William Monroe Trotter are just a few of the individuals who rightly have their lives celebrated in this eye-opening account.

Lewis is especially strong in depicting the limitations of the viewpoint and the activity of the white philanthropists and the developing conflicts between white organized labor and the poor black migrants moving to the northern cities during the "Great Migration." Throughout Lewis demonstrates total command of the material as well as a comprehension of philosophy, history, and the issues of the day. Overall, this is a marvelous look at the life of an important and complicated man as well as the evolving fortunes of the African American community. Lewis has given us a balanced and fair assessment of Du Bois the man and scholar. And, along the way, he provides a ringing indictment of much of American life in the one hundred years following the Civil War. This Pulitzer Prize winning work is a book for the patient and learned reader, but a book that returns great rewards. There are few, if any, books that so thoroughly document the struggle for civil rights in this country from the perspective of America's educated black community.

good book. he uses a lot of good quotes directly from john brown. recommended

John Brown, one of the most influential and important people of his time and of ours is captured by soul in this book. He is my great great great great great grandfather, which i know sounds a little off-the-wall, but even though he is so far down the line, i am still very proud of it. Keep his story alive, this man deserves appreciation.

Du Bois himself called The Quest "an economic study of some merit." Wow, it sure was an emotionally engaging economic study to read! This book is a page-turner. Du Bois attempts to take his reader into the heart of American neoslavery without using the traditional form of slave narrative. The fictional work of this famed writer of "The Souls of Black Folk," is a penetrating glance into soul of a nation built on dehumanizing labor.