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Unfortunately, that is also where its weakness comes in. The book is quite clincial and could use a few more anecdotes and stories -- more "colour" if you will. I'd like to hear more interviews with musicians who worked with Sinatra and from Sinatra himself to get a better idea of the people making the music, because I feel that that the force of Sinatra's personality counts for something in his performance. I personally think that "chemistry" counts as much as technique in music and would like more of that brought out in the book.
This is not enough of a flaw to stop you enjoying the book, it is very engaging and will appeal to anyone who loves Sinatra's records. I still highly recommend the book.
I hestitate to add one more criticism -- Obviously one can not go into exhaustive detail about every single Sinatra recording, but I found it odd that Sinatra's greatest album "Songs For Swingin' Lovers" is barely mentioned while an entire chapter is devoted to the out of print (in US) "Close To You". I realise this is a personal preference, but I found it disappointing.
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This book is exciting and hold your interest from start to finish and gives the reader an opportunity to reflect on many aspects of life.
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Anything you'd want to know about the "Christmas" TV special is in this book -- lengthy interviews with producer Lee Mendelson (a veteran of Peanuts anniversary books) and animator Bill Melendez. Charles M Schulz passed away before the book was written, but there are plenty of rarely-seen photos of him taken in the 1960s. There's a chapter on Vince Guaraldi, whose jazz soundtrack defines the lives of many "Peanuts" fans; interviews with some of the children who voiced the characters; and, O happy day, sheet music! The second half of the book contains the complete script for "A Charlie Brown Christmas" itself, along with dozens of photos and animated sequences, taken from the original cels.
"Christmas" is not for small children (unless they're reading it with you), and there are a couple of misprints (including, in my first edition, a caption for a photo that's not in the book!). But it's lovely to look at, and when I put it down finally, reluctantly, I was whistling the soundtrack and hearing Linus's nativity speech (and I'm Jewish!). These days you can buy it for about as much as the DVD costs, and it's a wonderful Christmas gift. Unless, of course, the person you're buying it for already owns it.
It includes storyboards of the Ford commercials which featured Linus and Lucy back in 1962 (3 years before this classic TV special debuted). Not only that, it features advertisements in TV guide, an interview with Bill Melendez, who animated all the Peanuts specials and films up to Charles Schulz's untimely death in 2000), and a few essays from Lee Mendelson, who worked side by side with Melendez on each of the specials. It also features a few words from Peter Robins (the 1st voice of Charlie Brown) and Chris Shea (who played Linus). You also get a tribute to Vince Guaraldi who composed the music (not to mention that it includes the sheet music for "Linus and Lucy" and "Christmastime Is Here"). This book mentions how they came up with the adult "voices" in the specials and Schulz's conditions on working on Charlie Brown Christmas (one was that real children would do the kids' voices, and another was that the Gospel of Luke was present in the script in order to remind the audience the true meaning of Christmas).
Most importantly, this book includes the entire script of Charlie Brown Christmas with stills from the special. In essence, there is enough information for you to cast your own stage production of A Charlie Brown Christmas. There is one slight error in the script, however- the Peanuts gang is not humming "O Little Town of Bethelehem" at the finale but "Hark the Herald Angels Sing" (unless this was written in the original script and changed at the last minute). Finally, turn the pages and you'll see Snoopy cause Charlie Brown to crash into the tree in the one scene that begins the special!
Recommended to all Peanuts collectors and all who love the classic special that started it all for Peanuts animation. I got this from a good friend as a Christmas present!
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Attention all parents burned out by reading The Pokey Little Puppy over and over again.
Attention cynics whose primary memory of Winnie-the-Pooh is the Dorothy Parker quote (from her "Constant Reader" column in the New Yorker) "Tontant Weader frowed-up".
This book is a treasure for all who hear it. There is gentleness and not a little wit in these stories. Contray to the book description above, the book is read by the late Charles Kuralt. His inflection adds much to the story. One senses that he is amused; but he is never condesending. Now I will always prefer Kuralt's version to my own bedtime efforts with my children. Charles Kuralt must have loved Winne-the-Pooh mightily. How lucky we are that he left this delightful gift behind.
I'd read so much about Lee during the war that I needed something more, to find out what happened to him after the war. Charles B. Flood provided that "something" and I am so happy that I decided to go for this purchase. It was a snap decision but one I shall never regret.
The first ten chapters of the book are worth the price of purchase on their own, dealing as they do with the surrender of the marvellous Army of Northern Virginia at Appomattox and the subsequent weeks and months as Lee made his way back to Richmond and waited to see what fate awaited him at the hands of the victorious Union.
I don't believe Flood was laying it on too thickly but the devotion felt towards Lee by his old soldiers (Pickett excepted of course) and the civilian population of the South are incredible. The stories of soldiers coming to see him before they set off on foot to return home are just so moving and Lee will not say no to anybody who wishes to see him.
After those opening incredible chapters things slow down somewhat and we learn of Lee's transition into what could be called a 'normal' life which sees him take up the presidency of the Lexington College in Virginia. It's not rivetting stuff by any stretch of the imagination but it's interesting and we gain a greater insight into what drives Robert E. Lee... duty and honour. He could have cashed in on his name a thousand times to retire a wealthy man, but he would not sell out and knows that his example, a dutiful one, will be followed by so many former Confederates in those dark post-war days.
Lee also refuses to incriminate his former comrades when pressed to do so and it is a measure of his standing even in the North that no-one dares to bring charges against him, despite the clamour from some sections of society that he be tried for treason.
The picture that Flood paints of Lee is not always flattering though. He is shown to be a stubborn man in some respects and his family are always in awe of him, especially his daughters, of whom he is extremely possessive. So much so that all three will die spinsters!
One of the last things that Lee does before his death in 1870 is to go on a short trip into the deep south and that again provides an incredible picture of his standing in the old Confedracy. Though he craves privacy word gets out that he is on a train and telegrams break the news ahead of his journey. Consequently, thousands turn up just to get a glimpse of him, with old soldiers bringing their children (man of who have been named after Lee). It is a very moving account of just how deeply his people felt for him.
My only complaint is that I would have liked just a little more reaction to lee's death around the South. How did the people react? What did the papers say? That sort of thing. An omission that could easily have been avoided in my opinion.
All in all though a hearty well done to Charles B. Flood for an excellent biography of Lee's last years. If my review sounds a little soppy then believe me, the book isn't. It is a solid, fair and well constructed picture of the last years of Robert E. Lee's life. It may move you in ways you weren't expecting though!
Lee lost most of his property during the war. He was a career soldier, and didn't have many prospects for employment. He hoped to move onto a farm and to live quietly in the country.
However, other plans were being made for him. The trustees of Washington College in Lexington, Virginia, voted unanimously to offer him a job as president of the college. Lee was not a professional educator (although he had served as superintendent of West Point), but the trustees believed that his leadership and integrity were just what the college needed to survive the harsh economy left by the war. For his part, Lee saw this as an opportunity to help young Southern men to become productive citizens.
The college's wager paid off. Enrollment grew each year that Lee spent at the helm. The college developed new programs, and Lee's stature and good reputation were such that Washington College received large donations from philanthropists, even in the Northern states. Lee took a personal interest in the students, learning to address them by name and taking responsibility for disciplinary measures.
Yet Lee's last five years were not years of unabated bliss. His health declined steadily, his wife was an invalid, his brother died, and his reputation suffered from some unjust attacks in Northern newspapers. Throughout it all, Lee held his head high and maintained his dignity, his character, and his principles.
Lee put much effort into healing the wounds left by the war. He appreciated the esteem in which he was held by his fellow Southerners, but he encouraged them to be loyal citizens of the United States of America. He never said a word against General U.S. Grant, and even rebuked an employee of Washington College who did. One of the most fascinating (and mysterious) episodes in the book is Lee's trip to Washington, D.C., to visit President Grant in the White House. No one else was present for the meeting, and so no one really knows what they discussed.
The book ends abruptly with an account of Lee's death, without going reporting on his funeral and his family's life without him. Even so, this book makes great reading and has fascinating insights into the private life of an American icon.
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Unfortunately, all the Bible has is text and concordance with coloured maps in the back, and wide margins. No helps whatsoever.
I would even hesitate before I marked up the Bible, that's how beautiful it is. However, if all you want is a pretty cover, buy it. Otherwise, forget it. Other NASBU reference or study Bibles in genuine or top-grain leather are available at lesser cost. So, save yourself a few bucks and get yourself something that has more information.
I have used many translations over the years. But I find myself always going back to the NASB. I just know that when all is said and done, I "trust" it. I use the NIV also, but there are just too many passages in the NIV that, upon closer examination, add or subtract from the text of the original Greek. For example, in Luke 9:62 the NIV translators add two words to the text that are not in the Greek "...no one who puts his hand to the plow and looks back is fit for SERVICE IN the kingdom of God." The NASB simply translates what the actual Greek text says--"...look back IS FIT FOR the kingdom of God." If I did not know Greek, I would not have known that the NIV adds words that are not in the Greek text. In short, the NAS does not supply so much "interpretation" to the actual Greek text. It sticks to "translation." I just find over and over again, that when I read my NIV I either have to pull out my Nestle Greek text or my NAS to see if that is what the verse REALLY says.
The NIV is a great translation in many ways, but for serious Bible study, the NASB is, I believe, the most trustworthy translation on the market. And so, if you are going to go with the NASB text, why not get one with the best aesthetic qualities as well? This Bible has it all!!!
Only 3 drawbacks: I wish this Bible had included:
1. the cross-references found in most editions of the NASB
2. ALL of the footnotes that appear in most editions of the NASB (this one is pretty bare-bones), and
3. a little more margin space on the inside margins (not a whole lot of room to write on the inside margins).
But on the whole, I love it and am glad I purchased it. It's my favorite Bible (and I have many Bibles).
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Many Christians, as well as skeptics, are unfamiliar with the rules of biblical interpretation and therefore, regardless on which side of the fence the reader is on religious issues, all groups can benefit from this book.
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What! you say.
Well, I bought it a while back, and I never sat down to read it. So yesterday I just grabbed it, and started reading---and despite the fact that it's meant for children, the insight it offers is unparalleled. Maybe some of you have read "The Tao of Pooh" (which I read in high school). That book explains how Winnie the Pooh behaves in a Taoist fashion. But instead of reading the "Tao" book, I think people could have done just as well, if not better, reading the original work.
I have great respect for an author who can write a work that appeals to both children and adults. Such is "The Phantom Tollbooth" or "The Wizard of Oz." Such is "Winnie The Pooh." The joy of reading Winnie is the absurd logic it follows. Or the way it satirizes adults, which it does quite well through the characters of Eeyore and Owl. For example, how can you NOT enjoy this passage from Chapter Four:
"The old grey donkey, Eeyore, stood by himself in a thirsty corner of the forest, his front feet well apart, his head on one side, and thought about things. Sometimes he thought sadly to himself, 'Why?' and sometimes he thought, 'Wherefore?' and sometimes he thought, 'Inasmuch as which?'---and sometimes he didn't quite know what he was thinking about."
Now the only decision that remains is do I read the other Pooh book I bought, "The House at Pooh Corner" or do I read F. Scott Fitzgerald's "The Great Gatsby." Hmm.