This book is a rare combination of genres, both literary and mystery, not unlike books by Raymond Chandler or Dashiell Hammett. The story centers around novelist Paul Dogolov, 48, who is stuck in his own existential hell. His wife recently left him with their two kids, he cannot write anymore, and memories of Vietnam haunt him. He decides to teach a writing class to prisoners at the local maximum-security prison on the edge of the Mojave Desert in California. The prisoners "must have interesting stories to tell, I reasoned. I wanted to get to know them and learn what it's like to have your freedom bounded by real walls instead of the walls inside your head."

There, Dogolov falls for a female prison guard as well as for a story of innocence by one of the members of his prison writers group. The young man, Travis Wells, was convicted of murdering his grandfather, as well as his half-brother and -sister, with a baseball bat. Compelled to look into it in much in the same way he's drawn to the prison guard who soon spends the night, Dogolov finds himself in real trouble. He's investigating in Joshua Crest, a small desert town where the police, judges, and others don't want him nosing.

Once Dogolov is caught up in the intrigue, the book is utterly brilliant. The tone reminds me of Dashiell Hammett's "Red Harvest," perhaps because the portrait of Joshua Crest is as bleak and compelling as Hammett's Poisonville, and the narrator is a kind of modern Continental Op, dark-humored, self-effacing, and in need of the truth--which is to say why I'm in awe.

Each chapter ends with a dramatic punch, and the action is constantly engaging and just wonderfully odd and bold. For instance, when Travis's ex-girlfriend Millie decides to not only tell him of a motel but go there with him, I was on the edge. Who did she call? Was he going to get a slug from a .45? Then she strips because her costume chaffs. I love the sentence, "I ached for her, not only in a sexual way, but in the way you ache to come near to astounding art."

Other lines spoke deeply to me, too, perhaps because of the way life's come at me. For instance: "I thought how rare it was even for the bravest not to be crushed and broken by the force of life...in jobs, marriages, relationships with children and friends; dreams; ideals." And the line: "There are small things in this life that are can openers to the soul." I teach English at Santa Monica College, and I'm going to assign this book next semester to help in my never-ending quest to have students discover that novels can be both engaging and enlightening.

From the opening page I found myself emerged in the life of Paul Dogolov, sometimes author with a bad attitude, sometimes-sensitive father. As a Vietnam War veteran Paul considers himself a failure in his personal life and has hit rock bottom with alcohol abuse and little purpose in life.

Paul swings in and out of his alcohol-induced haze to find new meaning in his life and volunteers to teach the inmates of a maximum-security prison writing skills. Through his prison program the story comes alive with an in-depth look at the inmates and their lives, which also forces Paul to take a good hard, look at his own life. He finds within himself the capacity to care about his fellow humans once again and learns to trust himself and others, misplaced as this trust is at times.

As a lover of mystery and suspense this book kept me on the edge of my seat. Filled with twists and turns and even truly funny at times, David Scott Milton reveals himself as a gifted writer. Bravo!

This book was great! From the moment I started it I couldn't put it down. Paul Dogolov is a man who has many ghosts haunting him in his brain. He feels locked inside of a prison from many things that happened in his past. When he decides to teach a writing class in a maximum security prison to convicted killers he is swept up into a search for some meaning in both his life and theirs. Feeling that one of them may be innocent he takes it upon himself to try and solve the murder. From this point on hold on cause you are in for a non-stop ride till the very end. Full of twists and turns and non-stop edge of your seat suspense, this novel has it all. I laughed out loud, I held my breath and I felt much of Paul's pain as he tries to find both himself and a killer. Can't wait for more from the author!

I love the Volkswagen story. My family had nothing but Volkswagens growing up. It was my first car like so many others. I have a collection of Volkswagen books that are lovely pictorial salutes to the cars. And I loved reading another book, Small Wonder, about the Beetle from conception to about 1970. Kiley does a very good job of covering ground that has been gone over before in order to get you to the early 70s when the company really began to fall apart. Then, he is the first to really go into inner workings of the company from that point on to where the company almost went out of business in the early 1990s. And then into the fabulous comeback more recently. I work in the marketing field, and have been a student of VW's marketing story. So, besides loving the subject, I learned a lot here too. Extremely worthwhile book for VW lovers as well as for anyone with something to sell to the public.

I'm a die hard VW loyalist now. So when I saw this book I had to see what it was all about. Incredible story! Very well written!

It was incredible to read about all the things that went on within and without the company, it helps to understand the car a lot better :) If you're at all interested in VW's or car company history in general, this is a must read.

I'm an avid VW driver, and when I saw this book I had to read it. It's great! The VW story is incredible, I never would have guessed that there was so much interesting history there.

The references to the advertising brought back some good memories. I remember each ad and how great they were.

A dfinite must read!

J.

Sin of Omission grabs you from the beginning and holds you captive so that you must continue reading until the end. The content is rich and colorful; at some points familiar, at others unknown and intriguing.
The history of the characters made them come alive on the page. I was transported back, first to Russia and later to my own childhood of the 50's and 60's in America. I felt as though I were a part of the circle of friends who kept secrets as bloodbrothers and played familiar games with sacred rules.
David Evans Katz describes the scenery, the games played, and the characters' emotions so that you become a character yourself; experiencing all that they experience. Even if you were born later in life, I believe some of your parents' and grandparents' stories will come alive again in Sin of Omission.
Kudos to the author and his talented storytelling!

Sin of Omission is storytelling at its best. The novel combines elements of mystery, history and irony in an extremely intelligent manner. In tracing a multi-generational feud between Jewish and Gentile families, beginning in Russia and later in Massachusetts, David Evans Katz addresses the important subjects of ethnic bigotry and stereotyping. Most of all, the book is a coming of age story, focusing on Danny and Matt and a traumatic event they witness as 10-year olds. The novel includes a number of stories within the overall story, including even a gripping ghost mystery. In sum, Sin of Omission is a beautifully woven quilt. I loved it and recommend it highly.

Sin of Omission

David Evans Katz builds a riveting story around a murder witnessed by two neighborhood friends. They keep the murder a secret and then deal with 40 years of guilt. Late in their adult life the two friends meet and share a beer together. They reminisce about the past and struggle with the thought that their secret caused a family a great deal of grief. You must read the book to discover the strange twist the murder takes. Mr. Katz also provides the reader with a look at the ethnic neighborhoods of Middlesex, Massachusetts and a glimpse of the relatives lives in Russia. Sin of Omission is a great story filled with sociological insights.

The Well is a very compelling and resonant book by Mildred D. Taylor, the Newberry Award winner for Roll of Thunder Hear My Cry. You will experience many emotions while reading this book, which are not limited to anger and sadness .The Well is set in the south during the mid 1910's, a time in which deep-rooted racism is practiced and where whites can do and say anything they please with abandon to blacks.
David Logan tells a poignant story of his boyhood in Smallsville, Mississippi when blacks could be hanged for considering themselves as equals to whites. The Logan family, the main characters in the book, are among few black families to own land. During an awful drought, they have the only well of sweet water in the whole town of Smallsville. The author eloquently describes how the Logan's believe that the water is not theirs to hoard but gods gift to share with black and white folks alike. Everyone is grateful to the Logan's except the white Simms family who hate being obliged to blacks. David's family lives by his father's words, 'use your head not your fists' but his insubordinate hotheaded brother Hammer is sick of the constant degrading of Charlie Simses and when Charlie pushes his handicapped brother with bitter rancor to the ground, Hammer reacts and does the unthinkable.
The characters are quickly and clearly brought into life, the setting is vividly drawn despite the frequent but historical use of the N word. The large cast of characters is masterfully individualized with opinions, beliefs, personalities and ways of life. I personally gained tremendous admiration for Mildred D. Taylor as an author for making such a luring plot seem so stupendous in a small book.

The Well by Mildred D. Taylor is one of the best examples of juvenile fiction that I have read in the last ten years. (Coming from a teacher, that's a lot of books!) The reader is invited into a world where whites can say and do as they please and blacks are treated to cruelty, deceit and humiliation. Yet the Logan family, the central characters of this book, maintain their strength and dignity through it all. The Logan property sits on the only well that has not run dry in this turn-of-the-century tale of the Deep South. They are generous people and share their sweet water with all their neighbours, even the bigotted Simms clan. David Logan, the narrator, tells us how he and his brother Hammer cope with the abuse and terrors inflicted upon them by the Simms boys and their evil father, Old Man McCallister Simms. This short novel tells us much about the deep seated racism that was so much a part of that time and place. The characters are quickly and clearly brought to life, the setting is vividly drawn and despite the frequent - but historically accurate use of the N word - this book is a great "read aloud."

I think Mildred D. Taylor is a good writer. She makes her books inspiring to most people. I like her books a lot because it is really interesting and talks about history and has good contrasting in the story. Her book tells you how people lived back in the olden days. Mildred writes a series of religious tales not just one book. Her books sound lifelike and it is easy to picture the story in your head. Her book makes me want to read more of the tales because they are so interesting. This book makes me wonder what it was like back then and WOW I'd like to be there. The charectors have good charectoristics. The story has a great conclusion. I'm inspired to learn more about the history back then. Her book has a sensitive plot that a person can understand.

I was so excited to get this book when they showed the story on 60 Minutes. The photographs were all taken with a Yashica T4 point and shoot camera, (the point and shoot of choice for most pro photographers)! The pictures are all in black and white too. The pictures are the pulse of New York City from the viewpoint of a New York Cabbie. I love this concept. I love that this man has used a wonderful point and shoot camera (now discontinued...shame on you, Yashica!), and how he photographs the city while driving. He also photographs the passengers (great idea!!). The text is fantastic. It lets you really understand where he is coming from when he took the pictures. What makes this book winderful is this combination of text and photography, and that it is a new struggling artist who makes his living by driving a cab in New York City, a very rough job indeed.

I found this book to be a true depiction of what it means to be in New York - not just the skylines and the tourist attractions. Bradford's perspective - both literally (from the inside of a cab) and mentally - give the pictures a unique feel. In addition, the organization of the book - day, night, rain, snow - convey the notion that the city is continually changing it's mood and it's feel. I would highly recommend this book.

I have never been to the Big Apple, though for as long as I remember, I have always wanted to go there. David Bradford (a taxi-cab driver) captured NYC from his cab window so well that it really "took me there". I got a feel of NYC while I flipped through the pages of his book. His idea to do this is not only inspirational, but brilliant as well. This book makes a perfect coffee table book- highly recommended to anyone who loves New York!

This well done book fills in the gaps that field guides and bird identification books create. It is a logically laid out, valuable tutorial on each bird family. While the chapters are not highly detailed with species-level information, you get a general flavor of each family of birds. I highly recommend this work to birders and to those who are interested in learning more about our beautiful, feathered friends.

I am not a bird expert; I am a homeschooling mother who is interested enough in birds to feed them and provide nesting boxes in our yard. I enjoy watching birds and this has lead to a curiosity about what they are doing and why.

This hardback version is wonderful and will grace our family library shelves for years. The paper stock is heavy and fine. There are beautiful and detailed watercolor illustrations and very detailed explanations of bird life and behavior. This book picks up where the bird identification books leave off and is more comprehensive than other books I have read about bird identification and behavior.

The index is easy to use for quick referencing about specific birds. There is loads of information here, probably everything you'd want to know about birds. Amazon has over 50 sample pages for you to view, including the detailed table of contents, so I won't repeat that information inside of my review. The information is detailed but not intimidating for amateurs such as myself.

As a homeschooling mother this has already come in handy for discussions about the activities of our chimney swifts and Eastern Bluebirds that have taken up residence in our yard and home.

Even if you are an amateur birdwatcher, I encourage you to buy a bird identification book and then this book, rather than others on the market. Once you see this hefty volume and all the information it contains you will see the price is worth it! This is a reference volume that will be used for years.

I bought THE SIBLEY GUIDE TO BIRD LIFE AND BEHAVIOR for myself for Christmas. I wanted Sibley's Guide because I am an avid birdwatcher, interested in books, articles, films, etc. about birds. I had read glowing reviews about this book (here and elsewhere) and thought it must be the best bird book ever. Also, several reviewers noted that like JJ Audubon, Mr. Sibley was a gifted artist who depicted birds rather beautifully.

Sibley's Guide is a beautiful book bird watchers will want to add to their collection (hardcover, please). Those who already know the difference between Bewick's Wren and a Carolina Wren may appreciate Sibley's Guide more than those who can't tell a White Throated Sparrow from a pigeon. However, sooner or later every bird enthusiast needs to understand the ecology of birds, and this is the strength of the Sibley Guide.

I've been a bird lover since I was a child, and lucky enough to have parents and grandparents who were bird fanciers (my dad was an ecologist, my grandmother raised tamed birds). As a result, I know a great deal about birds and their environments. Sibley's book appeals to me because its central message is that all living things are connected and that the environment matters. One should never take the continuing presence of birds in the back yard as a given as their habitats are threatened.

The Sibley Guide is not as well suited for fieldwork as the Smithsonian's Handbook, BIRDS OF NORTH AMERICA (regional versions), or THE AUDUBON BACK YARD BIRDWATCHER. For example, on p. 440, the Sibley guide has an illustration titled "Troglodytid diversity" which shows the very small Winter Wren and the very large Cactus Wren. The Smithsonian handbook contains separate entries for each of these birds (and many other wrens) and each entry has a separate map showing the individual bird's range. You will immediately know from the Smithsonian Guide that the Winter Wren has an Eastern and Northern range while the Cactus Wren is more likely to be found along the Southwest border and in Northern Mexico.

In contrast, Sibley's book contains a paragraph on "habitats" in the "wren" section and it says Winter Wrens can be found in the Pacific Northwest old-growth forests and the Cactus Wrens can be found in the Chihuahuan Desert. In an earlier part of the guide Sibley has described these areas with lovely maps. You can figure out the approximate ranges of each bird with a bit of page flipping, but you may not quickly deduce that the Winter Wren is also found on the East Coast.

The Sibley Guide is nifty because it groups birds based on DNA results and discusses them as well as their general ranges, habitats, food and foraging behavior, and various aspects of breeding. The Sibley Guide promotes a deeper understanding of the ecology of birds. You will not want to take the Sibley Guide to the field for birdwatching, however.

Flophouse gives America a rare glimpse into the underbelly of the American Dream. With photos and personal interviews of 50 residents of genuine Bowery flophouses this book reveals the raw grittiness and humanity of those at the bottom of American society. So often politicians and other such moral crusaders seek to demonize those on drugs and welfare. The real story why these men have fallen into the abyss is often more complicated than simple explantions provide. The story of these men asks each of us to re-examine our beliefs about the least among us. I should know-I live among them and am featured in the book with my bicycle. Many of you who read this are but a few paychecks away from similar circumstances. I encourage you to buy this book and keep it as a reminder to save every dollar you can in a 401K-lest you spend your last days in a Bowery Flophouse!

Turn away. Turn quickly away. My first instinct upon glancing at this title was consistent with Middle Class America's natural reaction to social despair. Cautiously intrigued, I reached to the top shelf in my suburban neighborhood's local library, and pulled down into my comfortable suburban world an enlightening pictorial in brief. With mixed horror and wonder, increasingly awed at these victims of circumstances, reading "Flophouse: Life on the Bowery" was a real look, a first look, into sunken faces and disheveled lives. Black and white photos say the thousand words their subjects never will. The human condition, bare, innate, is plainly presented without pretense or censoring. How very similar, how frighteningly normal, were the lives of these men before the loss of job, wife, or sanity deposited them here, teetering on the brink between life and death, heaven and hell, New York City's Bowery. Read this book, count your blessings and your spare dimes.

Flophouse is a collections of pictures and words by and about people (mostly men) who ive in the dwingling number of flop houses on the bowery in New York. There are some 50 or so snapshots of these man the spread throughout four hotels, The white house, the providence, the andrews and the sunshine hotel. Don't let the names of these hotels fool you they're no four seasons. The men come from various races, creeds and generations. Some are old men who've lived on the bowery for tens of years and don't want to live to younger men who have hit rock bottom and are trying to get back on their feel again. Each man featured tells his own story about how they got to the bowery. Most of their stories are sobering and the pictures are even more powerful. Many of these men were woking productive members of society until something happened to them to throw them off track. It is hard to leave a book like this one unaffected. If your only opinion of the homeless and destitute is that they are lazy, mentally deranged or drug addicted men this book may change your perceptions. I left this book feeling very somber about how fragile life is and how easily it can be taken for granted yet also feeling uplifted in a strange way. Many of these man despite their conditions still continue to keep on living their lives and keeping a postive attitude. The men in flophouse are a dying breed of america's growing underclass.

This book is just what I looked for: A complete reference of howto's in Sybase ASE administration. It describes the ways to handle sybase admin tasks using the non-graphical interfaces. Especially for the friends of linux who get the ASE 11 for free this is the perfect manual to use ASE easily!

This is an excellent book. I've worked with other relational DBMSs extensively, and I found answers to all my "how do you do it in Sybase?" questions easily. It's a good book to read from beginning to end, if you want to learn Sybase from scratch. Also I think it would be good as a reference -- other developers are constantly coming by my desk to look stuff up in it. The only problem I've had so far is that the Aurora desktop (on the CD) doesn't work on my 95 machine, and it appears the Northern Lights company has gone out of business, so there's absolutely no support for the product.

This book is a must have for anyone using or planning to use Sybase SQL Server. I find myself constantly grabbing for this book whenever I have a Sybase question that needs to be answered. My copy has become frayed and tattered with use.

This reference is easy to follow for architectual drafting. If you are drawing simple box type structures this is the book for you. If you need a mechanical drafting Autocad learning reference dont buy this book. You will be disappointed. For example 12 pages are devoted to "laying out the kitchen". I suggest the author and the publisher do two things; 1) change the title of the reviewed book to Architectual-Autocad 14 and 2) write another book titled Mechanical-Autocad 14.

This is great for those who have never ventured into AutoCAD and need to start learning. I bought the book because I was starting an internship at an architecture firm and needed to get basics down so that I would be of more use. I have begun working through the tutorial and have picked up enough so that I am pretty comfortable using the application. The project managers in the office were so impressed with the book, and the results they see in me, they're planning on buying it for themselves!

An excellent learning manual for Autocad. The author will take you step by step through the creation of a drawing for a small cabin. The reader can follow each step or break off at anytime to pursue topics of interest using the index. The book is accessible for random access readers who have a job to do. Those who take the time to follow through the book will be amply rewarded for their efforts.

Although it is not as famous as some of his earlier science fiction books (or "scientific romances", as they were then called), and is not an absolute classic like those books are, The First Men In The Moon is nevertheless a delightful and important satrical SF novel. Also, its importance in the development of modern science fiction cannot be overestimated. Although numerous books before had dealt with a story set on another world (let us here, for the sake of convenience, refer to the Moon as a "world"), Wells's book is the first to make it convincingly real. Although, one hundred years on, much of the novel's science is dated and Well's Moon is far different from how we now know it to be, nevertheless, Wells here created a world out of his own imagination, and describes it with such a convincing level of detail that one actually feels like they are there. And the science, indeed, was, in fact, quite up-to-date for the turn of the century. The structure and format of the novel also was highly influential: one will see immediately upon reading it just how much modern science fiction owes to this novel, and to Wells (and yet, Wells himself borrowed prodigiously from previous books on the subject.) The book was originally supposed to end at Part I: Part II was added later by Wells after the book was already in the process of serialization. I think that the addition of Part II is what makes the book good instead of great. If it had ended as it originally would, it would still be a good book - a rousing adventure, an interesting yarn - but it would not be great. The second part makes the book a full-on satire - something that the earlier portion had merely hinted at. It sharply and bitingly satarizes manking and his many follies, particularly war. This addition of satire and borderline philosophy makes the novel a truly great one. I read an essay on this book that said it differs from Wells's earlier SF novels because it is not grim. I beg to differ. The ending, to me, seems quite grim, indeed. Although it does not involve the imminent extinction of man himself as earlier works did, it is nonetheless quite pessimistic and grim. The addition of the second part of the novel and the ending also pave the way for Wells's later works - ... This is a true science fiction classic that deserves to be more highly-regarded than it is.

What always gets me with Wells is the forcefulness of his imagination -- his ability to construct powerful, symbolically resonant setpieces based upon the scientific ideas of his time. In the final pages of "The Time Machine" he gave us one of the great apocalyptic visions in all of literature. In "The First Men in the Moon," he gives us a magnificently alien setting, full of bizarre moments -- jumping about the lunar surface in 1/6 G; the Giddy Bridge and the Fight in the Cave of the Moon-Butchers; the bizarre lunar ecology, in which all the plants die every night and are reborn each dawn.

Scientifically, much of this stuff doesn't hold up after a hundred years. And the device he comes up with to get his characters to the moon -- Cavorite -- is without basis, an arbitrary magical tool not unlike the time machine. Even when Wells' science is iffy, though, he presents it in such a clear, convincing fashion that you are only too glad to suspend disbelief while the story unfolds.

In the Selenites we have a metaphor for a different type of society -- rigidly hierarchical, with the needs of the individual sublimated to the whole. The metaphor obviously comes from social insects; though it became a sci-fi cliche, it was still fresh circa 1901. In the remarkable last section of the book (Cavor's communications from the moon), Wells describes the Selenite society with delightful attention to detail. He ends with a haunting, unforgettable image, and probably the best closing sentence of any sci-fi novel.

Cavor, a genius, invents a material that allows him to build a Gravity-Defying Sphere. Soon he and a young, and very greedy, businessman use it to go to the moon. They find not only life, but the Selenites, a culture who can change their shape to fit their jobs. In other words, form is designed for the function of their class or in this case their caste. Over them rules the Grand Lunar, a being whose large brain gives him awesome power and foresight beyond even the businessman who tells us the story. Both characters show their human merits and their very human flaws. Not science fiction as much as a book on society.