Used price: $7.24
Buy one from zShops for: $6.94
Used price: $24.74
Buy one from zShops for: $24.44
Used price: $4.94
Collectible price: $12.00
Buy one from zShops for: $8.75
As a present-day radio fanatic, the book gave me hope: hope that the medium hasn't been corporatized into complete blandness. Radio will continue to evolve, just like our American culture.
Whether your're a radio technology type, an old time radio fan, or just a student of American history, you'll find something to love in this book.
My favorite chapter was the one called "Radio Comedy and Linguistic Slapstick." Here only a few comics are used as examples to support her several theses, one of which is the emasculation of the American male by the use of such high-pitched speakers as Jack Benny and Joe Penner. Of course there is lots of room for argument, but she does let the facts speak for themselves (pun intended).
The other chapters are "The Zen of Listening," "The Ethereal World," "Exploratory Listening in the 1920s," "Tuning In to Jazz" "The Invention of the Audience," "World War II and the Invention of Broadcast Journalism," "Playing Fields of the Mind," "The Kids Take Over: Transistors, DJs, and Rock 'n' Roll," "The FM Revolution," "Talk Talk," "Why Ham Radio Matters," and "Conclusion: Is Listening Dead?"
Which of us has not been affected in many of the ways Ms. Douglas points out in this book? Therefore, which of us can afford to miss being shown how radio has helped make us what we are? And I do hope she produces a similar book about television.
The ham radio chapter was simply great and I give Dr. Douglas her due for mentioning the American Radio Relay League as the national association for hams. From this chapter, I can see why hams have a nurturing touch in their approach to life! The section on radio comedy is well done (the comedy bits are good for a chuckle or two). I recommend it to those who have a deep affinity for radio and communications.
List price: $24.95 (that's 30% off!)
Used price: $8.90
Collectible price: $26.92
Buy one from zShops for: $8.95
Not what I expected-not your standard rock 'n roll litany of what drugs we did on what days-but a sensitive and damn funny tale that has what most books of today lack-meaning. The author, although he did work with Lennon's people and did include much insight on John and others, opens the book with his growing up during a time when he learned it was OK to say '---- off' to racist adults, stupid teachers, and the goody-goody kids in his housing development. I am 48 years old and I remember feeling the same way he did (and still do). Nobody Told Me would still be just as great a book even if Ken never met the rock (Lennon, Aerosmith, plus) and reggae (Bob Marley) musicians he wrote about. Sure, there are drugs, but it isn't a 'drug book.' My favorite story is where the author-age 15-and a friend are hitchhiking home holding a 6 foot pot plant after plucking it from where they had it growing in a state forest when a park police car pulls up. But the ranger says only-'this is a state park, boys. It's illegal to pull out our plants.' And he drives away.
Do you remember getting away with...everything? Remember hitchhiking--safely? Remember being 16 and walking down the street, unnoticed, puffing (how shocking!) a Marlboro? Remember those days of innocence and naiveté?
I passed this book onto my 17-year-old son. I want him to understand the world I once lived in, a world I couldn't begin to explain, a world he wouldn't recognize. Okay, cigarettes are bad and maybe pot isn't great either, but we had our freedom. We were free-and encouraged- not only to be ourselves, but we had freedom from fear.
Freedom is what Nobody Told Me is really about. I think we all have a lot to learn from this book (remember learning?) But it was so interesting, wild, and sorry, Ken-cute-it was the most fun I have had with a book in a long, long time. While reading it I got a lot of the same emotions I felt while seeing, reading or listening to: Almost Famous, The Graduate, Alice's Restaurant, Tom Sawyer, Catcher in the Rye, Cheech and Chong, The Smothers Brothers, Lenny Bruce, On The Road, To Kill A Mockingbird, Hair, The Woodstock Movie, To Sir With Love, Billy Jack, anything Hendrix, Dead, Beatles, The Electric Kool-Aid Acid Test and, the Constitution of the United States.
Thanks, Ken, for painting such a vivid picture of a time not-so-long-gone that today's generation will see, understand, and maybe, be inspired to re-create.
Used price: $7.04
Collectible price: $9.99
Buy one from zShops for: $6.51
List price: $15.00 (that's 30% off!)
Used price: $5.32
Buy one from zShops for: $9.39
I guess I've read this book three or four times now and it never gets old.
I also recommend Ms. Johnson's novel, In the Night Cafe, another skillful invocation of the Beat period.
Her unique and fresh writing style should not be overlooked either. She wrote this book at a good time in her life as well, it is reflective and filled with the insight and intelligence of years and experience.
Used price: $10.00
Collectible price: $16.75
Kilworth seems to be attempting to emulate Cornwell's template in presenting an unvarnished ground-level view of historical military exploits. The book is full of details on equipment, procedures, social composition of the British forces, et., plus a parade of real historical figures. However, it's not done nearly as smoothly and seamlessly as Cornwell (or George McDonald Fraser's Flashman series for that matter). Clunky prose and exposition somewhat mars the storytelling, as Fancy Jack is sent on a few secret missions behind enemy lines with a band of misfit soldiers. For example, we're told three different times that the Allied (British/French/Turkish) forces number 55,000. We're also privy to a number of scenes of high-level commanders bickering that don't have much to do with anything other than to get across the historical reading Kilworth's on the ineffectiveness of the leadership. And in case you didn't get how devastating cholera was to the army the first time it's discussed, don't worry, you'll get several more chances to absorb the information. Kilworth has apparently written a number of children's books, and often the prose reads as if it's intended for a younger audience.
But the battle scenes are plenty gory, and there are plenty of "adult themes", and a requisite love interest. All in all, it's a decent page turner, but not nearly as good as the Sharpe books. The Fancy Jack saga continues with Valley of Death, Soldiers in the Mist, and The Winter Soldiers, and perhaps in these later volumes Kilworth touch becomes more subtle.
Used price: $29.95
The book contains 12 stories, all of them good, none of them bad. But of course, some stand out against the others. Jack Ketchum's "Luck" is a great little campfire tale, Rick Hautala's "The Screaming Head" is about a horrifying folklore legend that comes to life and Yvonne Navarro's "Divine Justice" plays with the idea of heaven and hell in a Western setting.
But there are three great masterpieces of the bizarre in this book. Richard Laymon's "The Hangman" is a classic ghost story mixed with the elements of the Western tale and ends up being a great, satisfying read. Lawrence Walsh's "The Devil's Crapper" is a funny and twisted story that will make you laugh with every word and every sentence. And Adam-Troy Castro's "The Magic Bullet Theory" (the longest story in the book) is an epic tale that is brilliantly written and highly satisfying.
And if that's not enough for you, there are also stories by Edward Lee, M. Christian, Nancy A. Collins and a very twisted, very disturbing story by Robert Devereaux. Skull Full Of Spurs has it all; horror, action, fantasy, humour... It has something to please every reader of the genre. This is one collection you'll want to come back to time and time again. So saddle up part'ner and get ready to be entertained!
Highly recommended.
Used price: $7.17
Before suggesting directions and solutions, they provide helpful perspective by taking a giant step backward and tracing our modern roots from the Protestant Reformation of the 16th century through the American Restoration Movement of the 19th century. In doing this they demonstrate that at least some of our perspectives and distinctive doctrines were influenced by people and historical forces much more recent than the first century.
After that, the authors get to "the crux of the matter," retrace the current crisis of identity, diversity, and change in the church, and attempt to offer some directions for the future. Chief among these is a call to re-focus attention on the "core" of the gospel: "the story of our creator God's actions to save us from sin and death, culminating in the life, teaching, death, and resurrection of Christ." This focus, they submit, provides the best platform for biblical interpretation, individual growth and congregational unity.
On the issue of biblical interpretation, for example, the authors contend that good interpretation acknowledges the core as a "center of gravity, allowing that core to govern both the reading of the text and its application." This approach de-emphasizes a search for "rules" and "patterns" and re-focuses on broader aspects of the text: purpose, theme, genre, context, and principle.
The authors acknowledge that the book is not intended as a fully-developed theology, but as a starting point for further thought and discussion. From that standpoint, I would highly recommend it as a very interesting and thought-provoking read.