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No, I do not mind that the book is darker than the previous ones in the series. It fits the story. I love the growth and development of the characteters, so no complaints there. I can even handle a cliffhanger as much as I personally detest them. I hate waiting at least a year for a resolution in books I read primarily for entertainment.
What I didn't like was the constant change of narrator in the book. Yes, I understand it was necessary, considering the inevitable cliffhanger. Yes, I even like Pink (or whatever you want to call her). But although she is vastly different in personality from Nell, her narrative voice is not sufficiently different. I kept having to keep the narrative clues straight as to who was speaking, since the voices were all too similar. It's not that I was confused, but I had to work too hard to read the book just to keep the narrators straight, let alone the clues and story developments. It was horrific when I had to put the book down for a break and come back and figure out who was speaking before I could become immersed in the story. The narrative clues are dense, actually, and also slowed the flow of the story. It was as if the editor knew the voices were not different enough so we were peppered with narrative clues, not mystery clues, since the conceit had to be maintained to obtain the ending.
Still, Irene is back, and so is Nell. If you love them, reread the other books and venture onto this one. If you haven't read the former books, please start with them. Nell is a jewel, a Dr. Watson and an Archie Goodwin rolled all into a Victorian woman. Don't miss her. I love her. I just wish the book had been more about her again than Irene. Irene is wonderful, but Nell is the true heroine. Nell humanizes Irene's perfections.
If you also enjoy Holmes tempered with a strong female character, I highly recommend Laurie R. King's "The Beekeeper's Apprentice."
"Chapel Noir" finds Irene and Nell embroiled in a hunt for a demented killer. The year is 1889. Jack the Ripper--aka "Saucy Jack"--prowled the streets of London's East End only the previous fall. No arrests were ever made in the Ripper murders. Could the Ripper have moved his operation to Paris? With the able assistance of Pink, a young American woman, Irene and Nell pursue the killer through the streets and catacombs of Paris.
I have only one quibble with this book: because the story will be continued in the next volume, the cliff-hanger ending leaves the reader hanging. But this unsatisfying climax only whets the reader's appetite for more.
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