Samuel Pepys must certainly be the most candid of diarists, and the most aware of his time and place. He makes no effort to hide his flaws, nor his accomplishments. We learn about court intrigue, food, household management, plays, the foibles of kings, taverns, music, the navy, architecture, preachers, marriage, family relationships...the man was open to the world around him in an unbelievable way, and conveys it all with zest. It is absolutely enthralling.

This is the best edition of Samuel Pepy's Diary and is hugely enjoyable to read. It takes you into the world of a 17th century yuppie par excellance with all his faults and virtues. The scholarship is first rate, meticulous and rigorous and the footnotes add enormously to the interest of the diary. The introductory essays are also first rate and I want the whole set of all 12 volumes!

I don't know what it is about Orson Scott Card -- Before I ever read him, I was prepared to not like him. I'd heard that he was a science fiction writer and that genre isn't a favorite of mine. However, my opinion now is that Card ranks as one of the absolute best and most skillful authors alive today. He has an amazing ability to get inside the person or circumstance he is writing about and make it into something that anyone could understand and be proundly moved by.

In addition, he comes up with some of the most fascinating ideas for a story. The title piece, 'The Elephants of Posnan', is one example. Although there is no doubt that Card wasn't suggesting that the premise of this story is truth, it still left me mulling the entire piece over and over again. He makes such a moving and brilliant case for something entirely bizarre, and insightfully comments on the nature of man in the process. 'The Elephants of Posnan' was positively spellbinding, beginning to end.

I love this collection. Orson Scott Card is a true master of his craft.

In this collection not only are you exposed to Orson Scott's Card's mastery of fiction, but you gain some insight into his creative process as well, thanks to the author's commentary on certain pieces.
The various storys are a joy to listen to and range from science fiction to fantasy, from psychological thriller to love story.
Whether you're a die hard Ender Series fan, a general fan of Card's, or a first time listener to the whole audiobook genre, there's something here you'll cherish.

This book was extremely helpful to me while I learned all about the fishes at the Aquarium of the Pacific. It is very concise and yet includes every order and family that I ever encountered during my studies. I recommend it wholeheartedly!

This 1995 copyright date assures the reader s/he is getting the latest in deep-sea discoveries. Scientists can gather more information with the latest, quieter cameras. It has photos from the most beautiful to the most grotesque fishes. The text is organized, readable & enjoyable

This book is probally the most influential environmental law text in the nation. It is used by over 150 ABA approved law schools in the country. The reason for its influence is that it also happens to be the best written environmental law text. The beauty of this book is that it provides incredible amounts of information in a relatively easy readable format. Keep in mind this book is not an easy read, but it is certainly worth the effort. The text covers such subjects as what environmental law is to how groundwater laws are different in various parts of the country. The book also does a nice job of explaining the Federal/State battles over jurisdiction. The cases presented as illustrations to the various subjects make the text worth the purchase price alone. If you want to study environmental law or need the perfect reference text, then I heartily endorse this book. This book would make a perfect addition to any personal library for future use.

highly recommend this book for anyone interested in classic cases of environmental law and policy

This book, based on a series of talks given at the New York Library, biographers Robert Caro, David McCullough, Paul C. Nagel, Richard B. Sewall, Ronald Steel and Jean Strouse explain how and why they went about writing biographies in the way that they did.

Each biographer explains well how the life of the biographer becomes intertwined with that of the person they are researching. In each case, they stress that biography writing is both intense and time-consuming.

Lyndon B. Johnson biographer, Robert Caro, recommends Francis Parkman's "Montcalm and Wolfe" for two reasons. One, to show that the job of the historian is to try to write at the same level as the greatest novelists. Second, that the duty of the historian is to go to the locales of the events that will be described, and not to leave, no matter how long it takes...until the writer has done his or her best to understand the locales and their cultures and their people.

In the end, it means that the biographer must not only understand the person, but also needs to intimately know the area where the person grew up and lived.

This book gives its readers new insights into the lives of some of this nation's most prominent figures, through the eyes of six well-known biographers. In "The Unexpected Harry Truman," David McCullough shows the life of Truman through new eyes. McCullough stresses that a biographer must genuinely care about his [or her] subject because you are living with that person every single day. The process is like that of choosing a spouse or roommate, therefore, the subjects that he chooses must have a degree of animal, human vitality. In Truman, he said, as with Theodore Roosevelt, he found no shortage of vitality.

McCullough created a detailed chronology, almost a diary of what Truman was doing from year to year, even day to day if the events were important enough. He also used primary sources, such as personal diaries, letters and documents from the time period. Truman poured himself out on paper and provided a large, wonderfully written base of writing for McCullough to sort through and "find" the man.

McCullough says that the magic of writing comes from not knowing where you are headed, what you are going to wind up feeling and what you are going to decide.

Richard Sewell's "In Search of Emily Dickinson," research process took twenty years and he says, "In the beginning I didn't go searching for her, she went searching for me." The process took him two sabbaticals, years of correspondence and meetings with Mabel Loomis Todd's daughter Millicent Todd Bingham to uncover the whole truth.

Paul Nagel's "The Adams Women," gives readers a sense of how important the women in the Adam's family were. Nagel said that contemplating the development of ideology is good training for a biographer. After all, he said, the intellectual historian takes an idea and brings it to life. For Nagel, working with ideas establishes a bridge into the mind and life of the people who had the ideas he studies.

Nagel said that he likes and admires women and this is why, after writing about the Adams' men, he wrote about the Adams' women. Nagel also said that he has learned and taught his students that our grasp of history must always remain incomplete.

Ronald Steel said, that the hardest job a biographer has is not to judge his or her subject, however, most fail to keep their judgements out of the biography.

In Jean Strouse's, "The Real Reasons," she explains that the modern biography examines how character affects and is affected by social circumstance. Biography also tells the reader a great deal about history and gives them a wonderful story.

In writing about Alice James, Strouse found that there was not an interesting plot line to her life other than that her brothers were writers Henry and William James.

Strouse, when asked by another writer about the descendents of the three James' children, she said that William's great-grandson in Massachusetts, tired of being asked whether he was related to Henry or William, moved to Colorado where he was asked whether he was related to Jesse or Frank. Strouse reported that he stayed in Colorado.

Strouse realized that in order to tell the story of the James' family, she was going to have to use her own voice to give life to the family, especially Alice. This is not recommended for all biographies, but in a case such as hers, it needs that biographer's voice to connect all the information for the reader.

In Robert Caro's, "Lyndon Johnson and the Roots of Power," he talked to the people who knew Johnson to get a sense of the former President from Texas and what made him worthy of a new biography. He wrote the biography to illuminate readers to the time period and what shaped the time, especially politically.

This book will help writers understand the steps he or she will need to take to write a biography. It shows the difficult research processes and makes the reader want to either write a biography about an interesting person or never want to write again. Either way, this book provides new insights that one may have never thought about before. I recommend this book to both beginning and seasoned writers

This book gripped me from start to finish. Melson draws you in to this suspenseful story using the voices of his mother and father to narrate this unbelievable tale of a young couple, baby in tow, outwitting the Nazis and surviving the holocaust while posing as a Count and Countess! I can't believe it's true. A must for anyone interested in WWII, or in a great love story for that matter...

Many books have been written about the holocaust both by impartial observers and intimate survivors. False Papers: Deception and Survival in the Holocaust by Robert Melson will stand out among them because it is more than observation and personal reflection-it is a psychological study of a young man's search for identity and meaning in a world that keeps changing the rules.

False Papers tells the story of the Melson (Mendelsohn) family's escape from the Nazi ovens by posing as Polish royalty, a feat they are able to accomplish because Nina Melson, the author's mother, was able to buy false papers. What is unique about their life during the war was that they not only lived openly among the Gestapo, but also became quite friendly with their neighbors. The story of their deception and survival as told through the eyes of Nina, Willy (the author's father) and Bobi (the author's reflections through his own youthful memory) is compelling enough to keep the reader involved in the book. This is only one dimension of the book-an incredibly true adventure story.

Bt there is another important dimension to the book that cannot, and must not, be overlooked: the search on the part of the author-first as young Bobi and later as American Bob-for his true identity in a world that is constantly changing for him. First he knows himself as Count Boguslaw Zamojski the Catholic; after the war as Bobi Melson the Jew until he is enrolled in Le Rosey, an exclusive Swiss prep school, when he must again become Catholic; next to America where he settles in New York as a young Jewish immigrant; then against his deepest wishes he is dragged to Japan where his father has set up a sewing machine factory. Each time young Melson must learn to survive and question "Who am I this time?". Fortunately, he is clever enough to pick up environmental clues to guide his behavior and survival, but the reader feels his sense of pain as he struggles to find his true self.

What makes this a deeply probing psychological exploration of one's search for identity is Melson's ability to step back from the action to view his family dynamics-his father's struggle with his compulsive need for adoration, his mother's deepening depression and her inappropriate use of the young Bobi as her personal confidant, and the parent's obsession with appearances.

It is in the Epilogue that everything comes together. We are told about the deaths of Willy and Nina, how Bobi becomes Robert the MIT PhD, and how Robert finally realizes who he is. The reader feels at peace at the end of the journey.

Of all the writers on the holocaust, his writing style is closest to that of Primo Levi. However, there is a difference: Levi always keeps the cool distance of a scientist in his descriptions of behavior and events while Melson uses warm, personal description of the behavioral scientist that he is. It is a must reading for those who want to know more about the holocaust, family dynamics or a young man's search for self. No matter what your reason is, False Papers: Deception and Survival in the Holocaust is a book you will read, reread, and pass on to others.

Diane Roberts attempts to tackle the enormous topic of Faulkner's female characters. Roberts divides her study into six sections (Confederate Woman, Mammy, Tragic Mulatta, New Belle, Night Sister, and Mothers) focusing on a type of character. Roberts asserts that she "found it useful to recover some of these stereotype, or stock characters, to read Faulkner as a product, as well as producer, of the multifaceted place (and metaphor) called the South" (xi). Further, each of the six sections is further subdivided into a portion that demonstrates the context and representation of the archetype and into other portions that discuss the role of the archetype in Faulkner's fiction. Faulkner and Southern Womanhood's organization makes it a useful tool for scholars with a variety of pursuits. Students interested in a particular character type can look at individual chapters in Faulkner and Southern Womanhood, since Roberts's chapters read well as stand alone essays only rarely referring readers back to other chapters of the text.
The introduction of Faulkner and Southern Womanhood clearly delineates the structure which Roberts will follow throughout her book as well as mentioning the school-of-thought which influences her study. Roberts defines the six archetypes which she chooses to interpret in terms of Mikhail Bakhtin's use and explanation of classical and grotesque bodies. While Roberts does employ theorists, including Bakhtin, Derrida, and Cixous, to greater and lesser degrees, she maintains a prose style free of the opacity to which abstract literary theory lends itself. The combination of literary theory and language accessible to lay readers increases the range of students who might find Roberts's work useful and interesting.
Roberts uses the archetypes to "show how the models held up for women to measure themselves against come into play in Faulkner's fiction" (xiii). Faulkner and Southern Womanhood does not hunt for stereotypes so much as it finds echoes of stereotypes in Faulkner's corpus. Roberts demonstrates that though the stereotypes are shadows of Faulkner's characters, Faulkner is subverting the social order that constructs stereotypes to control women by deploying these dehumanizing stereotypes in his own fiction in a manner that demonstrates the paradoxical and false nature of the stereotypes.

This book is exquisitely written, fascinating--I highly recommend it not only for the Faulkner scholar, but for anyone (like me!) who is interested in his writings. Roberts' writing remains free from pretentious jargon, unlike so many scholarly works, and the ideas posited are original, thought provoking, and just plain INTERESTING!

Many of the arguments Admiral Robert A. Theobald makes in this book have been fleshed out further by the research of later writers. In particular, readers familiar with Stinnett's "Day of Deceit" (2000) and Gannon's "Pearl Harbor Betrayed" (2001) will find many of the same arguments, though in a more condensed fashion, here.

The difference, of course, is that Theobald was writing in 1954. And he brings to the table not only the viewpoint of a professional naval officer, but also one who was in fact present in a relatively senior position (Commander, Destroyers, Battle Force) at Pearl Harbor at the time of the attack. His argument is that Roosevelt deliberately backed the Japanese into a position where they had no choice but to launch an attack on the Pacific Fleet -- a fleet that was deliberately weakened, and denied critical information, by orders of the President.

Theobald does a fine job presenting his evidence and drawing (in my opinion) solid conclusions. His problem, unfortunately, is the same as Stinnett's: he lacks the smoking gun that places blame solidly in FDR's lap. The author can draw an evidentiary noose around the President, but can't quite close in the rest of the way. The nearest he can come is a 1945 comment by Admiral Stark that everything he did in the days prior to the attack, including refusing to forward key information intercepted from coded Japanese messages to the commanders in Hawaii, he did on higher orders. Of course, as Theobald points out, Stark was the senior admiral in the Navy. The only "higher" place orders could come from was Roosevelt himself.

If Theobald's analysis has weaknesses (apart from the evidentiary ones), they are (1) his willingness to trust the motives of senior military and naval commanders implicitly, and (2) his apparent agreement with the idea that it was "psychologically essential to the successful prosecution of the war" that the "prestige" of Roosevelt and his Administration not be undermined during the war by suggestions they deliberately precipitated the attack (p. 157). I can't accept this second, but it's his opinion and he's entitled to it. The first weakness is the more serious: Theobald believes senior military commanders of high personal and professional reputation would never willingly do anything to put their ships and sailors at risk. Therefore, he argues, the fact that they did exactly that proves they must have been ordered to do so by FDR himself. This "evidence" seems to assume as much as it "proves."

On the whole, however, this book is an important part of the so-called "revisionist" school of Pearl Harbor scholarship. Later research, including many facts not available to Theobald in the 1950s, substantiates many of his arguments. And if it's still not possible to prove conclusively every part of the statement, "Roosevelt knew the Japanese were going to attack Pearl Harbor on December 7, 1941," Theobald's *J'accuse* makes it clear that FDR's hands are, at any rate, far from clean. The "final secret" of Pearl Harbor may always remain exactly that.

Rear Admiral Robert A. Theobald makes the case (and a very good one) that Franklin Delano Roosevelt deliberately left Pearl Harbor commanders in the dark with regard to the threat of a Japanese attack in order to rally the American people into entering World War II.

I believe this book makes it abundantly clear that something was amiss in the way the Roosevelt administration handled the intelligence data that indicated Japan was preparing to attack the United States.

While other localities of military interest were fully cognizant of the ongoing evidence, the Pacific Fleet in Hawaii was kept out of the loop. Additionally, Pearl Harbor itself was given orders that were inconsistent with military intelligence and in fact suggest that Pearl Harbor was purposely weakened in order to make it more vulnerable (and hence attractive) to a Japanese attack.

The military officials who were responsible for informing Pearl Harbor of the unfolding events either were collectively incompetent or were given strict orders not to propagate pertinent information to Hawaii. And since many of these commanders reported directly to Commander-in-Chief FDR, Theobald believes (and I concur) that it was FDR's intention to ensure a Pearl Harbor slaughter of sufficient magnitude to change public opinion towards favoring entry into World War II.

On the evidence alone, I believe Rear Admiral Theobald makes a case sufficient to render a guilty verdict on FDR. But it is even more compelling given the documented corruption of FDR throughout his years in office. Of course, his most damnable action was the Yalta Betrayal where he agreed to enslave Eastern Europe to appease Uncle Joe Stalin.

. The sacrificing of American military men and women in order to effect public opinion is unforgivable.

This is the long awaited basic textbook for osteopathic medicine. It is surprisingly complete, covering philosophy, history, research, and manipulative techniques. The beginning osteopathic student may find it most useful for its practical discussion on the techniques--high velocity, myofascial release, etc. I believe it is also helpful in standardizing our terminology, which will make it easier when taking board exams or talking with colleagues from other osteopathic schools. It includes contributors well known within the osteopathic community, including Michael and William Kuchera, Melicien Tettambel, Eileen DiGiovanna, and many others. As a family practice resident I frequently turn to this textbook first when I want to know more about how to treat a patient or when preparing lectures for students and housestaff.

This text is actually required reading for most if not all osteopathic medical students. It is a 'textbook', however, and hence completely (sometimes exhaustively!) comprehensive. But it is easy to read so that anyone with an interest in OMT will get a methodic how-to for myriad techniques, also a thorough history of osteopathic medicine to boot! One of my OMT professors at the University of Health Sciences College of Osteopathic Medicine wrote or co-wrote a few of the chapters so of course, I think those are the best! If you are looking for an educational approach to learning manipulation and the reasons behind it, this is a valuable resouce.

Adventure! Mystery! Glad times and sad times. The life and times this book reflects are only dreams for some, and memories for others. I found The Frozen Dead Lady totally enthralling and charming. I found myself wishing for those times to come back.
It's a great book for kids of all ages. It makes a wonderful Christmas present!

This was a great story book! The way of life in the 'olden' times in southern Michigan is presented as if it was still that way now. The book brings alive the beauty and adventures of life at Torch Lake in the 1930s. The adventurous crop duster pilot's life came alive for me and inspired me. By the way, it's safe for kids to read this book too!