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Battered & Bruised, should be required reading in every college and university in the country that have or DO NOt have Women and Gender Studies.
Arthur Ide has my deepest appreciation for stating out right what has been so cleverly distorted regarding the reality of women in the OT.
Thank you.
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All potato lovers should own this book!
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McCaffrey's story is an excerpt of "Black Horses for the King", a YA novel about a young boy named Galwyn, whose abusive uncle is shipping enormous Libyan horses for Lord Artos. Pratchett's story is the entertaining "Once and Future" about a time traveller who creates the sword in the stone. We see the roots of Nancy Springer's bittersweet "I Am Mordred" in the story "Raven," in which young Mordred's soul is imprisoned in a raven's body. Doyle/MacDonald craft a hilarious story called "Holly and Ivy" about Lancelot having a little fun with Gawain.
The writing styles range from "kooky" ("Holly," "Once and Future") to detailed ("Black Horses") to dreamy ("Raven").
As a previous reviewer stated, the only flaw with this is the last story. Honestly, we've had enough drooling in the area of the former president, haven't we? The final story isn't really Arthurian at all.
However, the final story is the sole flaw. It is, overall, a lovely collection of highly original stories about Arthur, Merlin, and Camelot. A must-read for fantasy and Arthurian fans.
This is a stunning collection of short stories, often reflecting the different ideas of the various authors. There are stories about Merlin and Arthur, Guinevere... and a few that are out of the ordinary. A part of the Anne McCaffrey book "Black Horses for the King", the short story that led to "I Am Mordred," the glorious alternate view of Arthur's unfortunate son. Almost every story is accompanied with illustrations that go with the story's theme-"Black Horses" has a realistic drawing, while "Mordred" is strange and dreamy. The cover art is simply stunning--Merlin, you glorious old crank!
My only problem is the last story. Does this REALLY count as Arthurian fiction? But if you ignore the last one, this is as close to perfect as you can get!
When Michael arrives home after an assignment, he finds that Nikki is not there, she has gone to help her partner in their private detective agency track down a killer who is abducting, torturing and killing women. When Michael arrives, they learn that the killer is a vampire out to settle some old scores from his high school days. Only through teamwork can this killer be stopped, but even working together that remains a dangerous proposition since he has targeted Nikki as one of his victims.
Keri Arthur is one of the best supernatural romance writers of the new millennium. Her books are always refreshingly different and she has a knack for creating characters it is easy to care about. CHASING THE SHADOW IS ONE OF HER BEST works to date because equal attention is given to the relationship and the hunt. Vampire lovers are going to love this book and want to read the next book in the series because there are questions that need answers.
Harriet Klausner
I am hooked on this series. The characters are strong, the villians wild, and the story line intense. Once I picked this one up, I couldn't put it down. This is an outstanding addition to the series.
When Michael arrives home after an assignment, he finds that Nikki is not there, she has gone to help her partner in their private detective agency track down a killer who is abducting, torturing and killing women. When Michael arrives, they learn that the killer is a vampire out to settle some old scores from his high school days. Only through teamwork can this killer be stopped, but even working together that remains a dangerous proposition since he has targeted Nikki as one of his victims.
Keri Arthur is one of the best supernatural romance writers of the new millennium. Her books are always refreshingly different and she has a knack for creating characters it is easy to care about. CHASING THE SHADOW IS ONE OF HER BEST works to date because equal attention is given to the relationship and the hunt. Vampire lovers are going to love this book and want to read the next book in the series because there are questions that need answers.
Harriet Klausner
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The conclusion of this book is that given the choice between Jesus as myth and the historical Jesus, the right path for religion as religion is to choose Jesus as myth. If all we have is the historical Jesus of liberal Protestantism, then we no longer have religion, just mundane morality divested of both myth and the supernatural. But if we retain Jesus as myth, then we retain the religious redemption that is possible. He asserts that the Catholic Church could become legitimate by abandoning the historical Jesus and emphasizing the mythic Jesus as redeemer. Despite his elevation of redemption as the true essence of religion, Drews does not define redemption. (I'd define redemption as reconciliation between the self as moral agent and that from which it emanates.) Drews does not explicitly define this reconciliation and explain specifically how the Jesus myth assists this reconciliation.
He explains a main motive for creating the assertion of the historical Jesus. The early Jewish Christian leaders used a strategy of trying to limit authority to themselves and shut out competitors such as Paul and his Gentile/mythic Christianity by creating historical requirements that would serve to exclude others and restrict authority to themselves. Drews shows that this is the same strategy the Church fathers used: assert that the only spiritual authority is that of the person who spent time with the historical Jesus. If Jesus is allowed to be purely mythic, religious authority is potentially spread evenly among all people, but if Jesus is historical as well as mythic, the profitable and advantageous possibility of excluding other authorities arises.
Drews emphasizes the sacred meal as central to early Christian worship and compares it to the central role of soma (= "body") in Vedic religion, thus this book is useful for the entheogenic theory of religion.
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Masks is a disturbing and compelling tale of identity while the eastern quest of 'Tao' fits Batman's spiritual history quite well.