If you've ever wanted to reach right into the movie screen, shake one of Woody Allen's characters by the shirt collar, and say, "Snap out of it, bub," here's a book for you. Peter J. Bailey's The Reluctant Film Art of Woody Allen offers a fascinating, crystalline analysis of one of the most vexing questions to dog three generations of Woody Allen characters: Is the fictional world of art--especially film art--more a help or a hindrance in our difficult lives?

Bailey, an English professor at St. Lawrence University in Canton, N.Y., demonstrated his gift for making sense of challenging contemporary literary art with Reading Stanley Elkin in the mid-'80s. In The Reluctant Film Art of Woody Allen, he takes on a more readily accessible subject but does not hold back any of the tremendous critical insight at his command. The result is a book both for serious film buffs--that is, buffs of serious film (a subjective distinction taken up in this book)--and for film scholars alike. I was impressed by Bailey's scholarly precision, yet after reading the first couple of chapters I wanted to dash out and rent Stardust Memories, Manhattan, and several other signature Woody Allen flicks. This book has actually made watching his movies a more intellectually stimulating experience without killing the comic moments so abundant in them.

A college English instructor myself, I appreciate the challenge of leading a critical investigation of something fun and entertaining without making that subject, well, less fun and entertaining. Bailey succeeds admirably with this book, mainly because he never puts Allen on a pedestal. The author is a fan, to be sure, as indicated by his generous praise for what Allen does well--and has done well at a pace of roughly one film a year since 1972. This book's thesis, however, delves more deeply into a particularly compelling set of questions at the core of most of Allen's films: What do they say about the role of art in our lives? Is it a redeeming social force or merely a pleasant diversion from life's suffering? Are Woody Allen's films art or merely pleasant, entertaining diversions?

Bailey combines his own convincing interpretations of Allen's film work with previously reported comments from Allen on these questions to show not only how equivocal Woody Allen movies are on the matter of art's benefits and costs, but how central a theme this equivocating is in those movies. To his great credit--and unlike many scholarly investigations of film and literary art--Bailey avoids overbearing suggestions that HIS interpretations are REALLY what Allen's films are all about. Rather, the author has found a thread running through Allen's work that he holds up to the light--a light that has lingered too long on the personality of Woody Allen and the attending tabloid drama. This more illuminating thread--the vexed relationship of art to life and the difficulty of reconciling the two, both in art and in life--is of such enormous importance in the broader conversation of American popular culture that the absence of details on Allen's personal travails reads as a virtue in Bailey's book.

While Woody Allen fans will definitely find The Reluctant Film Art of Woody Allen most enjoyable and accessible, any moviegoer who has ever contemplated what distinguishes the cinematic good and bad from the ugly will find this book thought-provoking, perhaps at times profound. Ultimately, this is not a portrait of a filmmaker so much as the study of an intriguing film mind at work--and a snapshot of a possible film legend as a work-in-progress.

What a great book! If you are a history buff like me, you'll love this book. Allen Dulles, former lawyer, former diplomat, former OSS Operative, former President of the Council on Foreign Relations, for Director of the CIA (under Eisenhower and Kennedy), and brother of the Secretary of State (John Foster Dulles who the airport is named after), and member of the establishment -- this book is quite a treat. It takes us through the post-WWI years and then through WWII where Dulles was stationed for OSS in Bern. It then details the formation and escalation of the Cold War. Grosse does a terrific job detailing Dulles's public and personal lives. Highly recommended.

I just finished this book and it was an excellent read. The life of Allen Dulles is remarkable and deserves to be known. If you live in the Washington, D.C. area, then this is a required book.

"Gentleman Spy" is more than just the life of one man, Allen Dulles. It's the development of the United States into a super power and of the build-up of a massive intelligence network. At the center or sometimes fringes of all this dwelled Allen Dulles. Dulles' influence on intelligence gathering and covert activities still dominates our country, even though he left the CIA over 35 years ago. His love for the great game of espionage inspired young disciples who in turn became key leaders of the intelligence community. It's easy to praise or blame Dulles for many of the problems that we are still experiencing today due to lack of honest or accurate analysis, or involvment in the affairs of duely elected foreign governments. Peter Grose has mapped Dulles life in this massive biography and has done an excellent job of exploring Dulles' mind as to why he did what he did. The book is never boring. Dulles set the image of the "American Gentleman Spy," as being witty urbane and downright ruthless. Peter Grose has provent hat Dulles blended himself into that image seamlessly.

What caught my eye was the picture of the red-headed kid on the cover... I study stereotypes and I rolled my eyes, just great, another kids book with nerds. Then I read the title and my hopes lifted. And with the first verse, those hopes went splat. While it might appear to be nice, to show kindness to the nerd and not have people laugh at him, the fact that they use the word geek and enforce the stereotype with the accompanying picture negates any effect. They should have take out the sci-fi poster, calculator watch, etc. and just showed a kid reading refering to him as "the smart kid" or "the shy kid", after all the book doesn't call the "slow kid" the "dumb kid". Poor little nerd.
The book wraps up with some religious stuff and how they'll all have wings "in the end" which will probably turn of secular parents and anyone detecting some morbidness in there.

All in all, corny, strange and anti-nerd.

Well, I'll give them credit for trying...

I used the accompanying CD to read-aloud the book and my first grade students were immediately drawn in and enthralled with both the book and the music. The least sensitive child in my class who is the first to call other students names was listening with a peaceful and loving expression of compassion and serenity on his face. Listening to the song launched some wonderful discussions when I asked students to recall and share about their feelings when someone called them names, and then to recall and share about their feelings when they called someone else names. I was overwhelmed when one of my students realized and shared that the reason that she called people names was because she was angry with them. We were able to use this as a springboard for conflict resolution and ways to share our feelings without hurting someone else's.

I first heard the song "Don't laugh at me" through Challenge Day, and the impact of the song on the young people present was huge. I was delighted to find that there was a book version of this uplifting message. The fact that the lyric-writer uses words that stereotype in his message is not an indictment of those who may [or may not] fit that category - it's an indictment of those who name-call and stereotype. My 5 year old understands the deeper meaning of the song/book in a way that, sadly, many adults fail to. If we listen to our children, they will tell us what we need to know, that teasing and name calling is wrong and they are counting on us to intervene. That's the true intention of this darling book. As a "secular" parent, I am not at all turned off by the suggestion that "in God's eyes we're all the same/someday we'll all have perfect wings." It can simply be an analogy that each of us perfect in the eyes of any loving parent or friend.

Happened upon this nifty book in the counterculture section of my local bookstore and bought two copies.

The author takes us on a spirited, insightful sojourn through the backalleys of America's true icons and offers up zillions of interesting sidetracks along the way.

He doesn't mince too many words when disclosing the nitty gritty opinions that each of the protagonists has of one another - this makes for a more interesting read than many works which simply glorify all their subjects.

Additionally, somehow the author has an uncanny finger on the pulse of what we really want to hear about on the way, such as the piece on James Dean - his significance and his death. The section on Hunter S. Thompson is a riot!!!

This is a nice addition to your psychedelic editions.

Next to Jay Stevens' classic "Storming Heaven" and Don Snyder's wonderful photographic essay "Aquarian Odyssey," make room on your bookshelf for Peter O. Whitmer's seven-dimensional biography "Aquarius Revisited." Combining well-written history and targeted recent interviews, we meet seven of the elemental forces who shaped the counter-culture of the Sixties as the outrageous, facinating, and above all intelligent souls that laid the groundwork for the last great movement our century will see. William S. Burroughs; Allen Ginsberg; Key Kesey; Timothy Leary; Norman Mailer; Tom Robbins; Hunter S. Thompson: some are gone, some are still with us, but all come together here to make a biography not only of seven people, but of a way of life, thought and hope.

This book is based on the true life experiences of two girls who accompanied their whaling families aboard whaling vessels at the end of the ninteenth century. Their experiences are combined in this fictional journal chronicling a character's life at sea.

The girl's voice is vivid and real, her experiences easy to imagine.

The illustrations sometimes try to look like a child's ink sketches in a diary and sometimes are double-page color depictions of incidents in the book.

I think the placement of the glossary at the beginning is great. I enjoyed the author's note at the end also.

Nine-year-old Laura, daughter of a whaling captain, has never even seen her parents' home in New Bedford, Massachusetts. She was born on the Sandwich Islands (present-day Hawaii) and has lived most of her life there. But now, her father has decided that the whole family will join him on this voyage home to Massachusetts. So Laura, her mother, and her seven-year-old brother board her father's ship and sail north to the Arctic, where they must face excitement, danger, and long days of boredom before they can return home. This book featured lovely drawings and was told through Laura's diary entries. Laura's character was based on two real daughters of whaling captains, Laura Jernengan and Mary Williams. This is a good book for younger readers interested in historical fiction.

This drug book is organized extremely well for easy use. You can obtain dosaging information quicker than other veterinary drug books with a convenient formulary in the front of each section. It is nice that the doses are separated for large animal vs small animal. The only drawback of this book lies in the drug descriptions in that they are not complete. The specific drug descriptions will provide a general idea of the drug's uses and major side effects and available sizes, but not some of the more comprehensive information that is sometimes necessary.

This book contains three sections; small animals, large animals and exotics, with each section being split into drug dosages, antimicrobials/anthelmintics and descriptions of drugs.

Each sub-section is alphabetically ordered making it quick and easy to find whatever drug you are looking for, and there is a comprehensive index in the back containing both generic and trade names as well as some diseases and therapies! The down side of this is that the trade names relate to Canada and USA so some of the British drugs aren't listed by trade name. I haven't found this to be too much of a problem, but sometimes it is difficult to find drugs if you only know the trade name.

I found the drug dosages sections very useful as not only does it give the dose but also it gives the different doses for different indications and administration routes. I especially liked the exotics section since it gives you detailed information on rodents, rabbits, ferrets, reptiles and birds; subjects on which data is usually difficult to come by.

The size of the book makes it very handy to keep in your bag for reference during lectures and it is small enough to fit in your pocket when on clinics.

This book provides the usefulness of a formulary and the convenience of dosage charts, all combined into one pocket-sized handbook. It has been a great aid to my studies and I highly recommend it to vet students on either side of the Atlantic.

I am, and have been for many a year, a scholar of the works of Dante. Coming up to date, I have read thousands of translations of the text of all three parts of the Divine comedy, and this is the best I have found yet. First of all, it is a treat to find that all three parts of this master work are collected in this one volume, and even though the price is quite low for a hardcover book with as many pages as this, I cannot stress the quality of this edition. As many may know, Dante Alighieri was a man of great literary prowess, but was given drive by his single obsession to a small girl by the name of Beatrice. She rings true in this work, as the guiding angel, bringing Dante through the depths of hell, the wasteland of Purgatory, and finally, the glory of heaven. This has been one of the most enduring works on the human spirit, and the concept of god as seen through Christianity. Full of pun and metaphor, this is rich in language, and ready to please. Some people start their studies of Epic Poetry with Milton's "Paradise lost," but I say, speaking from experience, that Dante is far superior to Milton, but Milton is in good company as his second. I have read the original in Italian, and this is about as close of a translation as you can get. Please enjoy this.

This particular version of "Dante Alighieri's Divine Comedy" Is not only a fine hardcover book with a handy bookmark ribbon, but the literature itself cannot be matched. The english translation has been carefully written so the stanza's would still be in rhyme with Dante's own aba bcb cdc... pattern. The poems and descriptions by Dante show a clear message of hell, purgatory, and heaven; which cannot be matched. I believe everyone should read this book.

This translation of Dante's famous masterpiece is breath-taking. Without being too superflous, the text keeps the drama flowing. Without any doubt - the greatest poem ever written.

Disappointing. Many pictures are dark and/or fuzzy. I find that hard to distinguish features of different hawks.

HAWKS IN FLIGHT by Peter Dunne is a useful book because it includes many photos and drawings of various species of Raptors in flight. When you see a Raptor, you generally have no way to identify it except by it's flight profile. Feather markings simply cannot be seen when a bird is sailing on a current of air or scuttling after prey. Once in a while I've surprised a hawk at rest, but generally it is well hidden in the leaves of a tree and takes off before I can get a good look. Even the Cooper's Hawk I see on my morning commute along the parkway is usually sitting back on a branch waiting for road kill (he is one fat lazy bird).

The photos in HAWKS IN FLIGHT show the birds as seen from the side flying close to the ground and as well as overhead. The book also includes drawings showing birds that resemble each other juxtaposed side by side as they would never appear in nature. Some of the photos are not very clear and the drawings are darker than I like, but no less a birder than Roger Tory Petersen recommended this book which nicely complements his own books.

Although the title includes the reference to hawks, the chapters cover Buteos, Accipiters, Falcons, Kites, Harriers, Eagles, Ospreys, and Vultures. The chapter on Accipiters covers the Cooper's Hawk, the hawk I see by the roadside in Washington DC. We also see Falcons chasing our song birds. A whole lot of back-stabbing goes on in this town.

There is no other guide which even approaches Hawks in Flight for thoroughness, clarity, and utility. Anyone who seriously pursues the sport of hawk watching must have this book.

For those just starting out in hawk watching, and for general use by even the most serious hawk watchers, I strongly recommend another work by Dunne et al., Hawk Watch: A Guide for Beginners, which is a large-format condensed version of Hawks in Flight. this book does focus exclusively on eastern species, however. Having both books is ideal.

This tape is well done. The sound effects create an atmosphere that draws in the listener. The actors are dramatic, but not overly so. The short stories themselves are well written, delivering edge-of-the-chair suspense (or knee-slapping comedy, as the case may be).

As most net surfers are aware the Sci-Fi Channel's web site has included a section devoted to science fiction radio drama...Seeing Ear Theatre. One aspect of which includes originally produced productions cerated especially for the site and which has featured performances by many well-known SF actors as Micheal O'Hare,Mark Hamill,Marina Sirtis,and others. With a few exceptions, a lot of the dramas are based on recent short stories by SF writers such as Terry Bisson, Allen Steele, John Kessel and Gergory Benford. With the release of this audiobook editon(which includes introductions by SF's resident angry young{sic}man Harlan Ellison)now one can listen to these stories anytime you want. The best stories(IMO)are the Three Odd Comedies and The Death of Captain Future (which despite the pulpish-sounding title is a darkly humorous tale set in the future history of Steele's previous works such as Orbital Decay and Clarke County,Space). If you like audio drama-- especially newly produced audio drama...you'll love this collection and you may also want to check out Vol. 2 which should be on sale soon(I know I can't wait).

WOW what a story! Brian Smith could sell this as a short story by itself it is so good IMO. I just wish they sold a hard copy of these writings--not just audio! I have been reading Sci Fi for a long time. This guy is great! Reminds me of 2001, a space odyssey a bit. Worth the price just for this one folks! I noticed there are no other books by Brian Smith for sale on Amazon. What's up with that? He needs to write books, and Amazon needs to sell them--geez, do I make myself clear?

While the book is an interesting and entertaining read, most of it is untrue and horribly researched. The one star review lower on this page got it right. The facts that Mr. Allen gave as the boy's identity, his father, and where this all happened are all dead wrong. Nothing ever happened in the town or house that he said it did. It was apparent that Mr. Allen did minimal digging into the subject and just took what he found and threw it on the page with nothing to back it up with. What's even odder about this is how easily the real information(from the "Strange" Magazine)was found by that reporter. That Mr. Allen didn't take enough time to see that what was in front of his face was horribly wrong and what was right was not hard to figure out. When Mr. Allen was even contacted by the other reporter, he seemed to not care or answer any questions as to why he didn't go further to find the real truth. Everything he has stated about the boy and the location, is all wrong. Even the possessed boy himself stated that he never lived there and didn't know why people thought that. While the book is an interesting read, it can only be categorized under 'fiction', because that is what it is.

When I first read this book in its previous edition, I, too, was impressed with its supposedly accurate and dispassionate account of a true-life exorcism. That was before I read the extensive "Strange" magazine article debunking the case, which shows up the shoddy lack of research conducted by Allen. (In fact, Allen ends up looking like the Erich von Daniken of exorcism scholarship.) "Strange" magazine's investigative research discovered a whole lot that Allen apparently did not (or did not wish to reveal), such as the fact that the case did not take place in Mount Rainier, Maryland, as press reports stated, and the fact that the boy's father did not believe his son was possessed. The "Strange" magazine researcher not only tracked down the identity of the "haunted boy," but interviewed former neighbors, friends, and classmates -- basic research that Allen failed to do. The actual facts are quite different from those claimed in Allen's highly sensationalized and fanciful account.

I have always wanted to tell this story someplace, and here seems as good a place as any. I swear that what I am about to describe really happened. It was pretty scary.

Although we now live in Pennsylvania, my husband and I used to live in St. Louis. We know where the Alexian Brothers Hospital is and some of the other landmarks in the book. When this book came out it was released in St. Louis first, before it had a nation-wide release. I purchased the book with the intention of sending it to my father in NY State as he had liked the movie The Exorcist.

The first night I read 1/2 of the book. The following day while cleaning the livingroom I heard the distinct sound of rapping and/or scratching coming from a corner of the room, up near the ceiling. My husband laughed it off as either a mouse or my over- active imagination from the book, but later that night he heard it too. We had never in over 10 years had a problem with animals or mice in the walls, etc. In the book...the possession starts with rapping sounds.

That night I read the rest of the book, although by this time I was a little frightened. The following morning my mother in NY State called to tell me of an odd occurrance. The phone had rang the day before and when she answered it the person asked for "Sadie", my mother's name. When she said, "This is Sadie" the person started talking, according to my mother, "gibberish". She couldnt understand what they were saying or even if it was a male or female or what language they were speaking. When she asked who it was the person stated "Emily" which is my name. My mother said, "This is Emily, my daughter?" to which the person said, "yes" and then started speaking gibberish again. My mother hung up.

What is odd is that the phone number at the time was listed only in my father's name and I hadnt lived at home for almost 10 years. How did this person know BOTH of our names?

Because this freaked me out even more, that day I wrapped up the book and sent it to my parents. I didnt hear anything about it until about a week later when I asked my mother if she had the book, she said she did, and that my father would thank me for it but he wasnt at home. I asked where he was and she said that he was at the hardware store buying mouse traps as "We have heard scratching in the walls for a week now, so we must have a mouse."

This incident happened about 10 years ago. Nothing else happened after that, my parents never caught a mouse, the scratching stopped, and the book appears to be lost as I havent seen it when I have been over there. But it was very odd when it happened.

So...read the book, it is a fascinating story. But if anything odd happens to you or your family, please write a review and let me know. Thanks.