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Absolutely delightful and lovely illustrations.
Sure to amuse the younger dino afficianados.
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Daniel Butler is a great historian and storyteller and he makes the wartime history of these two ships come alive. He doesn't start with the day the decision was made to use these cruise ships for military use. He sets the stage and gives the readers an understanding of the years leading to World War II -- not only giving a political and military background, but also telling us what was happening in the shipping industry that led to the construction of these two ships.
To me the two most interesting parts of the book came when Butler tells about the most significant event of the Queen Mary's tour of duty (when the Curacoa was cut in two by her), and the most mundane (what it was like for a soldier to be transported on one of the Queens). If there is a weakness, it was here. I wish he could have had more first hand accounts from the surviving veterans who had crossed the ocean on their way to war. But of course, there are fewer and fewer such survivors still with us. Butler wrote this book just in time.
Queen Elizabeth.He also told a very good clear picture of life
we lived aboard ship. On page 92 second phargaph tells of a March
1945 crossing . I was on that passage and well remember hearing
the depth charges explodimg.I still have my white tag and cabin
with number on D deck.To verify my memory I checked my discharge and called our coplit yes he remembered hearing the depth charges.
This tolded of the vital roll these two great ships played in
winning of the war.Many of these things where new to me and I was there.
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JD
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Shelley wrote this book influenced by the period of time in which she lived, the Romantic Period. This was the response to the previous time, the Age of Enlightenment. In the Enlightened Age, reasoning was deemed of utmost importance and people thought that there were natural laws and that reason plus these natural laws would equal progress. By progress, they meant not only advancement, but unlimited advancement, that society would continue to move closer and closer to perfection. In Frankenstein, we see the result of so much logic and reason- the creation of a monster. In the story there seems to be no natural laws governing the world. The Romantic Period accounted for emotion like reasoning and logic cannot. The monster as the center of the novel shows us as his direst need a companion, as does Frankenstein himself.
When I think of what natural laws would govern the world, Justice comes to mind as the most important. Throughout this whole story, justice is so dearly lacking. Injustice leads to more injustice. The monster is born into unforgiving circumstances that were not his fault. His creator rejects him immediately. Throughout his life, the monster found himself rejected by everyone for the repulsive looks his creator gave him. The monster even suffered rejection of the impoverished family he ardently and sacrificially helped. When he saved a girl from drowning, her father shot him. The monster yearned desperately for a mate of his kind, which Victor denied him for fear the two would breed an entire race of fiends or that she, too would reject him and there would be two fiends. Decide this debate between the monster and Victor for yourself. Even if Victor was right to deny him a mate, it was still an injustice for the monster. After all, the monster could not help the disadvantages he was born into and he strove mightily to be virtuous. He exercised his will and responsibility strongly, but to no avail. The poor thing begs for just one friend and he is denied this. The innocent Justine (a play on the word "Justice") is executed for the monster's crime; the monster eventually slays several innocent people he doesn't even know. Injustice is what moves the plot of Frankenstein.
Shelley's novel disputes the importance and promise of natural laws, reasoning, and the idea of progress. It introduces emotion and intuition. Frankenstein studied laboriously but failed because he left the monster emotionally neglected and rejected. When Victor first learns of the murder of an innocent member of his family, he intuitively knows it was the doing of the monster- he offers no reasoning or deduction as to how he knows. The monster hounds Victor and seems to supernatually know where he is at all times.
One of the many interpretations of Frankenstein is that it was a product of the Romantic Period, which was a response to the Age of Enlightenment. My own evaluation of reasoning vs emotion is that our logic must be in control of us always but that emotions are a part of us too and must be satisfied.
The first problem Frankenstein has is that it is (as far as content goes) really a short story. I can't imagine it needing more than 60-100 pages, but Shelly inflates it to over 200, and for no discernable reason. The expanded length leads only to additional passages where Frankenstein himself is lying unconscious for months, or needless travelogue scenes which only serve to detract from the story. It might also be said that after 100 pages of melancholic whimperings from Frankenstein the reader has probably lost all sympathy toward the character. There are also certain plot elements that seem to repeat themselves a bit too often, but I the appeal of these elements will be based upon the reader.
Ultimately, Frankenstien seems a great story that you occasionally feel compelled to skim through. There is a certain sloppiness (I am still not clear what happened to Edward--the only surviving Frankenstein, but I do know something about some of the townspeople mentioned in a letter which have NOTHING to do with the story), but when you put all that aside, the very heart of Frankenstein is an enjoyable read. The monster is a sympathetic one and I found myself glued to the pages as he first illustrated how he came to understand the world around him.
Unlike Moby Dick which should never be abridged since so much of its irrelevance seems the primary point of the story (I often consider Ahab and the whale merely a sub-plot in Ishmael's life), Frankenstein could do with some good editing. Despite Frankenstein being a relatively short book to begin with, even 200+ pages feels a bit trying when all you are reading about is landscape and Frankenstein fainting.
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