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1. The Ascent of Mount Carmel 2. The Dark Night 3. The Spiritual Canticle 4. The Living Flame of Love.
His most famous, "The Dark Night," is mystical. It describes the journey to God as monstrously hard. At one point, the soul feels deserted by God, not unlike "why hast Thou forsaken Me?" And then, God is there.
The philosophy of St. John of the Cross hinges on discipline. The Christian religion is, after all, an exclusive one. Christ had said that very few go to Heaven. Now a Spiritualist will interperet this to mean that the spirit has to work its way up the ladder, in their case 'spheres.' "In My Father's house are many mansions..." St. John mentions two terms: "night of the senses" and "night of the spirit." As well, he differentiates "active" and "passive." The ACTIVE night of the SENSES is when a person rejects their sins. To borrow from the author, "The movement from the ACTIVE NIGHT OF THE SPIRIT to the PASSIVE NIGHT OF THE SENSES is a movement from meditation to contemplative prayer." (p. 43) The 'passive night of the spirit' is a unique mysticism in which the the soul feels weak, dark, shameful, deserted by God. But this changes when God and the soul become as one: "My Father and I are One."
The purpose of the book is plainly expressed by the author on the first page:
"John of the Cross deserves to be better known in the English-speaking world. He has a message for our age and he needs to be given a hearing. Up to now, John has not been well served by his biographers, most of whom have presented him as a remote, rather severe saint. John's humanity has been removed and religious cliches and miracles have obscured the real person."
Not surprisingly, our John was ill appreciated in his own time. I was reminded by C.S. Lewis that Christianity is not easy, in any sense. Every now and then, a silly atheist turns up with this on his mind, "Christianity is wishful thinking..." But why, oh why, would people dream up the harded journey they ever could, only to embrace it at their own misfortune? Jesus told us to 'take up our crosses.' The point? Simply that, St. John took up his cross and suffered for it. His 'dark night of the soul' is the difficulty of staying a Christian. G.K. Chesterton, who wrote "Why I Became a Catholic," said that he wanted to get rid of his sins. The 'rogue philosoper' G.I. Gurdjieff defined a Christian as one who "lives by the precepts of Christ." But we know it is something more. A Christian is one who believes that Jesus is God Incarnate, that lives in accordance with His way, and who developes a personal relation with Christ.
The author, Wilfred McGreal, himself studied theology in Rome. He became in 1957 a member of the Order of Carmelites, to which St. John was unified.
This book is very well done because it offers something new: a nicer look at St. John and what led up to the great events of his life. We see glimpses of his poetry here, and students of theology, especially, ought to read this one.
For a more serious exegetical commentary, look to Paul Achtemeier's Hermeneia volume, J. Ramsay Michaels' work in the Word Biblical Commentary series, or Peter Davids' NIC volume. For a more expository commentary, this book stands with I. Howard Marshall's IVP New Testament Commentary as the best you can find.
Marshall has more of a scholarly bent, and his footnotes contain much information that Clowney either leaves out or works into the text, which makes Clowney's work a little more uneven. Sometimes he devotes much attention to an issue (e.g. his excellent treatment of the spirits in prison passage, encapsulating some of the material and arguments Wayne Grudem presents in his excellent appendix on the topic in his Tyndale commentary, but Clowney does so in a more shorter and more readable manner).
Other subjects get shorter shrift, and you would need a more in-depth commentary to get more background on those. Marshall seems to give a little more depth to more issues with some exegetical help in the footnotes and for that reason may be more helpful to someone who asks questions about that sort of thing. But I enjoyed Clowney more out of the two and got more out of his work personally. As straightforward exposition, this is great work.
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In said book, Thiede submits some tantalizing and, more valuably, convincing evidence for this titulus to specifically be that of Christ's. Number one is the order of languages in which the mocking Roman inscription----which always was used to convey the charge against the criminal being executed----"Jesus of Nazareth, King of the Jews" is transcribed onto the titulus. Actually, since only a fragment of the headboard remains, this line should be modified to only state "Jesus of Nazareth". In the Bible, this order is written first in Hebrew, Greek, then Latin. This order on the Titulus of Santa Croce is one that violates the order in which the Bible documents the languages as appearing on the headboard. This permeates with credibility, because, had this order on the titulus been fabricated, no one would have crawled to producing such a glaringly bad imitation. Consequently, this can only mean one thing, that, were the Santa Croce Titulus really a fabrication, the professional forger would have been duped into copying the contraband order written in the Bible, because it was more accessible. Secondly, is the suspiciously eye-rasing direction in which the Hebrew inscription "Jesus of Nazareth" is written, which is from right to left. Once again, discounting fakes because of its horrid obviousness, Thiede believes this was inscribed by a Jewish scholar, as it was the traditional Hebrew writing style of the day, around the date of Christ's crucifixion. Thirdly, is the introduction of a specific style of abreviation on the Titulus of Santa Croce, one that died out from common use at the time after Christ's crucifixion, once more linking the headboard to the official one.
Furthermore, to prove that the titulus belonged to Christ, Thiede has to establish a definite connection between the crucifixion and that part of the cross actually coming to the Roman Empire in the 4th century, because said titulus is from Santa Croce, the church in Rome. According to legend, the titulus was recovered to Rome by Helena, Emperor Constantine's 80-year old mom. Constantine seized control of the whole Empire when he defeated his arch-nemesis, Emperor Maxentius at the Milvian Bridge. The Empire had, up to that point, been ostracized into 4 regions, each governed by 4 different Roman rulers. Constantine, allegedly, had a vision of the Cross in the clouds, before crossing the Milvian Bridge in the battle against Maxentius, which implored him to paint a Chi-rho symbol---the 1st version of Christianity's symbol---on all his men's shields. Constantine embezzled that Christianity had granted him his victory-----he then started to oppress Christianity as the official religion of the Empire. As another part of his ambivalent "conversion" of himself and the entire Empire to Christianity, he procured his mom to bring the relic to 3 parts of the Empire as a rallying point for early Christians to have something palpable to believe in.
What Thiede does is to try to produce legitimate connections to the titulus which was carried back by Helena and the actual titulus of Christ by citing logical coincidences of events that could only happen during the specific range of the time of Christ. For instance, nowadays, there exists the Church of the Holy Sepulchre, sitting over the place where Christ was crucified, and believed to have been the site of the titulus. In the catacombs beneath this church lie inscriptional records of early pilgrims' journeys to this site-one such from Crusaders, and another from seafarers who make a definite reference to a biblical psalm in giving thanks for their opportunity to worship at the site, believing it to be the licit place containing Christ's relics, and who wouldn't have risked catastrophic chances traveling across the sea to get there, were they not actually certain of its status. This verifies the already historical knowledge of the fact that, in the 1st few centuries of Christianity, there was NEVER any dispute over the actual holy sites. Additionally, there is evidence of Jews building tombs over this same area, even for the ones stigmatized as "criminals", as proven by the finding of a burial box containing a nail through the heel bone of a foot, and Jesus would have been libeled as a "criminal" by the Jews. Another tying of the Santa Croce Titulus to Christ's time is the fact that in the 1400s, it was discovered in Helena's "palace"-directly behind Santa Croce-hidden behind a fresco because Helena is supposed to have taken it, the 3rd fragment of the entire headboard, back with her after discovering the titulus at the previous site of, 1st, the temple to the Roman god Venus which was then promptly aborted for Constantine's building of a monumental complex to Christianity, all on the same site. Upon the uncovering of the titulus, again, in the 1400s, El Greco used it in a painting of his, further documenting its validity.
These may be circumstantial evidence, but they stimulate the next best thing towards solid proof of this titulus being that of Christ's: raising the question of a plausible feasibility that the Santa Croce Titulus could be that of Christ's.
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Another interesting companion study is the Consumer Reports study that was released in 1972. It is comprehensive and treats the many aspects of the "drug problem" in America. See:
Breacher, Edward M. et al., Licit and Illicit Drugs: the Consumers Union report on narcotics, stimulants, depressants, inhalants, hallucinogens, and marijuana - including caffeine, nicotine, and alcohol. (Boston: Little Brown, 1972).