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One of things that I really liked about the book is that other than the small quotes, there is very little accompany text. The only real text is at the end of the book, where NASA's chief photographic planner describes "Why Space Photography?" I found thispart kind of chilling where he states, "it is a far more air-polluted Earth today than it was in the past ... twenty years ago"
This is the perfect present for any occasion. It has touched the hearts of everyone I know who has ever seen it. Highly recommended.
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Writes Phillipe Cousteau, "His (the shark's) entire form is fluid, weaving from side to side; his head moves slowly from left to right, right to left, timed to the rhythm of his speed through the water. Only the eye is fixed, focused on me, cricling withinn the orbit of the head, in order not to lose sight for a fraction of a second of his prey or, perhaps, his enemy... His silent circling is a ballet governed by untraceable mchansisms. The blue tranquility of his form surrounds me with the sensation of a web of muderous yet beautiful force."
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Beginning with a fascinating look at some of the remarkable qualities of the whale - its size and the power implied by such enormous proportions, its high level of intelligence, its general lack of aggressiveness and ferocity, and its paradoxical fragility and dependence on the sea, the adventures of the Calllypso team are captured on film and in an absorbing narrative, describing encounters with whales in the Pacific and Indian oceans, including the gray whale and the killer whale.
The result is an unforgettable picture of a creature whose role in the precarious balance of the seas has been misunderstood since ancient times. It is also a creature in criical danger of extinction and Captain Cousteau closes with a passionate plea for its preservation.
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Alec and The Black are finally rescued and Alec joins forces with an ex trainer named Henry Dailey. They plan to make Black a famous race horse but will the Black Stallion ever be truly tamed?
This was a beautifully well written story full of adventure and heart. If you don't try it then you will really be missing out.
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The setting up of the climax sees Tom & co. travelling to Cuba and gathering information on the case, which sets up the scintillating courtroom climax. The interplay between Cruise and Nicholson is electric, particularly at the films climax. Cruise is the slick rookie lawyer who has never been inside a courtroom before and whose father was a famous Navy lawyer who it seems everyone knows. Cruise has trouble living up to his fathers reputation. Nicholson on the other hand is an Officer of the Old School who believes he is always right and demands respect from everyone he meets.
This film tells two stories : honour and the place it serves in the military, and moving out of the shadow of a successful father to become your own man.
Extras (for R2) :
"Code Of Conduct" documentary on how the film was put together with contributions from all the stars bar Nicholson.
"From Stage To Screen" documentary on the transition from the original stage play to the film by Rob Reiner and Aaron Sorkin.
Commentary by Rob Reiner.
Galloway persists, however, believing that Santiago's death may have resulted from a "Code Red," a method of disciplinary hazing employed in certain circles of the Corps, though illegal. And if this was a Code Red, the real question is, who gave the order? Ultimately, her tenacity prevails, but though Galloway is a seasoned lawyer, she has little actual courtroom experience, so Lieutenant Daniel Kaffee (Cruise) is assigned to the case, along with Lieutenant Sam Weinberg (Kevin Pollak), with Galloway, as ranking officer, to assist. Kaffee, the son of a legendary lawyer, has skated through the first nine months of his Naval career, successfully plea bargaining forty-four cases. Outwardly upbeat and personable, Kaffee seems more concerned with his softball game than he does with the time he has to spend on the job. But underneath, he's coping with living his life in the shadow of his late father's reputation, which is an issue with which he must come to terms if he is to successfully effect the outcome of this case. And on this one he will have a formidable opponent: Colonel Nathan R. Jessup (Nicholson), who commands the base at Guantanamo.
As Jessup, Nicholson gives a commanding performance, and once he enters the film you can sense the tension he brings to it, which begins to swell immediately, and which Reiner does a great job of maintaining right up to the end. Jessup is a soldier of the old guard, a man of narrow vision and a particular sense of duty; to Jessup there's two ways of doing things: His way and the wrong way. He's a man who-- as he says-- eats breakfast three hundred yards away from the enemy, and he's not about to let a couple of lawyers in dress whites intimidate him. And that's exactly the attitude Nicholson brings to this role. When he speaks, you not only hear him loud and clear, you believe him. It's a powerful performance and, as you would expect from Nicholson, entirely convincing and believable.
Cruise, also, gives what is arguably one of the best performances of his career as Kaffee. He perfectly captures the aloofness with which Kaffee initially regards the case, as well as the determination with which he pursues it later. Cruise is convincing in the role, and some of the best scenes in the film are the ones he plays opposite Nicholson in the courtroom, the most memorable being one in which Kaffee exclaims to Jessup, "I want the truth!" to which Jessup replies, "You can't handle the truth!" And the atmosphere fairly crackles.
Moore is outstanding, as well, and she manages to hold her own and make her presence felt even in the scenes dominated by Nicholson and Cruise. It's a fine piece of acting by Moore, who deserves more than just a passing mention for it. Also turning in notable performances are Pollak, whose dry humor adds such an extra touch to the film, and Wolfgang Bodison, who makes an impressive screen debut as Lance Corporal Dawson, on of the Marines on trial for the murder of Santiago.
The supporting cast includes Kiefer Sutherland (Kendrick), Kevin Bacon (Ross), James Marshall (Downey), J.T. Walsh (Markinson), Cuba Gooding Jr. (Hammaker) and Christopher Guest (Dr. Stone). A powerful drama, superbly delivered by Reiner, "A Few Good Men" is a thought provoking, unforgettable motion picture that makes you take pause for a moment to consider some things that are for the most part out of sight and out of mind. Like who is on that wall tonight, and are we safe because of him. And it makes you reflect upon some things perhaps too often taken for granted. And that's what really makes this film so good; and it's all a part of the magic of the movies.
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The astronauts who have either landed on the moon or have orbited the earth have so much to tell us and it's easy to see from the photographs why they feel words fail them. Luckily for us, words DON'T fail them. This select, small group of men and woman try mightily to tell us what their experiences were, and overwhelmingly they succeed in conveying the mystery and beauty they saw from their unique perches in space. A few of the better bits include:
"[From space] you have an almost dispassionate platform--remote, Olympian--and yet [seeing the earth from up there is] so moving that you can hardly believe how emotionally attached you are to those rough patterns shifting steadily below."
- THOMAS STAFFORD, USA
"O. Henry, the American writer, wrote in one of his stories that if you want to encourage the craft of murder, all you have to do is lock up two men for two months in an eighteen-by-twenty-four-foot room. Entering 'Salyut,' which was to be both our home and our office for six months, we told each other: We are brothers. I am you and you are me."
- VALERIE RYUMIN, USSR
"Before I flew, I was already aware of how small and vulnerable our planet is; but only when I saw it from space, in all its ineffable beauty and fragility, did I realize that humankind's most urgent task is to cherish and preserve it for future generations."
- SIGMUND JAHN, GERMANY
In no book that I can think of does the phrase "A picture is worth a thousand words" better fit. The photographs herein are astonishing in showing the exquisite planet we occupy. A view of England's North Sea coast looks like a slab of lapiz lazuli, its surface flecked with sparkle and hue. Canada's Lake Winnipeg from space has the appearance of something primal, almost fetal. The Indian Ocean off Madagascar looks like a sheet of slate over which some divine presence has tossed a handful of diamonds. So few of us can ever hope to share the experience of these men and women that this book is all the more precious, and beautiful.