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Jakkin and Akki have undergone a dragon-related physical transformation which enables them to share their thoughts telepathically and to survive the supercold Dark After of the Austarian night. Their peaceful existence with Heart's Blood's dragon hatchlings (Sssargon, Sssasha, and the Triplets) in the mountains of Austar is disturbed when there is a sign that they are being hunted by humans.
They flee into the caves of the mountains, where they encounter an indigenous society of humans who are similarly bonded with the dragons. However, as they soon discover, these people's relationship with the dragons is much less benevolent than that which they themselves possess.
So, for the last time, we see Jane Yolen's uncanny ability of deeply touching us with the courage and love of her characters, both human and draconian, and provoking our thoughts with her ingeniously invented cultures. Although the ending of this book ties off all the loose ends of the series, there is plenty of scope for more storytelling in Yolen's fascinating world of loving, feeling, and emphatic dragons. Hopefully this will not be our last visit to Austar.
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Part of Yolen's genius lies in her skillful weaving of reality and fantasy, the melding of myth and pseudo-history (with some quiet digs at modern historians along the way - but that's just an added extra) to form a convincing whole. The book is full of strong, memorable characters, most especially her central heroine, Jenna. Jenna is human enough both to want to be the Anna, the chosen one, and at the same time to want to reject that destiny. Fantasy and reality, blended and woven, but not like a piece of cloth, flat and two-dimensional - Jane's work is more like a fine basket, with height, width and depth, filled with brilliant writing and replete with original ideas that for all their newness still resonate at a deep level. Her concept of the dark sisters has introduced a new archetype to modern myth, and it is so powerful and rings so true that from this time forth we will wonder how we did not know it before.
These books belong on your shelf if the old songs are in your heart (and she provides the songs as well!) and if you have ever seen your dark sister in the mirror, only waiting to be called into being. Jane Yolen is a master of her art, and this is one of her many master-works. May you enjoy it as much as I have.
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Then there's the simple story of creatures asking for other creatures to be made with child-like associations (dog asks for a cat, cat asks for a bird, bird asks for a butterfly), and the neat cycle of starting and ending with a star.
Then there's the whole creation myth aspect. Not "The Creation Myth" which starts with darkness, but one that starts with the need to create the heavens; darkness comes much later in this story. The Artist ages as the world is being created. Could he be the embodiment of Time itself?
Or is the Artist Mr. Carle? I cannot read this without wondering if Mr. Carle is contemplating his life and work. If so, Mr. Carle, grab that star.
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The book leaves one with a slight over-all feeling of sorrow, but accomplishes its purpose. Read it, even if you decide not to own it. For a bit of a pick-me-up, re-read Jane Yolen's "Wizard's Hall" (very entertaining, even after four years of looking).
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I am always amazed at how versitile Jane Yolen is. When my own little dinosaur finally drifts off to sleep, I can enjoy reading another chapter of her new novel GIRL IN A CAGE.
My only complaint is that my daughter may be too old when the next one comes out! Hurry Jane, hurry!
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Indispensible for the novice children's author/illustrator, and invaluable in helping those of us just starting out with navigating the confusing and imposing world of children's book publishing.
Three American kids -- twins Peter and Jennifer, and younger sibling Molly -- are still in Scotland, while Da and their parents are away. During a "dreech" day, Gran takes the girls to a nearby nursing home, where three old ladies -- a coven of sweet old witches -- play a card game and dote on Molly. One of them gives her a little stone with an engraving. It turns out to be a talisman -- one that soon calls a Pictish girl to the present day.
The little Pictish girl, Ninia, is not the only visitor. Just after her arrival, a mighty Pict warrior appears, and a sinister dark mist begins following them. Gran can hold it off for a short while. But why is Ninia in the present, how can she go home -- and what evil presence wants to destroy her?
This is a really charming little book, full of twists and turns and the occasional odd comment ("American has electricity. Scotland has power"). There's also a little educational value in this, which parents might like; Yolen is too talented to let this info on the Picts and their civilization be boring, and it is very vital to the plotline. The pace is snappy and full of Scottish words (there's a guide to them at the back of the book, if you want to know what "dreech" means), and descriptions that cause images to pop into the mind.
There's a little more comedy in this book than in the last: we have the smart-alecky talking dog, who trades barbs with anyone who will respond. Also, there is Peter's turn as an early teenage driver, which will elicit winces from any parents who read it. The menace is, possibly, even better than the wizard Michael Scot -- you probably won't even be able to guess who it is.
Delightful little story, really charming. A must-read for any lovers of magic or Scotland.
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The Dyers arrive in Scotland -- the parents, thirteen-year-old twins Peter and Jennifer, and their little sister Molly. They're staying with Gran and Da, an elderly couple who were once surrogate parents to their mother; Gran and Da seem a little weird but very nice. The same can be said of the house: A card game finishes itself without Peter, and Molly finds a magical piece of paper in the "actic" and scribbles on it.
Upon seeing the paper, Gran is aghast, claiming that it's the map of the seemingly long-dead wizard Michael Scot. The others are, unsurprisingly, skeptical since the map is written in modern English and shows modern landmarks. But the next day, nearby wheat fields have been hit with crop circles -- crop circles that look exactly like Molly's scribbles. And on a sightseeing trip, a mysterious black-haired man simply vanishes into thin air -- with Molly. Scot is back, and he wants the map.
Don't be fooled by the short length of this book. It's packed with excellent characterization, fast writing, and a charming, chilling plot. Yolen demonstrates her excellent skills at writing yet again, and she's in top form here.
The characters, except for the parents (who aren't really around enough to make much of an impression): Gran and Da are great, especially Gran. Molly is a thoroughly believable tot, with all the irritation and cuteness that that implies; Peter and Jennifer are great counterparts to one another, similar but not alike. (That would be boring, and it isn't boring)
Yolen's writing is nicely descriptive, and the aura of anything-could-happen is heavy on this book. Such events as the dragon, unicorn and dog are introduced in an especially evocative way, as is the showdown with Scot. From the moment the kids meet Gran and Da, you get the distinct impression that this wee corner of Scotland is magical.
For fans of Susan Cooper's "Boggart" books, and mythology-laden tales like "Wild Hunt," this would be a great read. On to "Pictish Child"!
By:Jane Yolen
This book is the third book in the Merlin Trilogy, there are two other book. This novel covers Melin's childhood. In the time of the 500's it is set in a dark forest in a meadow. Hawk Hobby as a child received a bird as a guide named Dolly. While trapped in the meadow he seemed to had many dreams throughout the long nights, that is how he got his name Dreamer. Rather than having Sir Ector as a guardian in the original story, he had a foster father that took care of him through his childhood in the book. It seems as if nothing may or could tear apart the friendship of Dolly and Merlin.
In my opinion this book would be recommended for middle school and under. To me it wasn't that great of a book, but it was short and sweet. If you are looking for a book to learn about background information on Arthurian History this isn't a good book for that reason.
I would recommend this book to young kids ages thirteen and under. This story would not be interesting to adults because it is extremely easy to read and is meant for children. Another reason I recommend this book to kids is that it is written in a way that kids can understand. I think this was an excellent book
Merlin escapes from angry dogs, pulled to safety by one of the wodewose, wild men and women who have their dwellings out in the forests. Despite the name, they are relatively civilized, but recognize the amazing talents that Merlin possesses. He sometimes dreams (in a weird sort of way) of the future, and in one astounding scene he uses his powers to heal. These events lead both to a shattering conclusion -- and a fateful meeting with a tiny boy named Cub.
Merlin is more mature in this book, having learned about greed and deception and wanting neither of them. There are hints at the end of his future mentoring of Arthur and additionally a twist in his traditional role.
The writing style is as evocative as ever, poetic and almost dreamy, bringing every described image to life. If I can someday write half as well as Ms. Yolen, I will be very happy.
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