Watterson's talent is pretty hard to get over. What's the big idea, making a cartoon so consisently funny, explosively creative and accessibly brilliant that no other cartoonist could ever hope to match wits? When I saw the first Calvin strips in my paper several years ago, I knew it was something special. Here's a little kid more clever than most adults, whose stuffed friend comes to life and has philosophical debates with him while they careen down a gully in a wagon.

Calvin and Hobbes is more than a comic strip, and that's what makes it so special. Far Side and Dilbert are clever and hilarious as well, but Calvin's creator has an artistic talent that will not be confined. The everyday life of his six-year-old protagonist is frequently spliced with daydreams--Spaceman Spiff, Dinosaurs, etc.--which are consistently staggering in their rendering. It's art good enough for Marvel but stylistically superior. In the later years he was arguing with newspapers for half- or full-page spaces that would do his work justice.

What impresses me perhaps the most about Watterson, though, is his integrity. From the great beginning that is this book, up through the end, he refused to have his art form violated by commercialism. Calvin will be found ONLY on the printed page, not on TV, not on a baseball cap (save the amateur ones), not in a breakfast cereal, nor action figures, nor a fanclub, nor a box of fruit snacks. Watterson was true to the integrity of his character. What's more, he quit while he was ahead--before his strip could become repetitive, but after its potential had been fully explored.

So buy this book, if you haven't already. In fact, do yourself a favor and buy every Calvin collection, because each is completely flawless. Calvin and Hobbes is the best cartoon that ever was, and it's the best cartoon that will ever be. I'd bet my sense of humor on it.

Calvin & Hobbes was so popular during its run that people never needed to explain what the strip was about to anyone; it's been a couple of years and with the exception of little kids, people seem to remember the strip for the most part. So, all I'll say about this collection is that it is the preferable purchase over the first two books, the self-titled "Calvin & Hobbes" and "Something Under The Bed Is Drooling." Why? "The Essential Calvin and Hobbes" actually collects every single strip from those two books (it's NOT a best of, as some people would say), and most importantly, the Sunday strips are in color. Hands down, Watterson painted the most beautiful looking Sunday strips since Walt Kelly, and it would be a shame if you only knew them through the black and white reproductions of the smaller collections. It's also cheaper to buy this book instead of the first two, as well. As a special bonus, Watterson included a nice, water-colored poem at the beginning, which isn't available anywhere else.

Bill Watterson's first Calvin and Hobbes treasury "the Essential calvin and hobbes" includes cartoons from Calvin and Hobbes and Something Under the Bed is drooling.

This treasury includes great poems written by Watterson at the beginning of the book. In this treasury you'll know how Calvin found Hobbes, when he first met Susie, etc. This is one of Watterson's best books! After "Homicidal psycho jungle cat" and "it's a magical World" I like this the most.

If you love sarcasm, humour, and great colourful drawings you'll love to have this treasury. Some of the reasons why I love this book are the sarcastic jokes, normal jokes, the characters' expressions, and fiction stories and poems like Spaceman Spiff stories. Nightmares like monsters under the bed at night also lead to excellent jokes.

You'll love Hobbes, Calvin, Calvin's parents, Rosalyn, Miss Wormwood, and Susie. I don't really like "Moe" but I like the thiongs Calvin does to avoid Moe.

Bill's works on Calvin and Hobbes is fun to look at and read. The hilarious pictures help add more humour to the stories.

This great treasury would be suitable for people of all ages. It might not be suitable for children under the age of "eight" cause they might not understand the humour!

"Material World" is one of those books that EVERYONE should read. It really is beyond description...deceptively simply yet incredibly moving in its stark simplicity. In these pages about families across the globe, we see scenes from their everyday life. When we glance at the pictures of each family on their lawn surrounded by all of their material goods, the difference between the average American family and the average Ethiopian family couldn't be plainer. We look at the faces on these pages, hear their thoughts on the future, and compare their lives to our own...and suddenly the people in other countries seem real to us, and the faceless people of the news suddenly have faces and thoughts and homes and families. Peter Menzel and all of the others who have worked on this book have done a brilliant and wonderful thing when they created "Material World". They have done what no "You should be grateful..." or "Think of those people in other countries..." could have done...they have made the world real to us.

What does the average Ethiopian home look like? What is the average Cuban family's hope for the future? How much does a carrot cost on the black Market in Bosnia? Which country has the highest fish consumption per capita? What does the average Japanese father have for breakfast?

It may seem trivial, but these are the questions that Peter Menzel and the creators of "Material World" have tried to answer. And the answers they found are more profound than you might think. 30 very different countries, and 16 excellent photographers, trying to show through images, statistics and interviews how the world's average families live. The differences are astonishing: the financially average Abdullah family in Kuwait is both literally and figuratively a world removed from the Cakonis in Albania.

In this book, created to celebrate the United Nations International Year Of The Family, sumptuous photographs, show each family with their material possessions spread around them outside their homes: while one family's material wealth seems to consist almost entirely of carpets, another's is made up of animals and cooking pots. One family has four cars, another a single and ragged looking donkey. More photographs show each family in the course of the average day, and coupled with data based on interviews, they answer questions such as: do the children go to school? Where does their food come from? What does their house look like? And most tellingly, what is their most treasured possession? More light hearted sections, which explore average televisions, toilets and meals across the world, show at once how alike and different we are.

The creators of "Material World" have sought, and achieved a fine balance. They contrast not only those countries which we know to be rich or poor, but also look at how other factors, such as war and technology, affect families. The information is implicit rather than explicit, conveyed only through the images and words of each family; while the photographers' impressions are expressed in small "photographer's notes" sections, their main function is simply to show us the real lives of their subjects. No judgements are passed, nor opinions given. The reader is left to examine the evidence for themselves.

"Material World" works on many levels. The quality of photography and the compilation of each section make it beautiful to look at - a smart and very PC coffee table book. The statistical information and photographs together provide a wealth of material for use in schools. Flipping backwards and forwards to explore the differences yourself is as much fun as "Where's Waldo", and the writing is so good that "Material World" is a great book to snuggle up with and read. I can only pick one fault with this book: the more trivial statistical data is not always consistent. For example, data on percentages of income spent on food is only available for some families, making comparison impossible. However, this is a small fault. "Material World" is a fantastic book, original, interesting and well put together. Highly recommended to anyone with even a slight interest in the subject.

This book was a required "textbook" in a high school "Science and Sustainability" pilot class my school did in junior year. I remember we generally used the books in class but could check them out to take home if we wanted. I checked one out and din't want to give it back. I think I skipped two classes that day just sitting in the student lounge poring over it, and I think the people reading over my shoulder probably had other things to do as well, but I couldn't put it down, it was so fascinating. So of course I bought my own and I can still pick it up and pore over it for another three hours with the same fascination. It's real life, and the families are real people that you feel somehow close to after reading this. I love this book and show it to everyone. This book will change the way you look at things. Also, for those who think that this book is primarily about material goods around the world, you couldn't be more wrong. Each chapter shows an incredibly detailed portrait of life in another country, and is as wonderful for introducing kids to other cultures as it is for opening their eyes to economic realities. Enjoy.

If you are interested in The Creator's grand design and how mankind fits into it well then this is the book for you.Give it a chance you won't be sorry you did.

Topical study of the Bible at its best! Timely chapters that aid in viewing world events against the topical framework within. Chart of the Ages helps the reader comprehend where different scriptures belong on man's timeline. This is one of seven books in a series that reveal aspects of God's plan for man and explains questions that have plagued inquiring minds for ages. Included are: Why God permits evil, Jesus' return (it's object and manner), the Day of Judgement, the Kingdom of God and other Bible related topics. The author asks the reader to prove, with Bible in hand, the Divine plan presented within.

The writer takes the words of God in the scriptures as a whole and harmonizes them to bring out what God's design is for mankind. If you wonder why God allows what He does right now in the world, read this book. Read this book with your Bible in hand and see those scriptures unfold in a way that simply makes sense.

As the first Charles De Lint book I discovered, Moonheart turned De Lint into a favorite author of mine forever. His characters are diverse and likeable, female characters are never wimps, and he weaves mythologies of several cultures together deftly. I've been devouring books since I was a small child, and my first taste of Moonheart sent me back to the bookstores, special-ordering everything that could be acquired by De Lint. If you enjoy fantasy fiction - the kind you can't put down, Moonheart is a must-have!!

This is the best of the best, and one of the first in urban fantasy.

Moonheart was the first De Lint book I ever read, and turned him immediately into a favorite author of mine. His
characters are diverse and likeable, female characters are
never wimps, and he weaves mythologies of several cultures
together deftly.

I've been devouring books since I was a small child, and
my first taste of Moonheart sent me back to the bookstores,
special-ordering everything that could be acquired by De Lint.
If you enjoy fantasy fiction - the kind you can't put down,
Moonheart is a must-have!!

After reading Moonheart, I was desperately sorry that I hadn't read any of his books before! There is so much True Magic in his writing; pure enchantment. This book sends shivers of delight and terror down your spine. Definitely my new favourite author of modern fantasy fiction. The characters seem to take on a life of their own, until you could almost believe that they are living and breathing in the room with you. The plot is so compelling that I read it cover to cover in one sitting. I can't think of any other writer to compare Charles De Lint to; he is definitely in a class all his own. I can't wait to read more. After all, who doesn't wish to cross over into Otherworlds? Reading a Charles De Lint book might be the next best thing

Chuck Swindoll is an excellent author that helps me under stand the bible very easily. in an exsample of how much I enjoyed what I have learnd, i'll tell you that I have started reading the book "Moses a man of selfless dedication" and have the one on Josphe on the book self that I bought through amozon.com. Seindoll pours over all the detail to bring King David into a real sence and not a bible caricter that lived 3000 years ago, but some one that I can understand and see in life, or in someone around me, I loved what the book tought me and what makes me different then david and how to become more of "a man after Gods own heart".

Every time a pick up a book from Swindoll's "Great Lives from God's Word" series I think that nothing can be better than the last one. Starting with Joseph and then reading Moses gave me the impression that these were his best. Now I've returned back and read David and continue to find that brother Chuck has been blessed with a deep understanding about God's word, God's people and God's ways. As with the other books, Chuck doesn't leave any stone unturned in David's life and digs deep into the things that we can all relate to. I recommend this reading especially to those who are facing the giants in life whether they are physical or spiritual. King David is a great study for all of us seeking to be a "man after God's own heart."

Charles Swindoll does an excellent, if not remarkable, job of not only presenting the trials of David in modern day life, but he also vividly illustrates the psalmist's shortcomeings into lessons for today. Without a doubt, this book was written with God's guidance (no slight intended towards Mr. Swindoll), and I recommend this book to be used as a tool for the Christian of today in his/her walk with God. Upon finishing, I not only had renewed insight upon David, but also within myself, and found newborn strength to conquer my own daily struggles. God has annoited this book, of that there is no doubt, and I strongly urge Christians to delve into it.

Dr. Philip Mercer is back with a vengeance! The resourceful mining engineer featured in Vulcan's Forge and Charon's Landing returns for another adventure and it's one wild ride!

Mercer's best friend and drinking buddy, Harry White, is kidnapped by mercenaries and if Philip ever wants to see him alive again, he must investigate the remote possibility a diamond mine in east Africa. Mercer begins a needle in the haystack search that takes him to a remote desert on the Sudan \ Eritrea border. Using stolen photographs from a top secret spy satellite code-named MEDUSA, Mercer is able to locate an old deserted mine and to his astonishment he learns there may be something more valuable than diamonds buried within. His problems are compounded when an Italian industrialist and his Sudanese army try to take over the mine in an attempt to blackmail the South African Diamond Exchange. Mercer is going to need all of his wits and mining experience to prevent a global catastrophe!

Jack Du Bruhl is an excellent adventure fiction novelist. His books just keep getting better and better!

After his adventures and romance in Alaska and Hawaii, mining engineer Dr. Philip Mercer is bored writing reports in DC. He mentions his lethargy to his eighty-year-old drinking buddy Harry White.

Undersecretary of State for African Affairs Prescott Hyde tries to hire Philip to locate a large diamond mine in the dangerous Northern Eritea. In spite of showing pictures taken from the Medusa satellite that crashed a decade ago, neither Prescott nor partner Selome Nagast convince Philip that a lode as large as that in South Africa has gone undetected.

Philip's mind is changed when a group of Mid-eastern terrorists abduct Harry, threatening to kill him if the mining engineer fails to find the mine in six weeks. Philip races to Africa to begin to search for a needle that might not exist in a haystack overrun by terrorists, outlaws, and deadly land mines. Philip quickly realizes that a second group is also interested in obtaining the diamond mine. Both groups share the goal that Philip must die.

With novels like CHARON'S LANDING, VULCAN'S FORGE, and now THE MEDUSA STONE, Jack DuBrul is proving he is one of the leaders of adventurous intrigue novels. The story line of his latest thriller continually ebbs and flows, but each new spurt builds the tension even further until the audience realizes that this is a one sitting novel in spite of its size. Philip is a fabulous lead character and the support cast brings to life Eritea and some questionable activities in the Mediterranean area. However, in hindsight what makes Mr. DuBrul's novel a strong candidate for adventure book of the year is the brilliant infusion of Eritea, its people and customs woven into a dramatic plot.

Harriet Klausner

Jack DuBrul's Medusa Stone will leave your bruised,battered and exhausted. The heart-pounding, fast-paced, non-stop action takes you to the far reaches of the globe and back again. Mercer is once again thrown into the middle of an ever twisting plot. But this time it's personal. An impossible task of finding the lost mine is just one of Mercer's worries. Throw in an international terriost group, a multi-millionaire Italian businessman, and a beautiful woman and you have the ingrediants for an action-packed adventure thriller. It will leave you wondering just how much can one man take before he decides to get even. Medusa Stone is the third book written by Jack DuBrul. His previous works are Vulcan's Forge and Charon's Landing. Move over Dirk Pitt. Phillip Mercer has arrived.

...featuring luscious graphics and design layouts, "The Art of Charles Schultz" is definately aimed at those who are already big fans of his work. This is not a standard collection of comic strips. Instead, there is commentary about the development of the strip and Schultz's devlopment as an artist. The first 50 or so pages contain samplings of his pre-Peanuts work, which is fascinating for how it shows the development of his ideas. Next the book provides a real service by providing a generous helping of the early Peanuts strips (circa 1950-54), many of which have never appeared in book form. The characters look radically different and their personalities were just starting to settle in. Charlie Brown was a bit of a dandy instead of always being a loser, Lucy was sort of an airhead and Snoopy didn't "talk" yet.

The book has a genrous helping of photographs of Schultz, his staff and of various Peanuts memorabilia. The Sunday strips are rendered in glorious full color and there also rough drafts of strips that give an idea of how the creative process works. The book's only drawback is that it is oddly laid out, with some strips cut in half at page breaks and other pages featuring minaturized strips, apparently to save page space. Nevertheless, this book is of high enough quality that it will look good on any Peanut fan's coffee table.

I have loved Peanuts since childhood, and have an almost complete collection of Peanuts books. Charles Schultz has always been an inspiration to me in my work as an occasional professional cartoonist. Not only is Schultz unsurpassed as an artist, he is also one of the great philosophers of twentieth century life in America.
This book is, first and foremost, a celebration of the comic strip. It is a work of art in its own right. All the cartoons in the book are photographed from either their original drawings, or directly from the newspapers. The reader can see the artistic details that Schultz has used in creating each frame in photos of the originals. And the use of the original strips, with their rough paper and newsprint lines, brings back the joy of reading the comics for the first time in the funnies. The Sunday comics are complete with the little color dots that created the color images. There are literally hundreds of comic strips, both daily and Sunday, in this book, and they give a good overview of Schultz's long career.
There are many photos of Schultz's doodles and rough sketches, of his desk and his artist's tools, early cartoons 'Sparky' sold to the Saturday Evening Post, early drawings of certain characters, some of which pre-date 'Peanuts' itself. One can actually see the characters develop, artistically and as human beings. Interspersed with the cartoons are textual explanations and stories about Schultz and his characters, including many insightful comments by Charles Schultz himself about the evolution and personalities of his characters. Also included are photos of early Peanuts toys and dolls, and even these are photographed lovingly and with attention to detail and shadow.
This is a magical book, and any Peanuts fan would love it and treasure it. It is a book one can return to over and over to enjoy. Leave it lying around the living room where everybody can enjoy it and relive the joy Charles Schultz and the Peanuts gang gave us for over fifty years. Better yet, introduce a new generation of kids to the strip. The Peanuts gang is a microcosm of us, and reading it reveals much about ourselves and helps us to look on life with tenderness and humor.
Buy this book, read it, and share it. It would make a wonderful present as well. It is the best Peanuts book to date.

Now, _this_ is the best collection you can get! Going through vast archives - including Charles M. Schulz's collection of _original_ strips, and newspaper clippings of the 1950s and beyond, as well as comic books of the 1960s, memorabilia like board games, records, bobbing-head toys (made by the Lego company before they made Lego!), and more, this is truly superb. And, the strips are presented in a unique form - instead of just reprints, we see photographs - detailed, high-quality, crystal clear photographs - of the originals, providing us with a massive increase in clarity - plus, with the newspaper clippings, we see those old dot-colored versions of the Sunday strips, and rarities - like what a strip looked like before Schulz adjusted the art for the published version, and a 1954 Sunday strip of Lucy and Charlie Brown at an ADULTS' golf tournament!! (The effect - that we only see them from about waist-down - is like how we saw Nanny in "Muppet Babies" -remember that?). We alo see Schulz' studio tools, left as they were after he finished the last strips in December 1999, and features like this - and the concluding pages - add a poignancy to the book. But it all works. There's no disappointments here!

If it wasn't for Oswald Chamber's wife, MY UTMOST FOR HIS HIGHEST would never have been published. After Chamber's death, his wife collected some of his writings together into this devotional book. Praise God for such a woman of noble character.MY UTMOST FOR HIS HIGHEST is one of the best daily devotions around. Chambers doesn't mess around with wishy-washy, look-at-the-Jesus-in-my-pocket Christianity. Instead, he delves deep into the essence of what it means to be a Christian. Chambers knew the importance of a moment and this book is full of wisdom in living a life pressed out to the best, giving one's utmost for His highest. There isn't another daily devotion to compare.

Of course, there's no substitute for having a devotion with the Word of God itself. But, right after this, one of the best things to help jumpstart your devotional is a good devotion book. My Utmost for His Highest is an obvious classic that you ought to consider. I personally have gone through it in three different years (the last time, 2 years ago), and I am considering it for the year 2001. Chambers has some keen insight that needs to be considered. If you struggle with mere reading through the Bible as your devotion, then perhaps this might be the ticket to beginning a daily commune with the God of all creation.

This compilation of Oswald Chamber essays and sermons was originally captured by his wife after his death. The format of a daily devotional provides an excellent daily read for the avid and growing Christian.

The individual devotionals are not easily devoured in one reading, generally requiring a second or third reading to fully grasp the depth of Oswald Chambers' deeply Christian messages based on Biblical scriptures. This is not light reading, but in the small fifteen minute devotional increments daily, this makes for excellent reading and provides specific daily focus for the Christian reader. This thought-provoking book can easily become a favorite habit, and it also makes an excellent evangelical gift to those who are new to Christianity.

If you buy only one Christian book this year, buying Oswald Chambers' 'My Utmost for His Highest' would be an excellent choice.

After years without picking up a novel by Dickens (memories of starchy classes at school), I decided to plunge into "Bleak House", a novel that had been sitting on my bookshelf for about ten years, waiting to be read. Although I found it heavy going at first, mainly because the style is so unfamiliar to modern readers, after about ten pages I was swept up and carried off, unable to put the hefty tome down until I had finished it. This book is a definite classic. The sheer scope of the tale, the wit of the satire (which could still be applied to many legal proceedings today) and the believable characters gripped me up until the magnificent conclusion. One particularly striking thing is the "cinematic" aspect of certain chapters as they switch between different angles, building up to a pitch that leaves the reader breathless. I can't recommend "Bleak House" too highly. And I won't wait so long before reading more Dickens novels.

This is the second book by Dickens I have read so far, but it will not be the last. "Bleak House" is long, tightly plotted, wonderfully descriptive, and full of memorable characters. Dickens has written a vast story centered on the Jarndyce inheritance, and masterly manages the switches between third person omniscient narrator and first person limited narrator. His main character Esther never quite convinces me of her all-around goodness, but the novel is so well-written that I just took Esther as she was described and ran along with the story. In this book a poor boy (Jo) will be literally chased from places of refuge and thus provide Dickens with one of his most powerful ways to indict a system that was particularly cruel to children. Mr. Skimpole, pretending not to be interested in money; Mr. Jarndyce, generous and good; Richard, stupid and blind; the memorable Dedlocks, and My Lady Dedlock's secret being uncovered by the sinister Mr. Tulkinghorn; Mrs. Jellyby and her telescopic philanthropy; the Ironmaster described in Chapter 28, presenting quite a different view of industralization than that shown by Dickens in his next work, "Hard Times." Here is a veritable cosmos of people, neighbors, friends, enemies, lovers, rivals, sinners, and saints, and Dickens proves himself a true master at describing their lives and the environment they dwell in. There are landmark chapters: Chapter One must be the best description of a dismal city under attack by dismal weather and tightly tied by perfectly dismal laws, where the Lord Chancellor sits eternally in Lincoln's Inn Hall. Chapter 32 has one of the eeriest scenes ever written, with suspicious smoke, greasy and reeking, as a prelude to a grisly discovery. Chapter 47 is when Jo cannot "move along" anymore. This Norton Critical is perhaps the best edition of "Bleak House" so far: the footnotes help a lot, and the two Introductions are key to understanding the Law system at the time the action takes place, plus Dickens' interest in this particular topic. To round everything off, read also the criticism of our contemporaries, as well as that of Dickens' time. "Bleak House" is a long, complex novel that opens a window for us to another world. It is never boring and, appearances to the contrary, is not bleak. Enjoy.

"There is little to be satisfied in reading this book"?? I couldn't disagree more. Bleak House left a profound impression on me, and was so utterly satisfying a reading experience that I wanted it never to end. I've read it twice over the years and look forward to reading it again. Definitely my favorite novel.

I don't know what the previous reviewer's demands are when reading a novel, but mine are these: the story must create its world - whatever and wherever that world might be - and make me BELIEVE it. If the novelist cannot create that world in my mind, and convince me of its truths, they've wasted my time (style doesn't matter - it can be clean and spare like Orwell or verbose like Dickens, because any style can work in the hands of someone who knows how to use it). Many novels fail this test, but Bleak House is not one of them.

Bleak House succeeds in creating a wonderfully dark and complex spider web of a world. On the surface it's unfamiliar: Victorian London and the court of Chancery - obviously no one alive today knows that world first hand. And yet as you read it you know it to be real: the deviousness, the longing, the secrets, the bureaucracy, the overblown egos, the unfairness of it all. Wait a minute... could that be because all those things still exist today?

But it's not all doom and gloom. It also has Dickens's many shades of humor: silliness, word play, comic dialogue, preposterous characters with mocking names, and of course a constant satirical edge. It also has anger and passion and tenderness.

I will grant one thing: if you don't love reading enough to get into the flow of Dickens's sentences, you'll probably feel like the previous reviewer that "...it goes on and on, in interminable detail and description...". It's a different dance rhythm folks, but well worth getting used to. If you have to, work your way up to it. Don't start with a biggie like Bleak House, start with one of his wonderful short pieces such as A Christmas Carol.

Dickens was a gifted storyteller and Bleak House is his masterpiece. If you love to dive into a book, read and enjoy this gem!

Any book defined as a true classic is likely to be thought of as stultifying and incomprehensible...at best. Yet, there are dozens and dozens of books that are true classics and still manage to speak to today's modern audience. Boccaccio's Decameron is one such book.

The Decameron was written around 1350 during an outbreak of plague in Florence. It is the fictional account of ten young people who flee the city to a country manor house and, in an effort to keep themselves occupied and diverted, begin telling stories.

Ten days pass in the pages of the Decameron (hence its name), and each person tells one story per day, making a total of one hundred stories. These are stories that explore a surprisingly wide range of moral, social and political issues whose wit and candor will probably surprise most modern readers. The topics explored include: problems of corruption in high political office, sexual jealousy and the class differences between the rich and the poor.

The titles themselves are both imaginative and fun. One story is titled, "Masetto da Lamporecchio Pretends to be Deaf and Dumb in Order to Become a Gardener to a Convent of Nuns, Where All the Women Eagerly Lie With Him." And, although the title, itself, is a pretty good summary of the story, even a title such as this cannot adequately convey Boccaccio's humor and wit.

Another story that seems surprisingly modern is, "Two Men are Close Friends, and One Lies With the Other's Wife. The Husband Finds it Out and Makes the Wife Shut Her Lover in a Chest, and While He is Inside, the Husband Lies With the Lover's Own Wife on the Chest." A bit long for today's modern world, perhaps, where popular books are dominated by titles such as John Grisham's The Firm, but the outcome of this story is as socially-relevant today as anything that happened in fourteenth-century Florence.

The Decameron, however, goes far beyond plain, bawdy fun and takes a close look at a society that is unraveling due to the devastating effects of the plague. The people in Boccaccio's time suffered terribly and the book's opening pages show this. The clergy was, at best, inept and, more often than not, corrupt. Those who had the misfortune to fall ill (and this includes just about everyone) were summarily abandoned by both their friends and family.

Those looking for something representative of the social ills of Boccaccio's day will find more than enough interesting tidbits and asides in these stories. Serious students of literature will find the ancestors of several great works of fiction in these pages and readers in general cannot fail to be entertained by the one hundred stories spun by these ten refugees on their ten lonely nights.

Giovanni Boccaccio THE DECAMERON. Second Edition. Translated with an Introduction and Notes by G. H. McWilliam. cli + 909 pages. Penguin Classics. London: Penguin Books, 1995. ISBN 0-14-044629-X (Pbk).

Second-hand opinions can do a lot of harm. Most of us have been given the impression that The Decameron is a lightweight collection of bawdy tales which, though it may appeal to the salacious, sober readers would do well to avoid. The more literate will probably be aware that the book is made up of one hundred stories told on ten consecutive days in 1348 by ten charming young Florentines who have fled to an amply stocked country villa to take refuge from the plague which is ravaging Florence.

Idle tales of love and adventure, then, told merely to pass the time by a group of pampered aristocrats, and written by an author who was quite without the technical equipment of a modern story-teller such as Flannery O'Connor. But how, one wonders, could it have survived for over six hundred years if that's all there were to it? And why has it so often been censored? Why have there always been those who don't want us to read it?

A puritan has been described as someone who has an awful feeling that somebody somewhere may be enjoying themselves, and since The Decameron offers the reader many pleasures it becomes automatically suspect to such minds. In the first place it is a comic masterpiece, a collection of entertaining tales many of which are as genuinely funny as Chaucer's, and it offers us the pleasure of savoring the witty, ironic, and highly refined sensibility of a writer who was also a bit of a rogue. It also provides us with an engaging portrait of the Middle Ages, and one in which we are pleasantly surprised to find that the people of those days were every bit as human as we are, and in some ways considerably more delicate.

We are also given an ongoing hilarious and devastating portrayal of the corruption and hypocrisy of the medieval Church. Another target of Boccaccio's satire is human gullibility in matters religious, since, then as now, most folks could be trusted to believe whatever they were told by authority figures. And for those who have always found Dante to be a crushing bore, the sheer good fun of The Decameron, as Human Comedy, becomes, by implication (since Boccaccio was a personal friend of Dante), a powerful and compassionate counterblast to the solemn and cruel anti-life nonsense of The Divine Comedy.

There is a pagan exuberance to Boccaccio, a frank and wholesome celebration of the flesh; in contrast to medieval Christianity's loathing of woman we find in him what David Denby beautifully describes as "a tribute to the deep-down lovableness of women" (Denby, p.249). And today, when so many women are being taught by anti-sex radical feminists to deny their own bodies and feelings, Boccaccio's celebration of the sexual avidity of the natural woman should come as a very welcome antidote. For Denby, who has written a superb essay on The Decameron that can be strongly recommended, Boccaccio's is a scandalous book, a book that liberates, a book that returns us to "the paradise from which, long ago, we had been expelled" (Denby, p.248).

The present Penguin Classics edition, besides containing Boccaccio's complete text, also includes a 122-page Introduction, a Select Bibliography, 67 pages of Notes, four excellent Maps and two Indexes. McWilliam, who is a Boccaccio scholar, writes in a supple, refined, elegant and truly impressive English which successfully captures the highly sophisticated sensibility of Boccaccio himself. His translation reads not so much as a translation as an original work, though his Introduction (which seems to cover everything except what is most important) should definitely be supplemented by Denby's wonderfully insightful and stimulating essay, details of which follow:

Chapter 17 - 'Boccaccio,' in 'GREAT BOOKS - My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World'
by David Denby. pp.241-249. New York: Simon & Schuster, 1997. ISBN 0-684-83533-9 (Pbk).

It seems almost redundant that I bother to rate this with yet another 5-star review (especially since I didn't buy it from Amazon-- Sshhhh, don't tell anyone), but this is one of the books that changed my life.

As a mind struggling to repair the damage caused by the American education system, I set out to follow other curriculums from times when learning was actually valued. Since many of the so-called "classics" American students today are forced to read in school are thinly-disguised socialist propaganda, I chose to look to much earlier times. I picked up The Decameron by chance, having remembered it from an off-hand statement a high school history teacher had made once. The book had everything, exalting adventure, romance, heroism, virtue, and other things I had been taught were subjective and dangerous. I found it the most refined and tastefully deviant book I had ever read and I have never been able to understand why students are not exposed to it as the basis for the study of literature.

Boccaccio's stories (told one per day, by each of the ten characters over ten days) give great insight into the midieval paradigm while poking fun at its obvious problems. The tales cover the whole of Europe, North Africa, and Asia Minor, which was very unique for their time. The rolls of heroes involve characters of every culture, race, religion, and background in the known world-- something unheard of before this book. Boccaccio's great love and understanding of women also shines through, the expression of which tops the list of reasons as to why he was exiled from Florence! Most of the stories are based on actual people and events, though the author takes a great deal of artistic license in some cases. A great many little-known facts can be learned by reading the historical notes (one reason why I chose the Penguin Classic version). Boccaccio surpasses every other man of letters (before him or since) in ability and creativity and will no doubt do so for centuries to come.