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For far too long these books have been out of print, though I understand they're still being published in Europe. With their return, a whole new generation of readers can thrill to the adventures of Jupiter Jones, Pete Crenshaw and Bob Andrews.
In "The Secret of Terror Castle", Jupe, Pete and Bob, whose motto is "We Investigate Anything", investigate an allegedly haunted house in order to prove their mettle. Author Robert Arthur not only gives the boys distinct personalities, rather than making them "types", he also has them conduct their investigation in a logical, methodical fashion, even as they deal with a trouble maki! ng rival. He also plants clues throughout the text to give the reader a sporting chance to solve the mystery.
Arthur and his successors further respected their readers' intelligence by making the endings of the books logical developments of the stories, rather than coming up with a contrived solution. Granted, the means by which Jupe, Pete and Bob become involved in "The Mystery of the Silver Spider", a later book in the series, is a bit contrived. However, that story is also good, and throughout the series as a whole, the writers don't talk down to their readers.
Readers of the original hardcover editions may remember an illustration on the endpapers that depicted Hitchcock in profile behind a spider web on one page, while the facing page showed Jupe, with magnifying glass, Pete, with tape recorder, and Bob, with a home made walkie-talkie, making their way through a cemetery at night. That drawing exuded an atmosphere of mystery, and Random House might want to! consider duplicating it, sans Hitchcock, of course, in the! current paperback reissues.
In fact, Hitchcock's absense is the only negative aspect of the revised version. He added a touch of realism, because he was a real person. Now, he has been replaced by the fictional characters of Reginald Clarke and Hector Sebastian, and the illusion that Jupe, Pete and Bob might have been real people is gone. This is a minor point, of course, and doesn't affect the stories themselves.
At least not until the series gets to #31, "The Mystery of the Scar-Faced Beggar", the first post-Hitchcock volume. Jupe, Pete and Bob meet Hector Sebastian for the first time in that story-- a meeting which is central to the plot. I hope the series will continue to sell, so we'll see how that problem will be addressed.
Better still, I hope Random House publishes new adventures after the old ones have been reprinted.
I highly recommend this series for young readers who dream of adventure and suspense. They invigorated my youth and helped interest me in reading and writing. I hope to God that there are more coming out!
And for those of us who remember Alfred Hitchcock, maybe Random House could put out a collectors series of the books as they were originally released - covers, illustrations and all. I would certainly snap them up!
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After these, the book takes a different track. There are a few gems buried in the remainder, but too much of it consists of confused, disconnected ramblings. Many of them, even the straightforward ones, simply left me shaking my head. In addition, a number of stories couldn't be classified as horror even under the broadest definition, though I wouldn't have minded if they'd been better. Overall, a disappointment.
"If you take my Hand, My son" is one of the better stories about a son thinking about his dead father in a coma and a terrifying conclusion. Kind of like G'n'R's hit song, "Coma."
"Buckeye Jim in Egypt" is another tale that is awesome. It talks of our society, racism, and the story about a wandering man with supernatural powers.
"Moon on the Water" is the title story and is an interesting read about jazz musicians who become entwined with a rich girl with an adrenaline rush-attitude. A good story.
"Altenmoor, Where the Dogs Dance" is also an interesting read about a boy and his grandfather who know about the afterlife.
A solid collection from a great writer!!!
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: that is is wordy; that it over uses devices like man eating plants and strange aliens.
It has a good fairy tale plot of a prince who is unjustly deprived of his crown
by magic ( science?). The treatment of Juggling has a pop culture ring to it.
Dreams as sendings by amplified thoughts is also a popular genera.
It is still a very good book, but I found myself skipping long very wordy discriptive
passages. But not as much as the first time I read it...
If you like high fantasy, or any of the books or stories noted above, please give "Lord Valentine's Castle" a try. One sentence of caution: the protagonist begins this novel in an amnesic state of zen detachment, and his character and relationships build gradually. I put the book down after 10 pages on the first occasion I tried to read it (about a decade ago). Persevere -- it's well worth the effort. Besides, since "Lord Valentine's Castle" was written in 1979, there's already 20 years of sequels published and waiting for you!
LVC takes place thousands of years in the future on the distant world of Majipoor, a gigantic world with a population of 20 billion people of many different species: humans; the three-eyed Liimans; the four-armed, "Bigfoot"-like Skandars; the planet's shapeshifting aboriginal folk; and more. Silverberg brilliantly evokes the history, geography, zoology, botany, politics, and architecture of Majipoor, a world of great strangeness and great beauty. The plot takes Silverberg's hero on an epic quest across this richly imagined world.
Along the way are some amazing sensations: a view of the crystalline Ghayrog city of Dulorn, a taste of sea-dragon milk, and more. Silverberg addresses many relevant issues: memory, bigotry, responsibility, leadership, and the terrible burdens of history. The art of juggling is a fascinating motif that distinguishes the book. And the whole story is enlivened by Silverberg's superb writing style: accessible and contemporary, yet with a timeless, classic feel. "Lord Valentine's Castle" is a triumph by a master of the fantastic.
"The Medieval Fortress" is a nice big (app. 11" x 8.5" or 28,5 x 22 cm), 319p. book, which covers the development of fortified places through out Europe and North-Africa from the early to the late middle ages - when the forts had their glory.
The book is built up of five main chapters. The First deals with the elements of a fortification; the Second deals in general with the different kind of fortifications in different parts of Europe (Islamic, Byzantine, Frankish, British, Norse, Slavic and Magyar (Hungarian)); the Third does the same, but with emphasis on the emerging castle; the Fourth chapter introduces gunpowder and the decline of the high castle walls through the description of several sieges (Constantinople, Rhodes, and siege of fortifications during the Reconquista); Chapter Five goes in depth with some selected fortifications in Europe: Some of the more famous ones and some more obscure. The reader is guided through fortifications/castles in Great Britain, Ireland, France, Low Countries, Switzerland, Holy Roman Empire, Scandinavia, Central Europe (present day Slovakia, Czechia, Hungary, and Slovenia) Poland, Ukraine, Russia, Eastern Mediterranean, Italy, Spain&Portugal, and North Africa. The appendixes gives the names of some more important builders and architects and their titles in different languages (French, Portugese, Spanish, Duch, Sweedish, and Russian), a chronology of important sieges from 623 (Constantinople) to 1529 (Vienna), a history of medival artillery and a glossary.
There are endless amounts of B/W pictures alongside with even more B/W line drawings and plans of forts, just like on the front cover of the book.
This book is a very good buy!
(Review based on First DaCapo Edition, 2001)