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Each puzzle is paired with corresponding texts from these beloved tales. Thus, we rediscover Alice looking longingly down the rabbit hole, participating in the Dodo's race, chatting with the Cheshire-Cat, listening to the Mock Turtle's tale of woe, watching the trial of the Knave of Hearts, even meeting the hilarious White Knight.
Forty-eight piece puzzles seems an appropriate choice as they challenge younger solvers and entertain older children. Perhaps best of all is the discovery that we can put Humpty Dumpty together again!
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In this one-act fantasy play Alice's Adventure Under Ground by Christopher Hampton, has a style of surrealism playing with the imagination of a child. This play is based off and is adopted from the writings of Lewis Carroll. This leads it to have a logic all of its own, and presented towards the nonrealistic side of life.
This takes place in a fireside room in Christ Church where Lewis Carroll sits in loneliness to his thoughts. He looks up to a mirror where he sees Alice inside of it for a second before she disappears and he sets up tea. A moment or so later there is a knock and Alice enters the room. He proceeds to tell her stories that draw her into some of tales of Wonderland and as this happens, he and three others become all of the characters Alice would encounter in that strange land of logic. There is no costume change, just physical performances transform them from classy 1860s people to the bizarre people of unique logic.
Although the stories are presented from Alice's adventures of both books, the setting remains inside the room and it is though the imagination the transports us beyond the logic. The room seems be made up slightly abstractly, but it should have a sense that view comes from the eyes of a child. They would turn structure into a twisted surreal image of itself, trying to make it into a not unfriendly place of plain innocence.
Lewis Carroll in this play has that same kind of purity we can see in several conversations with Alice. Like when Alice is trying to convince Carroll the she isn't someone named Mabel, because she knows more things than her. Carroll tests her out.
Carroll:What's four times six?
Alice: Thirteen.
Carroll: Is London the capital of Paris?
Alice:Yes.
The logic from the books play nicely in all of the childlike scenes, always it creates wonder in common sense and tearing apart the ideas of what adults may think a proper. It reminds me of the purity of the movie Charlie and the Chocolate Factory where what may seem true to life is not a constant everywhere. Only through our imaginations, can we let ourselves free from structure and see things with new eyes. Everything real will be surreal and that will become the normal
The selections of prose complement the puzzle scenes beautifully and give kids a nice overview of both the Alice and Through the Looking Glass books. The puzzles themselves did not succumb to either "Eat Me" or "Drink Me" (i.e. they're not too big, and not too small, but just right). Each piece is color-coded on the back so you don't mix up the different scenes - a very nice touch. Also included are mylar protector sleeves so the puzzles will presumably stay put after being worked and reworked - another nice touch. Overall, the book is extremely well made and something that deserves to be handed down through generations.
This is the only book of its kind I've found, besides the Escher puzzle book which I haven't yet seen except on Amazon. Bravo to the publishers! Please make more!