I own a massive library of books on every imaginable collecting subject and none has given me more joy than "Chasing Rainbows". Barry Friedman has intertwined his vast knowledge of Indian blankets, American history, the antiques business and garnished the result with a unique sense of humor and breathtaking photos to create a book that is an absolute gem. This is a great book from a very gifted man.

It's time a female voice chimed in on this amazing book. There is almost no point comparing previous works on Indian blankets with Barry Friedman's "Chasing Rainbows: Collecting American Indian Trade & Camp Blankets" because there is no comparison. This book trumps the competition on every level. If anything, it's almost too beautiful for its own good. The pictures of the blankets are so dazzling that I fear people will just see it as a colorful adornment for a coffee table and neglect to read the text.

That would be a tragedy, because I wholeheartedly agree with the Amazon reviewer from San Francisco who proclaimed this the best book he has ever read on any collectible subject. I have NEVER read a book on antiques or collectibles written by an author with Friedman's combination of knowledge, enthusiasm and remarkable comic sensibility.

This is not to say he doesn't take his subject seriously. It's doubtful anyone takes it more seriously. The previous books on the subject read like Cliff's Notes compared to Friedman's penetrating portrait. So while I repeat that there is no comparison with earlier stabs at this topic, the differences must be mentioned to understand why this book is the new gold standard.

Robert W. Kapoun's worthy "Language Of The Robe: American Indian Trade Blankets" came out in 1992 and has been the reference in the field until now, but in the wake of Friedman's effort it is offically dethroned. Virtually all of the blankets Kapoun listed as manufacturer unknown in his book are conclusively identified here and Friedman offers histories of blanket manufacturers Kapoun doesn't even know existed.

The Kapoun blanket collection obviously was acquired by the glass artist Dale Chihuly and the result was the book "Chihuly's Pendletons". Chihuly also acquired Charles Lohrman, the writer that co-authored Kapoun's book. Chihuly's unfortunate introduction reveals he knows less than nothing about Indian blankets and Lohrman takes over from there with a rehash of the Kapoun text that is so abbreviated you'd think it was commissioned by Reader's Digest. The book consists of photos of 60 or so blankets (some misidentified and most already seen in Kapoun, but photographed much more beautifully by Chihuly) along with some exceptional historic photos of Native Americans wearing trade blankets. This is followed, inevitably, by a section that is the real reason for this book: a cavalcade of Chihuly glass vessels called Blanket Cylinders which the glassmeister states were inspired by the blankets. Chihuly may well have a genuine passion for the blankets, but he is overreaching here. Assuredly, glass photos are no doubt lusted after by his legions of fans, but their presence here makes the blankets appear to be nothing more than colorful excuses for yet another Chihuly glass book. While Chihuly may clearly see the historic link between his glass and Indian blankets, blanket collectors will find his book a self-serving contrivance.

Neither Chihuly or Kapoun bother with cotton Indian style blankets, but the subject is handled amiably in Jerry and Kathy Brownstein's "Beacon Blankets Make Warm Friends", a study of the leading maker of cotton camp blankets. Many vintage Beacon blanket catalogs are reproduced in their entirety (although in pictures so small that magnification is definitely recommended). Some attractive Beacon blankets are shown, but picture quality is fair at best. The Brownsteins know their subject, but they also attempt to be a price guide and their prices are often ridiculously low.

So that's the competition and brings me full circle to our Mr. Friedman, who is the real deal as both as a blanket expert and a writer. One senses he would be compelling writing about any subject. His is a unique voice that can be completely serious one moment and then instantly launch into inspired silliness a la Bill Murray the next. He mentions in his Author's Note that he is a professional comedy writer by trade and obviously his humor even extends to his book jacket photo. He states he's been immersed in the Indian blanket hunt for more than thirty years, but he appears to be 25 in his photo. Vanity may well be an issue here. Whatever his age, I don't think he will outlast the shelf life of this book. Young or old, Barry Friedman has produced a classic.

The long-rumored book by the rather legendary authority on Indian blankets is finally a reality and the result is one of the great surprises of my reading life.I was expecting superb photos of spectacular blankets.I was expecting the hard data collectors love - label information and the like.These things the author serves up in spectacular helpings and blows the previous books on the subject completely out of the water.
What I was NOT expecting was masterful storytelling and towering wit. A relatively dry subject in ordinary hands becomes a riveting and often hilarious joyride here.Friedman's take on the antiques business and wickedly clever asides are worthy of Dave Barry on DB's very best day.Moreover, his grasp of history is sure and thought-provoking.It isn't necessary to be a blanket collector to love this book.It's the author you'll come to love and he will make you love and understand these beautiful blankets.THIS is the book I'll be buying for friends this year!!

This book is the simplest information about a variety of financial areas. The author uses the scriptures to support the financial principals. Then Mr. Paris teaches us how to do what we are suppose to do. Most books teach us what we need to do the information is out there for us to use. But this book teaches us how to do it not just what to do. I'm a personal financial analyst and I am so impressed with the format of this book I've started to give this book away free to some of my needy clients. Also, I've designed Financial Wisdom Seminars for the Christian community. These seminars are free and educational in nature; free books are given away at the seminars as well. All this has been inspired from this book. Buy it, read it and put it to pracitce. IT WILL CHANGE YOUR LIFE. Thank you H. Lynn Massey

A very favorable review of this book can be found on page 57 of the May 14 issue of the highly acclaimed Asian current affairs magazine, the Far Eastern Economic Review. I am surprised that amazon.com does not yet have this review listed.

I read this book by chance, yesterday, Memorial Day 2003.
Been crying.
It's like Schindler's List or Sophie's choice.
How could they do it?
How can we let them continue doing it?
The animals still are around us, although using another names, another symbols, another motivations.
I kept reading, hoping to find some of the people to be safe at the end, but almost everybody was killed.
Binim, Rozak, Mayer, Bronka, so many of you.
I miss you, my friends.

After reading this book, I feel this should be in every house in every country. You hear so much about the people and the numbers killed that sometimes it doesn't seem real but this book makes it very real. The pictures are so powerful and at the same time so ordinary - they could be pictures of anyone's parents or grandparents. The most haunting pictures are those of the children - you have to wonder how many survived. The stories of the survivors bring it all home - "There's the aunt of the little girl I used to babysit", etc. I found it amazing that these pictures did survive 40, 50 years before being discovered again. Anyone who denies the Holocaust happened should read this book and then try to still say it never happened. Thank you Ann Weiss for bringing these pictures and the stores behind them out of the darkness.

"The last Album" by Ann Weiss is well organized and well written. It contains 400 remarkable
photographs that were brought to Auschwitz-Birkenau by victims in 1943. These photographs were taken
prior to the Holocaust and depict people bursting with life. This is an extremely unique book, and contains material that was lovingly researched for a period of 15 years. The beauty of this book is that the
photographs and the research accomplished brings to life people that were lost during the dreadful time of
the Holocaust. The book like the author is soft, sweet, articulate and brilliant

Simon Wiesenthal authored a first rate book, one that should be read by everyone the world over, for it deals with problems that all societies struggle with in trying to achieve peace: forgiveness, justice, and grace. To what extent are we enabled to offer forgiveness on behalf of another, especially when the crimes committed are of almost unspeakable atrocity? Wiesenthal's story is gripping, moving, and haunting, a true encounter that provokes repeated pondering and contemplation. I don't have the 1997 revised version of the book containing the responses of 46 people in a symposium discussion, but I can say that in the original 32 responses, I read very few that contained a cogency and depth equal to that of Wiesenthal's story. While a handful were good, most were evasive. I therefore found the second half of the book to be a disappointment. THE SUNFLOWER, though, is worth getting just to read Wiesenthal's treatment, which is first rate. Philip Yancey also offers some thoughtful comments in a chapter from his book of essays entitled I WAS JUST WONDERING (beginning on page 70 under the title "A Haunting Deathbed Confession".)

This is some powerful material. Wiesenthal presents the story of a Nazi begging for forgiveness on his deathbed. Should he as a Jew grant this forgiveness? He deals with all the emotional and spiritual ambivalence he feels over this situation. What would you do? is the ultimate question he asks. Don't read this late at night if you want to get some sleep. I found myself tormented by the issue of forgiveness after reading this tale. I can not answer what I would do because I have never been in any situation as horrible as that. But this is a book that should be read by would be philosophers and moralizers as it features Wiesenthal's heart rending tale and follows it with essays by numerous writers of diverse religious and cultural backgrounds. They all must wrestle with this issue. This is a book that should be required reading in universities if not high schools. It might actually provoke students to think. And surely that would be a good thing.

Simon Wiesenthal's book, The Sunflower, is a true life story of a Jew called to the bedside of a dying Nazi to hear the Nazi's life story. The Nazi then asks the Jew, Wiesenthal, to forgive him. Wiesenthal leaves in silence, but poses to you the same question: In his position, would you have forgiven the Nazi? A very thought-provoking book, The Sunflower makes the reader ponder for hours over the meaning of right and wrong, as well as giving a vivid picture of a Jew's life during the Holocaust. An excellent read.

Written by America's most inventive poet, "The Enormous Room" is a book of prose set in a French detention camp during World War One. It is a coming-of-age story in which events happen, not always to the narrator (E.E. Cummings), but to the inhabitants of a place that serves as a microcosm for all the folly and brutality of war itself. As a war narrative it is unique -- unlike Hemingway's "Farewell to Arms" or Remarque's "All Quiet on the Western Front," the central story doesn't take place on the front lines. The plot of the book is basically non-linear, with the exception of the first three or four chapters, and several passages are written in French (thankfully a glossary of foreign terms is printed at the back of the book). I would describe Cummings' story as a stream-of-consciousness dialogue with himself, written in the language of a talented budding poet. Most memorable are the wonderful characters Cummings encountered during his short stay at La Ferte Mace, the name of the camp in which he was interned. They are objects of torn humanity and how terrible it must have been for him to leave them, knowing that upon his release many would languish in prison for the rest of their lives. "The Enormous Room" is a unique historical fiction. It is not an easy read, but it is one of those books that is even more difficult to put down. I have never read another book quite like it. [P.S.: There are two editions of the book, one published by Boni & Liveright and the other by Penquin Classics. The Liveright edition is the better one (and naturally harder to locate online or in book stores), and includes samples of drawings that Cummings made during his confinement.]

Some works of literature that I have read in the past required several scans of certain passages due to their thick and wholly unconsumable nature. While reading E. E. Cummings' The Enormous Room, I found myself skimming back over entire paragraphs simply for the sheer joy of reading them again. Cummings' ability to turn a phrase is astonishing. It's not hard to glean from reading only this work that the author has a poetic nature.

The personal journey recounted here amounts to a fantastic tale that happens to be (for the most part) completely true. By turns, bleak and hopeless - then joyous and brimming with a kind of spiritual joy, The Enormous Room takes the reader to extremities of all sorts in its relatively short span of chapters.

Though it takes place during a three month stint in a French concentration camp during the latter parts of World War One, it could just as well be set on another planet, for all of its fantastic characters, settings and behavioral interactions that never cease to alternately amaze and confound the reader.

Even if it seems a cruel statement to make, after having the pleasure of experiencing this world through the prose of E. E. Cummings you will be thankful that he found himself in this squalid and vile place so that we now have the honor of sharing in it.

Reading Cumming's poetry was never a priority in my school days, except such excerpts as appeared in my far from comprehensive American Lit book. After reading this, I wish I'd paid more attention to this truly gifted writer.

The Enormous Room is the story of Cumming's three month incarceration at La Ferte Mace, a squalid French prison camp. Cummings is locked up as accessory to exercise of free speech, his friend B. (William Brown) having written a letter with some pro German sentiments. What Cummings experienced in those three months and the stories of the men and women he met are, despite the straits of the polyglot texture of the book, never other than fascinating. At moments touching (the stories of the Surplice and The Wanderer's family), hilarious (the description of the Man In the Orange Cap is hysterical), and maddening (the smoking of the four les putains), this is a brilliant weft of memorable characters and not a little invective for the slipshod French goverment.

Something I noticed. Though the book claims as its primary influence Bunyan's Pilgrim's Progress, I noticed a similarity with Thoreau's Walden. In both books, there is the idea of self-abnegation breeding liberty and peace of mind. The idea is to shear away all luxuries, all privileges. But Thoreau had one very important luxury to his credit: Free will. Whereas Thoreau chose his isolated and straitened existence near Walden Pond, Cummings' was involuntary. So, if the touchstone of freedom both men share is valid, is not Cummings, by virtue of the unrequested nature of his imprisonment, the freer of the two men?

This is a fascinating, thought provoking, ribald and intelligent book. I only regret that the Fighting Sheeney was never given commupance...

This novel gives the reader a new view of the NAZI caoncentration camps, not from a religous prisoner, but from a political prisoner. It is a woderful portral of the last weeks of WWII and the shocking fatalities in the camps during this time. Whether it is read as a historic reference or for pleasure, it is a "must read."

In 'Spark of Life' Remarque proves once again that he is one of the greatest writers of the twentieth century. A combination of literary skill, gripping story, and truly real characters put this novel on par with his most famous work, 'All Quiet on the Western Front.' 'Spark' deals with the final months of World War Two in a German concentration camp. 509, one of the longest held prisoners in the camp, is convinced that despite what the SS tell them the war will soon be over and the camp liberated. 509's fellow inmates, old and young, Jews and politicals, all draw strength from 509 and his will to not just survive, but to somehow stay human in a world where savagery is king. While the prisoners themselves hold to this hope tightly, the SS have their own worries. The camp commamdant's holdings throughout the small town are going up in flames as the British and Americans continually bomb the area and the guards are left with a choice: Run from the camp and risk treason against the Fuhrer, or exterminate all the surviving prisoners in one final orgy of blood. Once again Remarque has created a world so real, so certain, it both moves and educates the reader. All the horror, death, fear, and ultimatly the triumph of the human spirit that existed in these dark times are brought to life by a master story-teller.

This book is great. Erich Maria Remarque almost (and I repeat, "almost") outdoes All Quiet on the Western Front. 509, Lebenthal, Bucher, Weber, Neubauer, Karel, Ahasver, and "the sheep dog" are very engrossing characters, and I felt as though they were actually real people as I read it. The plot is great, and I could easily picture the setting in my mind. I was definately satisfied at the results between the conflict with 509 and Weber. The translation is a little rough at times, and the terms "revolver" and "tommy gun" were used throughout the story in a meagerly generic way. Overall, great book!

Years of Infamy is a product of diligent research and passion. The use of words, such as "concentration camps" and "inmates" showed a strong bias. Michi Weglyn had the opinion that the internment process was unnecessary, and, rather than keep the country safe from sabotage, it only made thousands of people bitter, the author included. But though the author had an obvious bias, she represented both sides well. She noted that the government had intentions of keeping the country safe when internment began, and she also noted that, in this time of war, paranoia of sabotage and unpatriotic events caused a low tolerance in the authorities.

Weglyn supported her thesis well. She made known that many people objected to the internment, including Harold Ickes and Attorney General Clark in Chapter 2, the Quakers in Chapter 3, Norman Thomas in Chapter 7, and Ernest Besig in Chapter 10, among others. The U.S Government's want of revenge was specifically mentioned in Chapters 1 and 2, where she noted that Japan had kept Americans from returning home, and the U.S. Government decided to match (and multiply by 100) the hostage amount; it was generally echoed throughout the course of the book. She also made known that those who objected did know the true situation, which was racial prejudice.

Weglyn provided the reader with a large quantity of valid information. Approximately 25 pages of appendixes, 10 pages of photos, 30 pages of notes, a thorough bibliography, Dramatis Personae, and an index for quick reference proved a large amount of research. In every chapter, sections of personal accounts were included, and they made the book more personal, especially since Weglyn herself was interned. Also included is the perspective that many have never been given insight to: that of the internee. Before this book was published, many Japanese kept quiet, and very little of the relocation events are taught in public schools. Reading a book such as this could broaden one's historical horizons.

This book would be best suited to researchers or those with great interest in the time period. Much like a newspaper article, fact after fact is thrown at the reader. While that may derail the casual reader, one reading for informational purposes rather than enjoyment would find the book pleasurable.

While the book may seem to be about old business, it is a storyas timely today as it was 23 years ago. Michi Weglyn tells a story ofterrible deeds in simple and unpretentious language. Her Kafkaesque tale of betryal and political hubris is a reminder to all of us of how fragile freedom really is. I would recommend it to anyone who seeks to understand the corrosive and immoral effects of both racism and its handmaiden, the mass media. This book should be read by all students, of any age who still believe that truth and justice are more than sound bites.