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But, where is Indy in this Martin Caidin's novel? I wonder if he ever saw the films! His Indy looks more like James Bond or McGyver.
I know that new stories with Indy need knew enemies, new scenarios and knew plots... but, for God's sake, respect the character! You cam't just create an empty character and call him Indiana Jones!!!
But the truth is... true Indy you can only find in the 3 movies.
... In short, this book was a huge dissapointment.
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If you enjoy submarine or sea stories, then try this book. If you have read another techno-thriller about the ocean, like Clive Cussler's books, then you might read this book after you have finished all of his novels.
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This book is an insult to anyone who likes hard science fiction and should be avoided at all cost.
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I can't figure out if Caidin was trying to be nostalgic and write in a 1930's pulp-fiction style, or if he thought he was trying to update '30's style writing to the present day, but in either case, the book is an astonishing failure, like trying to build a nuclear reactor out of styrofoam, wood chips and Elmer's glue.
The book is quite frankly racist, to begin with. It's embarrassingly racist. No racial stereotype is left unmolested. You would think that someone at the publishing house would have spotted this gigantic faux pas, but apparently they were blithely blind to it. Secondly, the author is frighteningly enamoured of technology in general, and rhapsodizes for literally paragraph upon paragraph about things like polished mirrors, laser beams, and obscure parts and pieces of World War II aircraft. His techno-fetishism finally becomes hilarious. "Oh look, a bolt! Wonder how many pages he could write about it?"
Third, the plot is a huge mess with no point. Fourth, the characters have about as much depth as your average business card. Fifth, the book is sexist as well as racist.
But let me be positive. What good things can I find to say about this book?
Well, it's easy to read, except for the parts where Caidin starts going on and on about technical details of Messerschmitt ME 109 aircraft. And, um...it's funny, although inadvertently so. And the hardback copy I found, had a copy of Phil Nowlan's original 1933 "Buck Rogers in the 25th Century" novelette bound in the back.
The sad thing was that Nowlan's novelette, which was originally offered as a prize for mailing in your cereal boxtops, was far more interesting at 31 pages than Caidin's entire novel. And since Nowlan's "Buck Rogers" is being sold here at Amazon without the dead weight of Caidin's book attached to it, you now have no reason to buy Martin Caidin's "Buck Rogers: A Life In The Future."
Thank whatever gods you believe in that this enormous mess of a book is out of print. And if you see it in a used book sale at a library, like I did, LEAVE IT THERE! I wish I had...
The story is based on the classic 1930s Space Opera about a man from the 20th century who pulls a Rip Van Winkle and winds up in the 25th century in the midst of a war between the East and the West. Mr. Caidin tries to put an updated spin on the story by creating a fantastic autobiographical representation of himself as the hero Anthony "Buck" Rogers. Buck exists as the epitome of all pilots, with training in every aircraft and a history with both the military and a civilian pilot. He is a veteran flyer working as an airline pilot who moonlights as an air show performer. He gets injured in 1996 and to save his life, scientists put him into stasis for 400 years. ..Unfortunately Buck seems to have as yet unseen abilities added to his resume as the book progresses but in such a way as to make them seem as afterthoughts. I have seen "made for TV" movie scripts that have more well defined plot and characters.
I am not being overly critical either. The book is a collection of disjointed scenes, with poorly devised transitions and weak, trite dialog. The pace of the "action" is so thinly described that it is not believable or even understood how the hero Buck, goes from a relative stranger in America of the 25th century, to a Brigadier in the military in a matter of months. The author "forgets" about character development as he proceeds through the novel and leaves many of the primary characters sitting at the roadside with little discussion as the book leaps and skips forward. Even more unbelievable is that Mr. Caidin has the motivations of the nations of Earth in the 25th century revolve around activities that took place in the 20th century and earlier. He includes no social development for the past 400 years from the time that Buck was born and lived to the time when he joins the remains of the American state in the 25th century. The appearance of alien life influencing earth is more believable than the actions of the countries involved in this future space war.
It would be acceptable if the book had a "campy" nostalgic feeling like the Dick Tracey or the Rocketeer movies. Unfortunately it tries to take its self too seriously and it comes off very heavy with a depressing message of hate and distrust.
The "Social Racism" wound into the plot about distrust of foreign powers based on activities from centuries ago make the book a target for ridicule and unless it is a vehicle for the authors plot development, .... It is this kind or continuation of hate that causes children today to be brought up to think of Blacks, Asians or even Women as second class citizens, or the Jews or Moslems as being universally evil.
The author details how the Chinese and Mongols returned to their Horde roots and conquered the world in the beginning of the 21st century and that the US and its allies have been fighting them ever since. It likens the modern Asian races as a bunch of saber rattling warlords that are less than a stones throw away from their horse riding ancestors.
Caidin labels the Japanese as a sneaky race that is willing to do anything to become a dominant force on Earth is underscored in the closing chapter of the book when Buck rationalizes his distrust of a Japanese ally by bringing up the Pearl Harbor attack as an example of the deviousness of the Japanese, 400 years after the event!! I would be like the English labeling the United States as terrorists because of the Boston Tea Party.
All in all, I think that Mr. Caidin took a good foundation and a creatively original plot and ruined it by his mishandled treatment of the material and his desire to make a racism fueled society of tomorrow. He had the chance to make a wonderful story and he failed at his attempt. I would not recommend this book to anyone with out the caveat that is might have been an exceptional book with a bit more effort.
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By the time you finish the book, you think that it has been edited down from a larger story, there are too many questions left to answer. Who is Odd Fossengan? What did he know? Who was he working for? Who killed Major Ryland? What did they learn from the pyramid? The list of questions goes on!
Some of these questions are even asked in the book, but they are never answered, leaving the reader to wonder why they were even asked.
All in all, the book appears to be an unfinished work, rushed out for publication and could even have been an episode in the 6 million dollar man series.
So I would reccommend Cyborg but neither Operation Nuke or High Crystal.
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The protagonist is a super sleuth who implausibly holds many qualifications (expert pilot, insurance adjuster, accountant, engineer, lawyer, martial arts guru) who speaks several languages and carries a pocket pistol with a muzzle velocity of 5,000 feet per second or something equally crazy; his main interests are wisecracking and chasing women.
The plot develops slowly and the book doesn't really go anywhere. Martin, stick to what you do best!