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James Barke being the prime exponent in his knowledge of Robert Burns, has produced books of such detail about the bards early life that the reader is drawn back into the past to the Ayrshire countryside where Burns is living. Although he is a womaniser and a sometimes drunkard, he has such charm and charisma that almost everyone with whom he comes into contact cannot help but like him.
He is constantly in debt but it never seems to get him down. He scribles his hopes thoughts on anything available. He describes his contemporaries in such visible terms that you can see the poverty or the luxury in which they live.
James Barke conveys all of this in enviable detail and makes a mockery of other attempts to recontruct the life af Robert Burns. This book and the others in the series are 'must reads' for all admirers of Burns works
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I recently came across a well-worn copy of "Barefoot Boy---" in a used-book store and read it again. It's an outrageous satire of college life, a story of the hilarious freshman year of Asa Hearthrug at the (imaginary) University of Minnesota.
"St. Paul and Minneapolis extend from the Mississippi River like the legs on a pair of trousers. Where they join is the University of Minnesota."
Asa is promptly registered into a liberal arts program in order to become a "well rounded-out personality," and is then recruited into the Alpha Cholera fraternity, where he emotionally joins in singing the frat song:
"Stand, good men, take off your hat
To Alpha Cholera, our swell frat.
In our midst you'll find no rat,
And don't let anyone tell you that."
He soon meets Yetta Samovar, and is promptly recruited into the Minnesota Chapter of the Subversive Elements League, where he emotionally joins in singing:
"Workers, workers,
Don't be shirkers,
There's a job we have to do.
Flee your prison,
Collectivism
Is the thing for you to do."
Back at Alpha Cholera he gets invited to a sorority song-title party at Beta Thigh, which he attends as "Tea for Two," with a silver tea service balanced on his head. His date, arranged by his frat brother, is the beautiful Noblesse Oblige, whose song title costume includes a smudge pot attached to her navel. "Smoke Gets in Your Eyes," of course!
Asa becomes torn between Noblesse, the fraternity, and the Belongers, or Yetta, the Subversives, and the Unbelongers.
He loses his bid as the dark horse candidate for the student council, flunks all his classes, and returns to his home at Whistlestop and his girlfriend Lodestone La Toole.
Each chapter of the book is preceded by a penetrating quotation in French or Latin, like the one I chose as the title for this review.
An appreciation, or at least a tolerance, for silliness and absurdity is the minimum requirement to enjoy this outrageous satire of college life. I will highly recommend the book to those with that appreciation or tolerance.
You may or may not be aware of this characteristic of Minnesota Scandinavians: We LOVE to make fun of ourselves!
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Many of the poems in this book are metrical, and quite a few of them employ perfect rhyme. One of these, my favorite in the book, is "A Roadside Flock," a poem ostensibly about copper weather vane roosters, which concludes:
" . . . their giddy doom to pivot, / prey to the winds that flounce about the sky. / It's not the life we'd live if we could live it. And gleam gives way to verdigris, raised high // to weather drably, exiled from the ground . . . / Feel that? A hint of breeze. Birds of a feather, / their regal beaks shudder without a sound, / and all the copper flock turns tail together."
But "A Roadside Flock" has a lot of stiff competition. I also very much enjoy "Airs and Graces," "A Field of Goldenrod," "The End of the Sonnet," "Dec. 23," "Espalier," "A Paper Cut," "Ant in Amber," "Seed Catalogues in Winter," "A Flashback," "Letter of Recommendation," "Out of Character," "Static," "September Brownout," "Other Eyes: Hurricane's," "Remainders," and "Living past 19."
I'm struck by how casual Shaw's style is, how downright funny at times, without being the least bit loose or nasty. It's a tricky way to write, but Shaw has mastered it, and I think this is his best book to date.
And that's saying something when you consider his excellent previous books or poetry: THE WONDER OF SEEING DOUBLE, THE POST OFFICE MURALS RESTORED, and BELOW THE SURFACE. But don't trust me. Read everything he's written, including his superb study of the poetry of Herbert and Donne, THE CALL OF GOD, and judge this intelligent, accessible, witty writer for yourself.