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Author Richard V. Francaviglia brings the reader on a journey through the cross timber regions, with a brilliant blend of natural history and Old West adventure-telling. The book features many old maps, which in their own fascinating way, also tell the history of the cross timbers visually. The author takes the reader on a journey from the opening of the West to the cross timbers - or what's left of it - in modern times.
One need not be scientifically inclined to read and enjoy this book, as Francaviglia explains all in a way which is easy to understand. Anyone with an interest in Texas history and/or ecology will find this a fascinating read!
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When Dr. Orestes Preson, distinguished and scholarly mammalogist, found that someone was inserting classified newspaper advertisements in his name, requesting candidates for various unlikely jobs to appear for interviews, he called in the police. They weren't much interested. Their interest became lively when Dr. Preson's sister was discovered drugged in his apartment, and acute when a definite murder attempt was made.
Pam and Jerry North come into the picture since Jerry is Dr. Preson's publisher, a happy publisher, too, for the learned Curator of Fossil Mammals has the touch that converts research into bestsellers. Soon they are very much involved in some strange doings among the cases of ancient bones in the Bradley Institute of Paleontology.
Sergeant Aloysius Mullins and Captain Bill Weigand assist the Norths as they get into full swing in their sixteenth mystery. In a setting reminiscent of cave man days, a strange game of hide- and-seek is played out. The climax is a wild chase in which Pam emerges the heroine.
Pam and Jerry North have given pleasure to hundreds of thousands of mystery fans. Their latest adventures furnish another example of why the Lockridges, through the years, have attracted so large a following.
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If, on the other hand, you're looking for a book that will give you a slightly more in-depth information on beetles than you generally get in a general insect field guide, then this may be what you're looking for. That's my two cents, anyway.
This is a solid field guide, but the meager percentage of color pictures is problematic. Beetles are quite colorful and that should be the most salient identifying characteristic, but neither the black & white drawings nor the often color-free descriptions help in that regard -- a real weakness for a guide to these beautiful insects. I would rather pay more for an all-color guide.
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Anyway, we know from the beginning that Mary Carelli murdered Mark Ransome, but why and what is all the intriguing things that Mary has done that she won't share with Paget? Patterson brilliantly unfolds a scenario that takes us back into Chris and Mary's past; and how Terri and Chris become the best of friends and more so. It's a great book, I don't want to go into too many plot details, but trust me, this one is a real winner!
HIGHLY HIGHLY RECOMMENDED.
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Todorov reinforces the myth that the Aztecs believed the Spanish were gods, an idea that springs from the accounts of Diaz and from the earliest Indian accounts, all which were written over 30 years after the described events, by people without access to the inner workings of the Mexican court. The Indian accounts, written under Catholic supervision, do not relate to the "what happened" as much as they do to the "what should have happened." These Indians would not have known what happened and would have been well-versed in the accounts of their Spanish masters. The idea that Montezuma thought they were gods seems to be a good way for the Indians to explain what they did not understand.
Mistranslations of Indian words also account for this myth. Teotl, mistranslated by the Spanish to mean "god", more closely means "weird" or "strange". Todorov relies heavily on this myth to advance his thesis of miscommunication.
Todorov also falls into the trap of believing that the Aztecs were frozen by their obsession with signs and with astrology. He believes that the Aztecs were dominated by a past-oriented tradition whereas the Spanish were the only participants able to adapt. He argues that the Spanish use of written words gave them an ability that the oral-tradition based Aztecs did not. Reality, however, suggests that the Aztecs were very good at improvisation, especially during battle. Within the first few encounters with their Spanish enemies, the Aztecs learned how to beat horseman, how to avoid being hit by cannons, and that the Spanish were not impressed with tactics designed to frighten and demoralize the enemy.
Montezuma's lack of quick action does not mean he was frozen with fear, or that he was waiting for signs from his astrologers, instead it seems to be exactly what how a man who could put tens of thousands of soldiers in the field would react to a small party of Spanish. His gifts to the Spanish were not symbolic of his wishing to buy their friendship, but were a statement of Montezuma's power and wealth.
Todorov's book is important because it raises issues about how the self discovers the other. But it's advancement of outdated myths cannot be ignored.
An important aspect of Todorov's thesis is his well-supported claim that it was precisely the claim to European racial superiority that the Christianity strongly reinforced[es] provided justification for the actions of the Spanish, even in its most severe manifestation. In fact, Todorov invokes the unimaginably horrible image of Catholic priests bashing Indian baby's heads against rocks, ostensibly to save them from damnation to Hell, which their "savage" culture would have otherwise consigned them to.
The logic of this deed and other like them illustrates the pernicious influence of Christianity in the Colonial project, which lies at the root of the hegemonic self-image of Western experience-first defined from the perspective of Columbus and Cortez.
If religion was a guiding principle in the lives of the conquerors, as Todorov points out, so to was it for the conquered, especially in the case of the Aztecs. Baffled by the paradox of the famous story concerning Cortez and his several hundred Conquistador's ability to defeat the entire Aztec empire, which numbered at least several million, Todorov reveals that it was primarily due to Montezuma's belief that Cortez and his party was Gods, which led to his reluctance to raise an army in opposition. In the middle section of the book Todorov gives a detailed analysis of this stunning historic event and shows that Cortez' victory was not necessarily due to any great military achievement, instead it was mostly the result of the Aztec's refusal to mount any kind of a effective defense until it was too late. Thus, it was Montezuma's indecision, born of his own religious belief that led to the sudden collapse of the Aztec empire.
In the final third of the book Todorov investigates the impact that these events have had on the subsequent writings on the subject. In particular, he focuses on the work of three writers, all Spanish, but among the first generations of Europeans native to South America. These works that are primarily only known to scholars in the field offer many surprises to the contemporary reader, showing that there was a far more open view of the non-European "Other" expressed by those who lived among them in the waning days after conquest. Perhaps, that is one of the most insidious luxuries of victory-the ability to show compassion for the defeated, but always, yet always too late.
Todorov's work is an important work, which would be of great interest to students of literature, history, cultural/indigenous studies and post-colonial theory. After reading this book Columbus Day and all that it necessarily represents will never be seen in the same way again.
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Eyes of a Child is one of the best mystery novels I have ever read, and I picked it up by accident, thinking it was by another author. Lucky accident! The story is told largely through the eyes of Teresa Peralta, a young hispanic legal assistant in San Francisco, whose husband of six years, Richie, is murdered just before she leaves to go to Venice with her boss and lover, Christopher Paget, a major character carried over from a previous Patterson novel. We know Chris can't possibly be the murderer, because he's the good guy in the previous book, so we're left with only one possible suspect-- so there's no mystery at all about 'whodunit.' In spite of that, the book is a terrific mystery-- not about who, but about how and why.
The 'victim' is a slimeball of major proportions. He's killed in the first few pages. Then, through flashbacks, we're taken through the last few months before his demise. By the time he finally gets what's coming to him, we're ready to go to SanFran and kill him ourselves!
The dramatic insensity picks up when Christopher is arrested and tried for the murder. We know he didn't do it, but his efforts to prove his innocence in the face of many facts that make him look guilty provides the terrific suspense. The outcome is unexpected and exciting.
But I'm missing the main point here: This is no ordinary mystery story, and the plot pales in comparison to some other issues. These are 'real' people. We care about them. We care what happens to them. We want Christopher to 'get off' without revealing to the authorities who the real killer is, because the murderer has done society an immense service and deserves to remain unidentified and free.
Although the adult characters make the plot move, it is a child who is the center of the story-- hence the title. Teresa's daughter is one of the most haunting and sympathetic characters you will ever encounter in literature. What happens to her along the way is far more important in the long run than the more prosaic question of who is 'victim' and who is 'murderer.'
I have only two minor complaints: 1. A couple of the characters easily arrive at insights into their own personalities that no real-life person could similarly achieve, and 2. They are able to articulate these insights more clearly than any similar real person could. In other words, the author puts words in their mouths for them. This damages the illusion of reality in a couple of spots. However, the book's many strengths far outweigh these piddly weaknesses.
A fascinating read. I can't recommend it highly enough.
"Eyes of a Child" is one heck of a story, that grips you right from its chilling opening until it's shattering finale.
The characterizations are richly drawn and extremely credible. Patterson's way with setting up compelling dramatic scenes is amazing. There's one long scene in the book where Terri and her mother Rosa finally discuss why Rosa stayed with the abusive husband. It's forthright, somber, believable and sad, as well. Patterson does this kind of great work in other scenes, too, including the one where Terri comes to find out her daughter, Elena's, horrifying "secret."
Christopher Paget is a noble hero, and I didn't realize he has been featured in other novels, so I was beginning to think he was the murderer. His trip to the Goodwill is one factor; the "journal" is another.
All of the characters are brilliantly conceived: the evil and despicable Richie, whose death seems more than justified; Paget's teen-age son, Carlo, trapped in those waning years between adolescence and adulthood; Rosa, the mother, is compelling and one can't help but sympathize with her; Caroline Masters, Paget's defense, who is a brilliant lawyer and seems to be a true friend as well.
There are no easy answers in this well-crafted novel and our heroes do some foolish things, but it chronicles the tragedy of what happens when a child is placed in a "used" position, and how sometimes even love isn't enough.
EXCELLENT!
HIGHLY RECOMMENDED.
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The authors, Borrer and White, have developed a sort of mini-entomology book for use in the field. The first part of the book contains helpful hints and instructions on how to collect and preserve insects. That section is followed by about 15 pages on the biology and taxonomy of this huge group. Understanding this information is essential if one is put together a useful insect collection. It also helps the insect watcher better understand what they are seeing in the ecology and body plans of these animals. Those sections are followed by over 300 pages of information that will help the determined insect watcher/collecter figure out the kind of animal they are looking at.
You should be advised that this book will NOT help you identify insects to the level of genus and species. The taxonomic information in this book targets primarily the family level (the level above the genus level).
Some reviewers have commented that the lack of color illustrations renders this book nearly useless. You need to understand that, for the serious collector, there are characteristics much more important in figuring out what they are looking at than color. The book is loaded with the kinds of information used by professional entomologists to identify the animals they study.
You should also be reminded that there are thousands of insect species, and many regional variations of those species, so no single field guide could ever hope to provide a comprehensive treatment of the group.
If you want/need a bounty of color photos to supplement your study, I recommend that you use this book along with a field guide like those available from the Audubon Society (E.g., The Audubon Society Field Guide to North American Insects and Spiders, which has over 700 photos of these animals).
The Peterson guide relies on illustrations rather than photos (illustrations are, I believe, far superior to photographs for identification work). There are both color and B/W illustrations in the book. There are also many helpful line drawings of body parts important to helping you ID insects.
I give this book 4 stars only because it tends to be a bit tougher for the casual amateur to use, but recommend it highly for the advanced amateur, as well as for general reference for the professional.
Well worth the price -- but not a child's book.
Good luck!
Alan Holyoak, Dept of Biology, Manchester College
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When the Chief Justice of the Supreme Court drops dead after administering the oath of office to the newly elected president, Kerry Kilcannon faces the first challenge of his new administration. His vice-president, Ellen Penn, is quick to suggest Caroline Masters for the job. She seems like a good choice as she has never ruled or commented on the subject of abortion. What position could be better than no position? But nothing is simple in Patterson's world and everyone has secrets.
While Masters' friend and former clerk, Sara Dash, challenges a federal law requiring parental consent for late term abortion Kilcannon deals with the politics of an evenly divided senate for her approval. And just as everyone has their secrets it seems everyone in the Senate has his agenda. Both Chad Palmer and Mac Gage would like to be their parties nominee for president next time, but at what personal price?
As with most legal thrillers, the lawyer's way of saying things can be weighty, but it's worth the effort. Patterson has entered into highly charged emotional issues and the reader will feel it in the end. How far is too far to get what we want? What price is too much to pay? And when we go too far does anyone really win?
Richard North Patterson will keep you up at night asking these questions in Protect and Defend. I recommend giving up the sleep.
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The following may have been corrected in the 2000 paperback.
Richard Bak collected many photographs of the Rough Riders to illustrate Roosevelt's text, and this is good. However, he wasn't very careful with his captions.
For example, the photograph leading off Chapter One "Raising the Regiment" is captioned "Colonel Wood and Roosevelt in Texas. Roosevelt's paunch would disappear in Cuba after he lost twenty pounds in the tropical heat." However, other photographs of Roosevelt at this time do not show a paunchy man. Also, both he and Wood seem younger than the men in this photo.
Later in this chapter, there is a photograph again showing the an identified as Wood, captioned "Colonel Leonard Wood (second from right)..."
In the background of this photograph, there is an automobile (looking closer in style to a Model A than a Model T), and the other three men in the photograph are dressed in Army uniforms from the 1920s.
The conclusion is that these men are NOT Roosevelt and Wood, but the actors who played them in the 1927 silent movie about the Rough Riders that was filmed in San Antonio with the assistance of the US Army's Second Division stationed at Fort Sam Houston.
In the section "The Mystery of the Maine," the photograph identified as the Maine is not the Maine that blew up in Havana Harbor, which only had two smoke stacks. This is probably the later World War I Maine.
So, Roosevelt's text is good. The collection of photographs are good. But verify those captions and the conslusions based upon them.
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In the past 20 years, I have had the good fortune to travel almost everywhere in the state and have seen the Cross Timbers close up, hiking in state parks or just passing through on back roads. I saw close up the thick gnarled forests interspersed with glades and prairie, but still wondered why the Cross Timbers were anticipated with a greater sense of dread than were other large forests in the country.
Enter "The Cast Iron Forest". In this informative tome, Richard Francaviglia will tell you everything you wanted to know about the Cross Timbers and more. In a very readable way, Francaviglia lays out just what the Cross Timbers are and proceeds through the history of the area right up to the present. The book not only gives the reader a great overview of the area, but also imparts understanding of patterns of settlement and the waxing and waning of both man and nature in this dynamic area.
I also learned that the Cross Timbers extend far beyond the borders of Texas into Oklahoma and Kansas. The author concentrates on the Texas portion, but gives some insight into the development and decay of Cross Timbers settlement in Oklahoma. However, very little is said about the small portion of Kansas that is a natural continuation of Cross Timbers geological and biological features.
I would have been happier had the book contained more detailed maps and charts, but overall I highly recommend this book to anyone interested in the land and people of Texas.