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Can't wait for the next one.
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The play tears apart both marriages: the middle aged couple, who seem to hate each other and in the end turn out to be much more devoted to each other as it would seem. The young, seemingly perfect couple, who turn out to have lots of problems of their own. In three heart-breaking scenes, using dialogue that cuts like a knife, Edward Albee has written a masterpiece. He manages to give a clear-cut, honest picture of the reality of marriage, the reality of love, and the fears that go hand in hand with love and intimacy. At some point, in act three, Martha talks about her husband- and it's probably one of the best pieces of literature I've read:
"...George who is out somewhere there in the dark...George who is good to me, and whom I revile; who understands me, and whom I push off; who can make me laugh, and I choke it back in my throat; who can hold me, at night, so that it's warm, and whom I will bite so there's blood; who keeps learning the games we play as quickly as I can change the rules; who can make me happy and I do not wish to be happy, and yes I do wish to be happy, George and Martha: sad, sad, sad."
What more can I say? just read the play, and if you get the chance, watch it performed in the theatre, too.
A quick summary of the story without giving too much away: This is the story about an elderly couple who seem to hate each other with a passion. They're rude, loud, offensive, and insulting. When they invite a younger couple to their house, things quickly start to get out of control, while the elderly couple use their guests as sheilds and pawns in their brutal arguements and such. The story ends with a shocking resolution that will catch you off guard.
The dialogue in this play is so beautifully written. It reads like the way people actually talk. That is why I enjoyed it so much. It also enriched the characters that much more. Edward Albee did a magnificent job of weaving a tale that seems so realistic it's as if we are there at that house on that very night. There are no minor characters; everyone is important in a very significant way. It is refreshing to be able to get to know each character and the hopes, dreams, ambitions, and the conflicts that lie within.
I really enjoyed reading this wonderfully structured play. Much so that I have already read it at least seven times. It is a very easy read. And since it is mostly dialogue, it really doesn't take long to read. You could easily finish it in a day or two if you really put your heart to it. Even if you don't enjoy reading novels, maybe this is the solution. There is no lengthy descriptions of what color the characters' eyes are or what they're wearing. Just good old dialogue that will have you hooked from the very beginning. "Who's Afraid of Virginia Woolf?" is an outstanding play that will forever remain a true classic in American Literature.
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those wonderful old black and white movies on TV than we've allowed ourselves to think about. The author's position is that they're cautionary tales, warning us of the pitfalls of believing in . . . those wonderful old black and white movies on TV. What a delight!
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Through essays, the presumably all true story of a man who lived as if he was born with a detailed, incredibly accurate set of instructions and near-Godlike wisdom. Learns pool and billiards as an eleven-year-old kid and beats the town champ. Takes up basketball, making his high school team as a freshman and becoming a good major-school college player. Starts a loving marriage in college that remains super-strong over 25 years later. Plays guitar, and with his small combo is chosen for national TV appearances with Charles Kuralt and Robert Kennedy. Despite all his independent thought, establishes a solid - actually distinguished - career in academia. And, in the decade after this book, writes a novel that may have sold more copies - and tickets to its subsequent movie - than ANY in the 1990's!
And guess what? NONE of this - not even a SCRAP of it, according to the essays - ever misled him or cost him anything! He didn't drop out of school to hustle pool, ignore academics to over-concentrate on basketball, discover his wife who he chose at age 22 didn't fit his ever-evolving life at age 50, go for a low-paying full-time music career, QUIT music altogether and lose the fun of playing recreationally, or constrict his thinking by getting it in line with the PC work setting of a university.
Not only did he seem to be always doing the exact right thing at the right time, he avoided every trap there was.
Amazing! Have never seen a life so comprehensively superb since Jennifer Beals' in Flashdance, and she was FICTIONAL!
So, Robert James, we have two ways to interpret you. You can be one of the most premier renaissance men of our time, or an archly annoying "perfect" person akin to Martha Stewart. So, my challenge to you is - write an essay, telling us in detail, how in at least one instance YOU, not circumstances, luck or the people around you - have FAILED. Have you done it? Can you do it?
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One might question the insistence by the editor on using gender-inclusive language when translating texts which do not employ that language historically. Although contemporary theology should, quite rightly, be anti-sexist, one cannot help but wonder whether the hermeneutics of the setting in which the original texts were formed may not have been (mis)read by the editor in the light of our 21st Century concern to be gender-inclusive?
One further, minor caveat I have, is that despite the meticulous typesetting and presentation of the texts, I feel the book will be a little over-priced for most students.
Nevertheless, a good and valuable contribution to Lutheran studies, which should be welcomed by scholars and non-scholars alike.
But even if you disagree with either a seemingly pro-feminist agenda (in places) or with the choice of sources, this new edition still sparkles. Reading is easy, both because of the writing and editing and because of a good layout and typeface. Notes are copious and background information is well-integrated.
I still await the "perfect" English language version and won't stop using the Triglotta. However, this newest translation has become my first choice for research and has almost completely supplanted the Tappert edition in my reading and studies.
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Like all other Robert Crais' books, it had the compelling power which made it impossible for me to put the book down. I have always believed that for a book to be likeable, we must like the characters in the book and really feel for them. This is precisely the reason which I enjoy this book so much. I was rooting for Elvis and Joe all the way as I followed the story which simply took my breath away.
Pithy comment follows dry-witted humour in another very enjoyable detective story with the irrepressible Elvis Cole in control. For the first two chapters I found that I was chuckling to myself at least once per page as Elvis met the self-centered, big-shot director client, Peter Alan Nelsen. Although the humour doesn't continue at this pace, a light-hearted feel is maintained throughout the whole book. If you like your detective stories slightly on the humorous side with just a little bit of danger thrown in for spice, then this book (and all the Elvis Cole books) are just perfect.
Although this book is part of an ongoing series, it isn't really necessary to read it in the order that it was written. While the main characters are the same (Elvis and Joe Pike), previous plots aren't divulged.
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Anyway, this novel takes place in Los Angeles. It finds Elvis Cole sitting in his office, just another normal day. In walks an innocent looking young woman named Jenifer Sheridan. She tells Cole that she has a problem: She thinks her fiancee, Mark Thurman, is involved in something illegal. Willingly, unwillingly? It is Cole's task to find out the answer, and just what exactly Thurman is up to. Could it be another woman? Or is it something much worse, something much deadlier?
Cole and his partner, Joe Pike, find themselves up against rogue cops, South-side gangsters, and a haunting mystery. Oh, yeah: They're also wanted by the cops for murder.
Only Crais could weave a novel this complicated and powerful. You'll be loving every minute of "Free Fall", I promise you. I would know: I've been there.
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Author James Swain knows his gambling business. Following Valentine around lets the reader know about the way gamblers work and how the cons run. And there is a con being run--a huge one that mobster Rico Blanco has been running. He doesn't need Valentine cutting into his action.
The con is clever and sophisticated and the aging and widowered Valentine makes a sympathetic protagonist. The problems in his love life and with his semi-crooked son let the reader sympathize with his sometimes abrupt and angry actions. Hooker Candy Hart and Valentine's neighbor, Mabel add interest to an already fascinating story.
SUCKER BET hooks the reader, then reels him in. I found the conclusion a little confusing--exactly who hit whom--but that didn't stop me from seriously enjoying this novel. Now, if I can just get my sandpaper and head for the nearest casino...