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The Chinese game Mah-jong works to join the mother's together as they form the club and share the secrets and tragedies of their lives as well as their hopes and dreams for their daughters. The women in this novel struggle to bestow their daughters with the virtues of Chinese traditions and at points seem to go too far-pitting their daughters against each other and sadly living their lives through them.
Tan writes both honestly and sensitively examining the generation gap between mothers and their daughters as well as the struggles migrants face when joining other countries. 'The Joy Luck Club' belongs to a genre which can only be described as realistic with characters which are both three dimensional and relatable.
The story is written through defined chapters-each dedicated to either a mother or a daughter; as they weave their histories and spin their stories.
The novel, through this chapter fragmentation allows each character to develop, with an emphasis on the main narrative- the death of one of the members of the club. The death of Suyuan Woo results in the incorporation of her daughter Jung Mei 'June' Woo into the group. June realises her mother- who died suddenly of a cerebral aneurysm - had unfinished business which leads June to face one of the biggest tragedies in her mother's life. 'The Joy Luck Club' is an inspiring novel which is moving both moving and courageous-a definite pleasure to read.
The Chinese game Mah-jong works to join the mother's together as they form the club and share the secrets and tragedies of their lives as well as their hopes and dreams for their daughters. The women in this novel struggle to bestow their daughters with the virtues of Chinese traditions and at points seem to go too far-pitting their daughters against each other and sadly living their lives through them.
Tan writes both honestly and sensitively examining the generation gap between mothers and their daughters as well as the struggles migrants face when joining other countries. 'The Joy Luck Club' belongs to a genre which can only be described as realistic with characters which are both three dimensional and relatable.
The story is written through defined chapters-each dedicated to either a mother or a daughter; as they weave their histories and spin their stories.
The novel, through this chapter fragmentation, allows each character to develop, with an emphasis on the main narrative- the death of one of the members of the club. The death of Suyuan Woo results in the incorporation of her daughter Jung Mei 'June' Woo into the group. June realises her mother- who died suddenly of a cerebral aneurysm - had unfinished business which leads June to face one of the biggest tragedies in her mother's life. 'The Joy Luck Club' is an inspiring novel which is both moving and courageous-a definite pleasure to read.
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The early 1920s was a very special time in American history. The Great War was over, and it was a time of celebration. Prohibition was the law of the land and bootleggers and gamblers were making fortunes as everybody partied with illegal booze and speculated in the stock market. In retrospect, we readers know that it all came to a crashing end later, but that was after the book was published and so the book captures the era in its own time.
The narrator is Nick Carraway, a young man who, like Fitzgerald himself, was raised in the mid-west and is working in the stock market in New York City. His own financial circumstances are modest but he rents a house in Long Island next door to the flamboyant and wealthy Jay Gatsby, who throws lavish parties and whose background is shrouded in mystery. As a New Yorker myself I must say I cringed at his geography, but the rest of the book transcends these minor physical details.
Slowly, we learn of Jay Gatsby's obsessive love for the wealthy Daisy, now married to the snobbish Tom Buchanan who is having an affair with a garage owner's wife. Nick is a friend of this cast of characters, participating in their lives but yet standing back and observing. He's a man of his times as well as a person who understands human character and foibles. How the story plays out is a complex drama filled with passion and tragedy and including elements worthy of Shakespeare or classic Greek theater. This is more than just a good story. It's an emotional ride in expensive cars to an era filled with people we can all identify with.
I give this book by highest recommendation. It rises above a mere good read and dwells in the realm of great literature.
While the characters in the novel remain ultimately unknowable at their indefinite cores, Fitzgerald does a great job tying his characters to their historical setting. The protagonist of the novel, to my mind, is Nick Carraway, the narrator. The hero of his story, which frames the novel, is the legendary Jay Gatsby - a legend in his own mind. Although Carraway's narration is often heavily biased and unreliable, what emerges are the stories of a set of aimless individuals, thrown together in the summer of 1922. Daisy Buchanan is the pin that holds the novel together - by various means, she ties Nick to Jordan Baker, Tom Buchanan to Jay Gatsby, and Gatsby to the Wilsons.
The novel itself deals with the shallow hypocrisies of fashionable New York society life in the early 1920's. It is almost as though Fitzgerald took the plot of Edith Wharton's 'The Age of Innocence' and updated it - in the process making the characters infinitely more detestable and depriving it of all hope. Extramarital affairs rage on with only the thinnest of veils to disguise them, the nouveau-riche rise on the back of scandal and corruption, and interpersonal relationships rarely signify anything permanent that doesn't reek of conspiracy. The novel's casual allusions to beginnings and histories often cause us to reflect on the novel's historical moment - when the American Dream and Benjamin Franklin's vision of the self-made man seem to coalesce in Jay Gatsby, a Franklinian who read too much Nietzsche.
No matter how you read it, 'The Great Gatsby' is worth re-reading. M.J. Bruccoli's short, but informative preface, and C. Scribner III's afterword are included in this edition, and both set excellent contexts, literary, personal, and historical, for this classic of American literature.
The story begins when Holden is 'given the axe' at his prep school in New York, which leads him to a few days of freedom out on the streets in NYC. Personally, the idea is genius. A sixteen-year old boy struggling with adulthood and responsibilities needs nothing more that time alone to clear his head. This is where J.D. Salinger throws much adventure and excitement into his novel. I wouldn't exactly call it suspense, but I always had to keep reading on into the next chapter because I just had to know what Holden would do next.
Possibly another reason I think so highly of Salinger's novel is because I closely relate myself to Holden. I am a sixteen-year-old kid who is facing adolescence, and I share some of the same characteristics as Holden. When I decided to read a classic, I thought it would bore me to death, but I realized that fifty years ago teens talked and acted much like they do today.
Through Salinger's brilliant ideas, relating characterization, and humor, I was drawn into the fact that Catcher in the Rye is one of the best novels I have read. Even though it was written fifty years ago and is considered a classic, I don't think its popularity will ever fade.
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The love between Catherine and Heathcliff also reveals a gloomy view of life. Their love is not one that hopes for a future happiness. Instead, it manifests itself as a need that takes no consideration of the consequences. There is no hope in this story, only the pain that occurs in both being denied a loved one and in having that loved one.
As I read this book, I never found myself wishing for the best for these tragic characters. Instead, I felt like I was watching a course of events that had to reach its eventual conclusion, and no amount of effort could change that. In this world only suffering exists, and the only relief exists in death.
Needless to say, this isn't a cheerful story, but it is nonetheless fascinating.
I grinned when Sis, back in high school, told me I reminded her of Heathcliff. I remembered from the (old, old) movie that he was some evil fellow. Then I read the book. And stopped grinning. I'm amazed this book would ever be assigned to high school 'kids.' It's humorless and ultra-realistic. Every page reeks of evil and has selfishly evil (meaning normal) characters. Heathcliff was a tortured being but hardly innocent. Cathy was a solipsistic, driven fool. Even the Cliff Notes booklet for WH is surprisingly short (I read The Notes after burning through the book in a week) as if Cliff's was horrified to study this book! Cliff's good observation about Heathcliff is that his sole emotion is actually pity/affection for Hareton and that his 'love' for Cathy is, in fact, an animal possessive jealous rage. I changed after reading this book. For the better, I don't know. There is a point in the book where Heathcliff's every action evokes disgust and hatred, and then...as a man...I began to feel what he felt. For whatver his faults, I began to connect fully with his insane rage, and that his ideal of 'love' for Catherine--however warped--had been stolen from him forever. I understood his ruthlessness and love for no person or thing after Catherine's death. By the way, not to parrot the critics, but it is true that the marriage of Cathy and Hareton is NOT some kind of full circle, happier ending. It's more like holding hands in Hell. I left this book sadder than when I started it. After reading it, I doubt anyone anywhere is getting 'wiser.'
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Lord of the Flies is an intense look at larger society if the norms are ever overturned. At first it is fun acting any way one wants when there are no adults to oversee. However, the mundane chores stop being done and order breaks down. The young children that were being looked after, just disappear without reason and nobody seems to mind or notice. The savage group reacts alomost with casual abandon when one of the group is accidentally killed by the rest. When order is tried to be reinstated, chaos reacts swiftly and harshly. Lord of the Flies is both a great read and a very important book.
Ernest Hemingway was born on July 21, 1899 in a small village in Illinois. After he graduated from high school he started to report for the Kansas City Star where he learned to get to the point in direct, simple sentences. After going to WWI and being injured he fell in love with his nurse. These events inspired his first novel, which led to his amazing career as an author.
In my opinion "The Old Man and the Sea" was a great adventure and accomplishment book. In the book the old man is so dedicated to his goal that he endures pain and hardships to achieve this goal. I also think that the book is well written in the aspect of how easy it is to read. The book is easy enough for a younger reader to follow yet it is still interesting and in depth enough for the more average reader to enjoy. So if I had to rate this book on a scale of one to five I would probably give it a four because sometimes the book gets a little too detailed and boring.
The events and actions of this book create interest for the readers. For example, Santiago was not angry with the other fishermen when they made fun of him. He is a good man and is so wise that being made fun of does not bother him. A good protagonist is always a good character to read about. Moreover, the characters and their actions can be related to real life situations. For instance, the old man ignores all the laughing made by the younger fishermen because he cannot catch any fish. This is like a student dealing with bullies and humiliation at school. These are some points that Ernest Hemingway made to arouse interest to readers.
Hemingway has a very unique writing style. For example, in the book it says, "Most of the boats were silent except for the dip of the oars." He has a very soothing way of writing. This is also easy enough for kids to understand. Also, Hemingway does not use clutter in his sentences which makes him different from the rest. For instance, he writes sentences like, "Only I have no luck anymore;" which is very direct. Many writers tend to use clutter to sound professional or important. Hemingway's style and voice is calming and intense in all the right places.
I think The Old Man and the Sea is a great book to read. My favorite part of the book was the climax when Santiago defeats the antagonist. If I could change something in this book, I would change some of the rising action so it is more gripping. I would recommend this book to adults and teenagers. Although a grade school student could read and understand this book, they would not value the moral of the story. Hemingway's original style and the characters in this book make it an interesting and wonderful book to read.
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'The bluest eye' is a tragic, heartbreaking story. We meet the 11-year-old black girl Pecola Breedlove, and her world - filled with hatred and racism. Her story is not a happy one - her brothers have run away from home, and her drunkard father has sexually abused her. Pecola believes that if she only had blonde hair and blue eyes, all her other problems will go away'
The characters are all very well developed, and one has to care deeply for them. The symbolism is easy to understand, and Morrison's prose is beautiful, subtle, and unique.
This is a novel that leaves you thinking, wondering about the world we live in.
Toni Morrison has quite rightfully won both the Pulitzer and the Nobel Prize. 'The bluest eye', was the third novel I read by Toni Morrison. Honestly, 'The bluest eye' is not her masterpiece (I think that the book 'Song of Solomon' is her best novel) but it is certainly worth reading!
An enjoyable read!
·The inner lives of black people, particularly black girls
·The class struggle among blacks
·Child rape (almost uniquely portrayed from the perpetrator's point of view)
Perhaps Morrison was just years ahead of her time, because the book has been almost constantly in print during the '80s and '90s. Morrison made abusive parents sympathetic by introducing the reader to their inner lives, to their needs, wants, and cares. While it was not a simple task, Morrison accomplished it to great effect by telling each character's story in turn.
The Bluest Eye is a thrifty and evocative novel, shifting from the world as presented by a standard primary reader, to the world as seen by a number of black girls in the poor Cleveland suburb of Lorain, Ohio in 1940. But even if Claudia and Frieda's family are black and do not have much money, they were not at the bottom of the social ladder. That position went to their friend Pecora, and her family, who "...did not live in a storefront because they were having temporary difficulty adjusting to the cutbacks at the plant. They lived there because they were poor and black and they stayed there because they believed they were ugly. Although their poverty was traditional and stultifying, it was not unique..."
Pecora had only one desire in life - to have blue eyes. The popular culture in the 1930s, as represented from candy bar wrapers to primary readers, used little round-cheeked white girls as the supermodels of the day. Since the culture promoted the "Shirley Temple look" as the ideal for little girls, black girls in America could not help but to have felt left out. Nowhere was black called beautiful, except by millions of internal, quiet voices.
Claudia and Frieda did not buy in to the belief that they were ugly because they were black; Claudia rebelled against it by destroying her white baby dolls one Christmas. Claudia and Frieda were both tough enough to survive living in a bigoted, sexist world. They even helped to rescue Pecora when some boys were taunting her. But they could not rescue her from the violence in her own family, and, ultimately, Claudia felt guilty about it.
The quiet, particular madness of a girl who wanted blue eyes to blot out the misery of her life was striking. Pecora's life became so impossible that the only thing that mattered was this dream of blue eyes. Ultimately, Morrison's novel presents the tragedy of racism and abuse as mirrored in the downcast black eyes of a poor young girl.
The tragic existence (can one really call it a "life"?) of Pecola Breedlove is a disturbing slice of reality. Morrison has shown even me, a white American male, the horror of growing up a poor black girl among a people who could not recognize her precious value. Convinced that the bitter, ugly world would be changed if could see and be seen with blue eyes, Pecola's tragedy is felt by the reader, who can see the emptiness of her hopeless wishes.
Since reading "The Bluest Eye," I have read other books by Morrison and had similar moving experiences. As I mentioned -- it took the challenge of a friend to introduce me to this book -- thanks, Kristine!
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In any case, you can easily understand what Toni Morrison is trying to write about. A woman's life. Plain and simple. She just happens to be a slave woman trying to escape everything that's happened in her life and also accept it. Baby Suggs telling her to 'let go' and the way she acts around Beloved. I have also noticed that you start reading and you really do feel comfortable and have no idea what you are getting yourself into. Then you start to really understand what is happening and you are just so taken aback by it. I've found that I've had to read things over several times before I actually think about what I've just read, or before I can understand it. Sethe's(and the other characters') thoughts are written so bluntly, you almost HAVE to read it again to know that you have just read about the death of her(Sethe's) child. This story is unnerving, yet I also feel that people should read this book to learn about things that you really can't learn from history books. Oh, and if you don't like the content matter, don't read the book.
By the way, the only reason the book only gets 4 stars is because I haven't finished it yet.
I got introduced to the novel Beloved this year in my literature class, and i am really disappointed that many people my age (16 years) or a bit older do not appreciate aspects of Beloved...
Yes, it is a hard and confusing novel, but it is unique and that is what caught my attention...
Many people complain that the ghost aspect of the story puts them off the novel. What they fail to realise is that the Africans of that time believed and accepted spiritual occurrences and so the ghosts were part of everyday life..
Beloved is packed with symbolism and metaphors. This is what makes it such a challenging read because the reader can never let their guard down, or else they might miss out on valuable and subtle clues about the characters' pasts.
One example of the use of symbolism by Morrison is the house 124. To all the characters, it did not feel like just a house or a structure to live in. It was a person by its own right and meant different things to different characters. 'Denver approached the house, regarding it, as she always did, as a person rather than a structure. A person that wept, sighed trembled and fell into fits.' (Page 29)
To many runaway slaves, 124 was their first taste of freedom after a life full of the horrors of slavery. To townsfolk, it was a place not only of childhood memories, but also of the murder of "Beloved" and Sethe's craziness.
To Baby Suggs, it was her first house that came at a hard price. It was a place where no one was allowed to come from the back door. Everyone was welcome to come and stay. It was the first place in which she was truly free, where she could block memories of slavery. (Slaves were forced to come from the backdoor of a white person's house, which is why Baby Suggs blocked the backdoor)
To Sethe, it was two things. She believed it was her freedom. By shutting the front door, which had remained open to outsiders and the neighbourhood when 124 was at its hey-day, she had shut herself away from the world. It was her first ever house and that was significant to her. I think Sethe's the kind of person who needs something to show milestones in her life. For example, when she married Halle, she really wanted a proper marriage and as that was not possible, she made a dress on the sly. It was important to her that there was something to affirm this marriage. Similarly, I think that as the dress was important to her, the house must have been too, which might be one of the reasons that she was so adamant that she wouldn't leave it. It was her first taste of freedom and the first time she was able to feel secure, away from white people.
124 was a form of repression for Denver, who yearned to be loved and enjoy the companies of people outside of the house.
As you can see, there is more to the house than meets the eye, and this is just one of many examples of how Morrison uses symbolism to get her message across and to help you form your opinion about the characters. You just have to have the patience and the time.
Who do i recommend this book to? It is not an easy book, so i do not have an easy answer. Mainly, i would recommend that this novel be discussed in a group, because sometimes you might miss out on an important detail that another person might have picked up..
I would not recommend this to anyone looking for a quick read or anyone who does not want to learn the truth about slavery. It IS grotesque in many places and touches many tabboo subjects.
However, I would recommend it to mature readers who like a challenge and who are willing to be immersed in a novel.
So I really hope that you read it because it rewards you in the end. It is a captivating novel if you allow it to be.. Take your time and let the novel speak for itself.