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Using sound effects, the original score by composer John Williams, and with 2 key actors reprising their roles from the film, the radio drama boasts lavish production values. This is not some cheesy adaptation that they slapped together, quickly and put the name Star Wars on it, hoping for the best. Author Brian Daley's radioplay expands on the film verison by including additional "scenes" and backstory. Directed by John Madden (Shakespeare In Love), the radio drama has a top notch cast. Mark Hamill and Anthony Daniels add some additional class by recreating their film roles as Luke Skywalker and C-3PO respectively. Brock Peters as Darth Vader, makes the part his own, while Ann Sachs gives Leia the right amount of spunk. Perry King, as smuggler Han Solo, may not be Harrison Ford, but he could be Solo, and that's what counts. Bernard Beherns as Ben Kenobi and the late great character actor, Keane Curtis, as Grand Moff Tarkin, round out the main cast, with style. While I was listening to this, I got the impression that, even though it must have been a lot of work to put this production together, it seems like everyone had a good time too. Sure some of it may sound a bit off at times, because most of us know the film so well. But one must remember that no one working on the project set out to just copy the film. The Star Wars Radio Drama captures the sprit of its of source material perfectlly...and that's all it needs to do.
I highly recommend this presenation. The Star Wars Radio Drama on CD contains all 13 episodes as originally presented, spread over 7 discs, with a running time of about six and a half hours. The Empire Strikes Back and Return Of The Jedi radio drama adaptations are also available as well.
Well, unless you have the cold heart of a Sith, Star Wars did indeed translate well from the silver screen to radio, thank you very much. Yes, Star Wars' visual effects are a big part of the magic of the saga, but the heart and soul of George Lucas' galaxy far, far away are the characters and the storyline. And while the movie is satisfying on its own, the radio dramatization written by the late Brian Daley takes us beyond the movie....beyond the screenplay...and even beyond the novelization.
By expanding the movie's story beyond its two hour running time, the Radio Drama allows us to catch glimpses of Luke Skywalker's life BEFORE the movie. It tells us how Princess Leia acquired the Death Star plans....and what, exactly, happened to her during her interrogation aboard the Empire's battle station...(it is an interesting scene, but not for the squeamish, by the way). In short, by expanding the story to nearly seven hours, characters we loved on screen acquire depth only equaled by novelizations.
The Radio Drama makes extensive use of material written (and in some cases filmed) for A New Hope's silver screen version but cut for editorial or technical reasons. Also, Ben Burtt's sound effects, John Williams' score, and the acting of Mark Hamill (Luke Skywalker) and Anthony Daniels (See Threepio) give the whole project its "true" Star Wars cachet.
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old Ruby Bridges and how she became the first black child to segregate the
elementary school system in New Orleans, Louisiana. Her story is one of hope
and encouragement to not only African Americans but also to the entire human
race. It teaches perseverance, forgiveness, and hope and should be read by all
to give insight into our history.
As for the illustrations, George Ford used watercolor paints mixed with acrylic
inks and conventional drawing inks to create images that are beautiful and so
real looking they're life-like.
Kudos to both author and illustrator on a job well done. I look forward to
sharing this book with family, friends, and my own children.
Reviewed by Tee C. Royal
The RAWSISTAZ Reviewers
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I believe that anyone who is committed to improving effectiveness and efficiency in their world, whether in their business or in their personal lives, can benefit significantly by reading the Six Sigma Revolution. I'm looking forward to getting a copy of his next book, Making Six Sigma Last.
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Important about the COLLECTOR'S EDITION: it contains the following special tracks: comments from four of the principals, the speederbike scene without sound or music added, then with all the effects, for comparision, two public radio membership spots by Tony Daniels (C3PO), and the touching "Message for Brian." For me, "Message for Brian" was worth the extra all by itself. (Brian Daley, the writer, was ill with pancreatic cancer when this was recorded, and the cast recorded this "get-well card" for him, only to find that he died within 24 hours of the completion of the recording sessions.)
Unfortunately, Brian never got to hear this message. But the radio dramas he created, which are now dedicated to him, are a great monument to his efforts. I would recommend this set to anyone who is a real fan of the Star Wars universe.
The Star Wars trilogy translates well to the radio play format. It helps that a few of the original cast members reprised their roles. Anthony Daniels is the mainstay, and voices 3-CPO through all three productions. The other cast members are all talented radio actors, and suited to their parts. The actors keep their roles for all three productions, so there is nice continuity of character.
The stories are considerable longer than the films, and fill in the gaps of the storyline. Star Wars contains all of the famous deleted footage between Luke and Biggs, as well as a window into Luke's life on Tatooine. (As a side note, some of this was included in the Star Wars special edition re-release, as well as The Phantom Menace. Look for the pod racers to "thread the stone needle" as described in the radio play.) The other two series are not as expansive, but still deliver more story than the film. The excitement and gradure of the series is well translated to audio.
This collector's set includes many extras not available in the standard releases. These include commercials, making-of features, and the touching get well card to Brian. The box is very nice, and the entire set has very high production values. It is worth the price.
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My only complaint is with the author's desire to open the book with political-correctness and apologies for Patton's frank language.
This book will spark you up and fill you with pride, boldness, and audacity! I have found my Covey books and Minute Mangers have collected dust where "Patton on Leadership" is starting to look like a well worn Bible.
It may seem trite to some that this book merely takes quotes and extracts from Patton's life and writings and develops them to highlight various aspects of leadership, yet the study of leadership is deceptively simple in this regard; leadership is taking people where they must go, focusing on what is truly important and worthwhile. And the great leader is always one of the troops, not some invulnerable sage from On High. It should be noted that prior to reading this book, the reader is strongly advised to read Carlo D'Este's superb biography, "Patton: A Genius for War" in order to appreciate who Patton was as a man before he was, well, George C. Scott. Suffering from severe dyslexia, he struggled to get through West Point and VMI. His tortured efforts to memorize the works of great historical military leaders apparently left an indelible mark on his thinking, yet what remained throughout his life was the underlying principle that it is leadership that wins wars and not abstractions like courage or heroism.
Military units are like spaghetti, he said, which must be pulled rather than pushed. And this man lead from the front. So when you read in these pages that a leader must endure what his/her minions endure in order to earn (earn!) their respect, he knows what he is talking about.
I once worked at a computer software company that specialized in healthcare programs, and our V.P. of Sales gave a long-winded speech about how we must all "tighten our belts and stay focused on lean expenditures!" The very next day the S.O.B. drove into work in a brand new BMW 700 series car (company car, of course). Just what kind of leadership is that?! Leadership by example, or by arrogant authoritarianism?
Want to hold the reins and lead with certainty and conviction? Here's the manual!
Patton did not write extensively; he was challenged by dyslexia. But he said a lot, was often quoted, and was written about. Historians have a rich treasure of who this unusual man was and the impact he had on others . . . and ultimately on the world. His approach to his work was clear and direct, making him an excellent case study and role model. Role model? A man who spat profanity in almost every sentence? Ah, look beyond the rough exterior that actually endeared him to his men. Look at how Patton thought, his philosophies. That's where the lessons are.
This book delivers 183 of those lessons in short, tight, bite-size pieces. This is a book you can read cover-to-cover or refer to as an inspirational resource. Each lesson is constructed as a Patton quote, with Axelrod's interpretation of the meaning, the purpose, and the impact of the words. The flavor throughout the book is how Patton's military style and experience applies to management and leadership of today's business organization. Or any organization, for that matter.
The beginning of the book includes an enlightening biographical profile of Patton to understand the context of the man. The volume concludes with some recommended reading and a helpful index.
As a reviewer, I'm tempted to start listing some of the titles of those 183 lessons. I'll resist, because it will be too difficult to present a representative sample. Every page of this book is filled with concise, valuable insights. Thought-provoking as well as inspiring, Patton on Leadership should be read-and applied-by leaders at all levels. Invest a few dollars and some of your reading time. You'll get a good return on your investment with this book.
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Not so Roux's wonderful overview. After his retirement from a leading British pharmaceutical company he found the necessary leisure, and access to Parisian university libraries, to compile this volume of history. The first edition was written in the 60's, the second in the 80's after some remarkable finds greatly expanded the continuity of the original, and the third, this volume, in the early 90's. In this, he states that the English version has actually leapfrogged the original version in his native French.
The book traces the civilizations of ancient Mesopotamia from the Paleolithic period through Sumer and Akkad, the Assyrian empire, Babylon, the glory of the Old Testament period, and to the final takeover by the Hellenistic Greeks. This sweep of history comprising some six-plus millennia cannot, of course, be dealt with comprehensively within the bounds of a single volume; nevertheless, Roux has managed to spotlight the extant periods without losing the story's overall continuity, a considerable achievement.
This is, in this reviewer's opinion, the best single-volume introduction to ancient Mesopotamian history on the market today.
After years of study, Roux is still clearly in love with his favorite subject, and it makes Ancient Iraq a fascinating and compelling read. I was absolutely stunned by what all the Sumerians, Assyrians, and Babylonians are responsible for when laying the foundations of our present civilization. The chapters on government and law are especially enlightening, when compared to present day domestic and foreign policy.
I learned so much from this book: it is an excellent summarization from what is years and years of study and research. Highly recommended.
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This book is fantastic - I had quite a lot of difficulty finding collections of his poetry, and although I'd found a couple of small volumes, this one was exhaustive. I reread it - or at least parts thereof - more often than any other poetry book I own, and always seem to discover another nuance or aspect or pattern that I hadn't seen before. cummings wraps you in words, and the best way I can think of to describe how I feel after reading his works is to steal a quote from one of his poems - "such strangeness as was mine a little while."
Worldwords. And he is the creator of my favourite quotation of all time...
"listen:
there's a hell of a good universe next door:
let's go."
And there is.
Typography was preserved very well (with Cummings this is critical), and I find the order of appearance by date helpful in charting his growth as a poet; the first few poems are radically different from the later ones.
Of course, acquiring his individual issues has its own appeal, but if you simply want to have his work easily at hand, this is your only choice (the indexing at the back is extrememly good at helping you remember a poem by its first lines).
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Ms. Elliot describes the lives of British Jews, a society-within-a-society, of which most of her contemporaries were oblivious, through her hero Daniel Deronda. Through her heroine, Gwendolyn Harleth, who marries for money and power rather than love, Eliot explores a side of human relations that leads only to despair.
Daniel sees Gwendolyn, for the first time, at a roulette table. He is fascinated by her classical, blonde English beauty, and vivacious, self-assured manner. When Ms. Harleth is forced to sell her necklace to pay gambling debts, Deronda, a disapproving observer, buys back the jewelry, anonymously, and returns it to her. This is not the last time the deeply spiritual and altruistic Deronda will feel a need to rescue Gwendolyn.
Daniel was adopted by an English gentleman at an early age. He has received affection, a good education, and to some extent, position, from his guardian. However, Deronda has never been told the story of his true parentage, and sorely feels this lack of roots and his own identity. Not content to play the gentleman, he always appears to be searching for a purpose in life.
Daniel's and Gwendolyn's lives intersect throughout the novel. They feel a strong mutual attraction initially, but Gwendolyn, with incredible passivity, decides to marry someone she knows is a scoundrel, for his wealth. The decision will haunt her as her life becomes a nightmare with the sadistic Mr. Harcourt, her husband.
At about the same time, Daniel inadvertently saves a young woman from suicide. He finds young Mirah Lapidoth, near drowning, by the river and takes her to a friend's home to recover. There she is made welcome and asked to stay. She is a Jewess, abducted from her mother years before, by her father, who wanted to use the child's talent as a singer to earn money. When young Mirah forced her voice beyond its limits, and lost her ability to sing, her father abandoned her. She has never been able to reunite with her mother and brother, and was alone and destitute, until Daniel found her. Daniel, in his search for Mirah's family, meets the Cohens, a Jewish shop owner and his kin. Deronda feels an immediate affinity with them and visits often. He also comes to know a Jewish philosopher and Zionist, Mordecai, and they forge a strong bond of friendship.
Daniel finally does discover his identity, and has a very poignant and strange meeting with his mother. He had been actively taking steps to make a meaningful existence for himself, and with the new information about his parents and heritage, he leaves England with a wife, for a new homeland and future.
One of the novel's most moving scenes is when Daniel and Gwendolyn meet for the last time. Gwendolyn has grown from a self-centered young woman to a mature, thoughtful adult, who has suffered and grown strong.
The author is one of my favorites and her writing is exceptional. This particular novel, however, became occasionally tedious with Ms. Eliot's monologues, and the book's length. Her characters are fascinating, original as always, and well drawn. The contrast between the lives of the British aristocracy, the emerging middle class, and the Jewish community gives the reader an extraordinary glimpse into three totally different worlds in Victorian England. A fine book and a wonderful reading experience.
Strictly speaking, Daniel Deronda isn't quite the same level of immaculate fiction as Middlemarch. So I think George Eliot fans will be somewhat disappointed. But on the positive side, the book is much more accessible (ie, easier to read). And the subject matter makes it required reading for everyone interested in modern Judaism/Zionism. It's fascinating to compare how Jews were perceived during the mid-1800s relative to today (..in western Europe).
Finally, the Penguin Classic edition of Daniel Deronda has both great Notes and Introductory sections (which, oddly, is supposed to be read AFTER reading the book).
Yet there's still magic in these pages. Gamow was one of the greatest of 20th century physicists, and at the same time, a great teacher whose passion for the sheer fun of math and science was communicated in his books, whether explaining the wonders of infinite series, or how to locate a hidden pirate's treasure chest using imaginary numbers. Unlike a lot of modern poipular science writers, Gamow didn't shy away from showing you the math- but he could explain in a way that even an elementary school child could understand.
A wonderful book for the child or adult who isn't afraid to think.