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In *Elvis*, Mary Alice is planning her fourth marriage (widowed three times) to Sheriff Virgil Stukey and Patricia Anne is continuing to enjoy her retirement and planning the return of her pregnant daughter, Haley, and her husband Phillip from Russia. When Stukey and Mary Alice invite Patricia and her husband to a night of fundraising to renovate everyone's favorite semi-attired statue, Vulcan, the Rockette-like Elvis impersonator routine ends in one less Elvis. Unfortunately, the murder weapon is found in Patricia Anne's purse days later, and once again, the two sisters jump into the investigation, hoping to find the murderer in time for Mary Alice's wedding.
What an enjoyable end to the Southern Sister series. We will mourn the loss of Anne George and enjoy the entire series for years to come.
This book is a must read for all fans of Ms. George. Her writing from one book to the next is so consistent - she never skips anything from one book to the next.
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Both of Martin Goldsmith's parents were talented, highly trained musicians. His father, Gunther Goldschmidt, was the son of Alex Goldschmidt, a prosperous clothing store owner in Oldenburg, Germany and a World War I veteran. Gunther, a budding flutist, was eventually forced to leave music school simply because he was a Jew.
Goldsmith's mother, Rosemarie, was a violinist who had been trained by her own father, the director and owner of the Gumpert Conservatory of Music in Dusseldorf, Germany. Both Gunther and Rosemarie considered themselves Germans first and Jews second, and both were happy to be accepted into the Kulturbund...at first.
On 9. November 1938, the eve of the horrible "Kristallnacht," the Jewish community in Germany was forced to take another look at their comfortable Kulturbunds, for it is on that date that the Nazis chose to burn synagogues and Jewish places of business. When Alex Goldschmidt marched down the streets of Oldenburg with other young Jewish men in protest, he was rapidly taken to prison. The Nazis, however, attempted to "smooth things over" by telling the Jews they were only "protecting" them from other, angry German citizens.
In 1941, when the Nazis closed the Kulturbunds, Gunther and Rosemarie escaped to freedom in New York City. Other patrons and musicians, however, did not make it to safety. As a memorial plaque at one Kulterbund reads, "Almost all of those who worked here were murdered in concentration camps."
The Goldschmidts, now the Goldsmiths, eventually settled in Ohio where Martin Goldsmith was born in 1952. Although his father gave up music forever, his mother later became a member of the Cleveland Orchestra.
"The Inextinguishable Symphony" is a book about Nazi Germany that gives us another view of the era and of the Holocaust. Rather than focusing on the camps as excellent authors such as Elie Wiesel and Primo Levi have done, Goldsmith focuses on the plight of Jews who managed to remain out of the camps, yet lived very restricted lives.
This book is a fascinating account and one that is extremely well-written. I would recommend it highly to anyone who is interested in this period in world history.
But this isn't just "another book about the Holocaust." Nor is it about tragically anonymous victims. It is instead about Goldsmith's parents - Gunther, a flutist, and Rosemarie, a violist - who meet and charmingly fall in love in Nazi Germany in the '30s, as well as about Grandfather Alex and Uncle Helmut and other family members and friends, each of whom Goldsmith makes real and sympathetic through his rich, exquisitely detailed, and heartbreakingly honest narrative. These are people that the reader comes to care about deeply, and we celebrate - and in some cases grieve - their fates. Goldsmith is a helluva storyteller.
But the book is also not just a love story (Gunther literally does risk his life for his young sweetheart) or merely an author's purely personal journey in search of his own roots. Through the vehicle of his remarkable parents' own individual stories, Goldsmith explores the only-dimly known, but fascinating, story of the Judische Kulturbund - the Jewish Culture Association - to which Jewish musicians, actors, and others were artistically exiled in Nazi Germany. Goldsmith reveals much about this controversial and complicated organization which, although the only source of culture for German Jews, knowingly served the Nazis' propaganda purposes. The reader marvels at how much the "Kubu" was able to accomplish under such hateful conditions, but is also forced to ask, "What would I have done in these circumstances? Would I have risked my life just to make music?"
This is a troubling, but ultimately triumphant, book about real people trying to live their lives, their love, and their music in unthinkable times. I highly recommend it to anyone interested in music, in the Holocaust, in cultural history, or simply in a good love story well told. Bravo, Gunther and Rosemarie and Martin Goldsmith!
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The best way to learn while reading HE:L2E is to try the sample commands. I also recommend visiting the links mentioned and installing many of the tools described by the authors. I found programs like raccess, nsat (ch. 3), sslsniff (ch. 7), nstx, and httptunnel (ch. 15) particularly interesting from an attacker's point of view. From a system administration standpoint, coverage of passlogd (ch. 2), lilo and grub (ch. 5), and X (ch. 6) were very helpful.
The authors share many novel ways to abuse Linux systems, but counter those exploits with little-known features or third-party tools. I never knew I could use bash's HISTCONTROL feature to selectively remove entries from shell history files. HE:L2E goes the extra mile to help secure your system, such as including sample C code in ch. 13 to allow one to compile TCP Wrappers support into one's own programs. Other clear, concise defensive measures were introduced in excellent chapters on keeping the kernel and packages current (appendix B) and pro-active security measures (ch. 2). The last appendix gives a short yet powerful description of the damage an intruder can perform, showing how he hid unauthorized programs and how those programs were discovered.
If you use Linux, you'll find HE:L2E indispensable. I even applied many of the tools and techniques to my FreeBSD system, showing that that good security advice can be a cross-platform endeavor.
This book takes a very good look at all aspects of computer security from the Linux perspective. I was able to get several of the "Proactive Security" stuff from chapter 2 installed on my machine this afternoon, and was shocked to see how much my machine (we're on a cable modem) was being probed from all over. Looking at some of the traffic using the sniffers they describe, I could see some wierd stuff coming *FROM* my computer that wasn't caused by me.
I haven't gotten far in the book yet, but I've pulled it off the Internet until I have a chance to read the rest and can get these hackers off my machine. I've jumped up to part 3 of the book, where they have three whole chapters about what the bad guys do once they get on, and I've plugged five holes already. I have no idea how long I've been hacked, but by the time I'm done reading this book and using what they say, I can feel safe that I won't be such an easy target.
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This book has the history of the Paris Opera, then it goes on to tell how Gaston Leroux came up with Phantom, then the film versions of Phantom, then, of course, the Lloyd Webber version.
This book is perfect for the true Phantom Phan!
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Brickhill gives a firsthand account of the escape of 76 men from Sagan, a German prisoner-of-war camp, during World War II. Through tireless efforts and disheartening setbacks, the men managed to dig a lengthy tunnel 30 feet down into the earth, and 300 feet towards possible freedom. The plan, which originally called for three such tunnels, was the single largest escape in WWII history, and the efforts, patience, and bravery of the men secures their escape as one of the most noble efforts of man.
What a pity, then, that THE GREAT ESCAPE is a fairly badly written first-hand narrative, related with all the style of a person making a grocery list. Brickhill has provided the bones of an amazing story, but he neglected to provide any meat along with them.
The story couldn't help but lend itself to a fascinating read. The actions of these men could never be anything less than remarkable. But all Brickhill does is tell the story. He doesn't add any true characterization to the hundreds of people who pop in and out, resulting in a lack of empathy for these men. The reader is left wanting to know more, but is frustratingly denied the opportunity. Even the leader, Roger Bushell, is a cipher, easily interchangeable with any other character.
It is easy to see why this story makes such fertile ground for a movie. The plot is astonishing, and the complete absence of any true personality leaves the filmmakers free to make up any character they want. Roger Bushell didn't escape from Sagan, Richard Attenborough did. So did Steve McQueen and Charles Bronson.
I don't want to seem as if I am making light of the situation. THE GREAT ESCAPE was a shining example of what humanity can achieve under the most strenuous circumstances. But Brickhill doesn't provide us with any reason to care. The story unfolds with all the excitement and tension of someone telling of their day at work. Simplicity in storytelling can be a fine thing, but not where the story demands so much more.
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What makes this book unique in it's portayal of the General and the events surrounding the famous last battle is that Evan S.Connell, who is primarily I believe a novellist, approached this topic with absolutely no agenda of his own on the subject.
Whilst this may not satisfy many historians it makes for great reading!! Making this a book ideal for somebody new to the subject wanting to learn more or the learned reader who just wants to be entertained and not swamped with complex time theories or arguments over the size of the village etc. There are plenty of books on the market that do this much better but not all are always as enjoyable.
Connell just reports on various different accounts in an easy going prose without really putting his own slant on the proceedings. He simply just writes about Custer, Benteen, Crazy Horse et all, giving examples of both the good, the bad and the downright ugly in all of them.
It is left to the reader to make up his mind on the events and actions of those who took part in them. Too many historians come to this powerful and contreversial subject with their own ideas on what happened, be it pro or anti-Custer, and this has a tendancy to sometimes, neccessitate a need to distort or bend the facts accordingly.
Refreshingly you come away from this book wanting to know more about the protaganists involved but without having a biased opinion on them. The General himself comes over in a fairly good light considering at the time of publication his character was probably at it's nadir.However Connell also shows up the darker side of the man that made him the paradoxical figure he was and why he remains so fascinating even after all this time.
Indeed what the book clearly shows is that what makes this such an enduring legend in America's history is that arguably it's most famous, or notorious, soldier left his mark not by a glourious victory but rather(as it was thought of at the time)a fairly ignominious defeat.What Connell does do is also give the credit where it's due to the Sioux and Cheyenne tribes at the Little Big Horn who actually won the battle that day, which tends to get forgotten in a lot of literature ammassed on this subject.
This was the first serious book that I bought on George Armstrong Custer and back in 1984(which I think was the year I got it) living in the United Kingdom there wasn't many books around at that time specifically on this subject. I found it an excellent starting point to begin further and more in depth reading on the General and his last battle.It may seem an odd subject for a Yorkshireman to show an interset in(I think it might be Errol Flynn's fault!!)but this book certainly kick-started a long lasting interst in Custer and that particular area of American history.
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What makes the P&V translation stand out are the numerous reference notes, so that one can understand the many allusions that Gogol makes. P&V have masterfully rendered Gogol's protean metaphors and delightful similes, so that one can sense the poetic nature in which this novel has been written.
The "demonic" plot is most intriguing but what really carries this story are the many wonderful characters that Gogol has artfully rendered, each trying to figure out why Chichikov is so interested in buying their "dead souls," deceased serfs that are still on the census and therefore subject to taxes.
Chichikov, the hero of Gogol's epic poem, shows the influence of Laurence Sterne's "Tristram Shandy," a novel with which Gogol was familiar. Like Shandy, we know little about Chichikov until well into the novel. This narrative indirection allows us more insight into the other characters and the conditions of Russia after the Napoleonic wars. Chichikov is a minor gentleman, who, having served in various government positions, decides to pursue the life of a land-owner. His scheme is to traverse Russia, gathering the legal rights to serfs who have died on estates since the last census. By turning an accumulated list of these 'dead souls' over to the government, he plans to make a small fortune, which he will use to buy an estate.
While Chichikov may appear to be a morally questionable swindler, like Herman Melville's "Confidence-Man," he does have noble motivations, despite his methods. Chichikov seeks what each person seeks, according to Gogol - to have a family, to do honor to one's country. Although his plan can seem to be a ludicrous, last-ditch sort of effort at establishing himself, Chichikov is, throughout, extremely level-headed about it. Chichikov knows how to speak and carry himself so that he will be accepted by everyone he meets. From the noble, efficient land-owner Kostanjoglo to the wild, hilarious liar Nozdryov - Chichikov mingles with and exposes us to "the whirligig of men."
Gogol points out throughout the novel that the written text is inadequate to convey the actual experience - the air, the sights, the smells, the people of Russia. He tries, then, to give us "a living book" - a testament to a way of life that was soon to change. Like Melville's "Confidence-Man," which was published shortly before the American Civil War, Gogol's "Dead Souls" came out only a few years before Marx's "Communist Manifesto" which would change and determine the fate of Russia in the first decades of the 20th century.
Read the lyrical "Dead Souls" - if you like his short stories, like "The Nose" or "The Overcoat," - you will find a wonderfully complex and sophisticated, and deeply involved intellect at his best.
Dead Souls takes place in the Russia of the late 1800s, where, unlike in America, one must be born into a prosperous family in order to have opportunities. The main character, Chichikov, is clever enough to develop a scheme in which he can rise from being a petty clerk to a respected landowner. In order to do this, Chichikov moves into a new town, pretending to already be a landowner, and begins a quest to buy the names of dead serfs who have not yet been officially reported dead. Each person that Chichkov presents this offer to has a different reaction, starting with the shy and introverted Manilov. Though he does not understand Chichikov's need for the names of these dead serfs, Manilov is a character that is so desperate for company that it does not take any effort to trick him into selling his dead souls cheaply. However, as Chichikov continues his journey, he starts to deal with more clever landowners who become suspicious of his scheme.
Chichikov finds that the townsmen known as Sobakevich and Nozdrev are much harder to negotiate with. This is because they are more and attempt to trick Chichikov even though in truth, Chichikov is the one who is playing the trick on them. Nozdrev agrees to sell Chichikov his serfs under the condition that he can sell him something else along with the serfs, such as a horse or a pair of hunting dogs. Chichikov, of course, refuses the offer because he owns no land and has nowhere to keep any horses or dogs. Because of this, Nozdrev curses Chichikov and orders two of his guards to beat him up. However, by sheer luck, the police show up at that exact time to arrest Nozdrev because of crimes he committed in the past. Seeing this, Chichikov runs away and immediately sets off to visit Sobakevich. In his encounter with Sobakevich, Chichikov offers him less than one hundredth of what Sobakevich claims is the rightful price. However, the reason for Sobakevich's logic is that he claims the serfs have just as much value now that they are dead as they did when they were alive. In the end, however, Chichikov's stubbornness surmounts Sobakevich's absurd logic and Chichikov ends up buying the souls for the price he offered.
Unfortunately, as they say, "there is no such thing as a perfect crime." In the end of Dead Souls, Chichikov is stabbed in the back by the people he does business with, and does not get away with his ingenious plan. The main thing that Gogol is proving in his novel is that the entire human race is very similar to Chichikov; their interest lies in money and in prosperity. So if human beings are constantly trying to outsmart each other, a perfect society will never be obtained.
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It is one thing to hear about how slaveholders took liberties with female slaves, it is quite another to read in stark detail about women being commanded to lay down in fields, young girls being seduced and impregnated and their offspring sold to rid the slaveholder of the evidence of his licentiousness. The author talks about jealous white women, enraged by their husbands' behavior, taking it out on the hapless slaves. The white women were seen as ladies, delicate creatures prone to fainting spells and hissy fits whereas the Black women were beasts of burden, objects of lust and contempt simultaneously. Some slave women resisted these lustful swine and were beaten badly because of it. It was quite a conundrum. To be sure, white women suffered under this disgusting system too, though not to the same degree as the female slaves who had no one to protect them and their virtue. Even the notion of a slave having virtue is mocked. The author rejected the slaveholder's advances and dared to hope that she would be allowed to marry a free black man who loved and respected her. Not only was she not allowed to marry him, she was forbidden to see him or speak to him again.
The author shows us the depth of a mother's love as she suffers mightily to see that her children are not also brought under the yoke of slavery. Though she was able to elude her odious master, she does take up with some other white man in hopes that he would be able to buy her freedom. Her "owner" refuses to sell her and tells her that she and her children are the property of his minor daughter. Her lover seems kind enough as he claims his children and offers to give them his name, and he did eventually buy them, though he failed to emancipate them to spare them from a life of forced servitude. Ms. Jacobs noted that slavery taught her not to trust the promises of white men. Having lived in town most of her life, Ms. Jacobs is sent to the plantation of her master's cruel son to broken in after she continues to refuses his sexual advances. She is resigned to this fate until she learns that her children -- who were never treated like slaves -- were to be brought to the plantation also. It is then that she takes flight.
After enduring 7-years of confinement in cramped quarters under the roof of her grandmother's house, the author escapes to the North which is not quite the haven she imagined. Still, it is better than the south, and she makes friends who buy her freedom leaving her both relieved and bitter that she is still seen as property to be bought and sold like livestock. In New York Ms. Jacobs is reunited with her children and a beloved brother who'd escaped a few years ago while accompanying his master -- her former lover -- to the free states.
There is no fairytale ending to this story because the author endures plenty of abuse and uncertainty even after she makes it to the North. She is hunted down by the relentless slaveowners who were aided by the Fugitive Slave Law of 1850 and "The bloodhounds of the North." This is a wrenching account of this shameful period of American history, and should be required reading for all.
Incidents is an excellent reading selection for a bookgroup and a book that I highly recommend to everyone. Remember the story and share the story so that history doesn't repeat itself.
The book indeed has elements of a disguise and of a novel. Jacobs never uses her real name but calls herself instead "Linda Brent." The other characters in the book are also given pseudonyms. Jacobs tells us in the Preface to the book (signed "Linda Brent") that she changed names in order to protect the privacy of indiduals but that the incidents recounted in the narrative are "no fiction".
Jacobs was born in slave rural North Carolina. As a young girl, she learned to read and write, which was highly rare among slaves. At about the age of 11 she was sent to live as a slave to a doctor who also owned a plantation, called "Dr. Flint" in the book.
Jacobs book describes well the cruelties of the "Peculiar Institution -- in terms of its beatings, floggings, and burnings, overwork, starvation, and dehumanization. It focuses as well upon the selling and wrenching apart of families that resulted from the commodification of people in the slave system. But Jacobs' book is unique in that it describes first-hand the sexual indignities to which women were subjected in slavery. (Other accounts, such as those of Frederick Douglass, were written by men.) The book is also unusual in that Jacobs does not portray herself entirely as a hero but describes the nature of the steps she took to avoid becoming the sexual slave of Flint. Thus, when Flint subjected her to repeated sexual advances from the time Jacobs reached the age of 16, she tried to avoid him by beginning an affair with a white, single attorney with whom she had two children. When Flint's advances persisted, Jacobs formed the determination to try to secure her freedom.
The bulk of the book describes how Jacobs hid precariously in a cramped attic for seven years waiting for the opporunity to secure her freedom. There are also accounts of her prior attempts to leave slavery, including a particularly harrowing account of several days in a place aptly named "Snaky Swamp."
Jacobs describes her relationship with her grandmother, a free black woman who was probably the major inspiration of her life. She also describes well her love and concern for her children, conceived through the liasion with the white attorney.
This book offers a rare perspective on American slavery as it affected women. It is also a testament, I think, to the value of literacy and knowledge as an instrument for winning and preserving free human life. Although this story is not pretty, it is a testament to human persistence in the face of adversity and to the precious character of human freedom.
mine are under glass!
Viva La Legion!