This is no ordinary blood-and-glory sea story, with a ship full of heroes who can do no wrong. Here is real life - the misery of North Atlantic weather, in a small ship rolling constantly in the tremendous swell. An untried and amateur crew aboard a newly built ship are pitted against an omnipresent and invisible enemy below the waves, who is able to mark ships and sailors for death seemingly at will. In perhaps the most bitter fight of WW II, the crew adapt and learn, making Compass Rose a highly effective weapon against the German U-Boats.

Written in 1951, Monsarrat bases his story on his own experience as first officer of a corvette on convoy escort duty. He clearly identifies with his primary character, Lockhart, who joins HMS Compass Rose in 1939 as a very junior Sub Lieutenant. The people and ships are fictional, but this is nevertheless a true and moving story. A brilliant story, totally unforgettable!

The Cruel Sea is perhaps the finest novel written out of World War II. It is drawn on the actual service in the Royal Navy of the author. It is the story of two ships, maybe 200 men, German submarines and the constant relentless ocean. Even when there is no combat action, the sea is always there in all its forms - just waiting for a small defect to occurr and then it will claim another victim - be it man or ship.

The sailors of the Compass Rose are a dramatic cross section. The captain is a reservist from the merchant navy while his officers are all volunteers from the civilian sector. One officer's only sea going experience is crossing the channel in a small yacht with a one woman crew. Not the best of material.

The crew is even more diverse. The senior ratings, coxswain, signalman, engineer and several others, are all professional Royal Navy and it is one these men the captain will lean the most. The remainder of the crew is drawn from all walks of life from clerks to vet assistants. Together they are all molded into a working crew.

The contacts with the German submarines are numerous but the end result is disappointing to some in that only two submarines are sunk between the two ships. Lots of survivors are pulled from the sea though as the submarines whittle away at the convoys chugging across the sea.

One gets a sense of the unending grind that the men endure as the ships make thier rounds from Liverpool to New York with a side trip to Russia for variety. Even shore time is not enjoyed as the local Liverpool area is pounded by German bombers and wives and girlfriends are not willing to endure the constant seperation.

Compass Rose is sunk and the crew, once more, is held together by the captain. Some men are heros and die a heros death and others are simply freightened men trying to stay alive which few do. It is a sobering time for the survivors as they look back at their life in Compass Rose.

The captain and one officer move on to another ship and finish the war in her. Again, it is a return to the grind of fighting the sea and occassionally fighting the Germans. One submarine is sunk by the new ship and the war ends.

There is little glory to be earned in this story, rather it is a tale of survival, hanging on to make it through the day or night. Everyone is a hero in this story from the junior sailor to the captain. It is a story that is being remembered less and less as the survivors of World War II diminish in numbers. It is a story to be read and remembered - when there was no array of electronic weapons and nuclear energy to draw upon to destroy an enemy; rather it was skill, patience, persistance and a willingness to endure that saw a successful outcome from a combat between corvette and submarine. Sometimes the corvette won and sometimes the submarine won. Many times it was a draw.

I highly recommend this book to anyone with an interest in the war at sea during World War II. It should be in every naval officer's personal library regardless of nationality. Once read, it should never be forgotten.

This is an absolutely thrilling, gripping, involving story of war at sea. I have no disagreement with those who say this is one of the best novels to come out of WWII. I've had a copy with me through the years, ever since I first read it in high school. Monsarrat has a beautiful feel of the language, made more so by his own familiarity with the subject at hand. Every time I pick up the book and reread passages, I am still enthralled by the fine writing. There is even a lovely, poignant love story in the middle of it. Here is a passage describing nothing in particular, merely the ship "Compass Rose" when the convoy was a quiet one and the men aboard her could relax a bit:

"They found that some nights, especially, had a peaceful loveliness that repaid a hundred hours of strain. Sometimes in sheltered water, when the moon was full, they moved with the convoy past hills outlined against the pricking stars: slipping under the very shadow of these cliffs, their keel divided the phosphorescent water into a gleaming wake that curled away till it was caught and held in the track of the moon....Compass Rose, afloat on a calm sea, seemed to shed every attribute save a gentle assurance of refuge." (p 105, 1951 Knopf edition)

There was a movie made by the British earlier on, with Jack Hawkins as Ericson, the captain. The plot obviously had to be shortened, and I think the love story was changed a bit. The novel is better, still, and I do hope that they do NOT try to make another movie of it, for surely the Hollywood treatment will only cheapen this superb piece of work.

I enjoy reading good children's books even though technically I've "outgrown" them. This one was very absorbing and a wonderful story that every child should read - or have read to them by a parent or relative or somebody, because adults can enjoy it and benefit from it as well.

I won't say anything about the story, but the characters are all very nice. Jimmy's sister is helpful, his teacher and friends are kind, and Jimmy is ultimately forgiving and goes on bravely - very good role-models for young readers to acquaint themselves with.

I don't know exactly what else to say except that I recommend this book very highly.

This is a wonderful story of forgiveness. Jimmy is blinded by the careless act of a friend and must learn to adapt to a new life being blind. His whole life changes especially when he meets Leader, his four legged guide dog. This was my favorite book as a child. My 3rd grade teacher read it aloud to our class. I kept an old copy of it and have read it to all of my children. Everytime I see it at a garage sale I pick up another copy. I was glad to see that it has been reprinted and that so many other people are enjoying it. I have also recommended it to my child's second grade teacher and he has been reading it to his classes ever since.

This is one of the best children's book ever written. I read it when I was 10 yrs old and 39 years later I still remember it. As a child, the look into the world of the blind and how they learn to live and cope in ours, no pun intended, was a real eye-opener. I think i should be recommeded reading for all school-aged children(and some adults!)

This was one of my very favorite books as a child. Parents with young children would do well to read this book to them. It is the story of a young bull (Ferdinand) who learns to stay true to his own unique self. While all the other bulls all want to be mean and fierce, Ferdinand instead is a gentle and loving soul. Yet the situation comes where people try to force Ferdinand to comply. Ferdinand is taken to fight in the bull fights! Will he be faithful to himself, or will he go along with the crowds? Yes, there are deep morality questions and ethics here) Indeed, both parents and children will be touched by the timeless message of hope and strength that is Ferdinand. It truly is a book that children need to know and model.

It is easy to understand how some books become classics. The Story of Ferdinand is a good example. I remember reading this as a child. Now as a teacher I am reading it to my students. I would not be surprised if my students one day read this book to there children.

This was one of my favorite books as a child, and is now my two-year-old's favorite story. While bullfighting may seem to be an inappropriate topic for a toddler, the message of the story is that Ferdinand does not want to fight and that's just fine. The best aspect of the book, however, are the pictures and the wonderful expressions of all the characters, from the ladies with flowers in ther hair to poor Ferdinand after he is stung by the bee. This story is great for all ages.

We are grade 5T from Holland Elementary School in Holland, Massachusetts. There are 16 students in our class. Most of us are 10 to 11 years old. We read Homer Price for our first literature study book of the year.

The book is about a young boy and six of his marvelous adventures. The stories take place in the 1930's. The setting is the small town of Centerburg. Homer has adventures with the Sheriff, his Uncle Ulysses, and friends Freddy and Louis. They meet unusual people like Mr. Murphy, the Super-Duper, and Miss Terwilliger.

Here are some things our class liked about the book. We liked the stories because they were funny and interesting. The class liked all the Sheriff's spoonerisms. We liked how the stories were short. A lot of people thought that Aroma was a really neat pet. The class liked how all the stories were mainly about Homer.

Here are some things that our class did not like about the book. Some of our class did not like how old-fashioned the stories were. Some of us are more interested in contemporary stories. Some of us thought the stories were a little too long. We found some words were very long and complicated. It was kind of hard.

Homer Price offers a funny and refreshing alternative to the current fiction that relentlessly confronts children with contemporary social problems. Now and then it's good for kids to read a book that makes them laugh out loud. Homer's smart and sincere ideas inevitably produce hilarious results. Robert McCloskey's amusing illustrations - Norman Rockwell-style line drawings - add to the pleasure of this book about a bright boy in a small American town.

I read this book when I was about 8 years old. I borrowed it from my old grade school library. I was so captured by the fun, simple, but adventursome stories, that I had to go out and buy the book as an adult. Reading it brought back a flood of happy memories from my childhood. The stories of Homer Price and his small town neighbors, friends and family are a happy, refreshing look at what America is and should be all about. I'm looking forward to the day that I can read it to kids of my own!

loved the setting of this story as much as the story itself. because of nora roberts and her books, ive grown to love stories set with the irish. to be able to read the words and hear that accent is to me truly amazing.

maggie is the oldest child having been raised in a home with no family love. she is close to her father and sister, but her mother is a different person all together. because of this lack of love from her, maggie is determined to make something of herself if only to prove her mother wrong. breaking the outer shell shes developed as a form of protection wont be easy, but rogan intends to do just that.

a lovely story with enough mystery to leave the reader hoping they have their copy of born in ice sitting nearby once they close the last page of this one ::smile

The 2nd Nora Roberts book I ever read was "Born In Ice", which I only later discovered was part of trilogy -- and the middle, at that. I enjoyed it then, but resolved to go out and read the whole trilogy. I'm glad I did!

"Born In Fire" sets the whole tone for the 2 books that follow. While the relationship between temperamental glassblowing artist Maggie and upper-crust gallery owner Rogan is obviously at the forefront of this tale, the larger tale being told is that of 2 sisters and how they are coming to grips with the death of their adoring father and the reality of the long, loveless marriage he shared with their cold, bitter mother. The relationship and interplay between Maggie, her sweet-natured sister Brianna, and their shrewish mother provides some of the best dialogue in the book.

Maggie is a very well-developed character, who is so flawed and yet so wonderful that she is as human to the reader as one's own best friend might be.

The first book in NR's 'Born In' series is wonderful, you don't want to miss it! "Born In Fire" focuses on Maggie Concannon, a tempermental and loyal woman who is also a gifted artist. Gallery owner Rogan Sweeney takes an interest in Maggie's fabulous glass creations, and soon after takes a personal interest in Maggie herself. Maggie is a wonderful character, stubborn and flawed, yet still caring. Nora does a fabulous job of developing Maggie, and does it in a way that she seems like a real person. Rogan is an extremely likeable hero. Maggie's sister, Brianna, is her complete opposite; quiet, sweet, and calm. The relationship between the two sisters, however, is very touching and very real. This book is full of colourful characters, some we love and some we hate. The romance between Rogan and Maggie is wonderful. Basically, I just can't say enough good things about this book. You will love it!

I'm a horsewoman, but I don't often find a good story with a horse as a main character. The authors don't often get their facts straight. This one did. Every detail that was explained was correct down to the smallest little thing.

Old Black, the book, was a bigger book than it seemed. I counted about 35 characters counting Sam the Rodesian ridgeback dog, and, of course, Old Black himself. Not one character escapes my mind's eye. I knew them every one. Even the reporter, Paul Hardesty, was memorable, and had only a cameo (but important) appearance. Oscar and Ruby, I fell for them hard. Salt of the earth. And how I cried when ... but read it yourself. I could see why the author took that route, it was a big step up the ladder to adulthood for Jim. It took me a long time to read the whole scene because I had a hard time seeing anything.

The author truly introduced every character. And that isn't so often the case.

There was some extravagant adventure in this story, but I never once had to suspend disbelief. Old Black the horse was not overplayed into a super horse, either. Nor was that wonderful little boy Jim. And wasn't Alexandra something? Uncle Harry was right, she's a little princess. And speaking of Uncle Harry and Aunt Hazel, everybody who knows someone who has a loved one with Alzheimer's should get a copy of this book. I know in my heart that Jim's therapy would be beneficial.

There are some real heartbreaking scenes and events in this book. And some funny ones too. I thought I'd die laughing over Mr. Mehlman's "theoretical last days." And the incident involving the snake in the bathroom. My husband came in to see what I was laughing about. I told him I had been bitten by the fabled laughing snake. (Of course, he didn't get it until HE read the book.)Wasn't Harry's reaction something a man with a good sense of humor would come out with? And I can understand Matt and Jim laughing themselves sick.

I finished Old Black, lay back on the pillow and relished it a while, then started right back on page 1.

A wonderful story, and told in just the right voice. When I began the book I thought it was only a contemporary boy-and-his-horse story. But unlike most of the genre, it is much, much more. The boy and his horse are the cornerstone, but the story expands way beyond them to involve an interesting variety of people. This is not a children's book, but my 11-year-old daughter was soon captivated and sailed through it in good time. ("Is Old Black going to die?" she asked, teary-eyed. "Read on," I said.) One does not need an interest in horses to love this book. Readers with a keen eye will savor the precious little clues planted along the way, like Easter eggs hidden for the purpose of being discovered. The dozens of illustrations are simply marvelous. Early in the story, Old Black, the horse, is being readied to go off to his new life with the boy Jim Bradley. The part where the cowboy Buck Jones (I just loved him!) is stoically, silently bidding farewell to his dear, longtime friend, the horse displaying his own feelings about their parting, is as touching as any scene I've ever read. It was some minutes before I could go on. You will not miss the absence of profanity, sex, or unnecessary violence here, although that long, dreadful scene in the woods ends with violence aplenty. I found it completely called for and applauded when the criminals got what they deserved. I was drained at the end of the ordeal in the woods, and Aunt Hazel and Uncle Harry strolled onto the scene just when I needed an uplift. I still laugh when I replay that scene in the bathroom: a furious, hissing snake, two grown men and a boy "overcome by the most sustained and idiotic laughter Norma had ever heard." Like another reader, I felt that the scenes arising from Aunt Hazel's Alzheimer's disease were handled with sensitivity and good taste. My grandmother had the disease and I really believe I could have applied some of Jim Bradley's instinctive strategies to bring her some happiness if I had read OLD BLACK while she was still alive. Uncle Harry's exasperation with his wife's condition, his inability to deal with it effectively until Jim showed him the way, was sadly familiar. I feel sure that the author has experienced the anguish of being close to someone with Alzheimer's, to write about it with such delicate insight. The scene at Richter's store where likable old Walter Mehlmann gleefully rehearses how he will waltz through his theoretical last days was a fine piece of humor. Walter's influence on the other men present was hilariously realistic. So realistic, in fact, that after reading that part I found myself rummaging the kitchen for junk food, the more cholesterol laden and otherwise unhealthy the better! I wish I knew where to get some real country cracklings. Fat ones, Reinhard. I like FAT ones! Every character in the book played an essential role. They were so well developed that I could clearly see them in my mind as they came onstage, always true to their distinct characters in actions and speech. Old Black was not a superhorse, as so many fictional horses are. He had limitations and faults, which only made him more "human". OLD BLACK breathes with vibrant life, and did so even while I cried during that sorrowful part with the death and the funeral. It was an experience that gave Jim Bradley (and me too) a better, if bitter, understanding of life. The story is uplifting, happy, dreadfully sad and hilarious, and the ending is just perfect. Throughout, this intricate novel is entirely credible. I agreed to some extent with one critic below - that the book suffered a little in organization. But that defect was overwhelmed by a superb plot, clearly drawn characters, vivid action scenes, settings (I was right there in every scene: seeing, smelling, feeling), and the author's often touching insight into people and horses, especially that lovable Old Black. This is the kind of literature (I call this book literature) that can put a teeny edge on the reader's good side. It is the kind of story (too rare, today) that can open the eyes of young people to the reality that being good, responsible kids can be rewarding, and they can still have fun. This story is much too special to be confined to adult fiction. I would love to see an edition of OLD BLACK written especially for young readers.

Old Black is the most wholesome, absorbing, exciting, touching book I have ever read! And that's going back through a lot of books! Everything in the world that should be in it is there. Old Black the horse was as wonderful as his master, Jim Bradley.

I loved the old black couple, the Jacksons, who lived on the lane to the Bradley's little weekend ranch, and was truly touched by the genuine friendship between that couple and the Bradley family. All of the characters in the story, and there are quite a few, come vividly to life. You never have to think back and ask yourself, "Now just who is this walking on stage?" You know every one of them as if you had known them a long time.

The chapters involving the visit of Jim's Aunt Hazel and Uncle Harry are precious. Aunt Hazel has Alzheimer's disease and Uncle Harry is allowing her condition to get to him. It took the intuitive therapeutic interaction of a boy with compassion for his ailing aunt to show Uncle Har! ry, by examples, how to mitigate her suffering, how to lift her spirits. There was hilarity galore in those chapters, much of it at Aunt Hazel's expense, but it was never once in bad taste.

The rescue of Sheriff Martinez in the woods by Jim and Old Black, which consumed several chapters, was an endless stream of excitement that continued to escalate right up to the very last page of chapter 24. It was a tough job for both the boy and his horse that almost proved to be impossible, but every bit of it was entirely credible.

Old Black is a beautiful piece of creative writing. The story moved. It had a start, a middle, and definitely an ending, an ending that swept along through several chapters in such a rewarding way for the reader. Briggs never takes the writer's easy way out of a single scene or event, but works his plot with fascinating detail and excellent execution. The story was a fine blend of happiness, sadness, tragedy, and humor. Every aspect of the ending was perf! ect -- all the little loose ends that had collected along t! he way were neatly tied up in the most satisfying ways one could imagine -- even better than I ever imagined.

Without giving away the REAL treat at the very end, I will say I loved the way the jealousy toward Jim by the boy on the flashy horse was disposed of. That scene was a magnificent stroke! Then there is a very nice vignette involving that same boy at the very end that had best be left for the joy of reading it first hand. At that last horse show in the Astroarena, I swear I could hear the bawling, cackli! ng, mooing, crowing, grunting . . . of the animals, I was aware of the constant announcements over the loudspeakers, I smelled every aroma of the place, saw and heard the hay carts buzzing around, felt the presence of the activity going on all about -- I was THERE!

Old Black is a fairly long book --387 pages of text -- but I flew through it way too fast to suit me. We should be able to give an extra star to special books for appearances. This one is a beauty, with a nice oil painting for the cover, a pretty full-color map of "Old Black Territory" on the front and back endpapers, and at least five dozen gorgeous illutrations, which is why I presume the book was printed on such fine paper.

When you buy Old Black, you may as well buy two and get it over with. You'll just HAVE to let certain friends read it, and you'll sure not want to part with your own special copy.

(This review was provided by the reader, who does not have a computer, to the publisher for sending on to amazon.com.)

This book is THE best! I previously tried one of those shady "carbohydrates are bad and here's how to get rid of them" books, and not only was I miserable, it also made me physically ill after 1 month. Volumetrics, however, is such a wonderful "plan". It's realistic, it's easy, it doesn't have any weird ingredients or any true no-no's. I've lost 5lbs in about 2 1/2 weeks, and I feel great...I'm not starving, I'm not eating at only specific times, and I'm eating real food that my husband can enjoy with me (he who has no need to lose post-baby weight!). It truly is a life changing book as far as how you eat; it makes you much more aware of how and why fruits, vegetables, and fiber are good for you and how they help you in your weight loss venture. I highly recommend it to those of you who want to look and feel better.

"Volumetrics" is the best weight management book available today. This is the book anybody interested in weight management should read. It is a refreshingly honest approach that refutes a lot of the diet hype books on the market today. The book offers practical advice on how to control your hunger, as well as recipes. It doesn't offer the phony promises of "burn away fat while eating lard" that so many of the blockbuster diets on the market offer. Instead, it delivers a pound-shedding plan to lose excess weight without feeling hungry that is based on years of science research. The general premise is built around research that indicates that people eat the same WEIGHT of food everyday, regardless of the number of calories that it contains. Lower the calorie content, but not the food's weight and you will lose excess pounds without going hungry. It is a very easy book to read and includes recipes for meals, and is easier to follow than other energy density-base books such as the Pritikin Principle. It also appears more thorough and honest than Dr. Shapiro's Picture Perfect Weight Loss. The book's only weakness is its lack of color photographs and illustrations, which is unfortunate because that will probably hurt sales.

I received this book as a gift and it has earned a place on my kitchen counter (instead of in the bookcase with other weight-loss books). "Volumetrics" has helped me to make gradual changes in how I feed my family without feeling deprived and without having to announce, "We're going on a diet." I especially like the snack suggestions. When I REALLY WANT ice cream, I can quickly turn to the snack list and find something sweet (like a smoothie) that I can put together FAST. The recipes are fresh and very easy to prepare. Not normally a soup eater, I now understand its value in a meal plan and eagerly look forward to trying some new soup recipes (when the heatwave ends!). I don't quite understand why one reader gave this book only one star and then went on to praise a DIFFERENT book by a Dr. Shapiro. Sounds like the negative review was written by a friend of Dr. Shapiro! I didn't pay any attention to it and I suggest that you don't either.

Pevear and Volokhonsky have done it again. Another fine translation of a Russian classic. The art of the Russian novel begins with "Dead Souls," although Gogol himself likened this great work to a poema. Upon its first release, "Dead Souls" immediately won a place in the Russian heart. Chichikov and the various characters that he came in contact with in this strange journey became Russian archetypes. Unfortunately, Gogol could never bring Chichikov's adventures to a close, but this novel does not suffer for it.

What makes the P&V translation stand out are the numerous reference notes, so that one can understand the many allusions that Gogol makes. P&V have masterfully rendered Gogol's protean metaphors and delightful similes, so that one can sense the poetic nature in which this novel has been written.

The "demonic" plot is most intriguing but what really carries this story are the many wonderful characters that Gogol has artfully rendered, each trying to figure out why Chichikov is so interested in buying their "dead souls," deceased serfs that are still on the census and therefore subject to taxes.

Gogol's "Dead Souls" is an amazing, if incomplete, novel. I would say it is about a fellow named Chichikov, but that would not be true. The novel is about Russia. In "Dead Souls" we see that Gogol loved Russia so much, it drove him mad trying to find a way to save it. The novel is entrancing, moving seamlessly between minute particularity to epic scope, as it takes all of Russia under its gaze. At times, the tone is satirical, angry, comic, even desperate - but always with a wistful fondness that should be apparent to the observant reader.

Chichikov, the hero of Gogol's epic poem, shows the influence of Laurence Sterne's "Tristram Shandy," a novel with which Gogol was familiar. Like Shandy, we know little about Chichikov until well into the novel. This narrative indirection allows us more insight into the other characters and the conditions of Russia after the Napoleonic wars. Chichikov is a minor gentleman, who, having served in various government positions, decides to pursue the life of a land-owner. His scheme is to traverse Russia, gathering the legal rights to serfs who have died on estates since the last census. By turning an accumulated list of these 'dead souls' over to the government, he plans to make a small fortune, which he will use to buy an estate.

While Chichikov may appear to be a morally questionable swindler, like Herman Melville's "Confidence-Man," he does have noble motivations, despite his methods. Chichikov seeks what each person seeks, according to Gogol - to have a family, to do honor to one's country. Although his plan can seem to be a ludicrous, last-ditch sort of effort at establishing himself, Chichikov is, throughout, extremely level-headed about it. Chichikov knows how to speak and carry himself so that he will be accepted by everyone he meets. From the noble, efficient land-owner Kostanjoglo to the wild, hilarious liar Nozdryov - Chichikov mingles with and exposes us to "the whirligig of men."

Gogol points out throughout the novel that the written text is inadequate to convey the actual experience - the air, the sights, the smells, the people of Russia. He tries, then, to give us "a living book" - a testament to a way of life that was soon to change. Like Melville's "Confidence-Man," which was published shortly before the American Civil War, Gogol's "Dead Souls" came out only a few years before Marx's "Communist Manifesto" which would change and determine the fate of Russia in the first decades of the 20th century.

Read the lyrical "Dead Souls" - if you like his short stories, like "The Nose" or "The Overcoat," - you will find a wonderfully complex and sophisticated, and deeply involved intellect at his best.

Nikolai Gogol has a very creative mind as well as a unique style of writing. While reading Dead Souls, one is more likely to view the world from Gogol's point of view than his own. His writing contradicts everything Americans think they know about Russian literature. This book is a discussion of a world whose values are radically flexible. Though the concept can be frightening to those who do not take time to ask questions about their lives, Gogol has used crazy comic genius to exhibit an honest and impartial view on what is known today as "The Human Race." His book shows that humans' actions are motivated by greed and that the idea of money does not have any real significance because the value of everything that is sold is created by the human who is selling it. Gogol has also written the book in such a way that every single sentence is a universe of its own.

Dead Souls takes place in the Russia of the late 1800s, where, unlike in America, one must be born into a prosperous family in order to have opportunities. The main character, Chichikov, is clever enough to develop a scheme in which he can rise from being a petty clerk to a respected landowner. In order to do this, Chichikov moves into a new town, pretending to already be a landowner, and begins a quest to buy the names of dead serfs who have not yet been officially reported dead. Each person that Chichkov presents this offer to has a different reaction, starting with the shy and introverted Manilov. Though he does not understand Chichikov's need for the names of these dead serfs, Manilov is a character that is so desperate for company that it does not take any effort to trick him into selling his dead souls cheaply. However, as Chichikov continues his journey, he starts to deal with more clever landowners who become suspicious of his scheme.

Chichikov finds that the townsmen known as Sobakevich and Nozdrev are much harder to negotiate with. This is because they are more and attempt to trick Chichikov even though in truth, Chichikov is the one who is playing the trick on them. Nozdrev agrees to sell Chichikov his serfs under the condition that he can sell him something else along with the serfs, such as a horse or a pair of hunting dogs. Chichikov, of course, refuses the offer because he owns no land and has nowhere to keep any horses or dogs. Because of this, Nozdrev curses Chichikov and orders two of his guards to beat him up. However, by sheer luck, the police show up at that exact time to arrest Nozdrev because of crimes he committed in the past. Seeing this, Chichikov runs away and immediately sets off to visit Sobakevich. In his encounter with Sobakevich, Chichikov offers him less than one hundredth of what Sobakevich claims is the rightful price. However, the reason for Sobakevich's logic is that he claims the serfs have just as much value now that they are dead as they did when they were alive. In the end, however, Chichikov's stubbornness surmounts Sobakevich's absurd logic and Chichikov ends up buying the souls for the price he offered.

Unfortunately, as they say, "there is no such thing as a perfect crime." In the end of Dead Souls, Chichikov is stabbed in the back by the people he does business with, and does not get away with his ingenious plan. The main thing that Gogol is proving in his novel is that the entire human race is very similar to Chichikov; their interest lies in money and in prosperity. So if human beings are constantly trying to outsmart each other, a perfect society will never be obtained.

This book is very informative without being boring. It takes an often complicated businessBRand makes it easy to understand. PRobert Rodriguez is truly an inspiration to up and coming filmakers like myself,his ten-minute film school is almost shockingly easy to learn from,and his exploits at the research hospital to raise the money for the making of EL MARIACHI is very funny and almost sureal.Speaking of which I am still trying to decide if i'm willing to go to the lengths that Robert did to get the moneyBRfor my first feature.Becoming a leatural lab experiment is not something that appeals to BRme...at least not at this time.

Robert Rodriguez, Texas-born filmmaker tells us how his attempt at honing his filmmaking skills jettisioned him straight into the big time.

This diary book tells us of the frustrations and nightmares of making his debut feature film "El Mariachi". He also tells us of his interesting and amusing stories of entry into Hollywood: like getting representation from a major Hollywood agent at one International Creative Management (the biggest talent agency in the world). And he tells of his adventures and misadventures in a such a friendly style, you'd swear you were speaking to your best friend.

This is the only book I've ever read that can genuinely constitute as inspiring. I'm dead serious. I'm 17 years old and an aspiring filmmaker. Before I read his book, I was trying to make movies and was more than a little discouraged at how things turned out. But, that all changed when I heard what this book was about. I requested it for Christmas and couldn't believe my eyes. If Rodriguez, for some reason, decides that he doesn't want to make movies anymore, he should seriously consider being a motivational speaker. In this book, he tells of his filmmaking experience -- all the trials and tribulations and encourages and inspires people by telling them how easy and straightforward the filmmaking process, always known to be daunting, really is.

And as an added incentive -- frosting on the cake, really -- Rodriguez includes his "10 Minute Film School", telling how you can make a movie in a few easy steps. Again, this guy speaks to you on an equal level -- he doesn't patronize, which is what makes the book even better.

Robert Rodriguez does an excellent job of entertaining and inspiring us in this book on how easy, sometimes challenging, and rewarding the filmmaking process can be.

Take a bow, Mr. Rodriguez.

I was doing my laundry in Santa Monica depressed as hell one day when I started to read this book. The next thing you know, I got a call from my agent that I had two auditions the next day.

Why do I tell you this? I'm not sure exactly. But this book inspired me in a way that got me to make my first film.

If you're looking to learn how technical aspects of film making forget it.

In short why this book kicks a#$ is for two reasons: (Both of which I now subscribe to). 1)In his own words; "I can't believe more people aren't doing this". What he's saying is that ANYBODY CAN DO THIS. Which is soooooo true. The second great thing I got out of this book is the motivation factor. (This would be #2). If some punk kid from Texas can make a movie why can't I?

Get this book people. It's the Tony Robbins of film making!!!

This book should be required reading for every graphic designer, book designer, typographer and certainly anyone directly or indirectly responsible for unleashing the current wave of awful typography on an unsuspecting public. Bringhurst covers everything from the basics of type styles to advanced kerning principles to the finer points of page proportions, all in a succint yet engaging way.

Bringhurst does an excellent job of laying out a series of rules and guidelines, while making it clear that these are a starting point, a foundation for good type design, not a set of limitations. He is a poet as well as a typographer, and his eloquence pays tribute to the field as no one else has.

The book features a good deal on the evolution of typography and includes great side-by-side comparisons of typefaces to illustrate specific points. He also deals extensively with punctuation marks, diacritics and the duty/joy of designing type with languages other than English in mind. I find myself returning again and again to the section on the subtleties of page proportions. He also achieves the nearly impossible balance of singing the praises of the old masters while not being afraid of the best of what's new and experimental.

How can I possibly only give this work five stars? Robert Bringhurst's "Elements of Typographic Style" is more than a list of prescriptions. It is a definitive reference which explores the history behind typography, and uses that history to explain in its clear, lucid way why rules exist. Where the antiquated rules have no practical basis, Bringhurst is quick to dispell their necessity - but he neither dismisses them nor rejects them.

The visual beauty of this book is apparent upon opening it - it is a model of all it preaches. It addresses ongoing issues of basic formatting and page shaping, but also modern needs such as setting more than one language in one text - including those that read right to left (e.g., Arabic scripts). The simple yet elegant writing style makes reading this work a pleasure in itself. Anyone who deals with type - and this now means most everyone - should read this book; its advice is complementary, or even superior, to a style manual.

The Amazon editorial above lays out its sections, and as that shows, the book covers the full breadth of modern typography and page composition.

I strongly recommend this book. It is an honour to read it.

In this book, Robert Bringhurst welcomes us into his world of typography, gently showing us how to approach typesetting problems, how to select fonts, how to conceive of a page and the like. He also describes how historical reality should be taken into account in the design, as well as giving a detailed description of the history and style of many, many typefaces. The book is written with great passion, and contains very sound advice. This book is a must for anyone seriously trying to create a beautiful, readable book.