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Integration is assumed to be within the context of ERP systems, which are enterprise-wide in scope. The level of detail is kept reasonably high so that both audiences can easily grasp the key issues and understand the challenges and needs of the other. What I like about the book is the fact that it never loses sight of business requirements, and the manner in which it stays focused on quality and real world issues. I also like the way case studies are used to reinforce some of the more abstract aspects of enterprise integration.
Highlights of this book that will interest both business and IT include:
- Totally Integrated Enterprise Goals and Agile Enterprise, which give a business framework for the technology solutions that are discussed later in the book
- Methodology for Understanding Enterprises, which places integration and technology into the context of meeting business requirements
- Business Development and Product Management, which provide insights to IT about the challenges that their business constituents face and their support requirements
Because this book is a high level view of enterprise integration many details that support the decision to employ integrated systems and how to implement them are missing. However, the true value of this book is the way it brings together business and technical information and the way the authors have managed to address both groups that are normally widely separated.
If you are seeking a book about deciding whether of not to implement an enterprise-wide system I recommend "Enterprise Resource Planning Systems: Systems, Life Cycle, Electronic Commerce, and Risk" by Daniel Edmund O'Leary. If you are more interested in an implementation methodology I recommend "E-Business and ERP: Rapid Implementation and Project Planning" by Murrell G. Shields.
When a former high school classmate gives the overweight, crew cut Reinhart a chance to get in on the ground floor of the cryogenics fad, i.e. freezing corpses for future restoration, the WWII veteran crashes head-on into the 60's generation.
Berger's great talent for depicting life's absurdities through the eyes of a talented misfit, which he did so well in "Little Big Man," is used perfectly in "Vital Parts" to depict the plight of the middle-aged, suburban, white American male, whose post-WWII utopia was irrevocably altered by women's lib, free love, civil rights, and the youth movement.
Between his oustal by his wife for cutting his son's long hair off while sleeping and his affair with a 22-year-old nymphomaniac, who keeps her car doors unlocked because she "doesn't like to block any of her entrances," Reinhart has one hilarious adventure after another. The plot hums and it is hard to read "Vital Parts" in public without laughing hysterically.
If you liked "Confederacy of Dunces" or "Catch-22" with their wiseguy, lost-in-a-sea-of-madness protaganists then you will love "Vital Parts."
It is a shame that so many of Berger's books are no longer in print. He's one of the great observers of late 20th century American life.
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All Berger's writing here (as everywhere else) is purely expository, there is no shade of argument present anywhere; if something is less than self-evident to you, that's your problem, I suppose.
While "The Invitation..." itself (first five chapters, that is) was not bad, "The Construction of Reality..." is just plain gobbledegook, purposely (I suspect) rendered incomprehensible in order to make it look profound. And even when you do -- at the cost of a huge mental effort, highlighting, paraphrazing, and drawing lines and circles on the pages -- uncover some vague semblance of a possible meaning, it invariably turns out either trivial or highly questionable.
What's interesting is that, following Berger's bibliography, I moved on to Weber, and turns out, sociology CAN be written logically, concisely, and clearly. What a pleasing surprise.
What gets people to the point of seeing the world as a unchangeable whole, almost like nature itself? The most important answer is that we're being socialized from our first day of existence. This socialization comes from our family, friends, teachers, everyone - even the people we meet and see everyday and never think about! They tell us who we are, where we are, what we are, what we do, who they are, what everything is, etc. Its absolutely amazing to think that our view of the world is what it is mostly because of our society, but that's the idea here. Society is constantly being constructed and reconstructed, enforced and reenforced, by people all the time.
A huge part of the reason for this is institutionalization. This means that a certain type of person does certain acts, in just such a way, in the right time of their lives, with the right education level, etc. This book has so many critical things to say about the world we live in. However, best of all in my opinion, the ideas are timeless.
The topics discussed in this book have been with us since the beginning of civilization and seemingly always will be. This isn't a book about modern times, it is a book about all times.
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Reinhart is a guy with a life, a big one, not the typical career and nothing else life but a real life for the modern man, with art , cooking home repair and loving women as a few of his daily works
A good book about the freedom that men achived due to the womens movement .
A great book about cooking before it was cool.
Reinhart in Love is the second in a series of novels about Carlo Reinhart, Berger's Everyman. The first novel in the series was Crazy in Berlin, Vital Parts followed RIL, and the last, thus far, is Reinhart's Women. They are all good in their way, Vital Parts almost on the level of this one
There is no more fuller realized character in American fiction than Reinhart. A good man with strengths and flaws, Reinhart is easy to identify with. RIL begins in 1946 with Reinhart returning from Germany to his hometown in Indiana, a blond, overweight, young man of 22 years in the throes of some real anomie. It follows his adventures in readjusting to civilian life, as he gets a job as a real estate agent with one Claude Humbold, a truly great comic creation--the satire of the go-getting salesmen, a Music Man without the music but with more outrageous humor, is tempered by real sympathy and affection for the type. Reinhart also gets married, his wife and her father are mindboggling, goes to college, drops out, makes friends with a Negro, Splendor Mainwaring (the episodes where Reinhart goes to Splendor's house for dinner, making the acquaintence of Splendor's father as that man is working an insurance scam by setting an abandoned car of fire, and where he substitutes for Splendor at a motivational type of meeting,in the disguise of Dr. Goodykuntz, a sort of Ronco Chopra, are comic gems of the highest order), ultimately disgraces himself by letting himself be duped by Humbold and some corrupt pols in a shady business deal, and heads out on the highway to make amends by committing suicide, meeting another great subsidiary comic character, Homer T. Blesserhart.
Reinhart is a great, full, rounded character. Sensitive, intelligent, yet not above fooling himself and acting dishonestly sometimes--usually in minor ways. His milquetoast father with hidden strenghts, his most unmaternal mother, his pushy, conniving wife, her self-important drunken father, Splendor, the Maker, Fedder--all varopis comic creation of the first order that enrich the book and instruct Carlo in the way of the world. Reinhart is not a naif, but is a man who genuinely likes people and believes that they can and will rise to their best. And believes that so will he. A lovely man, a great book. Read it slow, savoring the slightly cockeyed perambulating narrative style, and appreciating the rich characters and comic invention.
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