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Bennet will be viewed as either an apologist for [George Adamski], or as having the insight to see beyond the superficial straw that Adamski worked with to perceive the small but priceless quantity of gold produced. In fact both views are correct and at the same time. In other words we are in contradictory territory here and Bennett is a wise guide.
In discussing the power of metaphor (central to his thesis) Bennett says attempts to alter meaning will cause "forces beyond all belief to be summoned". This is truly stated and can be easily inverted to produce an equal truth. Such is the nature of this perplexing book - all is ambiguity.
The old showman that was George Adamski deserves this book. It offers a wonderful, rich, rewarding and finally fabulous journey to the dream/reality factory. Go visit.
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A terrific read for something written in 1908.
Briefly, to say what has already been said before, The Old Wives Tale is exactly that - a tale of three women who marry in very different circumstances. Mrs. Baines, the mother, is a life who is only briefly touched upon. However, the seperate lives of the two sisters, Sophia and Constance, are the crux of the book. Each life takes its' turn. We are first told about Constance, then about Sophia, and finally, about their reunion. Constance, whose name is not a coincidence, lives a simple provincial life, and Sophia, whose name also matches her persona, chooses romance and adventure. There is only one villain, and yet, he is perhaps the most powerful and chilling of all villains, Time. His grasping, clutching, suffocating presence is ever felt throughout the book, and looms even larger once that final page is turned. In the end, Sophia and Constance each pay the price for their choices, and the true cost of those choices is left for the reader to decide. As unique as we are, we will each believe something different about Sophia and Constance in the end, and that is precisely the point.
To sum up the experience of The Old Wives Tale, a tale of three women living their lives, and their lives changing them (or perhaps not changing them, is that it is the most honest approach to human psychology I have ever read. The lives we read about, Mrs. Baines, Sophia, Constance, and even those who surround them, could be anyone's. In fact, most of us can find someone in this book we could point to and say "that's me". No character, no matter how brief their exit or entrance into this story, is insignificant. Each person gives us a fresh perspective on the human response to events and to, of course, other humans. The three main characters are presented with sheer, unsympathetic, yet respectful honesty. We are not introduced to inhuman, perfect, idealistic souls in this book. Nor are we looking through the eyes of the wicked. Instead, we are searching the souls of ordinary people and in the end, are left with a question about our own existence.
In fact, it should be a large clue to readers when they see that the title of the fourth section is, What Life Is. It is here that something occurred which I totally unexpected, and it left me quite shaken - in fact, desperate. I found that I had been brought from the comfortable vantage point of observing these fictional lives, which are at times inexplicably amusing and heroic, to a sudden uncomfortable sensation that the characters were real and had turned toward me - the reader - begging the question "What of your life? What have you done with it? What have you accomplished?"
That subtle change of vantage point was shocking, and ingenious. Without criticizing his own creation, the author was able to communicate the importance of living our lives to the fullest without telling us how. This fact alone shows great wisdom. Sophia and Constance experience remarkable things, no more remarkable than most people, but remarkable just the same. Each reacts differently because they are different, and each has a different idea about how to find happiness and how to deal with life's disappointments. Both are frequently of the opinion that they could improve someone else's life, yet have not found real satisfaction in their own. Each makes mistakes, and each perform the heroic. The author will on the same page be blunt about their faults and tender with their plight. He tells their story without judgement, and yet in the end, you feel you have read a very wise judgement on the nature of the human race. Here, reader, you will find no prescription for life, but a question that begs a diagnosis. The author makes it starkly clear that the remedy, or whether a remedy is even required, is up to you.
The Old Wives Tale is not a dark story. It is not a comedy. It is not high adventure or mystery. In fact, it is many of these things put together to create something REAL. And it has shaken me to the core.
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"The unintentional irony of juxtaposing Martin Luther King's 'dream' speech with blatantly racist folksongs is typical of Bennett's charmingly naive and confused view of morality and virtue. The inclusion of songs and stories promoting racial harmony appears to have been driven by a simple-minded sense of political correctness. But Bennett nonetheless succeeds in providing the children of America with a much needed lesson in patriotism and morality. God knows that the public has completely lost their sense of morality. Thank you, Mr. Bennett, for teaching my children what is good and virtuous." This is part of what is wrong with America.
Bennett has taken familiar vingettes (Pilgrims, Paul Bunyon, Johnny Apple Seed, Martin Luther King, Jr., moon walk, etc.) and presented them in a short form that is perfect for four to seven year olds and above.
Each story teaches lessons based on core values and can lead to good discussions with children in trying to explain the underlying values. The tales are also a wonderful introduction to the story of our country through our history and myths. They cover the range of the American Experience and are exactly the kind of tales that can serve as a launching pad to introduce youngsters to a wider exploration of our national heritage.
The stories themselves are well written and captivating (though my four year old's attention wandered with some -- it is for older than pre-school on the whole). The illustrations are first rate and help younger children understand the written story.
The format is perfect for bedtime stories -- good length for a one story a night reading. It is also one you'll want to return to again.
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Reach the automatic programming level is a revolution that will affect the way things are done today.
In a very cientifyc way, the book shows all the aspects of how to get ready for this evolution.
After a brief introduction to the book in chapter 1, the authors move on to a detailed discussion of the philosophy and approaches used in genetic programming. They list the five steps that must be done before applying a genetic algorithm to a problem and give an overview of the LISP background needed to understand genetic programming. The authors emphasize that the genetic algorithm is probabilistic in nature, with the initial populations, individual selection, and genetic operation chosen at random. They give flowcharts illustrating a typical genetic algorithm and program, and then show executable programs can be automatically created. A very extensive list of references on genetic programming is given at the end of the chapter.
In the next part, the authors discuss how to eliminate the requirement that the programmer specify the architecture in advance to the program to be created. After reviewing some methods that were previously used to make the choice of architecture, the authors move on to describing a set of architecture-altering operations that give an automated method for determining the architectures of evolving programs. The discussion on automatically defined recursion is particularly interesting.
The book then shows how to use the results so far to allow problem-solving to be done using genetic programming, the first one being the rotation of automobile tires and the second being evolving a computer program with the behavior of Boolean even-parity functions. This is followed by a discussion of how to use architecture-altering operations to solve a time-optimal control problem. The most interesting part of this discussion is that it illustrates the important point that disadvantageous actions should be taken in the short term so that the long-term objective can be achieved.
In chapter 14, the ant foraging problem is used to illustrate a form of the (Minsky) multiagent problem and architecture-altering operations. This is followed by discussions on the digit recognition problem and the transmembrane segment identification problem. The authors choose the Fibonacci sequence to illustrate how recursion can be used in solving problems with genetic programming. The necessity of using internal storage is illustrated using the cart centering problem.
The authors then overview the use of the Genetic Programming Problem Solver (GPPS) for automatically creating a computer program to solve a problem. Several problems are examined using this Solver, such as symbolic regression, sorting networks, and the intertwined spirals problem.
The next part then considers the application of genetic programming to the automated synthesis of analog electrical circuits. The authors judge, rightfully, that the design process is one that will be a good judge of automated technique versus one that was done by humans, especially considering the fact that analog design is considered by many to be an "art" rather than a "science". The authors show how to import the SPICE simulation system into the genetic programming system, and discuss how validation of circuit design using this simulator would be done by the genetic programming system. After showing how a low-pass filter may be successfully designed using the genetic programming system, the authors show how with a few changes it can be used to design many different types of circuits. Interestingly, the authors cite the rediscovery by genetic programming of the elliptic filter topology of W. Cauer. Cauer arrived at his discovery via the use of elliptic functions, but the genetic program did not make use of these, but relied solely on the problem's fitness measure and natural selection!
An interesting discussion is also given of the role of crossover in genetic programming by comparing the problem of synthesizing a lowpass filter with and without using crossover. The authors conclude that the crossover operation plays a large contribution to the actual solution of the problem.
Then later, the authors show how genetic programming actually evolved a cellular automata that performs better than a succession of algorithms written by humans in the last two decades. Specifically, they show how genetic programming evolved a rule for the majority classification problem for one-dimensional two-state cellular automata that exceeds the accuracy of all known rules.
Most interestingly, the authors show how genetic programming evolved motifs for detecting the D-E-A-D box family of proteins and for detecting the manganese superoxide dismutase family.
The actual performance and implementation issues involved in genetic programming are discussed in the last two parts of the book. They discuss the computer time needed to yield the 14 instances where they claim that genetic programming has produced results that are competitive with human-produced results.
The authors wrap things up in the last chapter of the book and discuss other instances where genetic programming has succeeded in automatically producing computer programs that are competitive with human-produced results. The evidence they have in the book is impressive but there are a few areas that will be ultimate tests of this approach, the most important being the discovery of new mathematical results or algorithms. It is this area that requires the most creativity on the part of the inventor.
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The author set the story in the greater context of the era which helped this reader conclude that "The Saintly Scoundrel"- John C. Bennett fitted right in with all the other "scoundrels" of the time, including Joseph Smith, Brigham Young, James Jesse Strang, Sidney Rigdon, et. al.
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Allen Roth conjures up the spirit of those years in a book which will bring back memories of early spiritual endeavours for some, and will encourage the latest generation to follow its instincts. The like of Mr Bennett doesn't seem to be around at the moment but "Sherborne" will give the reader a yardstick by which to measure "teachers".
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One should note that the triad of being, function,will, is reminiscent of Schopenhauer, a point Bennett seems to sense, but a Schopenhauer as if redone by a Hegel, gosh forbid. This 'metaphysics' of the will can never be as profound as it seems, and is a permutation of an old game. Still, if you have a week, check this book out, if only as science fiction. But only a week, and then move on. Any esoteric pretensions are bunk. Never lend your scholarly talents to a Gurdjieff.
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Noel Bennett accomplished something which few outsiders even try on the Navajo Nation. Based on her background and experience, she set out to understand and learn one of the traditional crafts -- weaving a rug from raw wool to finished product. It looks easy. After all, lots of Anglos weave. Some even spin yarn. The whole process, from raw wool to a finished rug that is work of art, sounds simple in the telling; but, reality is different.
Let me give you an example. Fry bread is a traditional Navajo food, which almost every woman can make without thinking. It's as natural as walking. Maybe one of the simplest of traditional Navajo skills. I've tried to learn one element of it, taking a small ball of dough and patting and kneading it out to a circle about a foot in diameter that is then dropped into hot oil to be cooked to a golden brown.
It was a lot of fun. The Navajos got a lot of amusement out of watching me try and mostly fail, day after day. I had fun trying. My "teacher" was kind, helpful, patient and amused; she'd show me again and again, but I inevitably ended up with a lumpy disc of dough that she'd patiently pat into a proper circle before laying it in the frying pan.
In other words, it ain't as easy as it looks.
Bennett undertook a similar but far more complicated learning experience in the 1960s. Unlike me, she stayed with it and became skilled. One result is this book, a sensitive semi-insider's look at a traditional craft that exemplifies one of the few genuine American art forms. Her desire to learn was appreciated by her Navajo friends; one reward is she becomes a target of their good natured humor, a friend of the family.
Many outsiders "study" and patronize Native American cultures; Bennett became part of it. There is a genuine "Us vs. Them" attitude among the Navajo, with very good reason based on the constant Bordertown (Gallup, Winslow, Holbrook, Flagstaff, Farmington, etc.) prejudice and exploitation. The Navajos came to regard Bennett as one of "the People," so when it came to entering a rug in an off-reservation exhibition her Navajo friends helped her evade some pretentious Anglo rules.
It's always fun to poke fun at the bilagaana (Anglos). Their pretensions are too good not to laugh at.
Americans like to think, "Underneath, everyone is basically the same." Bennett appreciates there are fundamental differences between Navajo and Anglo cultures. She touches on it, such as the importance of "four" in Navajo culture. Anglo culture is based on "three," such as the Trinity in religion and three examples if you want to prove something; Navajo culture has "four" as typified by the four cardinal directions, four sacred mountains, four basic colors, four precious materials for jewelry.
Bennett cites these examples, but she never really delves into the meaning of these cultural differences. For example, Anglos live in a confrontational culture of guilt or innocence; Navajos live in a consensus culture in which K'e, the spirit of harmony, is more important.
But, she lived in the western Navajo Nation where the more traditional people live; the eastern side, where I lived, is more accustomed to pushy Anglos. She feigns shock at some Anglo ways; my experience is that most Navajos fully understand the aggressive Anglo world and its rude contrast with their patience. She is more of a nizhoni (beautiful) person; I'm more of the Ma'ii tso (which has far more meanings than simply "fox").
In general, though, she offers a sympathetic, intelligent insight into rug weaving -- one of the integral elements of Navajo culture. Her book is the epitome of Anglo culture -- an "insider's" view of a different culture, one that most people will never see and even fewer will ever have a chance to begin to understand.
It's well worth buying, reading, keeping and sharing with friends.