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This got me thinking. If SF art is "mere illustration" as an art critic would say, what about all those historical paintings of heaven and hell, the last judgement and armageddon? Critics seem to love those.
But I digress. SF art does have its place, and it plays an important role. The main body of "Hardyware" gives us a glimpse of the possibilties that await us in the future. If things turn out properly and we don't destroy ourselves, our descendents will become great builders with the potential to conquer the stars. Most of the artwork in this collection is done in gouache and acrylic, although more recently the artist has turned to digital media.
We see visions of the past as well as the future. One of my favourite pieces is a scene from "The War of the Worlds". I remember seeing that image on a cover jacket when I was 12, although I didn't know who the artist was back then. The image of a dinosaur looking up at a descending asteroid is hauntingly grim.
I often think SF artists are underrated. Though they are often proved wrong, their visions provide a valuable contribution to the development of our civilization, giving inspiration to those who have the ability to make fantasy a reality.
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I managed to read this book within a week. I found it to be well written and easy to understand. It contains short sentences that are easy to absorb. I suspect it may have been written for teenagers.
I'm bewildered as to why no one has reviewed this classic book. It's an honour and privilege for me to review it.
While it may have been aimed for a younger market the themes in it are ageless and timeless. Mature readers will appreciate it too. What I loved about it was how my current net experience, while relatively plain, simple and uneventful, is correlated to this future vision of spectacular marvel. In one word, it's fascinating how it views the future of virtual reality and the (hopefully) future eventuating of how the Internet will prosper and develop to encompass our daily lives. I just loved how it projects people into simulated worlds like a cat with nine lives. From history to future space everything and anything is imagined within the Web 2028 and with vivid, exciting detail that humans can only dream of happening in their wildest fantasies..
Overall I recommend this book. While I'm normally a sci-fi fan who liked Star Wars, X Files etc. this book appealed to me. I recommend it for all ages especially the young. I dare say it's better than Harry Potter as it's relevant to the current Zeigiest way of life and modern pop culture. Who wants to read about witches and magic when you can summon visions of a promising and idealized utopian high tech future. [Forget} Potter and Lord Of The Rings, read this book NOW!!!
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I confess I have found some of his books pretty hard going (Raft, Flux etc) but this is much more digestible, a lot more fun and you don't need a Phd in quantum mechanics to enjoy it.
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Baxter needs to work on some of his descriptive abilities, on the other hand. Granted, it may be my problem, but I was unable to picture some of the things he was trying to describe in the book and I think it lacked in being able to effectively describe what something looked like.
All in all, this book has some great imaginative features, and Baxter is someone I am happy to read again.
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This is the sequel to Silverhair, and in my opinion, excells it, though the first book it wonderful enough.
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I haver never been convinced by Pater Hamilton, much as I want to like a British author who can do cyberpunk and do space opera with the best of the yanks. However his piece in this collection, 'Watching Trees Grow' changed my opinion of him. It is an alternative-history crime novella based on the premise that descendants of the Romans still rule Britian through a set of East India Company-style families who combine economic control with a monopolies over various areas of scientific progress. It is a neat idea, and takes the premise further than many other alternative histories by throwing the story further and further into the future, as an old rivalry becomes an obsession that almost transcends time.
I enjoyed it despite the episodic feel - perhaps a novel would have been more appropriate - but its 'Britishness' seemed slightly musty and old-fashionned, and redolent of dreams of Empire, in stark contrast to McDonald, or more overtly hip authors like Jeff Noon or Justina Robson. Maybe that was the point, and if so it was well made: science fiction is much the poorer if it doesn't teach you something about the society in which you live.
As for Stephen Baxter's 'Reality Dust': well, he does try, and he does keep churning them out, but this is so boring and so mainstream and so traditional. It is all done very competantly, but it is basically the kind of SF I enjoyed when I was a teenager, it isn't challenging in any way.
I was a little disappointed with Paul McAuley's novella, 'Making History', especially as he is one of my favourite writers. This was partly because at the heart of it was a very tedious old argument about the nature of history (great men versus social processes) which tended to intrude on the quite interesting story of the processs of war, defeat, reconciliation and the way history is written. Perhaps this was set up as part of the character of the historian to demonstrate his own flaws, but it didn't really convince. This is certainly not one of his best stories.
As I said at the start, I bought this collection for Ian McDonald's 'Tendeleo's Story'. I was certainly not disappointed by this one. McDonald is one of the few writers in the genre today who can combine real politics and a strongly compassionate and empathetic grasp of human nature. He is also a superb writer, able to portray setting and character in a vivid, dynamic and sensual way.
This novella, as the title suggests is the story of Kenyan girl, Tendeleo, the arrival of a extraterrestrial nanotech lifeform, the Chaga, that begins to transform Africa, and as a result the balance of global power. Initally for Tendeleo, however, this means growing up and simply trying to survive in the ferment that follows, which in her case means geting more and more deeply involved in street gangs smuggling Chaga material out of Africa. Capture and exile is never far away and whe it comes she loses here family in tragic and guilt-inducing circumstances. She winds up in cold, rainy Manchester, England, where she meets the other central character and narrative voice of the story, Sean, a black Irishman, who is also an exile in various ways, and a tentative love affair begins. Of course, inevitably Tendeleo has to return to Africa, where the Chaga has begun to revolutionise everyday life and the place of Africa in the world.
'Tendeleo's Story' is worth the price of this collection alone. It is an almost perfect example of how to write a novella that with none of the structural problems of the others in the book. The narrative is perfectly paced, with a deft handling of both action and emotion and no forced-ness or pretension. It is truly worthwhile and heartbreakingly real story that exist within an utterly fantastic and transforming world, yet a world which says so much about our own. A true gem of a story, from one of the best and most underrated writers around.
First, it is a British import, and thus the authors represented, while to varying degrees familiar to most of the rest of the world, really are British in tone and outlook.
Second, rather than stories, this volume has the longer novella form for the stories, and thus there is one story apiece. SF seems to be the last bastion of this "not quite short story, not quite novel" length work, and the virtues of the form are admirably displayed here.
The first story is Peter F. Hamilton's WATCHING TREES GROW. Although far better known for his Reality Dysfunction space opera, Hamilton has written detective SF before (The Mindstar Rising novels) and this is another example, with a twist...it is set in an alternate history where Heinleinian long-lived families vie for power and influence, and that is just the backdrop to a murder mystery.
The second story is REALITY DUST by Stephen Baxter. Unlike Hamilton, Baxter's story is set in his trademark universe, the "Xeelee Sequence". This is set after the Qax Domination, where their former collaborator-lackeys seek escape from the freed peoples of Earth in a rather unusual escape route.
MAKING HISTORY, by Paul McAuley is set in a more standard "near future" solar system, in the aftermath of a war...and even if it is true that history is written by the victors, that history can sometimes be rather muddled in the making.
The last story is TENDELEO'S STORY by Ian MacDonald. Like the Baxter, it is set in a trademark world of his, the "Chaga stories", where a strange alien life (nanotech? technolife?) has started to colonize the Earth, beginning with Africa. This story, like his other novels and stories, focuses more on the people affected by the Chaga, much more so than the actual event itself.
All four of these stories are strong, but of course, tastes may vary. The stories do range a far chunk of SF, and it is very possible that while you might like two or three, you may not like all four (personally, I liked the Baxter the best and the McDonald the least). Thus, the 4 star rating. Still, all in all, if you are at all interested in what the best British SF writers are doing, this paperback is perfect for the purpose.
In WATCHING TREES GROW Peter Hamilton took history, turned it upside down, shook it a bit & gave us an alternate view of a history quite unlike anything I had ever read before.
Stephen Baxter's REALITY DUST made the reader look at reality in a whole new way.
In MAKING HISTORY, Paul McAuley showed how history is not always written by the victor.
Ian MacDonald's TENDELEO'S STORY took me back to the Chaga in EVOLUTION'S SHORE which always impressed me as being one of the most possibly real First Contact stories ever written.
All four novellas explore the very trait of our species' survival, adaptability, that brings hope & after all that's what science fiction is really about.
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This book hits that mark dead on.
The adherence to the technicals and history of the Apollo program is well done and worked seemlessly into this alternate history. The description of science is detailed enough for those so inclined while not going so overboard as to bore the less technical reader.
The structure of the writing is perfect for a story that must cover such a long period of time. Baxter is able to carry the story over decades without ever losing momentum or the interest of the reader.
The character development is great. The story is progressively told from the perspective of different characters, in the third person.
Overall, I highly recommend this book. One of the best I've read.