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I was wrong.
and more wrong, I could not have been, this book, though a "sequel", is independant in it's thoughts and it's scope. It's writing explodes into your mind, titilating your imagination.
though the notion of parallel universes, would be known to any sci-fi reader worth his salt, never has it been explored, exploited and executed into a story so well. Though the scientific premise of this story is sound and invigorating, Baxter never lets it to dominate, he keeps in mind that this is a book and above all, it is meant to be read and to entertain. The story continues as he explains and educates, the plot progresion is one of the most seamless I have seen in a sci-fi novel.
If this book shows anything of Baxter's promise, it is that if he continues like this, in time his name would be remembered with the likes of Asimov, Clarke and Heinlien.
Buy this book, you will and can not regret it.
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Baxter unquestionably has the wildest hard-physics imagination in the business. The world depicted in FLUX is a staggering conceptual achievement, taking the amazing concept of neutron-star life first suggested by Frank Drake and developed by Robert L. Forward in DRAGON'S EGG & STARQUAKE and going one step further, creating an ecosystem within the neutron-superfluid mantle of the star and exploring its whole geography from crust to core. The biology, locomotion and senses of the inhabitants are well worked out.
But Baxter's imagination tends to outrace even him. In both his books I've read, there have been major flaws in logic, points on which he failed to think his ideas through. Here, for story convenience, he asserts that the nuclear-size humanoids' life and thought processes happen at normal human speed. Readers of Forward will see the absurdity of this. The nucleonic processes on which this life is based are a million times faster than chemistry, because the particles are so much closer together. Even if it were possible to slow these people's life cycles so much in proportion to the underlying processes, they'd be agonizingly slower than the native organisms around them, living on a slower timescale than even the plants. There are other moments of shortsightedness; sometimes he describes them in humanlike ways incompatible with the anatomy and physics he's defined. (How could Dura have "slick palms" when they don't perspire?)
When the reason for these micro-humans' creation is finally revealed, it doesn't make sense. It would've been more logical to build mindless robots for the task, and ones better-designed to fit the environment. The creators' choice to make them almost exactly human down to the same impractical anatomy and the same emotions and aspirations shows a sentimentalism fiercely incompatible with the project's goals.
Baxter also gets confused about the scale of his trademark structure, Bolder's Ring. In VACUUM DIAGRAMS he said it was millions of light-years across -- yet described an attack on its rim affecting its center instantaneously, and described a distant observer seeing the battle across its whole width in real time. And here, he describes it appearing tiny from a distance of mere thousands of light-years. Baxter seems to have trouble realizing the physical and temporal scope of his own creations. His imagination is bigger than his judgment.
Baxter's a far better writer than Forward, but as in Forward's books, the plot is basically an excuse for illustrating the environment and physics. His characters have a modicum of emotion and personality, unlike Forward's, but are sometimes superficially drawn and hard to get a handle on. The one sexual interlude is painfully awkward and gratuitous from a character standpoint, serving only to illustrate the mechanics of the act for this species. (And let's not go into Baxter's seeming obsession with bodily functions. He could've chosen a more pleasant term for biological jet-propulsion.)
Amid the superlatively exotic setting, the society is relentlessly ordinary and unimaginative. The sociological storyline replays the mythology of countless British WWII films (and American films about Britain, such as MRS. MINIVER) -- a stratified society is torn apart by disaster and becomes united, promising to rebuild as an egalitarian utopia. It's tacked on quite awkwardly here. Overall, Baxter pulls the reader in two different directions -- in the environment and physics he strives for unimagined wonders, but for the people and society he pulls against that and forces them to be as mundane and familiar as possible.
FLUX portrays the most extraordinarily alien, yet credibly developed, physical environment I have ever seen in SF. But this just throws the book's flaws and its ordinary storytelling into sharp relief. And Baxter's failure to think through all the ramifications of his own ideas, and the huge logic gaffes that result, are a continual frustration.
'Flux' tells the story of Dura, one of a microscopic species of human who live in the mantle of a star. Hers is a feudal society with strict stratification of the different classes. Verbal history tells of a once more technological society now lost after the Core Wars. Sounds preposterous, I know, but Baxter's greatest strength is that, despite the heavy duty science in his works, he never loses sight of the human element. His story of Dura, an upfluxer and her adventures in Parz City and beyond, is so engaging that the reader can forget that the technicalities of the story and enjoy the adventure.
Through a series of good, bad and dumb luck, Dura finds herself at the center of an expedition that is the only hope of saving the Human Beings in her particular star. Through her tribes legends of the Xeelee she is able to engineer a meeting with a Colonist - a denizen of the core of the star, a downloaded copy of the original humans to seed the star with Dura's people - and formulate a plan that will save all the species of humanity from destruction. And consequently re-engineer a fairer and more just way of life.
It's hard to find Science Fiction these days that actually has some science in it. Baxter is at the forefront of the rebirth of Hard SF. Do yourself a favor and read one of his books. I guarantee you it won't be the last.
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As for plot, this one is fascinating. I don't think that the topic of time-travel will ever lose its interest for me; in this case, Baxter was able to maintain my interest consistently throughout the book. Moreover, he adds other oft-used, but always interesting topics such as alien opressive rule and interplanetary communication. I have learned that there are more books about the Xeelee and now I want to find out more about these mysterious creatures who have such advanced technology. Baxter is indeed a master of "hard" sci-fi.
On the negative side, I was disappointed with the ending that in some ways was predictable and awkward. Nonetheless, he kept the theme provocative and thoughtful
I've just finished 'Timelike Infinity' and could not put the book down. It is hard SF with some deep descriptions of black holes, event horizons et al but it is a superb read. While this is hard SF, I think Michael Poole's character was well developed without giving away some secrets about how he knows all the astro-physics stuff (that comes later I hope).
All in all, a terrific read for SF'ers who want a good story, a quick read, threads to future books, and an imagination that is difficult to find nowadays.
Oh, by the way, I've read accounts of other Baxter books and there are references to the fact that the Xeelee Sequence books are standalone books. Perhaps, but my advice is to start at the beginning and work your way through the 5 books beginning with Raft. While the stories are definitely set in different era's, there are plenty of references made in each of the books I've read so far that the chronology is necessary
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Icebones realizes she is different from the other members of her species. The human scientists regenerated them all but she was born in a more natural manner enabling her to understand mammoth history, legend, tradition, and most importantly how to survive in the wild. Against some opposition, she becomes the leader and begins the journey across the planet where food and water might exist so that the species can live.
ICEBONES, the concluding novel of Stephen Baxter's imaginative personification of Woolly Mammoths, is an engaging science fiction tale that readers will enjoy. The story line requires a stretch to accept yet the audience will want to read this novel in one sitting. Fans will appreciate Icebones, a heroine who recognizes her responsibility to guide the unruly herd to the promised land and does not shirk away from doing the right thing though that would be easier on her. This is a strong epic morality tale that holds up with its two predecessors quite nicely to provide an entertaining insightful trilogy.
Harriet Klausner
The French under the Duc de Luxambourg and others mainatin the largest and most aggressive army in Europe. These are the years when France seeks to create a greater hedgemony. Population and ecomonic growth has blessed France since it was largely spared the devastations of the 30 Years War earlier in the Century. Now under their highly autocratic monarch, Louis XIV (The Sun King), they seek to dominate Europe. They have impressive resources to do this. Vaubin is the genius of siege-craft. Under his brilliant direction one Dutch fortress after another falls as the French armies advance deeper into the Spanish Netherlands and the Low Countries. Only the dogged determination of William is there to stop them. Each year another major Dutch or Spanish Netherlands fortress falls, but William holds out long enough to wear the French down. Louis begins to tire of the tangled web of Dutch fortifications and William's determination to keep a field army together. The French become interested in bullying the German principlaities instead. William is given a repreive and through various loosely worded treaties which the French constantly keep changing, he manages to save the Dutch Republic. For this alone William deserves to be known as the George Washington of the Low countries.
But fate has a larger story for Dutch William. Through marriage to Princess Mary, the protestant daughter of King James II, William has a direct claim on the English crown. This is brought into play when the English parliament seeks to remove James for his pro-Catholic and auto-cratic ways in 1688. The Glorious Revolution as it is known in England brings William and Mary bloodlessly to the English crown and forever changes
Anglo-Dutch history. William now has a new lease on life and can bring the larger resources of England into his greater conflict againt the dominations of Louis XIV. The Nine Years War will see William first campaigning in Ireland to defeat James II at the famous battle of the Boyne in 1690. This watershed moment in Irish History is little understood today despite numerous pictures of the event hanging in many Irish pubs around the world! William will then return to the Continent and continue the struggle against the French. The battles of Stenkirk (1692) and Landan (1693) are largely inconclusive but prove Williams increasing abilities of generalship over Louis XIV's armies. The siege of Numur (1695) is Williams crowning military achievement. He here manages to beseige and take a fortress designed by the great Vaubin. The myth of French invincibility in this period is finally broken. France, exhausted under Louis's harsh domestic and foreign policies must seek peace for the time being.
William continues as joint monarch of England and the Netherlands. The English will see themselves established as a leading maritime and commerical power, while the Dutch will beigin their descent into non-entity. Yet, for all that William does for the English he is not generally liked by them and is regarded derisively as "Dutch" William. The Dutch will tend to have an indifferent attitude toward him in their history.
Williams place in history covers the histories of two nations (England and Holland) and his influence extends beyond into Ireland, the Spanish Netherlands, Germany and even France. Louis XIV, despite numerous attempts to assassinate him, comes to respect William. The Dutch and English will have mixed feelings, and to the Irish he will become a distant almost mythical figure. There is no doubt that his legacy was the salvation of Europe from a French universal monarchy under Louis XIV. Dutch William may be largely forgotten today, but his struggles helped to shape modern Europe.
This book, while extensive on William' life, is at times tedious. The author's discussion of the complicated court politics and dynastic claims of the period was at times quite confusing. His descriptions of English politics is equally hard to follow. The author can not totally be blamed for this as the dyanstic politics in the 17th century were extremely confusing. The author writes with evident admiration for his subject, and seems to truly admire William almost to the point of excess. While not a great Biography in terms of style and writing, the subject and the historical period are fascinating.
Until a better and more recent work on William III comes out I would strongly recommend this book for anyone interested in the military politics and dynastic history of the 17th Century.
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An even better point was Baxter's description of Earth-Moon travel. This is a must-read for anyone who has ever daydreamed of a successor to the Apollo program or of going back in time to plant a moon-boot in the regolith next to Neil Armstrong. I would venture to say that this book is really *about* returning to the moon, and that the Moonseed is merely there to provide an excuse to do so. Regardless, it is a fun vicarious journey.
With all the above traits to recommend it, this book should have qualified for five stars. But it didn't. Baxter clearly loves and knows his science, but whenever he strays from it - say, into character development, or the more mundane details of life - his writing suffers. Characters sometimes do things that don't seem consistent with their personalities. Details are dropped or glossed over. For example, a man with badly cracked ribs can barely move in one scene, but only hours later is walking around with little hinderance. Astronauts forget some fairly basic elements of mission planning in a manner that is too obviously a plot device to set up a later scene. And too many characters decide to give up their lives in various suicidal endeavors, with no real development of _why_ the person no longer wishes to live.
I don't advise you to avoid this book, because it has some unique good qualities. But limit your expectations.
I was surprised into laughter when I saw that some recent reviews here complain about the book's "fantasy," unsympathetic characters, and "hard science nihilism." None of those accusations have any connection with this novel. The science is detailed and constant without being tedious, the characters are sympathetic without being sappy, and in retrospect the overall tone of the book is remarkably hopeful.
Read this book. If you like hard, human science fiction, you'll enjoy it.
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Although the science is generally very well used, there are plot inconsistencies which really bothered me. For one thing, this story is supposed to take place in two time frames: 1000 years and five million years. This little detail seems to be ignored when in comes to showing character development and technological development. 1000 years is seemingly enough time for the technology to have improved quite a bit. Five million years should have enabled technological development to answer all the problems faced by the crew of the Great Northern. I have to say that the only reason I finished this book was because I was on vacation and had nothing else to read. It was, I think, about the driest read I've had since the last Rama book.
Having said that, I think this book is not for everyone. I would not characterize the bulk of this novel as purely science fiction. I liken it as a thesis that offers a serious and credible account of how events most likely transpired in near and distant past and a discerning speculation into the near and distant future. However, Baxter does provide elements involving a cursory look at cryogenics, solar system changes, and robotics.
If one is especially interested in anthropology, paleontology, evolution, or in my case simply having a penchant for all sorts of scientific endeavors, then most likely the book would gratify.
First, the bad:
The same old Politically Correct song and dance, ad nauseum. A female African scientific genius tries to help save the world from Christian "cultists" and white male capitalism. I've nothing really against this notion of a story, but modern sci-fi is just dripping with PC, and I sometimes dream of a holiday from it. My eyebrows raised when Baxter noted that the poor monkeys were driven to extinction by a hunger for monkey meat in Africa (that didn't sound very PC, plausible or no) but then he finally added that this was in large part due to "European" loggers and the threat of heterodoxy was laid to rest.
Also, some of Baxter's flights of fancy were a little too far off the beaten scientific track: intelligent dinos, air whales, and Antarctic dinosaurs.
However, all of these criticisms cover a small portion of the story and in and of themselves are not reasons to avoid the novel.
The Good:
Baxter obviously loves these little anthropolical stories he's woven together. They are informative and compelling. A previous reviewer found them boring, but not me. I've enjoyed them quite a bit. They are epic in scope and leave me dwelling on the science of the tales, long after they're over.
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This book works on a lot of levels. The use of the naive protagonist alongside the newspaper reporter and the professor allows for a lot of exposition without straining the plot. Once you accept the hand-waving explanation of how antimatter got to Earth in a form that 19th century tech could handle, the rest of the technology and history follows pretty logically. And the writing itself is a wonderful pastiche of Wells, Verne, and 19th century English novels in general.
But the aspect of it that I most enjoyed was the political allegory. The parallels of anti-ice technology with nuclear technology followed our own history in many ways: its first use followed by horror at the devastation that it wrought, then an attempt to harness it for peaceful purposes, and finally a cold war in which two super-powers hold weapons of mutually assured destruction. But more subtly, England's domination of France at the end of the book, and France's resentment, could be seen as analogous to US domination of Europe after WWII.
A wonderful science fiction story, but also a lesson on the dangers of the misuse of power, whether it be the destructive power of weaponry or the political forces of imperialism.
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Baxter tells us his story using multiple points of view. Some characters appear once, and others many times. We occasionally feel some emotion for them, but not much, because they rarely seem fully realized. This book is enjoyable if you wish to read about informed concepts (Baxter has a doctorate in aeroengineering research), and it is successful enough to have been nominated for the 2000 Arthur C. Clark Award. But don't read it for a human story, unless you're interested in one on the galactic scale.
The book begins with an irrefutable numbers game that uses probability to show we are all doomed to extinction within 200 years. The hero Reid Malenfant sets out to beat the odds and secure mankind's future.
Baxter has a very visual style of writing. With just a few phrases, he seems to conjure up images that unroll in your head like a film. The descriptions of Sheena 5, an enhanced spaceship piloting squid, and the massive time jumps where the characters witness the entire history of the universe, are exceptional.
The fast pacing of the story kept me hooked, I couldn't put this book down. Towards the end, the story gets a little complicated, but a quick re-read of some sections cleared it all up.
My only (tiny) gripe with the story is that for Baxter some of it is familiar ground. A renegade group of people blast into space, society on earth starts to collapse, mankind faces extinction, hero returns at the end. There are shades of TITAN here. However, there are enough new ideas here and the story is different enough to make it a worthwhile read. And only avid readers of Baxter's other work (as I am) would notice small similarities cropping up.
All in all I highly recommend this book. Buy it today.
It takes you to visions of alternate futures, as well as pasts, such as a sphere around the sun, a war-torn Earth of 1939, the Paleocene era of fifty-million years ago, an alternate reality with machines as the heirs of man, and finally to the most fantastic vision of an infinite universe created and ruled over by the true power of the human Mind. The book closes with the Traveller being returned to his own reality so that he is able to go and save Weena in the far-off age of 800,000 years hence(I wont give away the ending).
Throughout the book, Stephen Baxter gives you insights into the world of Quantum Physics, an aspect that brings the book to have a more real-world feel than some bizarre odyssey. Stephen Baxter is a true visionary. Someone who is able to see the current trends of science and incorporate them into a masterfully executed story. This book, in my opinion, is among the greatest sci-fi masterpieces of all time. The story never gets too technical, but never reaches down to the level of a child-like fantasy story. It is a story not only about time travel, but about the nature of mankind itself. but the most important thing that this book teaches you is that no matter where you are, or what you do, the future is a world of infinite possibilities and it is up to us choose the right ones throughout our lives. For who knows what the future holds? Possibilities, my friend. Possibilities, indeed.