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The book is broken up into several sections, most with more than one story under its heading, all in chronological order (of the date they were first published). For anyone interested in the history of robot technology and ideas, this book is fun to read as well as educating. I recommend it for all with the drive to push technology to its limits.
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The book is divided into three sections, each telling part of the tale, and each featuring its own cast of characters. Asimov was clever enough to weave the story carefully so that we get the various portions from three different points of view (this is even cleverer in the middle section but you'll have to read it to find out how). The themes and tones established at the beginning manage to thread their way through effortlessly, which is quite an achievement given how wildly different the three sections are in terms of setting, characters, and motivations.
The middle section of the three could almost be left on the cutting room floor as far as the rest of the plot is concerned. There is virtually nothing here that isn't revealed or repeated in the other two sections. But it is this alien-centric passage that makes this book the classic that it is today. Aliens in science-fiction stories can generally fall into two main categories. In the first, there are the aliens who look, act and sound exactly like human beings, with the only real difference being that they have pieces of plastic on their foreheads, or can see in the dark, or something else trivial like that. They don't really have dissimilar minds to humans; they don't think differently. The second group is the race of creatures of which every individual member is just like every other (watch any episode of Star Trek to see the war-like aliens, or the peace-loving aliens, or the scientific aliens, etc.). Yet, Asimov managed to do something really special here. He created a race of beings that are certainly much different from what we would describe as human, but he also made them into interesting individuals. A triple-gendered species is a difficult concept to develop (especially in novel form), but Asimov did a terrific job here at describing the genders in terms of general archetypes, and then making the individuals interesting in their own right, regardless of their alienness.
One of the only things that I didn't think lived up to the quality of the rest was the ease of the resolution. It's a bit too simple and slightly too neat. The conclusion makes logical and scientific sense, but one doesn't get the impression of any real emotion. It's as if the main characters can really be bothered to get excited over the impending destruction of the solar system. There's also a subplot that only really gets going very near to the end causing it to appear to have come out of nowhere. These aren't really major flaws, but they do cause a little but of a comedown after the wonder on display in the first two sections. It felt a bit as though Asimov had really let himself go wild in the beginning and middle parts, and then forced himself to reign in his story by the end. A little disappointing, but this is still quite a captivating ride.
Like many of Asimov's novels, this is a great book for fans of science fiction or for newcomers to the genre. There's a little bit of High School physics on display, but don't let that intimidate you, as Asimov's deceptively simple writing style is what made him such a great teacher of all things scientific. If you've never had the pleasure of reading any of this author's work before, then THE GODS THEMSELVES would be a great place to start. Several of Asimov's favorite subjects are offered here, and this will give you a great overview of his style of storytelling.
This book is Asimov's answer to the sf revolutionaries. For the tasks he set himself, his stories were simply the best. And the really nice thing is his answer is set in a fairly accurate picture of the world of academic science, with tightly drawn and believable characters. (I wish people in science studies would read this book because it's written by a scientist who says everything they do but doesn't throw the baby out with the bath water.) When you put these together with his aliens in the parallel universe, you get one of the most ambitious and imaginative books he ever wrote. I'm still not sure about the science (why exactly do the aliens take the chemicals laid out in labs and not distributed throughout the universe). But it's a cut above Heinlein's in Stranger in a Strange Land.
It's thirty years later and this book still breathes. Enjoy.
What is the book about? The book contains 3 parts, each is actually a separate story which revolve around the same theme.
The first part tells the story of Dr. Peter Lamont, a physicist, which recalls how the "Electric Pump", a device which enables receiving a near-infinite amount of energy as a result of matter transferral between our universe, and another universe which has different laws of nature. Lamont finds that this device might destroy our solar system, and this story depicts his attempt to stop the pump. I really liked this story. It's written in typical Asimov style: witty, humorous and totally brilliant.
The second part tells the story of Odeen, Dua and Tritt - an alien "Triplet" (3 beings which are a family). These aliens live in the other universe and the story describes what happens on this side of the pump (as a result of the events from part one). As I mentioned before, this part was truly amazing. I wish Asimov had written more books about this world, as he created such a fascinating universe. You have to read it to see what I mean.
The third and final part, tells the story of Denison, a scientist which also appeared in the first part, and as a result of events which occured there, moved to the moon. I found this part a bit boring. This part resolves the story lines from parts one and two.
I wholeheartly recommend this book, if only for the second part. Asimov being a professor, this book is filled with real science in a way which integrates with the plot and supports it (contrary to "technobabble" use of science) - this is one of the reasons the book is so good. The only thing which bothered me a bit, is that the first and second parts aren't really resolved on their own, meaning, the story ends only after the third part is over. This disappointed me, because these really were the best parts of the book and I felt somewhat cheated that I could not see how the protagonists reacted to what happened in the end. Nevertheless, this only detracts a little from the book which is still a masterpiece.
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The book has some flaws. The flow of the book is not very fluid. It's somewhat abrupt and I was forced to re-read a few paragraphs, especially in the beginning. Even though the level of detail is great, it sometimes became too much and I was bogged down with a cell structure instead of concentrating on the action.
That said, the rest of the book is amazing. Asimov does a great job explaining how miniaturization works, and develops an interesting scenario involving wars, weapons, spies, and scientists in which such a procedure was neccesary under a specific time frame. The characters themselves are not truly developed, but instead are used to focus and contribute to the action. A major plus indeed.
Asimov seems to weave a story where the human body turns out to be a major battlefield. A place where blood flow causes havoc and where white blood cells are monsters. He transports the reader into a new dimension where the mundane suddenly becomes catostrophic. With this, and his knowledge of the human body, he make a great action and suspense novel.
This is a short read and gets to the point. Asimov wanted to write a great tale involving action and biology, and it is well done.
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However, whether you are Christian or not, Asimov does an excellent job of placing the events of the bible in a historical context. There are dozens of maps, which I found invaluable--for example he provides a sequence of maps that cover from 1 Samuel through 2 Kings that show the changing boundaries of Israel and Judah from the reign of Saul through David and Solomon and onwards. He also provides a chronology of important events in biblical times, covering primarily biblical events but also other historical events.
Although Asimov was not a Christian, there is little here that can be construed as a direct attack on Christianity, unless you feel that a secular approach to the bible is already an attack. Occasionally his approach highlights points which an atheist will be happy to see, such as the fact that the later gospels ascribe more miracles to Christ than the earlier ones do, or the fact that the gospel of John has many inconsistencies with the other three. For the most part, however, Asimov sidesteps the question of Christian truth.
The book is now thirty years old, and as a result does not contain the latest scholarship. However, it is not intended as a scholarly work: instead it's a very readable presentation of a great deal of the fascinating background to the most influential book in Western civilization.
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That being said, however, I have to say this is a poorly written book. People who agree with Randi's position will probably give it a high rating, but even these people will probably agree that the book is heavily biased. He basically calls people who doesn't see his point of view stupid. It seems he has a great deal of anger against these flim-flam artists, and he is lasing out at them in this book. If I were a person who believed in the supernatural, I would probably get tired of being called stupid and wouldn't finish the book.
What I am really looking for from someone like James Randi is a book that would be psychic friendly, a book that I could give to my friends who believe in the supernatural for them to read without getting offended. This is where this book fails MISERABLY, and this is why I give it only three stars. People who are confused and looking for some helpful information to guide them in one direction or the other simply won't read this book. They will immediately tune out the name calling.
There was actually a TV program(Nova or Discovery) with Randi in it that was incredibly well balanced and fair. Perhaps in the future, with the goal of luring more people over to his unique stand on this topic, he could write a book like that TV program.
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This is a fairly short novel, just over 300 pages, and the authors' writing is quite good. I think that Asimov does a better job with the characters and dialogue in Nightfall than he did in most of his other novels. Also, there isn't much time wasted on long descriptions or on lecturing about the novel's themes, so the novel keeps moving at a good pace. I would have liked it if a little less time was dedicated to the character's personal lives, especially since some of their actions during and after the eclipse seem a little bit absurd. Overall, the book's strongest component is the originality of the concept. The idea of a world where darkness is a catastrophe is so different from the repetitive and predictable plots of so many other SF novels that I found Nightfall hard to put down, even when reading it for the second time.
Some people have complained that the authors' attitude towards religion is insulting, but I disagree. I don't think that they intended to bash all religions. They were, rather criticizing fanatiscism and cult-like behavior. And while some people might not agree with Asimov's rigid insistance on following science and logic at all costs, that shouldn't prevent anyone from enjoying the book as a good work of science fiction.
I was grasped by it when I read it the first time and I have enjoyed every single moment the other five times I've read it! Intense excitement and suspense makes it a worthy equal to "Nightfall": The short story, not to mention many other great works by this and the other masters of the genre.
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The first three books in this series are the best science fiction books I have read. As opposed to most science fiction books, for example, Asimov talked about advances in psychology, as well as physics. The connection between science and story, moreover, were essential parts of this story, compelling so. Finally, Asimov was willing to take great chances and even attack his invention, pschyo-history.
Enter "Foundation's Edge." This story was centered on people, more then science. Each person, in their own way, was just like the others. That is, each of them had the same basic characteristics, pride, arrogance, and impatience. All of them were hard to love.
Worse, the "resolutions" for all of the original stories were believable. That was one of the things that made that books so interesting. Could there be a psycho-history? How would it work? Each story has a mystery around it which, when solved, seemed to be solved in a believable, almost obvious way which always rang true.
Here there is a mystery. There is a planet and a system that even the Mule avoided. Why? Probably because the Mule was written by a younger Asimov that wouldn't want to go anywhere near this story. Anyway, all three characters here, for different reasons, end up going to this mysterious system.
The way the conflict is resolved is also very disappointing. In the end, the original foundation series was about control and choice. Seldon was trying to push the Galaxy toward a certain result. Individual people's choices weren't supposed to make a great difference. With the mule, and others, that was shown to be a lie. Individuals can make a difference, even in a galaxy of billions and billions.
Here, free choice doesn't seem to matter. This galaxy here, to me, was a worse place and I was unhappy with it as I was unhappy with this book. It is very disappointing and a slap at all the great writing in the original series. Measured on its own, Foundation's Edge would have, maybe, been an okay book. Since it is the younger brother to greatness, it seemed much weaker. Read it if you must, but I warned you.
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The imagery is incredible, Wells tells the story of invasion and chaos as if he had been there himself . . .I could certainly imagine myself there.
I do think you have to be a little bit older, more well read to better appreciate this book. I noticed several school kids from VA put reviews on line calling it boring. Of course, these are probably the kids who were expecting the main character to be like Will Smith and the earthlings to travel to the Martians space station (a la Independence Day).
And that was part of the book's charm. No influence from Hollywood. Written in the late 1800's, before movies existed, the book is way ahead of its time. Independce Day obviously got its influence from this book, and is a more updated (and Americanized) version.
Hey, go read it now!
You've seen the 1953 movie, War of the Worlds, and want to read it in book form? Well, then don't look here. Herbert George Wells wrote this book in 1898, a mere one year after The Invisible Man, and two years after The Island of Doctor Moreau. The moviemakers of the 1950s made a wonderful movie, but one that, alas, bears very little resemblance to the original!
This book is one of the crowning examples of nineteenth century fantastic fiction. It is a gripping story that masterfully combines horror and suspense, keeping you at the edge of your seat until the final page.
I am lucky enough to possess the 2001, Books of Wonder edition that contains fourteen wonderful, full-color, full-page illustrations plus the two-page illustrations on the front and back, all done by the masterful Tom Kidd. It is very well made, and would make an excellent addition to any library.
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F&E is a continuation of Foundation's Edge, and is the story of Trevize, Pelorat and Bliss/Gaia's quest to find Earth, in an attempt to determine why Trevize's choice for the future of mankind is the right one.
The book deviates substantially from the rest of the series, but generally in a positive way. Whereas Asimov has a habit of making his primary characters out of cardboard, presumably to avoid the people getting in the way of the ideas he wants to express, F&E fleshes out the characters with a certain amount of personality. Whereas the rest of the Foundation Series tends to concentrate on worlds which, after a while, all appear similar, the worlds of F&E are different, frightening, and yet serve Asimov's agendas well. F&E also ties together the Robot series universe with that of the Foundation series far more substantially than the other books in the Foundation Series attempted to, portraying the futures of the Spacer worlds that Robot fans will be familiar with.
I'm guessing that the differences are ultimately why this has gotten a lower average review than the others in the series - it's not classic Foundation Series material, and any one expecting a collecton of stories involving a renegade Foundation leader visiting various rebelling worlds and outwitting the dimwitted monarchs that rule over them with some sort of smartarsed politics is going to be sorely disappointed. Hari Seldon makes no appearance. I don't recall even seeing the term "Seldon Crisis" in this book.
If you genuinely want more of the same, you'll probably be disappointed by this book. If you've never read any of the series before, it's probably best to start at the beginning with the equally excellent Prelude to Foundation (or even the Robot series.) But if you're excited by Asimov's ability to paint new worlds, to visualise the future directions for humanity, you cannot afford to miss this. Foundation and Earth is the best yet.
Golan Trevizes and freak child Bliss eventually find what Hari Seldon set humanity out to look for, Earth.
It is not the world they expect to find. It is a cold and poisoned world and when they receive a signal from Earth's ancient sattelite, the Moon they go to investigate.
A face from the past greets them and the whole Foundation series and I Robot series collide together for the ending with a chilling insight to the future of humanity and so finishing the greatest Sci Fi story ever, leaving you hanging for more.
My favorite one of all being the Bicentenniel Man short story. I read this years before they made the movie with Robin Williams (which, wasn't that bad of a movie, albeit a few bad translations of things from the book). By far the best short story in the book. I got this book as a gift from my father for a birthday. He paid around [$] for this one when he bought me the book Nightfall on a sale for [$]. A good buy for any old-time sci-fi fan.