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Although again a warning, the mathematical level you need sometimes is high but with the review in the first chapter and the help of your instructor is a valuable tool in elasticity in the point of view of grad student.
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Unlike Holmes, though, most of Doyle's observations proved inconclusive. As well as this, the authorities were sometimes loath to accept his findings, and the author, Peter Costello, implies that several innocents were executed for wont of incriminating evidence. Throughout Doyle's long career, though, his crusading nature and willingness to stand up for the truth are impressive attributes.
This book concerns itself with Doyle as Holmes creator only in passing. Here we see the author as an ever-inquisitive seeker of solutions to real-life crimes, a passion he later directed to the Victorian fad of Spiritualism. Indeed, there are some crimes he claimed to have solved through consultation with then-famous mediums. Costello wisely leaves judgement on this score up to the reader.
As an addendum to Doyle's more familiar literary achievements, this book serves it purpose well and provides many interesting insights into the Victorian and Edwardian crime scene.
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The "Guide Mark 2" is really pretty creepy. It makes you think about some of the big questions, unsurprisingly, if you have read any of Douglas Adams' other stuff... Also, although the plot just goes hogwild for 95% of the book, it really does all pull together at the end. The book is relatively self-contained, compared to some of the others in the series. In general this book is less wacky, and generally a bit darker, than the other books in the "trilogy". Reading this is a little like going to "The Cable Guy", when you are expecting a usual Jim Carey movie. It does make you laugh, but also makes you think, and not always in very comforting ways.
While this book returns somewhat more to the zaniness of the first three books (at least in comparison to the fourth book), it is not entirely wacky. It seems that this book is, in many ways, quite "fannish," there to please fans of the series with cheap thrills and tips of the hat (one example would be the return of the Vogons, which I don't exactly think anybody was clammoring for). However, in the midst of all this, Adams tells a wonderfully adventurous story that ties together in an ending that will leave you stunned and breathless (I'll try not to spoil it, but it's reminiscent of something that happenned in the first book, HG2G).
The worst part of the book is that Fenchurch just disappears... literally! And we never see Arthur deal with it! Still, Adams provides us with yet another wonderful character to help reveal the human side of Arthur....
I think it is a wonderful, if unexpected and somewhat unnecessary, end to the series. Trillian returns (although thankfully Zaphod doesn't), but Marvin is depressingly absent. Oh and remember Agrajag, from LTUAE? Well, there's a wonderful tie to that whole thing that you just can't miss. For those of you who don't know what I'm talking about, go read LTUAE and then read this and laugh along with me. Read it. You'll be blown away.
The story focuses on three characters: Arthur Dent, the perenially confused Briton; Ford Prefect, the manic Betelgeusian; and Tricia McMillan, a BBC television reporter who, had she decided not to go back to get her purse when she met "Phil" at a party, would have become Trillian.
Adams presents Dent as a wonderfully tragic picture, and mirrors the beginning of "The Hitchhiker's Guide to the Galaxy" quite well. Dent is presented as a lost soul, desperately in search of a home and a place to belong. Of course, when he actually finds a place where he belongs and becomes comfortable, outside events tear his world apart. This is a theme that was present in three of the four previous HHGTTG books, but the presentation is probably the best in "Mostly Harmless" (and particularly intriguing is that Arthur's world is torn asunder by a person searching for the exact same thing as Arthur had: a place to belong).
The story of Tricia McMillan offers an interesting counterpoint to Arthur's troubles. Although she is a successful television personality, she is obsessed with the consequences of one of her past choices. Unlike Arthur, who is preoccupied with the process of finding a place to belong, Tricia is preoccupied with thoughts of what might have been.
Unlike his previous books, Adams allows the tragedy to come to a fitting end. The tone is certainly darker than the previous HHGTTG books, and the humor is perhaps less prevalent. Even so, it is a fitting end to a fine series.