Black Boy (American Hunger) serves as a the real life basis for the novels in the first volume of this collection. It relates Wright's experiences growing up in the south and gradually moving north, ultimately to Chicago. It's fascinating and completely believable and really points out the absurdities of racism and Jim Crow-ism, as well as the coldness of the northerners. The Outsider is a departure from much of Wright's other work. While about a black character, it is essentially a musing on the intellectual and physical power one has, and their ability to wield it undetected, as long as they fit into another's stereotypes. It is quite different and doesn't focus on cruelly racist treatment. It is one of the few times in which the protagonist is comfortable and confident in his surroundings. Black Boy (American Hunger) is one of the best autobiographies ever and The Outsider is a clever story with some brilliant twists on Wright's traditional and more well-known works.

(by E.M. Singer, author of "Mother Flies Hurricanes") This is the companion book to the 26-hour TV series, but it isn't a blow-by-blow account of the same. Even though the author claims that his book "fills in the gaps" of the video series, you could probably read it far less time than it would take to watch the series! "The World at War" is a terrific example of the KISS (Keep it simple, stupid!) principle of historical analysis: It's short, sweet, and to the point, and doesn't require you to slog through pages of details and minutia to get to the heart of things. The writing itself is concise, direct, and a wonder to behold. Even if you aren't interested in WWII (but you probably are, since you're reading this!) Mark Arnold-Forster's book is a must read! For more recommendations on books about WWII, visit the motherflieshurricanes.com website.

The importance of this book cannot be overstated - it is still the most exhaustive effort to date to document every aspect of the black American condition, from medical history to birth rates to the black church and social clubs. Myrdal systematically shreds the institutions of segregation and racial indocrination. As for providing groundwork for changing these systems, however, he falls short. Myrdal is too vague in his theories of white morality and causation of black poverty and never draws solid conclusions. There is also no mention of actual contact or conversation with any black people - Myrdal fails to see blacks as much more than a palimpsest of the white experience. I think he would have done better to push the white psyche aside and interact more with the focus of his study. Ralph Ellison noted, "Can a people live and develop over three hundred years simply by _reacting_? Are American Negroes simply the creation of white men, or have they at least helped to create themselves out of what they found around them?"

Writing against the backdrop of WWII, Myrdal confronted the contradiction between the US belief "All men are created equal") and the reality that African-Americans earned less for the same work as whites, lived in atrocious conditions, died at an earlier age. He argues that if Americans had believed that God made some poor, others rich, this contradiction could have been acceptable. But because Americans believed "all men are equal," the fact that African-Americans were manifestly living in worse conditions lead US society to seek a justification in the doctrine of racial inferiority. This book grasped the contradiction in US society, and foresaw that change was imminent, but Myrdal did not see that it was those under-educated and overworked African-American men and women themselves who would form the backbone of Civil Rights Movement. He expected that the white elites in power would have to change in order for the situation of African-Americans to improve. One reason this book is relevant today is Myrdal's theory of cumulative causation, which suggests that government intervention will be necessary to reverse the tendency of white race prejudice to maintain a low standard of living for African-Americans. In days where economic theories attacking the logic of affirmative action are widespread, here is an eloquent statement of the logic behind the original ideas for affirmative action.

During the long course of our studies of social trends that undermine our collective humanity, we have frequently come across significant research studies that provide critical keys to our understanding. Such is the case with AN AMERICAN DILEMMA: THE NEGRO PROBLEM AND MODERN DEMOCRACY. The Swedish researcher Gunnar Myrdal, under a grant sponsored by the Carnegie Foundation, produced this landmark study which was published in 1944 by Harper and Row publishers. Some fifty years after its publication AN AMERICAN DILEMMA still stands as perhaps the most comprehensive, and unsettling, analysis of America's relationship with its African members. At nearly 1500 pages, including footnotes and index, Myrdal's study is awesomely comprehensive. Disturbing revelation follows revelation as the scientist, trained in economics, explores every imaginable aspect of Negro life and at various times even proposes methods by which America might eventually relieve itself of its longstanding "problem." From the beginning of this country's history, at the heart of America's ethnic crisis lies the very real potential of sustained and systematic planning to manage Blacks as a material resource as opposed to human beings in all their potential. I will take this thought further to state that Myrdal's study stands as a virtual blueprint for a contemporary campaign to undermine the aspirations of the Black citizenry. The ultimate form of this repression can only be described as systematic genocide--by every definition of the word. By Myrdal's own words, his study is quite thorough, encompassing not only every aspect of Negro life but examining the varied attitudes of the dominant white majority.

This book is definetly for an avid fan! Christopher Golden is a great author with fantastic ideas. The graphics of this novel were outstanding, and the plot terrific. A must have for any Buffy collector

Set in the third and fourth seasons of Buffy the Vampire Slayer, this is a medley of eight stories buy a variety of authors and illustrators. The keynote tale is the two part 'Food Chain,' which traces the fate of a young juvenile delinquent who first runs afoul of a high school student/very bad demoness, and then, when that doesn't work out, invokes a demon who likes murdering all his friends. Buffy, of course, to the rescue.

Other tales include 'The Latest Craze,' the story of what happens when owning miniature demons becomes a fad for the rich and snooty, and 'Double Cross' about a demon who resembles the Alien on steroids and has a knack for being in two places at once. Then there is 'One Small Promise,' a Buffy/Riley tidbit and 'City of Despair,' an interesting story that pits Buffy and Angel against each other in a final confrontation in yet another dimension. The remaining two tales are 'Bad Dog,' in which Oz is freed to so that a geek with low self-esteem can drain Willow's power, and 'Punish Me with Kisses,' a ghost story that is a bit too cute.

On top of offering a set of interesting, well conceived stories, 'Food Chain' has a stellar cast of illustrators. Both the stories and the full page artwork offer a far greater variety than the regular Dark Horse productions, which gives the reader a chance to appreciate different styles and better understand the arcane art of comic book production. If you aren't normally drawn to the graphic novel format, but want something that offers a representative sample of its potential this is the one to own.

The final book in Jane Roberts Woods' trilogy finds Lucy Richards Arnold in rural West Texas, during the depression. The harsh and arid landscape of the land is barely relieved by the people who populate the area,and the nearest town, Blue Bonnet. Lucy and her husband Josh are working for the area school, she is once again teaching and he is the principal....and neither are made welcomed by the populace. They do make friends within the community and are able to undersatnd the dermands on those around them,but nothing is heard from characters at home, except for a brief appearance by Jeremiah. Their son, John Patrick is a continuous light in their lives, but hard times and very little hope for relief have made the entire area weary and unwelcoming. Once again Woods has been able to capture a time and place in Teaxs history and populate it with believable and complex characters.The realities of small town life, especially in hard times,ring true. The whole book is suffused with the feel of the times, and is a wonderful look at characters we have come to care for.

The best book of the series, this story follows The Train to Estelline and A Place called Sweet Shrub. Set during the Great Depression in the bleak, gnarled landscape and drought of West Texas, the characters Josh & Lucy, now with a 4 year old son, settle into their jobs in a troubled school. The deprivation and desperation of the depression sweep over the reader on almost every page, but the high spirited, high minded scholars meet each challenge as it tumbles into the schoolyard. The characters are sketched with a light and usually loving hand, and the situations are not sugar-coated but realistic and often harsh. The "West Texas-isms" are accurate and amusing. The book moves quickly to a ending that is both heartbreaking and heartwarming. And completely true to this reader's experience.

This informational book has lots of great photographs of giraffes - eating, running, drinking, and more. The text is easy to read, yet comprehensive. You'll enjoy the baby giraffes and the friendly herds. A giraffe lover's delight!

"By the time a baby giraffe reaches maturity, he stands over fifteen feet tall and has a neck more than six feet long. That's big. Here's your chance to learn about these gentle giants of the African plains and to get to know a particular giraffe - named Easter. With forty full-color photographs."

The Library of America consistently produces wonderful volumes, and Richard Wright's "Early Works" is a strong member of the set. As I worked my way through this volume, I found myself re-thinking questions I have put aside for a while, challenging attitudes that I have acquired as part of our zeitgeist. I did not find that much of interest in "Lawd Today!" and "Uncle Tom's Children," the first two selections in the volume. Perhaps I will take another look at them in the future. However, "Native Son" was a revelation to me, and I found it amazing.

As a student of Mississippi literature, as well as a native Mississippian, I am surprised that I had not read "Native Son" before. I wonder what response Wright might expect me (a white Mississippian) to have to his work. The answer is not as simple as one might think. Growing up in Mississippi, I worked as a dishwasher. I ran errands for people who looked down on me and wanted me to act stupid and grateful. I felt the harsh sting of minor capitalists zealously defending their tiny empires. Like Wright, I grew up in a single-parent household with extremely limited resources. Like Wright, I never had a feeling that "the system" wanted to do anything but keep me in my place. Like Wright, I looked around to see that my people were limited by their ignorance and fear. For all of our differences, white and black Mississippians have far more in common than most people want to admit. It is part of what makes us such a fertile field for literature.

The easy response for a white person, Mississippian or not, is simply to be reactionary, to allow "Native Son" to confirm easy stereotypes. In "How 'Bigger' Was Born," Wright acknowledges that one of the dangers he faced in writing "Native Son" was that those who are pre-disposed to see Bigger as typical of "those people" in general and of blacks in particular would find unequivocal confirmation of their prejudices. Wright must have been constantly tempted to avoid writing with such brutal honesty.

However, it is this honesty that forms the core of Wright's artistic achievement and makes his work enduring, almost prophetic. Bigger Thomas represents a type that still exists in plentitude. In "How 'Bigger' Was Born," Wright explicitly makes the point that Bigger represents a type that is both black and white, a person growing up in the land of plenty without prospects or hope, without enough education to replace instinct with rational calculation. Unable to participate and without a place, our Biggers simply want to blot out everything and everyone from the face of the earth. Some of them unknowingly follow Bigger's example and kill what they think is killing them.

I think I see Bigger every day on the black streets of Atlanta. A close relative of Bigger lives in the white trailer parks in our suburbs. Bigger acts every time a teenager commits a senseless murder, every time a child shoots up a school. I hear an analysis of Bigger when a demagogue politician says that we should just lock them up and throw away the key.

The Biggers of the world are irretrievably lost. As Wright clearly shows, there is no way to cure or save or even rehabilitate such people. Even at the hour of their death, they will not understand context, never know why they act as they do, always returning to the basest of emotions for self-justification. They continue to kill out of fear, and we continue to fear them.

People used to think that they knew how to prevent more Biggers from appearing, how we might save those not yet lost. There was hope that we could change things so that there would be no more Biggers. It turns out that we have Biggers aplenty and more arising every day. Perhaps we always will. No one seems to care any more.

This volume affected me greatly, and I think that it will repay several close readings. It is a definite keeper, well worth the price.

Richard Wright is one of the great American writers. Yeah he wrote largely about the African-American experience, but he shouldn't be pigeon-holed into that. He was just a great writer who wrote about what he experienced. As someone who was part of the Great Migration he knew about southerners who moved to the north. Native Son is considered a classic and there are themes constant across Wright's work that are brilliantly executed in that work. What is interesting, especially, are the chapters that were too controversial for the initial printing. As a whole this volume presents the young black southern experience, and the transplanted urban experience for many of those in Chicago. However reading Black Boy (American Hunger) from the second volume really helps bring home that Wright isn't making things up, but just relating his experiences and the experiences of those around him.

Dik Alan Daso's "Hap Arnold and the Evolution of American Air Power" of the Smithsonian History of Aviation Series is an incomplete, if interesting and well-written volume about a unique and visionary man.

Daso's book is an intimate look at General of the Army Henry Arnold from birth up until about 1939. At that point the work becomes distinctly sketchy and leaves out a number of incidents documented in other works, or treats them very lightly. These include several controversies that involved Arnold.

It may be that Daso considered the story delineated in his sub-title did not require treatment of these topics, or that he is too close to his subject. A review by Overy describes the volume as a "sympathetic biography" and one is led to wonder if, out of admiration, Daso tread a little bit lightly around a few issues.

With respect to his treatment of Arnold outside the years of 1939-1945, Daso's is an excellent and readable biography that provides such human detail as to make Hap Arnold live again for the reader. Through Daso's writing Arnold becomes someone you might know and sympathize with, and admire. There is little to criticize in this portion of the effort.

Unfortunately, the gross lack of detail during the period of World War II greatly diminishes the value of this volume as anything more than a personal biography. Daso's failure to treat this period in detail leaves gaping voids for any to evaluate where Hap Arnold really stood on a number of the great controversies surrounding the air war. Other than a few sentences here and there which seem to treat these matters as foregone conclusions worthy of little or no attention, they go unremarked upon.

Thus there is little examination of Arnold's interaction with the other members of the Army Staff, Joint Chiefs of Staff, Combined Chiefs of Staff, Presidents Franklin Roosevelt and Harry Truman, Secretary of War Henry Stimson and Harry Hopkins. Daso describes a number of actions that have implications about how Arnold felt about "precision daylight bombing" but the issue is never clearly examined in its military or moral facets. It is mentioned that Arnold opposed the use of the atomic bomb, but not why. The dispute over the Lend-Lease contracts for Britain depleting stocks for the Army Air Force which landed Arnold in hot water with Roosevelt is treated so lightly as to almost constitute a whitewash.

Daso also fails to shine where his appreciation of certain strategic issues of World War II shows through, particularly regarding the Battle of the Atlantic. From Daso's writing it would seem that this was won offhandedly and primarily by the Army Air Force and due to Arnold's inititative. This highly slanted image is far from accurate. It is also unsurprising, as Daso is a United States Air Force officer and a fighter pilot and not primarily interested in naval matters.

His grasp of the relationship Arnold enjoyed with scientists is, however, exceptional and entirely expected given that he is also the author of "Architects of American Air Supremacy: General Hap Arnold and Dr. Theodore von Karman." Details of Arnold's dealings with academia and industry explain a great many minor mysteries in the development of aircraft as weapons and the air industry as a whole. Just one is that a relatively minor company like Bell should have been the one to produce the first U.S. jet. When one knows the project was personally handed to Larry Bell by Hap Arnold, it explains much. Also interesting is the role Arnold played in the birth of the thinktank Rand Corporation.

Overall, this is an excellent book recommended for anyone interested in learning about who Hap Arnold was, and how the Commanding General of the Army Air Forces came to be the man he was. But it is not recommended for anyone looking to examine high command issues and interactions in World War II. A work that provides a brief synopsis of that period is an eight page entry in D. Clayton James' "A Time for Giants: The Politics of the American High Command in World War II."

Hap Arnold was the most important American airman of the 20th century, since it was he who created the gigantic war machine of the USAAF that flattened Germany and Japan. How curious that he has never before had a real biography--just kid stuff, really.

Daso has filled the gap with a thorough-going biography combined with a history of the development of US airpower during the first half of the century. Personally, I don't find Arnold a sympathetic figure. He was an indifferent student and even an indifferent aviator. However, he got along with men of power, including President Roosevelt and General George Marshall, and he was a logistical genius.

Daso tells the yarn of Arnold getting his advisers together in 1940 and asking them how many planes they needed over the new few years. "Be bold!" he urged them. They came up with a total of about 100. "To hell with you," Arnold replied, and asked for 100,000. He not only got the planes but the men to fly them, and for that the world owes him a debt it can never repay.

This isn't an exciting book, but it's a valuable one.

Well, you learn alot of new things about your family you never knew before, but finding them in a book is a different experience!

This book is a very historical and personal informational insight into the man who founded the United States Air Force! It was interesting to know that my ancestor did so much and was even trained by the inventorst of the airplane Orville & Wilbur Wright to fly. This book even has pictures given to the author by my great-uncle Robert Arnold, which show a more personal side to the general. It was also interesting to note he was one of only thirteen 5-star generals in US military history. The book not only was interesting but did what no book has ever done before, take an inside look at part of my direct family line and ancestry!

The book was highly recommended to my twelve year old daughter. Because Annie dislike fantasy and science fiction, I purchased the trilogy based on a brief overview. Annie likes adventure, problem solving, and "chick flicks" She adored Legally Blonde and I hoped that

Not the best in the Trilogy....

After reading the reviews on all three books in this series I bought all three. The Train to Estelline is a bit chopped up and doesn't really flow very well. Not my favorite type of read. They story is an enjoyable one with many things to learn about life on a ranch in West Texas. A very hard life, and strong people. I can only tell you to read this but don't stop here.... the best is yet to come. A Place Called Sweet Shrub is the best in the series.

The Train to Estelline

TRAIN TO ESTELLINE is the second Jane Roberts Wood book I read, after A PLACE CALLED SWEET SHRUB. Both are delightful. The letter/diary style of TRAIN chronicles the life of a young woman leaving home to begin her teaching career at the turn of the century. The reader feels like something of a voyeur following events while being privy to the private thoughts of the young woman. It is a charming book which leaves one a little envious of the innocence, the naiveté of Americans living in that period.