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And this is not just an ordinary book. I came accross it one day and decided to give it a go, having read other Plath works. This book is incredible, te utter childishness of it, every time I think of it, it brings a smile to my face. This book is a must-read.
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This book is written very well, and has lots of little treats for you to find. I feel that this is more literary than Mail-Order Wings; the beginning almost invokes Ramona's distinct voice and strong opinions, and the author completely takes you into Gretchen's little mind. Gretchen's growth throughout the book is done in a very believable and complete way.
One of the fun aspects of this book is the fairy godmother's tool of choice; instead of an old-fashioned magic wand, she uses and Enchantulator, which helps her find out things she can do to help Gretchen, and sends out colored sparks when casting magic. There's also the school play, a melodrama, Polly's Pies in Peril. (Polly Winsum needs to save her pie business from the evil banker Blakheart.) The snippets of this were delightfully over-the-top!
Other reviewers didn't mention Amy, who was the golden-haired newcomer initially chosen for the part of Polly Winsum. (Amy looks the part of a traditional, naive heroine, but has the acting skills of a cardboard cutout.) Throughout most of the book, there's intense rivalry between Amy and Gretchen, at least on Gretchen's part, and most of the enchantments are directed at Amy. But the consequences of the tricky enchantments are done very realistically, and in one of the delightful last scenes, Gretchen actually helps Amy's acting ability. I look forward to seeing Amy's character developed more in More Fifth Grade Magic.
Also, in many books where someone has a special talent, interest, or ability, it's very hard for the author to show us that. (I've yet to read a book that makes me understand how much the protagonist loves dancing, or drawing, or something, and let us visualize very distinctive and precise drawings, or dancing, or whatever.) But in Fifth Grade Magic, we can totally see Gretchen's love of acting, with her trying to get other people to act with her at recess, or memorizing all of the lines in the play, or what she does in the fabulous last scene. This is a very good book.
I disagree with the previous reviewer that the ending doesn't tie things up; everything that needs to be told to end the story is told, and there's one of the happiest endings I've ever seen. There may have been one page or so more, to help us feel more satisfied, but otherwise it was a very good ending.
So what are you waiting for?? Read this book already!
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Ms. McCully had originally set out to write a biography of the famous tightrope walker Blondin, when she decided to write this book instead. The Mirette character is based on her own recollections of being a brave girl.
This book contains unusually high quality illustrations, even for a Caldecott Medal Winner (as the best illustrated children's book of 1993). The style shares a great deal with Toulouse-Lautrec but is more appealing because there is more subtlety and use of soft pastel shades. You will definitely feel like you've stepped through the looking glass into a world of entertainment in 1890's Paris.
The story opens to find Mirette helping her mother keep a boardinghouse for entertainers (traveling players for the theaters and music halls) called Gateau's. "Acrobats, jugglers, actors, and mimes from as far away as Moscow and New York" stayed and ate there. What a wonderful place for a child!
Mirette, unfortunately, had the not so exciting tasks of "washing linens, chopping leeks, paring potatoes, and mopping floors." She was "a good listener, too."
One day, Bellini (a retired high-wire walker) came to stay. "I am here for a rest." Soon, he had set up his wire in the back and was practicing. He refused to teach Mirette when she asked to learn. "Once you start, your feet are never happy again on the ground." She replied, "My feet are already unhappy on the ground." While he was away sometimes she would practice. After weeks of falls and problems, she could go across the whole wire. She showed him.
He responded. "Most give up. But you kept trying. Perhaps you have talent as well."
His key advice: "Never let your eyes stray." "Think only of the wire, and of crossing to the end."
When she says she'll never fall again, he warns her not to boast.
Later an agent from Astley's Hippodrome in London comes to Gateau's and recognizes Bellini. The agent recounts some of his many feats including crossing Niagara Falls on a 1000 foot wire in 10 minutes, and cooking an omelet on a stove of live coals on the way back. He had also toasted the crowd with champagne. Bellini had crossed the Alps on another occasion. Further, he had fired a cannon from the wire over the bullring in Barcelona, and crossed a flaming wire blind-folded in Naples. Ah! Oh exciting!
There's only one problem: He has lost his "nerves of an iceberg."
Encouraged by the agent, Bellini plans a comeback. He walks out on the wire and freezes. What next?
Mirette saves the day by reaching her hands out to him, and meeting him on the wire.
The book's final page shows a poster of Mirette and Bellini saying that they are wire walkers who do "stupendous feats." A little girl looks up at the poster.
As you can see, this is quite a good story, and works in Mirette's heroism in a natural way. The character development is quite good, and the historical context is interesting. Children often wonder what people did for entertainment before television.
As a parent, you may want to make a little addition to the story that, of course, Mirette's mother joined them in traveling around to do the act. Otherwise, this story could be incorrectly construed as encouraging young girls to go traveling around with grown men.
The great lesson in this book is focus. Where would that lesson help your child? Where would it help you?
Use your focus to live your most positive dreams!
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That this book should be out of print is a complete mystery to me, not enough violence in it, I imagine. As for the used price above, I can just imagine snuggling in bed with my child and an antique book... Books like this are meant to be read again and again, not placed in a gilded cage on a pedestal.