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by Dr. William Debakey, et al.
This is an excellent book for those who have had heart problems and for those who do not want to develop heart problems. Poor diet (high fat/cholesterol) is one of the main risk factors for heart disease -- excess cholesterol lays a foundation of plaque in your arteries that can eventually cause heart attacks and/or necessitate heart surgery. This book was developed to help us all eat right and help avoide disease. This book contains recipes, education about heart disease, and nutrition and sodium tables for most of the foods you eat. This is an excellent resource! Use it in good health!
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Part biography, part explication, part cultural critique, Radano manages to talk knowledgably and extensively about Braxton's music without resorting to technical jargon or waxing romantic like a fan...both serious mistakes of most jazz critics. And he also charts a sympethetic course through the philosophical divides of black artists in the 60's without taking sides or launching into unfounded polemics. Instead, Radaon's central premise, that Braxton's unique musical vision has never found a place in American musical society due to it's difficulty of classification (is it jazz? is it European oriented experimental music? What do we call this stuff?) and due to the less than orthodox education and views of it's creator, rings true in light of the facts of Braxto's life and the critical coverage and destruction that he recieved in the 70s and 80s.
Radano also does a marvelous job explaining Braxton's notoriously difficult philosophic/musical theories. The Triaxium writings are very difficult for the uninitiated (as are most free musician's theories - try making sense out of Ornette Coleman's descriptions of harmelodics...it's pretty tough going, though the results are stunning.) Radano strips away some of the deliberately obscure language that Braxton uses and gives us "Triaxium lite" as it were. Though this may seem on some level sacriligious, for many of us who truly admire Braxton and want to understand his thought, this helps enormously. It's made it possible for me to understand more of the liner notes on Braxton albums.
This book is recommended highly, both for fans of the composer/improvisor, and for anyone interested in the sad state of American culture at the end of the millenium. One hopes that Radano will decide to revise this book in light of the developments of the last 10 years (the book came out in 1993). Braxton's tenure as professor at Wesleyan University and his creation of an entirely new genre of music (Ghost Trance Music), along with a greater, belated appreciation of his notated music, may change some of Radano's conclusions, or at least inform them a bit.
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The individual entries have been written by eminent judges, jurists and lawyers in Australia. It was edited by 3 of the most well regarded legal academics in Australian history and is a terrific reference source. I can recommend it to anyone with an interest or need to look in detail at the Australian legal system. There is no other work with such detail and information in one volume.
The book is organized encyclopedia-style, with entries arranged alphabetically from the AAP Case (1975) to Ziems v. Prothonotary of the Supreme Court of NSW (1957). The entries are contributed by various Australian legal scholars, and cover a very wide range of interests. My personal favorite entry is the one on 'Jurimetrics' by Tony Blackshield.
Despite the hefty price tag (to match such a hefty book), this is one book that is well worth owning. Toting it around may give me permanent back problems, but I'm willing to risk it.
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This book will encourage and inspire salespeople. And everyone is selling something.
If I am ever accused of being nice to someone, this book is to blame.
Sciré loves people and it shows. I love this book and am giving it five stars.
Dan Poynter, ParaPublishing.com