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We would recommend this book because of its in-depth and realistic perspective on Angelou's life. We feel that the true-to-life depiction of Angelou's life and accomplishments would bring readers young and old to connect with Angelou as a human being. We would use the book in the sixth grade classroom as it has some mature content (well-handled) and its use of language would be well suited to the sixth grade reader. Perhaps the most effective use of this book would be in a biographical unit, including the study of victories in the face of hardships.
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The Bailey School Kids series is a fast-paced one full of wisecracking 3rd graders who find themselves investigating some of the strangest people in their town (the titles like "Vampires Don't Wear Polka Dots" should clue you in!!). This time, their odd gym instructor says these weird rhymes that seem to somehow come true: a girl who couldn't tumble or do a cartwheel to save her life suddenly is a pro at them. A broom seems to move by itself and there's this giant gingerbread house in the kitchen of the gym... Hmmm... how mysterious!!
Kudos go to the authors for avoiding the stereotypical green-faced, pointed hat witch of the movies and old children's stories. To do so would be insulting to REAL witches and would only make the story goofballish, not the creepy what's-going-on sort of book it is.
Most adults can make their way through a Bailey School Kids book in half an hour or less. Because their so short and fast paced, they're easy books for beginning-to-intermediate readers to sink their teeth into... Metaphorically speaking, of course!!
Maya tells of her trip from Africa to Los Angeles and then to
New York. During this time she experiences the absence of her son, who stayed in Africa to continue his education, and the lost love of her African spouse. With the help of family and friends Maya gains the strength to rise again. The story ends at the beginning of her first book in this bio series.
In this reader's opinion, a song flung up to heaven is a silent prayer for the strength to go on in this life, and the prayer always returns with the needed relief through the thoughtfulness of those around us. The joy of this book was listening to the author read it in her own voice through recorded books.
This sixth memoir starts with Dr. Angelou's return to the U.S. from Ghana, West Africa. It ends with the time she was about to write her first memoir, I Know Why The Caged Bird Sings. In between, the book is filled with her encounters with various people and her experience during some disturbing times in American history - the murder of Malcolm X, Dr. Martin Luther King, and the Watts riots in California.
I most enjoyed reading about my favorite personalities from Dr. Angelou's past memoirs - Vus Make, her handsome, intelligent, charismatic African husband; Bailey Johnson, her older, caring big brother; Guy Johnson, her intelligent, independent son and Vivian Baxter, her smart mother.
Reading Dr. Angelou's continued memoir is like sitting with an old, trusted and respected friend; there's a treasured feeling as you listen to her stories as they come one after the other.
Fafa Demasio
Maya reflects on her work as a stage performer and aspiring writer, and reminisces about her relationships with her son, her mother, and her friends. The book is really fascinating as it tells of her relationships and encounters with many noteworthy people: Martin Luther King Jr., Nichelle Nichols, Rosa Guy, and others. The author paints a particularly warm and moving portrait of the great writer and activist James Baldwin.
"Song" continues to explore many of the important themes of her other books, such as the relationship between Africans and African-Americans. Angelou does a good job of capturing intimate human relationships and placing them in the context of great movements in history. The book also looks at the genesis of her celebrated book "I Know Why the Caged Bird Sings."
This is a well-written, very engaging book; I read all 212 pages in literally a single evening. I recommend as companion texts to this wonderful book the following: the previous volumes of Angelou's autobiography, the essays of James Baldwin, the autobiography of Malcolm X, Audre Lorde's "Zami," and any good collection of King's essays and speeches.
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That is, in the last three chapters. I did not think this book was mostly an account of the other books Hurston has written, as some other readers have stated. Hurston only focused one or two chapters toward the middle of the book on other works, but even then it was only to list when she wrote which book, not to go in depth on the process and motivation. However, it seemed to me that it was an account of Hurston's journey through life, including details on her childhood in Eatonville. This is all well and good, except, especially as Hurston gets into the adult years, she tends to gloss over much of the details, omitting names, and mentioning events which obviously impacted her life yet for some personal reason or another, refusing to describe to the reader these events for fear of who knows what.
This was only the first confusing element. I also had a difficulty with Hurston's writing style. She tends to jump from one anecdote in the middle of another with no explanation before returning to her original story, which left me as the reader, feeling befuddled. The sequence of the chapters, out of her childhood, also does not really seem to follow a sequential storyline.
I was also bothered with Hurston's portrayal of herself, especially her childhood self. She seems to portray herself as the only child there ever was with an active imagination. Perhaps I am actually a member of the privileged minority, but I know that I told myself stories and had imaginary friends when I was a child. I was also very devoted to literature, and reading, as I still am, though Hurston's individualities in that area are more understandable, perhaps, considering the circumstances.
Despite all this, I walked away from this book with a respect for Hurston that I hadn't felt before because of the last three or so chapters in the book where Hurston discusses her thoughts and feelings on her race, and the inter-racial strife which hurt the African-American Civil Rights movement. I also enjoyed the appendix in which the reader is allowed a glimpse at Hurston's more controversial writing.
I don't hold a grudge against Hurston's perhaps unorthodox method of writing an autobiography, far from it. In fact, I think this book would have benefited greatly if Hurston had included more of her personal view points on the world as she did in the last few chapters. Hurston was often criticized for writing African-American literature that was not a rousing cry for Civil Rights, in this book, Hurston finally explains WHY. It also would have been helpful if Hurston either would have detailed the events in her life which were so groundbreaking, or simply not mentioned them at all, instead of saying "Then this happened and it changed my life and for that I will be forever grateful, but I'm not going to tell you anything about what it was." The strange presence of such passages was much more disquieting then their absence would have been.
So in conclusion, I'm glad this book included an appendix, and I do feel Hurston deserves some plaudits for writing what was eventually a stimulating autobiography.
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Sure, there are a couple of new excerpts worth reading (the one from Mary Woronov's "The Mole People is revealing), but for the most part, Sisters of the Extreme seems to be pandering to old YUPPIES who need a little stimulation. I swear that if I read ANYTHING by Carrie Fisher ever again, it will be too soon -- enough of the "I went to rehab and got a bad haircut" trip. Get over it.
In the introduction, the authors do say that they edited some excerpts for space and deleted others all together. When I got out the two editions and compared them almost line for line, I discovered a disturbing trend -- whereas Shaman Woman, Mainline Lady allowed one to take the writings at face value, Sisters of the Extreme has definite agenda. Sisters of the Extreme doesn't LIKE drugs. It doesn't want ME to like drugs. It wants me to be TITILATED by the writings. The difference is clear.
Sisters of the Extreme is a product of the times. It's been dumbed down and punched up. Sure, the authors include a couple of writings on sex magick and a few counter culture cartoons, but the overall smell of political correctness is stupifying.
The gist of my review is this: if don't already own a copy of Shaman Woman, Mainline Lady, go ahead and buy Sisters of the Extreme. Then, go on a quest for the Real Thing.
In the meantime, the use bibliography in Sisters of the Extreme to find and read the original sourced writings. You'll be glad you did.
As the God-Us dances about the universe, skirt swirling the galaxies, being on the fringes gives the wildest ride. This book is a travelogue by explorers of multi-dimensional realities written in white ink, from the heart of our Sisters-in-the-Clan-of-Encouragement: this book is a major herstoric contribution to the sext of human consciousness.
Jeannine Parvati (Baker) Author HYGIEIA: A WOMAN'S HERBAL
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I found in the reviews that there seemed to be 2 reasons that people didn't like this book:
1) kids forced to read it for school - I'm not surprised. If I was 14, I probably would have hated it too. Kids want books with action and a story.
2) suggestions that Maya Angelou is a racist - this book is told through the eyes of a young black girl who rarely met a white person and those she met treated her in ways that stripped her of her dignity and her personhood. Any negative feelings she had are entirely understandable.
Maya writes with honesty and such feeling that at times it is almost painful to read but I'm glad I did. I'll never know what it feels like to be black and the target of bigotry but Maya has helped me understand just a little by letting me walk a while in her shoes.
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Dr. Hicks' ministry has blessed the Louisville, Kentucky area for many years and we thank him for allowing God to use him for His glory!