I first saw this book on a friend's coffee table, noticing the narrow black and white image, and taking note of the title, I opened the book. My first words were "Oh, my God", the next sentence was "Jesus Christ this book is horrible!" I believe that an image can speak volumes, Without Sanctuary virtually screamed at me. I have an undergraduate degree in African American history and a master's degree in American history, I am extremely familiar with the subject matter portrayed in these pages, but to see that horrifying collection of gruesome images, in a postcard format was almost more than I could handle. In spite of the jarring effect the pics have on the viewer, I feel it is an excellent reference book and sheds valuable insight on the attitudes that formed the historical relationship between blacks and whites in America. I would highly recommend it to all people, especially white people, who often shy away from the more grusome parts of their past.

Once you see the pages, issues like racial profiling, proposition 209, Jasper, Texas, etc., and the continued discrimination of non-white people begins to make more sense.

The title of this book is appropriate too for it speaks to the fact that Black people were literally without sanctuary in the face of a lynch mob.

"Without Sanctuary brings to life one of the darkest and sickest periods in American history. . . . The photographs in this book make real the hideous crimes that were committed against humanity. . . .such atrocities happened in America not so long ago. These photographs bear witness to the hangings, burnings, castrations, and torture of an American holocaust." From the Foreward by Congressman and 1960's Civil Rights Leader, John Lewis. These lynchings are portrayed on picture postcards that were sent to friends and relatives of the lynch mobs. "At a number of country schools the day's routine was delayed until boy and girl pupils could get back from [viewing] the lynched man. . . .The degree to which whites came to accept lynching as justifiable homicide was best revealed in how they learned to differentiate between 'good' and 'bad' lynchings. . . .'The best people of the county, as good as there are anywhere, simply met there and hanged Curl without a sign of rowdyism. There was no drinking, no shooting, no yellings, and not even loud talking.' " The victims were Black and White, Male and Female, Young and Old. Some were burned after hanging, others were burned before hanging. California and Duluth, as well as Mississippi, Alabama and North Carolina lynchings are all represented. Even the Jew, Leo Frank, is photographed. Only 4000 copies of this first edition have been printed. "We must prevent anything like this from ever happening again."

If you are a collector of early photos,and you also collect books on early photo collections,this book is a must as an extremely important part of your collection.It contains several pages of readable text on some noted lynching events in small but sufficient enough detail,descriptions of plates and their photo types in the back,and what other early historical photo collection book are you going such a wealth of this type of portrait?I rate this one up there with Stanley Burn's sleeping beauty(another important photo collector book).There is no doubt that this book is a must!Just get it!

This is a book that had to be written and needs to be read by those who seek to understand Allen Dulles in greater depth. The author does break new ground and add valuable new detail to the history of Allen Dulles, and his hard work in bringing us this book merits appreciation. Having said that, I confess to three disappointments: 1) the use of years to demarcate the chapters, rather than meaningful titles, is both boring and representative of the book's lack of presentational "zing"; 2) the book obsesses on Allen Dulles as the center of the earth and leaves out the context within which Dulles achieved his successes-casual references to how he operated two additional French networks, for example, without covering the arduous and detailed path that led to the creation and maintenance of those networks, leave one feeling as if Dulles simply waved a magic wand to create networks whole-bodied and in full force; and 3) the conclusion of the book, purportedly a review of what Allen Dulles would see and feel if he examined today's intelligence community, is generally on target but rather terse-nothing that one could take to an incoming President to energize him into revitalizing and enhancing our national intelligence community. There are some gems in this book that reflect the author's dedication and merit notice: Richard Helms reflecting on how America came much too close to losing World War II; Walt Rostow on calming the Kennedy's and preventing a rash counter-attack once the Bay of Pigs was known to be a disaster-this is the stuff of history, and I therefore heartily recommend this book as a valuable contribution to our understanding of Allen Dulles' place in history.

This is a phenomenal book about both Allen Dulles and the intelligence world. If you have any interest at all in the subject, then put your pennies on the counter for a great read. Clearly Srodes has an inside track with the intel community and the reader benefits.

This is a wonderful biography -- lots of drama and dirt, spycraft and sleaziness. Srodes paints a vivid picture of Dulles -- he gets into the pores of the man as well as the young CIA. A great read.

The writings themselves are excellent. The print is often hard to read and the typeface varies from section to section. The introductions and footnotes show the editors biases and are best skipped -- let the writings speak for themselves.

This 10-volume set is a treasure trove of the writings of the early church translated into English, from the Apostolic Fathers to the Nicene Council. The problem with it is that it is only a reprint of a collection originally published in 1885. Because of this it carries over many of the pruderies Alexandria's Miscellanies (in volume 2 of this set) is printed only in enters upon the refutation of the false-Gnostics and their licentious tenets. Professing a stricter rule to begin with, and despising the ordinances of the Creator, their result was the grossest immorality in practice. The melancholy consequences of an enforced celibacy are, here, all forseen and foreshown; and this Book, though necessarily offensive to our Christian tastes, is most useful as a commentary upon the history of monasticism, and the celibacy of priests, in the Western churches. The resolution of the Edinburgh editors to give this Book to scholars _only_, in the Latin, is probably wise." In other words, because it may corrupt our Christian morals, we won't print it in the venacular, but instead keep it only in the hands of professors. This editorial decision was disgustingly illiberal; a scholar should make all information accessible. Besides, Clement of Alexandria isn't considered a heretic; he's one of the official Church Fathers. Now a decision like that may have been acceptable in 1885, but it can scarcely be defended today. I do not see what could have kept this set's reprinters from providing a translation of Book III, if only as an appendix. I have not noticed any other example of suppression in these volumes, although the fact that there is even one instance is disturbing. This only serves to convince me that a new, fresh edition of these writers is needed. Many new writings have been discovered in the century since, including complete books by Irenaeus, Hippolytus, Melito of Sardis - this alone makes a new collection desirable. In the late nineteenth century all kinds of collections of these early writers were being published - why not now?

This is the (basically) complete set of the Early church writings up until 325 A.D. These 10 volumes contain quite a lot of material. Volume 10 is actually an index of all of the earlier books. The complete works of Justin, Clement, Athenagoras, Ignatius, etc are found within. I agree with the other poster that there are some problems. The issue of new texts discovered is a big one. Since the time this series was published many new texts have been found, such as the Gospel of Thomas and 2 works by Origen. So that is an issue. Also the way they put Clement of Alexandria's third book in Latin is silly today. Luckily I managed to find another translation that had it. The third problem is the English is pretty stagnant at times. Its very stiff and complex at times, but I actually have come to like it (don't ask me why!). But I am still giving this 5 stars because the set is fairly affordable, and there is a lot of great stuff in here for the price. Virtually every pre-Nicene writing, from the Didache to Alexander of Alexandria's letters to Arius, is in here. I would never be without this set.

A good read, but I miss the comraderie and banter that goes on between Inspectors Alleyn and Fox, as well as the fingerprint and photography experts, Bailey and Thompson. It's strange, because I didn't feel the same way about _When in Rome_, where Alleyn is traveling outside of England, and therefore is without his usual force. Anyway, it's still a good read. Once again, the theatre becomes the stage for a murder, when a carefully timed birthday gag goes wrong and ends up killing someone who doesn't seem to have an enemy in the world. Taking place in New Zealand, Marsh gives the reader a good introduction to her native country.

Roderick Alleyn of New Scotland Yard is visiting New Zealand on holiday for health reasons in 1937 - a very long journey in distance, then and now, and in those days by sea voyage. He'll be away from Fox, Bailey, Thompson, and the rest of his team for quite a while - more than 3 months in New Zealand itself. The story opens during a long train trip across South Island with some of his fellow passengers from the ship - the Carolyn Dacres English Comedy Company.

Ms. Dacres is the sparkling leading lady; her middle-aged, humdrum husband, Alfred Meyer, runs the business end of the company. Hailey Hambledon, Carolyn's handsome leading man, wants her to arrange a divorce with Meyer and marry him. Carolyn refuses, claiming religious scruples; it's hard to say if Carolyn loves Hailey, or is merely being diplomatic. Some of the character actors have been gambling heavily. Valerie Ganes, a mediocre actress (a dilettante with a rich father) suffered the loss of a large amount of cash, but isn't keen on even a quasi-official investigation. Meyer's business partner, Mason, seems habitually worried about money.

Meyer *seems* oblivious to all this, and after a successful run in Middleton (fictional city), arranges an elaborate birthday party for Carolyn, with an eye toward publicity, and including a flashy gimmick of lowering a huge champagne bottle from the rafters. But someone apparently decides to launch a venture by aiming the bottle at Meyer's head.

At this point in his career, Alleyn had only had one murder case entangled with the world of the theatre - _Enter a Murderer_, which occurred 2 years before this story opens - so the matter of the earlier case (and the name of the murderer) are mentioned several times. In fact, a character actress in the company was a minor character in the earlier book. While one can enjoy and follow the plot of _Vintage Murder_ without having read the earlier story, it has added depth after reading the earlier book - and if they're read out of order, the solution of the earlier book is given in the 1st chapter of this book.

While this is only the second 'theatrical' case Alleyn investigated, several more were to come, and other changes took place shortly after the events in this book. Taking ship for the return journey to England as _Artists in Crime_, the next book, opened, Alleyn was to meet Agatha Troy for the first time. :)

Allen's grammar of Middle Egyptian is greatly to be commended. Based on a life of scholarship and teaching, his book has much to offer to students, specialists, and anyone who is fascinated -as I am - by the language and culture of Ancient Egypt.

Beginning students will appreciate his explanation of basic grammar, which is much more understandable and thorough than most other textbooks. The exercises, at the end of each chapter, are the best that I have ever seen. Scholars, and advanced students, will be grateful for the detail and completeness of Allen's work.

As one who has read through the book and worked all the exercises, I can recommend it without hesitation as a reference book for scholars, and as a textbook for university students. My only reservation is that the information presented is very detailed and complex, and likely to be overwhelming to a beginner. So, if you are a beginner, I would recommend that you read through an easier book, such as Collier and Manley ("How To Read Egyptian Hieroglyphs"), before you tackle Allen.

First, a couple of admissions. #1: I'm not an expert on Egypt, nor am I an academic, so I have no professional qualifications to judge this book. But I enjoy learning languages, and I know what works for me. #2: I'm only on lesson 7; I have not worked through the whole book.

This is one of the finest teaching grammars I have ever seen. It consists of 26 lessons, with exercises at the end of each. (The answers to the exercises are given in the back of the book.) The early lessons cover the sounds and the script, and Professor Allen moves on to the grammar beginning with lesson 4. The author does not assume ANY grammatical knowledge on the part of the learner; before getting into the Egyptian forms he explains, for example, what an adjective or an adverb is, and how they are used in English.

Each lesson introduces several related points of grammar, and there are plenty of examples given (Almost all the examples are given in hieroglyphs, with the transcription and a translation.). The short sample sentences at the end of each lesson illustrate and reinforce the grammar from the current lesson, as well as previous ones. And as I said, the answers to the exercises, and translations of all sample sentences are given so you can gauge your progress and understanding. Each lesson ends with a short essay about one aspect or another of the culture of Ancient Egypt. At the rear of the book there is a sign list modelled after Gardiner, and a dictionary of most of the words introduced in the lessons.

This is not "Hieroglyphs for Dummies"; you're going to need a lot of stamina and determination to work through this entire book. (It's a large book; I figure it's going to take me over six months of hard work to get through it, and I'm no slouch.) But if you're seriously interested in the language and culture of Ancient Egypt, and are willing to invest the time and energy, this is the textbook you want.

Finally, here is a book to replace Gardiner's Grammar as a teaching resource. Dr. Allen presents the current grammatical theories on Egyptian grammar in a logical fashion. His explanations are easy to follow, and he not only includes exercises, but also the answers at the back, a dictionary, and the all-important sign-list. Each chapter features an essay on one facet of the culture of Ancient Egypt which sets the language in context. The importance of this should not be underestimated, for attempting to read another culture's literature, without having a background in their religion, politics, and general world-view is generally futile.

This is however for the serious student of Egyptian, which is not an easy language to learn, particularly on one's own. There are other works available for those who just wish to be able to recognize common expressions on monuments while visiting Egypt. But this will quite likely prove to be the new standard in teaching and learning Middle Egyptian for the specialist and non-specialist alike. The tone is friendly and inviting, and will hopefully introduce many new readers to the wealth of Egyptian texts.

Although far less plausible and possessing characters of much less depth than Jules Verne's Journey to the Center of the Earth, Burrough's At the Earth's Core, despite some embarrassingly preposterous elements, is an entertaining read due to its well-rendered, imaginative fantasy setting and fast-paced swashbuckling adventure. The story is never dull, and the hideous and hypnotic bat-winged Mayars make for memorable villains. The depiction of a human sacrifice to these monsters halfway through the novel is particularly unforgettable. There is also a multifarious array of attacking prehistoric monsters, without the claustrophobic feel of the 1970's film.

Also recommended is Basil Copper's treatment of the descent-into-the-earth theme in his creepy novel The Great White Space, now unfortunately out of print.

For Edgar Rice Burroughs, life was relatively simple. Men fell into one of three categories: muscular heroes, ordinary types, and evil, greasy villains. Women existed primarily to act as universal lighting rods that attracted either the first or third category. Regardless of the universe that ERB wrote of, these constants held with predictable regularity. With the publication of AT THE EARTH'S CORE, he began yet another series that put the hero at odds with nature, evil doers, and beautiful, virtuous women. David Innes, the handsome hero, drills down to the center of the earth in a manner that brings to mind Jules Verne's tale, both of which posit a habitable, temperate core that supports a variety of lush, prehistoric life. Despite knowing that the earth's core was held to be molten, ERB did not hesitate to bend science for the sake of a good tale. ATEC possesses both the plusses of ERB at his best and the negatives at his worst. Like Tarzan, Innes is a likable, manly sort who feels at home regardless of whether home is a jungle or a tea room. The logic of how ERB gets his hero placed in an exotic locale is irrelevant and often purely unscientific. For his Martian (Barsoom) series, he merely had his hero, John Carter, gaze at the Red Planet to effect his transport there. For his inner world series (Pellucidar), Innes used a drill machine, a device that at least tries to be scientific. Once there, Innes has the necessary adventures with beasts, villains, and beautiful women, in this case Dian the Beautiful. The workings of the plot about how he finds her, loses her, and then finds her again are almost not to the point. Where ERB excels in his ability to place the reader, who is usually a 15 year old boy, in a realm that allows imagination to run riot. Events flow so smoothly that the youthful reader will probably overlook the negatives of ERB's prose style. In the world of ERB's muscular heroes, both hero and villain speak in the artificial, courtly dialogue that rings true only to the ears of the young. Coincidence runs rife to the point of ridicule. Beautiful women are haughty at first, but lusty later, and then only to the clean-limbed hero. His plots are often mirror images of one another. You can substitute the center of the earth for Mars, Venus, Africa, or wherever, and hero, villain, and lovely lady are interchangeable. Yet, despite all this, AT THE EARTH'S CORE is the kind of read that ought to be part of any kid's early mental universe. Reading Burroughs as a thirty year old requires a strong ability to suspend one's disbelief, but once having done so, the ride is usually worth the effort.

...so one day independently wealthy David Ennis is confronted by his scientist buddy Abner Peery who has just invented a vehicle that essentially drills through the earth. (If the reader is into descriptives it looks like the device Dr Evil of Austin Powers fame has devised to take over the world.) They decide, "Well, let's try it out." and the reader is then treated to a journey to middle earth which is similar to Jules Verne's, but not as serious. I would say that Burroughs brings us satire similar to Voltaire's "Candide" or Swift's "Gulliver's Travel". The inner world, Pellicidar, is one where if you are not careful, you can be awake for days because the sun never sets or rises--that sun being the molten earth core rather than the sun we all know of. In Pellucidar, the various dragons, apes, and reptiles and mutations of such, are heads of gangs, tribes and kingdoms in the middle earth. And the royalty has beautiful sorcery princesses like Dian the Beautiful, who David falls for and who leads him into an innerworld adventure taking the reader to an unforgettable serial-pulp style reading enjoyment. If you dig Robert E. Howard or Jules Verne or Rice Burroughs' Tarzan series you will definitely love this. My opinion is that this is one of those series that could stand some revamping and the reader will feel that this is somewhat dated but, I feel that it is still well-worth the investment of time and $.

An eminately scientific book. Uses phenomenological and imaginally accurate approaches to its topic, and offers rarely quoted material from psychoanalysis which will provoke irritated responses from those supporting the "accepted canon" of psychoanalytic literature. Little known (though accurate) citations of Freud and Jung broaden the discussion of psychology to include environment, to the chagrin of the traditional psychoanalytic establishment which gives little value to environmental influences on psychological health. Views presented here describe how an empathic relation with the environment is being dumbly, and politically, grandstanded as a regression to "the noble savage". Contrary to this "regressive" view the authors offer a vision in which person and environment are mutually effected. The book will prove its value with its revolutionary conceptual vision, and its practical application of ideas.

This is a highly informative book. It tells about people's different points of view on the highly volatile and up-and-coming field of ecopsychology. This book is a great source of information and knowledge of the field as well as it's a pretty easy read. I used this book as a jumping off point for research for my undergraduate thesis. If you are interested in environmental issues and psychology, read this book.

Assembled here are some of the leading lights of ecopsychology, with papers and excerpts from the books they've written: Roszak himself, Aizenstat, Hillman, Gomes, Glendinning, and on and on. A rare collection of important voices.

The idea of ecopsychology is to open up awareness to the unheard voice of the Earth. "Animism" is a 19th century assumption that assumes the world lives only to the degree we project into it. The authors here realize that animism is a reductionistic and outdated concept that only serves to justify the ongoing rape and dematerialization of the natural world--a world that in fact projects her presence into those of us who can learn to hear her.

This is not a back-to-nature project but a necessity if we are to preserve what's left of the Earth from our greed, haste, and the global warming of the psyche endemic to a society of rapacious and immature consumers too bent on private advantage to do what our ancestors did for a million years of history and prehistory: recognize and respect her personhood. And today, we can do so with all our critical faculties intact and a bit of help from green technics.

This tape is well done. The sound effects create an atmosphere that draws in the listener. The actors are dramatic, but not overly so. The short stories themselves are well written, delivering edge-of-the-chair suspense (or knee-slapping comedy, as the case may be).

As most net surfers are aware the Sci-Fi Channel's web site has included a section devoted to science fiction radio drama...Seeing Ear Theatre. One aspect of which includes originally produced productions cerated especially for the site and which has featured performances by many well-known SF actors as Micheal O'Hare,Mark Hamill,Marina Sirtis,and others. With a few exceptions, a lot of the dramas are based on recent short stories by SF writers such as Terry Bisson, Allen Steele, John Kessel and Gergory Benford. With the release of this audiobook editon(which includes introductions by SF's resident angry young{sic}man Harlan Ellison)now one can listen to these stories anytime you want. The best stories(IMO)are the Three Odd Comedies and The Death of Captain Future (which despite the pulpish-sounding title is a darkly humorous tale set in the future history of Steele's previous works such as Orbital Decay and Clarke County,Space). If you like audio drama-- especially newly produced audio drama...you'll love this collection and you may also want to check out Vol. 2 which should be on sale soon(I know I can't wait).

WOW what a story! Brian Smith could sell this as a short story by itself it is so good IMO. I just wish they sold a hard copy of these writings--not just audio! I have been reading Sci Fi for a long time. This guy is great! Reminds me of 2001, a space odyssey a bit. Worth the price just for this one folks! I noticed there are no other books by Brian Smith for sale on Amazon. What's up with that? He needs to write books, and Amazon needs to sell them--geez, do I make myself clear?

This book, by the editors of the Washington Post, does a good job of describing the events which led to the deadlocked 2000 Presidential election. In addition to detailing the paths which led to the deadlock, the book discusses all the post-election issues in a very readable format. Surprisingly, the books editors seem only slightly tilted towards Gore (especially considering it is the Washington Post, which is noted for its liberal bias), so no matter who you voted for, there is much to be found here for anyone with an interest in contemporary politics.

Two things struck me while reading this book, the first is that I doubt there is a book out there that is truly balanced and not somewhat biased. The second thing was that Gore really got the shaft, not so much by the recount wars, but by the election official that came up with the Butterfly Ballot. In the history of the USA this decision ranks up there with new Coke and the XFL, what a mistake. As far as the reporting in the book it was not bad for a review of all the articles they had in the paper, but it did not really dig into the particular issues very deeply. I wanted more detail and behind the scenes with both the candidates. I also wanted more details on the court cases; I felt like the sky-high overview of the issues of the cases did not do such an important issue justice.

In reading the book I think a little bit of a democratic bias comes out, just a little, but enough to notice. I also thought it interesting that they had far more details of the Gore group then the Bush camp, it follows the perception that the Post is somewhat liberal in its views. The book is an overview that came out almost 10 minutes after Gore hung up the phone on the second concession call so there are a few more details out now that they did not get in the book. Overall it is a good effort and a readable book, but not the end all be all on the subject.

Deadlock: The Inside Story of America's Closest Election is a workmanlike and emotionless recollection of the events surrounding the most controversial election of the past 100 years. It is a well organized, easy to follow and not visibly biased view of the relevant events leading up to and following the November 7 Presidential election. Seemingly accurate and double checked to a fault, reading this book left me with the impression that I had just read an excellent 275 page newspaper article and not much more. With almost no humor, lacking any sidebar comments, it is a book Joe Friday would be proud to call his own. While I am a Texan and Bush supporter, I much preferred Jake Tapper's Down & Dirty: The Plot to Steal the Presidency. I guess this means that like most people, when push comes to shove, I'd rather be entertained than informed. I do regret this intellectual weakness and like some of the votes in Florida I may change. But probably not in the next 36 days.

I have been a fan of the book _The Secret Garden_ since the first time I read it in grade school. I read the book a minimum of once a year - probably for 12 years. I was really disappointed in several versions of the movie I have seen. They either added weird scenes that were not true to the book or left out too many details for my liking. I know that I can't expect movies to stay entirely true to books - particularly when modern Hollywood makes a movie out of a children's literature classic... but this is absolutely the best version of the story I have ever seen as a movie.

I only gave it 4 out of 5 stars because they made a strange frame around the story - with Mary coming back to the Manor after the war and flashing back to the whole story. That in itself is fine -- but for some reason at the beginning a cat jumps out at her (and then instantly the flashback begins), why??? And at the end Colin comes and meets her in her garden and proposes... aren't they COUSINS?

This has to be one of my all time favorite Hallmark movies. I have seen other movie versions of "The Secret Garden," all of which seem much darker. I have to say, Hallmark has made the most enjoyable version of "The Secret Garden" to date. the childeren in this movie are wonderful.

Child characters: "Mary Lennox," spoiled, lonley, sad child. Taken from her home to live with a guardian in England after her parents death. "Dickon", Mesterious boy who communes with nature. "Colin," son of Mary's guardian, is hidden from society.

In the movie Mray sets out to find and unlock the secrets to the mesterious garden, making friends along the way.

The scenery in this movie is breath taking at times. One of Hallmarks best! A must have for any Hallmark Hall of Fame fan. Good to have in any movie collection!

Little spoiled Mary Lennox is orphaned in India and sent to live with a distant relative. Alone and scared she has to learn the English way of life. Martha her maid teaches her how to dress herself, and gives her a jump rope opening up a whole new world to Mary. The gardens of the 100 room mansion. Here she meets the head gardener and learns of the Secret Garden. Mary also finds that there are many other secrets in this house, her hunchback caretaker that seems so sad, and the crying at night.

The setting of Yorkshire England and the rich cast of characters including the maid Martha, Dicken, Martha's brother, and many others make this a wonderful book for all ages. I have read the secret garden hundreds of times and each time I get something new out of the book. It's a true classic.