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The story of Tyrus Raymond Cobb is one that will forever be both myth and fact blended together. What this book does is gives the reader a greater understanding and appreciation of a man who ruled baseball for more than 20 years.
You look into the history of more than baseball; you'll see the life outside of baseball, and the life most people never knew. Walk through the past and relive the glory of the game with the greatest hitter of all time. What this book reveals is more than sports history, it's far more.
Ty Cobb is baseball and Ty Cobb the man is more than the legend. The book is must have for those that love baseball. You'll find yourself captured from page one. A real hall of fame book about a real hall of fame player.
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"a terrible beau- ty a terrible beauty a terrible beauty a horn" --Elizabeth Alexander, "John Col"
The parallel of Ireland's War for Independence to John Coltrane's jazz at first may strike some readers as a stretch. However, through the pen of Elizabeth Alexander, an African-American poet who manages to discuss at once important issues of race and myriad topics within history, art and music, any connection is elucidated with eloquence and power. In "The Venus Hottentot," Alexander's first book of poems, the subjects range from personal memory to entire cultural memories to human subjects: John Coltrane, Romare Bearden, Claude Monet, a rare black cowboy. In the fourth section of her book, Alexander's essential message is one of unity in difference. "I could go to any city/ and write a poem" she states in "Miami Footnote." And she does, writing out of Boston, Philadelphia, Brooklyn. Her subjects are black, Hispanic, and the eye with which she paints them has its own form of the Monet's xanthopsia in "Monet at Giverny." Colors fade from the black and vivid blue of Bearden's collages into "yellow freesia," "red notes." In "Today's News", she states that "blackness is" is a poem she does not want to write, because "we are not one or ten or ten thousand things." The reader stands looking up and around at the montage, a Diego Rivera mural surrounding one with "walls and walls of scenes of work." The "Painting" is effusive, so why not include the Irish? Out of the clashes of culture, the curious, though ignorant, manipulation of a race in "The Venus Hottentot," a "terrible beauty is born." Alexander sees this beauty in all its colors and musical shadings, none of which alone can describe a situation. Shading her vision with Irish green or Monet's blue, she lives true to the words of "Today's News": "Elizabeth,/ this is your life. Get up and look for color,/ look for color everywhere." Perceptive readers would do well to join Alexander in her search; they just might find something unexpected and lovely.
It helped me understand the forces that shaped this man.
My favorite areas are
The assorted photos of his father "Many Lightnings", his wife, his son Ohiyesa at the age of 5.
Events that occured while he was attending school in the East, and the bigotry he encountered from "SOME" white people.
Events where he served as a medical doctor on the Pine Ridge reservation, and caring for the survivors of the Wounded Knee masacre in 1890.
Events where he traveled among various indian nations to get items used by indians for museums.
Events where he worked with the Boy Scouts and Campfire Girls.
And much more.
If this book is your introduction to the writings of Ohiyesa; I would recommend that your next purchase would be "The Soul Of The Indian".
Wah doh Ogedoda (We give thanks Great Spirit)
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In the end they all share the same strengths and weaknesses.
For a straightforward narrative of the key points of Hornsby's career and life, this is perfectly OK.
But the book really stays on the surface. For example, there is never any in-depth discussion of techniques of batting or fielding. It's like reading a book on Napoleon without finding anything about the nature of warfare in the period.
Also, there is very little meangingful discussion of Hornsby's relative baseball greatness. Alexander doesn't need to become a zealous SABRmetrician, but some basic statistics about Hornsby and others (beyond saying what the average batting average for the league was in a given year) seems called for. Alexander doesn't even include a table or appendix with Hornsby's basic statistics.
I've given this 3 stars, because for the general reader it's OK. If I were rating it as serious history, I'd give it a 1. You come away from this book unaware that there have been lots of serious books written about baseball and its relation to society. Alexander's attempts to provide historical context are embarassing--on the order of, "The same continued hot, dry weather than made the Great Plains a Dust Bowl was present on Opening Day 1936 [my paraphrase, to be honest]".
In short, there is the same strain of intellectual laziness in this book that I saw in his others.
While not hated like Ty Cobb, Hornsby certianly had just as few friends. He was cold, short with people, humorless and offensivly blunt. His personality got him traded, fired, divorced and shunned. Alexander doesn't try to add personality where Hornsby didn't have one. He let Hornsby's baseball tunnel vision be the focus. Blunt- just like Hornsby.
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In short, don't buy this if you're just starting web development, I would recommend you learn HTML and one server side language (ASP, ColdFusion, etc.). If you do that, then you're ready to learn WAP with this book and build some truly awesome stuff for the ever blooming wireless world!
this book was made for you.
Very good!
The writing style is absolutely excellent and gives clear tips on code optimization and performance. I have read literally dozens of different books on WAP, and none has been so specific. Although this book is not for total beginners, it is, in my opinion, good for anyone who wants to advance their career on the web or become an WML developer. This is definitely a book you will want to read from cover to cover, and use as a reference!