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Conrad Ekstrom WB1GXM/KB1CCA(GEARS) ADVISOR GOSHEN-LEMPSTER EDUCATIONAL AMATEUR RADIO SOCIETY EST 1989
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John Abbot, like the region in which he worked, was an odd little man who possessed many of the qualities we long for in this country but, some would say, have lost. His tenacity, integrity, adventurousness, artistic ability, and business acumen should have gained him the fame of his more documented colleagues--but then maybe the jewel that is hardest to find shines brightest.
Certainly, this book is a gem. The illustrations are first rate, and the text is even better, with just that touch of British whimsey and the art of understatement to make it all the much better. It is written in an almost off-hand style--but don't be fooled. The research that went into it is first rate and very complete. Relax. This is not the dry, musty tome of History 101--it is full of life but has a casual feel, like a favorite coat that is constantly worn. And that befits the man about whom it is written: a common man, of uncommon traits. Enjoy!!
This books is a fascintating account of John Abbot, his life and his work. It is also a visual treat and if you are interested in the history of natural history or as a naturalist or a art lover I would highly recommended it. The publisher, Merrell Holberton is publishing a series on other Natural hisory artists that have not been published or are lesser known. Enjoy!!
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A wonderful essay by John Lahr chronicles his life, from the tough streets of Hoboken to a room in Beverly Hills shortly before his 80th birthday. A now well chronicled life, but captured by Mr Lahr in all its complexity and contradiction.
At the heart of this life was his great gift - singing. At the very end, in the Beverly Hills room, surrounded by Bruce Springsteen, Bob Dylan (what were they doing there?) Steve Lawrence and others, he insisted on singing the solo. It was his right then, as it had been his right throughout his life. And he was undeniable.
A beautifully designed and produced book, it is adorned with a perfect selection of photographs to complement the essay. Look at the faces on page 102, completely transfixed by "The Voice" and see what James Agee called "an erotic dream".
A must have for Sinatra fans, and anyone fascinated by popular culture.
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