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What ought to be of interest to an ABBA fan is that the photos in this book are quite revealing. How often was it pointed out that Agnetha and Frida did not get on very well- but the pictures printed here tell a different story. You see the two women embracing each other and smiling happily into the camera, you see them backstage before the "Dick Cavett meets ABBA"-show helping each other with their clothes, their make-up, hugging each other. There are also photos from Stig Andersons 50th birthday party with Agnetha and Frida as part of a ladies choir- and dancing next to Agnetha is no one else but Lena Kallersjö, Björn's second wife. So one gets to learn that even those two didn't hate each other.And that is the wonderful thing about this book- by looking at the pictures you realize how many of those speculations during ABBA's heyday were false and untrue.
The quality of "From ABBA To Mamma Mia" is quite astonishing. The lay-out is perfect, with the four letters on the cover printed in silver and the pictures are simply beautiful. You want to look at them again and again because you see snapshots from a video-shooting that you have never seen before or photos from recording sessions that were never published.
Another big plus is the fact that Anders Hanser even took photos during the "solo-years". He took many pictures of Frida's two recording sessions for "Something's Going On" and "Shine" and photographed Agnetha during recording sessions for "WRap Your Arms Around Me".
One small (in fact, very small) disappointment is the fact that Anders Hanser got to know the group as late as in 1977- so therefore there are no photos of ABBA from former years. The first photos by Hanser were taken during the recording sessions for "Chiquitita". But considering all the information you get from this book you easily forget that you'll find nothing here about the years 1972-1976.
I think this is one of the best books that were ever written about ABBA and the group themselves seem to think the same- because it's the first time that all four of them have written the foreword to a publication about ABBA.
So, even if it's a little bit expensive- if you're a fan you hardly will be able to resist such a wonderful piece of work about a group that dominated the pop world for almost ten years.
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His post-ABBA opinions are even more downbeat, particularly in regard to Chess. He complains about the number of styles used - but anyone familiar with the way Lloyd-Webber and Rice worked would know that that was how they put musicals together, and that was the template that Benny and Bjorn worked from.
Nevertheless this is a superbly researched book which contains probably as much as anyone needs to know about ABBA's formative years
Part I is gripping from the start of Chapter 1. I was impressed for several reasons. First, the personal and industry backgrounds on the four members and Stig are usually glossed over in other books. Here, the sketchy details are fully filled in, and it's
fascinating reading.
Second, Carl Magnus Palm puts everything in its cultural and historical context with information about the regions where each member grew up, the origin of the various Swedish charts etc. He expresses an authentic feel for the times and for his country
and its people.
Third, the narrative flows beautifully. Although it's largely chronological, it feels fresh - the first four chapters don't just go through each member one by one, the book has been better planned. It seems perfectly natural that we don't arrive at the childhood of the youngest member, Agnetha, until we've learnt about Stig's background and followed the others into their teenage years.
There isn't as much public information available about each member's childhood, which must have made it difficult to piece a lot of these facts together. The book really begins to hit its stride with the early chapters of Part II. In Chapter 12, Palm
begins to weave the various stories together. There's such a lot that isn't known about ABBA's formative years, there's a real joy of discovery in these chapters. Palm's tone is also more assured at this point - he slips in some reasoned criticism of each member's early recordings - and he injects some satirical, but affectionate, humour into the reportage. I loved the style on pages 177 and 178, for example, when Agnetha recounts her "baking accidents" and the bemused tone when Frida decides to throw it all in and "become a clothes designer".
An impressive feature of the book is its succinctness. That may sound funny, since BRIGHT LIGHTS DARK SHADOWS is over 500 pages, but it's a fair assessment. The Habari Safari movie takes up about a page; the progg movement is concisely charted and explained in a few pages. He sums up the sound and limitations of Gemini in one pithy phrase - "studio product, shoulder-pad music sorely lacking in soul" - and is equally spot-on with Agnetha and Frida's 80s solo efforts. Although I didn't accept his criticism of Djupa Andetag, it is a rational critique, and I admittedly suffer the disadvantage of not being able to understand the album's lyrics in their natural language.
Part III - The Time is Right - covers Waterloo through to 1982. The material is generally more familiar here; for instance, I could usually be sure of what incidents would be included in each chapter (other fans, as opposed to the general public for whom this book is also written, may be as acquainted with this part of the ABBA story to feel the same).
Fortunately, although a large part of this slab of the book is taken up with recounting events, Palm is not writing a mere overview of the ABBA years. He's writing a biography, and the significance of events on ABBA as people is analysed; he keeps
sight of the biographer's purpose in representing the big picture. Occasionally, this is of necessity a little strained - the psychoanalysis of Frida (p. 508) didn't entirely convince me, for example.
After reading BRIGHT LIGHTS DARK SHADOWS, I've learnt as much as I think I'll ever know about the people that make up ABBA. Ultimately, it's eye-opening and - towards the end - dispiriting reading. But you get a real sense of the demands and pressures that they were going through - the chapter on 1978, supposedly a quiet year for ABBA, makes this plain. As the business side of Polar consumed Stig, and the marriages collapsed, I think it's clear that the ABBA "magic" was a relatively short-lived
alchemy of personality, managerial drive, talent and determination in a specific historical and cultural setting. But it wasn't a fluke - it wouldn't have lasted as long, over as many unambiguously great albums, if it was.
You'll understand a lot more about ABBA, and I think you may even better appreciate the music, after reading BRIGHT LIGHTS DARK SHADOWS. It's the first real biography of ABBA but, more than that, it's the definitive biography. And it's the standard against which all future attempts at retelling the ABBA story will be judged.
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In addition to its candor and appealing presentation, Milani's memoir contains a number of interesting points. His early recollections reveal a dislike for Islam whose expression is most unusual in the post-Rushdie era. "My childhood was contaminated with religion. . . . Religion was synonymous with mourning and fear . . . [and] with incomprehensible rituals, occasionally violent, often filled with the pungent odor of body sweat." Beyond religion, his unhappiness followed from an adult attitude that "Children were necessary nuisances." Khomeini's unexpected success caused Milani to acknowledge his own ignorance about Iran and prompted him to do some serious rethinking. Also of note is the improvement in the shah's jails that followed from Jimmy Carter's efforts: "While I do not know how history will judge his presidency, I know that because of his human rights policy, I, and many like me, were spared much suffering."
Middle East Quarterly, June 1997
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What Abbas does: After reading this book (or at least skimming the pictures) you will be able to read the abstracts for immuno journals; you'll be able to say "I vaguely understand why the heck this journal article is important/furthers knowledge of immunology".
Pros: The most up-to-date (more recent than Janeway). A proven favorite of grad students. The pictures are easy-to-follow and demostrate all the main points. In fact, it may be better not to read much of the detail filled text, if you just want general knowledge. Little text boxes that highlight a technique, a historical development (e.g. how they cloned T Cell receptor). Nice section in the back on common lab techniques. Nice chapters on clinical correlates (human disease).
Cons: It is not comprehensive (like Paul's Immunology) nor is it meant to be comprehensive. The signal transduction is hopelessly out of date (all textbooks will fall behind rapid developments in sig transduction).
Geeky immuno nit-picking: Some controversial topics are presented as gospel (for example, anergy and the 2-signal hypothesis, which has not been convincingly demonstrated in vivo "natural system"; if you don't know what i'm talking about, don't worry about it).
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This is a must read for anyone interested in how foreign policies are formed. Loved the section on the inherent contradiction between what is good for he country vs what is good for oneself.
I particularly liked some of his analyses of the United Nations and the challenges it faces because human beings see themselves as part of a nation-state, not as citizens of the world. He gives the example of the first men to walk on the moon who planted an American flag. Nobody thought about planting a flag from "Planet Earth".
Like a true talmudic scholar Eban is quick to see both sides of an issue and a central theme of the book is that you can't look to the past to predict the future. He gives example after example where surprises occurred in recent history that nobody had ever expected or predicted, such as the collapse of the Soviet Union.
As I'm not that acquainted with many details of history I found some of the book a little dense. I had to read the chapter on the Oslo Accords twice with a yellow highlighter in my hand to finally understand. This was a peace accord negotiated in Norway in 1992 which led the historic photo of Arafat and Rabin shaking hands. It worked because the Norwegians are neutral. He feels that when the U.S. tries to broker a peace agreement, it creates problems because everyone knows that Israel is a U.S. ally. We have all see the latest peace negotiations on American soil fall apart in the past few months which definitely illustrates this point.
The book whetted my appetite to learn more and that is good.
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Abbas creates a clear picture of how the Shah was running Iran. He points out the good and the bad (not so good) side of Hoveyda, as well as telling us who were the goods, the bads and the uglies of Iran under the Shah.
Iranians might have thought they knew Hoveyda, but by reading this book they will realize they really didn't know anything about Hoveyda!
I certainly have a much better understanding of why the Iranian revolution happened after reading The Persian Sphinx.
The Persian Sphinx is a must read book for any one who is interested in Iran and it's history.
I would like have all videos of ABBA in DVD.
I'll wait news.