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The author writes with the same love for the land that I have, but with much more knowledge. He really enjoys the wonderful details that exist in a forest, and he illuminates them with clear explanations of how the landscape has evolved. The general tone of the book is one of guided investigation for the curious, so there is a great deal of warmth in it.
I don't know how well it works for those who do not have a basic knowledge of trees. If you are not already familiar with the different kinds of tree, you may want a tree identification book too.
I can't give this book five stars because the illustrations were not as helpful as I would have liked. I wanted color and a better sense of the textures. Illustrations of indicator plants would have been a big bonus in the appendix, and I wish they had been provided.
For a more technical book, see Working with Your Woodland by Mollie Beattie. It contains more information and is geared to the landowner, but it doesn't have nearly as much soul. For example, Wessels' book describes stumps with a keen loving eye. They barely get a mention in Beattie's book, and their significance is lost.
Each chapter focuses on a single form of disturbance - either man made or natural - that impacts the region's forests. The chapters focus on logging, pasture abandonment, fire, beaver activity, blow downs, forest blights, topography and substrate and their impact on the plants located near these disturbances.
Each chapter discusses the disturbance and then in a section entitled "A Look Back" the disturbance is related to the site's natural history. This new way of seeing a forest and its history adds to my walks in the woods. I feel a connection, a reverence, an enhancement and an inclusion that was not part of my previous walks. Although most of my hikes are in the Green Mountains of Vermont, I am convinced this process of reading the forest can be applied to any woodland in North America.
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If Annie Dillard had abandoned Tinker's Creek and taken a pilgrimage across America, she might have written books comparable to Teale's opus magnus.
The author and his wife, Nellie are the grandparents everyone should have, pottering about the country, writing reams of lucid prose about their adventures. Teale's warmth and breadth of interests sustain our attention through the migration of a pod of gray whales, the discovery of hibernating poorwills in the lower Colorado desert, giant beavers on the Missouri, or a night in the 'sugarbushes' of New Hampshire. The pace might seem a bit stately to some readers, but Nature is stately. This is a trait that ought to belong to naturalists. It is the antithesis of the TV generation's notoriously short attention span.
Here then are the subjects in one chapter of the Teales' leisurely journey, "The Diamond Farm:" 'Plowing for diamonds'--'Two shining pebbles'--'A crop of precious stones'--'The volcanic matrix'--'Kimberlite rock'--'A quiet interlude'--'Diamond in the mud'--'The elegant searcher'--'Doodlebugs'--'A rare example of credulity'--'A turtle-carrying spaniel'--'Law of the White Queen'--'Sorghum molasses'--'Edge of the Ozarks'--'"Ridge runners"'--'Contracted names'--'The brown, historic river.'
Teale's black-and-white photographs form a meticulous record of their journey through an American winter, including one of Nellie in her hat, long coat, and stout walking-shoes amid wind-formed gypsum dunes. It is easy to fall in love with these books, and the couple who lived each chapter.
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