
Used price: $36.77
Collectible price: $25.41
Buy one from zShops for: $38.51



It reads like a novel, fast paced, and it is hard to put down. I meant to look at it before going to sleep, but instead read it to the end, finishing in the morning. As a professional mathematician, I am often saddened by how little our work is perhaps understood and appreciated. Books like this can do a lot of good. I can now tell my children that dad does stuff like that.
The author brings the events and the mathematical people to life, and he has a story to tell. This book is and will be a success for a long time to come.


List price: $19.95 (that's 20% off!)
Used price: $10.57
Buy one from zShops for: $13.82





List price: $16.95 (that's 30% off!)
Used price: $2.84
Buy one from zShops for: $5.95





Used price: $4.50
Buy one from zShops for: $6.40





Used price: $8.47



Loyal to his beliefs he abhorred the institution of slavery and did everything within his power to have it abolished in his lifetime. Unlike many of his contemporaries who opposed the slave trade for political reasons, Rush believed that the slaves themselves deserved equal rights with rest of mankind! He proved his sincerity by using a section of his own land to erect the very first community in the American colonies for 'Free' men of color. Including building them homes and a church and supplying a black clergyman for their spiritual needs. Why isn't this taught in our public schools?
We live in a day when the foundations of our history have been twisted and distorted almost beyond recognition. The average high school student today could no more tell you why the American Revolution was fought or WHO it was fought against! As for the framers of our Constitution and Declaration of Independence, the only frame of reference our young people have is what comes out of the movie studios of Hollywood. The result is a darkened understanding of the legacy these men left behind and a 'warped' view of their outstanding accomplishments in a time when Liberty was unknown in the earth.
Men like Benjamin Rush are avoided like the pledge because they fail to meet the 'criteria' of the modern education system. Rather teach the students that our founding fathers were all bigots, slave-owners and rich white plantation holders. Condemn them all for the faults of a few. Don't focus on the accomplishments of men like Rush, Adams, Franklin and others, who dedicated their lives to struggle for human liberty. Instill into our youth the 'humanistic' spirit that destroys a respect for the dignity of mankind and discards Liberty as morally repugnant.
Those of a mind study the life of this man and see for yourself the heights from which we have fallen. If you have children trapped in our deteriorating public school system, consider the difference godly values would make in their continuing education. May this book then serve as a framework to rebuild the family unit and motivate our young parents to 'train up a child in the way he should go, so when he is old he won't depart from God!'

List price: $20.00 (that's 30% off!)
Used price: $4.95
Collectible price: $10.59
Buy one from zShops for: $4.99



Ben Bradlee - Author of That Special Grace, a tribute to John F. Kennedy, Bradlee is a vice president at the Washington Post. He previously was the executive editor at the Post who oversaw reporting of the Watergate scandal.
David Maraniss - A reporter at the Washington Post since 1977, Maraniss earned a Pulitzer Prize for National Reporting for his coverage of Bill Clinton's 1992 presidential campaign. He subsequently wrote the Clinton biography, First in his Class. His latest book is When Pride Still Mattered: A Life of Vince Lombardi.
The "Power and the Presidency" series was created on behalf of the Montgomery Endowment by alumnus Robert A. Wilson of Dallas, a communications consultant who put together a similar series, "Character Above All" (dealing with the impact of character on presidential leadership) in 1994 at the University of Texas at Austin.


Used price: $14.95


For several years, I have been using the Kennedy anthology to teach the introduction to literature class to university students. I am reasonably satisfied with the current text, although the price seems rather high. I have had some reservations about the selections in poetry because Mr. Kennedy has insisted upon calling popular songs "poetry" and implied that a few of the pop songs by Run D.M.C., Paul Simon, Bessie Smith and Clarence Williams, and the Beatles are the equivalent of real poems. Sometimes a student will become angry because I will not accept a paper on a pop song.
This 60's kind of nonsense (like "The Poetry of Rock") should have remained in the 60's. Shamelessly, however, Mr. Kennedy and his publisher seem to pander to what is perceived as students' tastes. I note that at the back of the volume is a form soliciting students' opinions of the selections. There is no similar form for teachers.
I am especially disturbed by this new edition because the claim to "international and multicultural coverage" has evidently meant the deletion of a great short story, Leo Tolstoy's "The Death of Ivan Ilych." I guess, in the minds of the compiler and editors, the inclusion of additional "student essays" was more important than the inclusion of a great story. (Frankly,I--and I suspect many others--could do with fewer student essays and more essays by professionals.)
In a recent article in "The Chronicle of Higher Education" (Feb. 12, 1999), Professor James Shapiro (Columbia) laments, "When Brevity Rules the Syllabus, 'Ulysses' Is Lost." He goes on to say that because of the current demand for brevity, we can "forget about 'War and Peace'--'The Death of Ivan Ilyich' is fast becoming Tolstoy's representative work." If Kennedy's 7th edition of "Literature" is any indication, however, we can forget about Tolstoy altogether.
Maybe some caring people could get together and demand that Tolstoy be put back.

I'm suprised, however, at the reviewer's comments above. Yes, Kennedy includes rock songs in the poetry section, but claims dismissing their inclusion are faulty for two reasons. 1)Rock lyrics, whether you're fond of them or not, do qualify as poetry (they are verse, after all and whether or not rock and roll lyrics stand as "good" poetry is a completely separate issue) and 2)Despite the fact that popular lyrics are included in the poetry section, the canonical giants are still well-represented (no need to fret, Whitman hasn't gone anywhere). In other words, if you dislike the rock lyrics, well, simply don't teach them.
More importantly, in a field as diverse and (usually) liberal as literature, I'm shocked that people still complain about multiculturalism and international literature "taking away" from established great texts. Isn't this PC debate over? Haven't we all now simply accepted the fact that including diverse texts isn't a PC issue but rather an issue of good old common sense? Does anyone really still question the validity of marginalized (yet talented) voices being heard? Hasn't liberal humanism (at least in its problematic manifestations) been successfully deconstructed? Frankly, I'm frightened to think how there are English instructors out there actually arguing AGAINST diversity. Then again, I'm also incredibly naive.
Lastly, I like lit textbooks that include examples of student essays. I employ a workshop method in my class and my students and I look at a variety of essays throughout the term--from established professionals, from students, and from me. Students are too often bombarded with "professional" examples of what they are expected to produce. Why not include examples of reasonable essays that are more or less within their rhetorical reach?

Even better, the sections are organized along themes in order to teach the student (or interested reader) how to appreciate the various forms. So the poetry section has sections on sound, figures of speech, rhythm, closed and open form, etc. I suppose this comes from it being a textbook for undergraduate courses - in any case, it pays off. I've learned a tremendous amount already. It's all in very easy to understand non-technical language, too.
At the end of the book, there is even a brief section on various forms of literary criticism. The book contains numerous student essays, brief author biographies, reflections by the authors on their own works (this is really great), and it reflects a really broad range of genres and time periods (unfortunately the section on haiku is plagued by bad translations, and there aren't enough examples of Chinese and other Japanese poetry... oh well!). There is also an emphasis on getting the reader to practice (and write for him or herself) what is being taught. So if you want to be a writer, this is great.
If you're a beginner interested in getting into literature, this is really a great way to do it. Don't be put off by the massiveness of this book - it's really a resource. Just start in one small place (I started in 'poetry') and work your way around. It will definitely increase your appreciation for literature.

Used price: $1.98
Collectible price: $3.69
Buy one from zShops for: $1.79





Used price: $11.95
Buy one from zShops for: $15.40



Used price: $1.88
Collectible price: $5.75
Buy one from zShops for: $9.99


Energetically researched, Yandell's book naturally presents numerous morsels of biography, spotlighting the eccentricities, the sobrieties, the childhoods, travails, philosophies (he got me to understand, finally, why the intuitionists cared so much about their program), and politics of the members of the Honors Class. But from all these snippets, what emerges is a biography of mathematics itself in the 20th century; a sense for the marvelous, moving, growing organism that has been the mathematical quest.
Many bright men and women, many geniuses, populate these pages. But with two exceptions (Georg Cantor, the mystical grandfather of modern logic and set theory; and the remarkable Teiji Takagi, who built Japanese mathematical culture, and the class field theory that led to solutions for three of Hilbert's 23, all seemingly with his bare hands) they didn't wield their chalk in solitary splendor. They formed a web made of learning, mentoring, competing, collaborating, inspiring; a web that converged on and spread out from two tumultuous epicenters of the century's math activity: Goettingen in Germany (until Hitler drove out all its best minds), and Princeton's Institute for Advanced Studies.
There are four parts biography to one part math here. That should make the book as approachable for laymen as it is delightful for the math sophisticates who'll get to put faces on all those familiar old names. The address in which Hilbert set out his problems is given in full as an appendix; and those who wish to pursue the technical topics further get a bibliography rich enough to keep them occupied for years.
You'll get only tantalizing tastes, best in the earliest and latest chapters, of the nitty-gritty content of 20th century mathematics. But you will get a doubleplusgood, full-length portrait of what it became as a social and cultural enterprise.